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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #106BAACE it is the complementary color #EF9455CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #106BAACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #106BAACE shade: #156BA5CE, #267DB8CE, #378FCBCE, #48A1DECE and #59B3F1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #106BAACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #106BAACE shade: #106BAACE, #005997CE, #004784CE, #003571CE and #00235ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #106BAACE shade: #106AA8, #1041A8, #1017A8, #3110A8 and #5A10A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #106BAACE shade: #106AA8, #1041A8, #1017A8 and #1010A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #106BAACE shade matches the following richer shades: #106AA8 and #016CB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #106BAACE shade: #106AA8, #1E6799, #2D648A, #3C627B and #4B5F6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #106BAACE shade: #10A894, #1094A8, #106BA8, #1042A8 and #101AA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #106BAACE shade: #093A5C, #0C5282, #106AA8, #1381CE and #2097EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #106BAACE shade: #106BAA, #6B10A8 and #A8A810

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #106BAACE shade: #106BAA, #A8106B and #6BA810

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #106BAACE shade: #106BAA, #6B10A8, #A84D10 and #4DA810

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #106BAACE shade: #106BAA, #9910A8, #A84D10 and #1FA810

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 30 / 0 / 27

HEX #106BAACE

RGBA 16 107 170 0.81

HSLA 204.55, 0.83%, 0.36%, 0.81

LABA 43.55, -0.87, -40.54, 0.81

 

Complementary color

CMYK 0 / 31 / 52 / 5

HEX #EF9455CE

RGBA 239 148 85 0.81

HSLA 24.55, 0.83%, 0.64%, 0.81

LABA 69.6, 28.72, 47.05, 0.81

 

CMYK 71 / 28 / 0 / 29

HEX #156BA5CE

RGBA 21 107 165 0.81

HSLA 204.17, 0.77%, 0.36%, 0.81

LABA 43.35, -2.5, -37.91, 0.81

 

CMYK 64 / 26 / 0 / 23

HEX #267DB8CE

RGBA 38 125 184 0.81

HSLA 204.25, 0.66%, 0.44%, 0.81

LABA 50.14, -4.59, -38.22, 0.81

 

CMYK 59 / 24 / 0 / 17

HEX #378FCBCE

RGBA 55 143 203 0.81

HSLA 204.32, 0.59%, 0.51%, 0.81

LABA 56.85, -6.19, -38.47, 0.81

 

CMYK 55 / 22 / 0 / 10

HEX #48A1DECE

RGBA 72 161 222 0.81

HSLA 204.4, 0.69%, 0.58%, 0.81

LABA 63.46, -7.44, -38.69, 0.81

 

CMYK 51 / 21 / 0 / 4

HEX #59B3F1CE

RGBA 89 179 241 0.81

HSLA 204.47, 0.84%, 0.65%, 0.81

LABA 69.98, -8.43, -38.89, 0.81

 

CMYK 73 / 30 / 0 / 27

HEX #106BAACE

RGBA 16 107 170 0.81

HSLA 204.55, 0.83%, 0.36%, 0.81

LABA 43.55, -0.87, -40.54, 0.81

 

CMYK 81 / 33 / 0 / 33

HEX #005997CE

RGBA 0 89 151 0.81

HSLA 204.64, 1%, 0.3%, 0.81

LABA 36.7, 2.05, -40.14, 0.81

 

CMYK 81 / 37 / 0 / 39

HEX #004784CE

RGBA 0 71 132 0.81

HSLA 207.73, 1%, 0.26%, 0.81

LABA 29.84, 6.01, -39.52, 0.81

 

CMYK 81 / 43 / 0 / 45

HEX #003571CE

RGBA 0 53 113 0.81

HSLA 211.86, 1%, 0.22%, 0.81

LABA 22.79, 10.33, -38.93, 0.81

 

CMYK 81 / 51 / 0 / 51

HEX #00235ECE

RGBA 0 35 94 0.81

HSLA 217.66, 1%, 0.18%, 0.81

LABA 15.54, 15.12, -38.31, 0.81

 

CMYK 90 / 37 / 0 / 34

HEX #106AA8

RGB 16 106 168

HSL 204.47, 0.83%, 0.36%

LAB 43.13, -1.04, -40.02

 

CMYK 90 / 61 / 0 / 34

HEX #1041A8

RGB 16 65 168

HSL 220.66, 0.83%, 0.36%

LAB 31.16, 26.08, -59.33

 

CMYK 90 / 86 / 0 / 34

HEX #1017A8

RGB 16 23 168

HSL 237.24, 0.83%, 0.36%

LAB 22.12, 50.96, -74.25

 

CMYK 71 / 90 / 0 / 34

HEX #3110A8

RGB 49 16 168

HSL 253.03, 0.83%, 0.36%

LAB 23.17, 54.93, -72.45

 

CMYK 46 / 90 / 0 / 34

HEX #5A10A8

RGB 90 16 168

HSL 269.21, 0.83%, 0.36%

LAB 27.77, 58.43, -64.7

 

CMYK 90 / 37 / 0 / 34

HEX #106AA8

RGB 16 106 168

HSL 204.47, 0.83%, 0.36%

LAB 43.13, -1.04, -40.02

 

CMYK 90 / 61 / 0 / 34

HEX #1041A8

RGB 16 65 168

HSL 220.66, 0.83%, 0.36%

LAB 31.16, 26.08, -59.33

 

CMYK 90 / 86 / 0 / 34

HEX #1017A8

RGB 16 23 168

HSL 237.24, 0.83%, 0.36%

LAB 22.12, 50.96, -74.25

 

CMYK 90 / 90 / 0 / 34

HEX #1010A8

RGB 16 16 168

HSL 240, 0.83%, 0.36%

LAB 21.24, 53.64, -75.73

 

CMYK 90 / 37 / 0 / 34

HEX #106AA8

RGB 16 106 168

HSL 204.47, 0.83%, 0.36%

LAB 43.13, -1.04, -40.02

 

CMYK 99 / 41 / 0 / 28

HEX #016CB7

RGB 1 108 183

HSL 204.73, 0.99%, 0.36%

LAB 44.45, 3.02, -46.71

 

CMYK 90 / 37 / 0 / 34

HEX #106AA8

RGB 16 106 168

HSL 204.47, 0.83%, 0.36%

LAB 43.13, -1.04, -40.02

 

CMYK 80 / 33 / 0 / 40

HEX #1E6799

RGB 30 103 153

HSL 204.39, 0.67%, 0.36%

LAB 41.65, -3.84, -33.46

 

CMYK 67 / 28 / 0 / 46

HEX #2D648A

RGB 45 100 138

HSL 204.52, 0.51%, 0.36%

LAB 40.42, -5.38, -26.36

 

CMYK 51 / 20 / 0 / 52

HEX #3C627B

RGB 60 98 123

HSL 203.81, 0.34%, 0.36%

LAB 39.79, -5.97, -18.19

 

CMYK 31 / 13 / 0 / 57

HEX #4B5F6D

RGB 75 95 109

HSL 204.71, 0.18%, 0.36%

LAB 39.21, -3.9, -10.42

 

CMYK 90 / 0 / 12 / 34

HEX #10A894

RGB 16 168 148

HSL 172.11, 0.83%, 0.36%

LAB 61.87, -40.45, 0.16

 

CMYK 90 / 12 / 0 / 34

HEX #1094A8

RGB 16 148 168

HSL 187.89, 0.83%, 0.36%

LAB 56.2, -24.78, -19.65

 

CMYK 90 / 36 / 0 / 34

HEX #106BA8

RGB 16 107 168

HSL 204.08, 0.83%, 0.36%

LAB 43.44, -1.66, -39.53

 

CMYK 90 / 61 / 0 / 34

HEX #1042A8

RGB 16 66 168

HSL 220.26, 0.83%, 0.36%

LAB 31.43, 25.4, -58.89

 

CMYK 90 / 85 / 0 / 34

HEX #101AA8

RGB 16 26 168

HSL 236.05, 0.83%, 0.36%

LAB 22.57, 49.64, -73.51

 

CMYK 90 / 37 / 0 / 64

HEX #093A5C

RGB 9 58 92

HSL 204.58, 0.82%, 0.2%

LAB 23.19, -1.68, -24.67

 

CMYK 91 / 37 / 0 / 49

HEX #0C5282

RGB 12 82 130

HSL 204.41, 0.83%, 0.28%

LAB 33.4, -1.4, -32.59

 

CMYK 90 / 37 / 0 / 34

HEX #106AA8

RGB 16 106 168

HSL 204.47, 0.83%, 0.36%

LAB 43.13, -1.04, -40.02

 

CMYK 91 / 37 / 0 / 19

HEX #1381CE

RGB 19 129 206

HSL 204.71, 0.83%, 0.44%

LAB 52.17, -0.16, -47.61

 

CMYK 86 / 35 / 0 / 8

HEX #2097EA

RGB 32 151 234

HSL 204.65, 0.83%, 0.52%

LAB 60.23, -1.88, -50.47

 

CMYK 91 / 37 / 0 / 33

HEX #106BAA

RGB 16 107 170

HSL 204.55, 0.83%, 0.36%

LAB 43.55, -0.87, -40.54

 

CMYK 36 / 90 / 0 / 34

HEX #6B10A8

RGB 107 16 168

HSL 275.92, 0.83%, 0.36%

LAB 30.21, 60.49, -60.59

 

CMYK 0 / 0 / 90 / 34

HEX #A8A810

RGB 168 168 16

HSL 60, 0.83%, 0.36%

LAB 66.8, -15.54, 67.01

 

CMYK 91 / 37 / 0 / 33

HEX #106BAA

RGB 16 107 170

HSL 204.55, 0.83%, 0.36%

LAB 43.55, -0.87, -40.54

 

CMYK 0 / 90 / 36 / 34

HEX #A8106B

RGB 168 16 107

HSL 324.08, 0.83%, 0.36%

LAB 37.4, 62.11, -10.74

 

CMYK 36 / 0 / 90 / 34

HEX #6BA810

RGB 107 168 16

HSL 84.08, 0.83%, 0.36%

LAB 62.65, -40.82, 61.92

 

CMYK 91 / 37 / 0 / 33

HEX #106BAA

RGB 16 107 170

HSL 204.55, 0.83%, 0.36%

LAB 43.55, -0.87, -40.54

 

CMYK 36 / 90 / 0 / 34

HEX #6B10A8

RGB 107 16 168

HSL 275.92, 0.83%, 0.36%

LAB 30.21, 60.49, -60.59

 

CMYK 0 / 54 / 90 / 34

HEX #A84D10

RGB 168 77 16

HSL 24.08, 0.83%, 0.36%

LAB 43.76, 34.25, 49.11

 

CMYK 54 / 0 / 90 / 34

HEX #4DA810

RGB 77 168 16

HSL 95.92, 0.83%, 0.36%

LAB 61.33, -50.72, 60.28

 

CMYK 91 / 37 / 0 / 33

HEX #106BAA

RGB 16 107 170

HSL 204.55, 0.83%, 0.36%

LAB 43.55, -0.87, -40.54

 

CMYK 9 / 90 / 0 / 34

HEX #9910A8

RGB 153 16 168

HSL 294.08, 0.83%, 0.36%

LAB 37.79, 67.47, -47.94

 

CMYK 0 / 54 / 90 / 34

HEX #A84D10

RGB 168 77 16

HSL 24.08, 0.83%, 0.36%

LAB 43.76, 34.25, 49.11

 

CMYK 82 / 0 / 90 / 34

HEX #1FA810

RGB 31 168 16

HSL 114.08, 0.83%, 0.36%

LAB 60.19, -60.25, 58.86

 

Description

Color code: HEX #106BAACE | qconv.com Color code: HEX #106BAACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 107 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 107 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 30 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 30% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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