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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10694B it is the complementary color #EF96B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10694B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10694B shade: #156946, #267B59, #378D6C, #489F7F and #59B192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10694B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10694B shade: #10694B, #005738, #004525, #003312 and #002100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10694B shade: #106A4C, #106A34, #106A1B, #1D6A10 and #366A10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10694B shade: #106A4C, #106A64, #10586A, #10406A and #10276A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10694B shade matches the following richer shades: #106A4C and #06744F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10694B shade: #106A4C, #1A6149, #245746, #2E4D42 and #38433F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10694B shade: #106A1A, #106A33, #106A4B, #106A63 and #105A6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10694B shade: #052319, #0B4732, #106A4C, #158E66 and #1BB27F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10694B shade: #10694B, #101D6A and #6A2710

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10694B shade: #10694B, #4B106A and #6A4B10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10694B shade: #10694B, #101D6A, #6A1030 and #6A5D10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10694B shade: #10694B, #1D106A, #6A1030 and #5D6A10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 29 / 59

HEX #10694B

RGB 16 105 75

HSL 159.78, 0.74%, 0.24%

LAB 39.11, -32.69, 9.93

 

Complementary color

CMYK 0 / 37 / 25 / 6

HEX #EF96B4

RGB 239 150 180

HSL 339.78, 0.74%, 0.76%

LAB 71.87, 37.27, -1.44

 

CMYK 80 / 0 / 33 / 59

HEX #156946

RGB 21 105 70

HSL 155, 0.67%, 0.25%

LAB 39.08, -33.29, 12.91

 

CMYK 69 / 0 / 28 / 52

HEX #267B59

RGB 38 123 89

HSL 156, 0.53%, 0.32%

LAB 46.04, -33.88, 11.36

 

CMYK 61 / 0 / 23 / 45

HEX #378D6C

RGB 55 141 108

HSL 156.98, 0.44%, 0.38%

LAB 52.89, -34.09, 10.03

 

CMYK 55 / 0 / 20 / 38

HEX #489F7F

RGB 72 159 127

HSL 157.93, 0.38%, 0.45%

LAB 59.62, -34.11, 8.85

 

CMYK 50 / 0 / 18 / 31

HEX #59B192

RGB 89 177 146

HSL 158.86, 0.36%, 0.52%

LAB 66.25, -34.02, 7.8

 

CMYK 85 / 0 / 29 / 59

HEX #10694B

RGB 16 105 75

HSL 159.78, 0.74%, 0.24%

LAB 39.11, -32.69, 9.93

 

CMYK 100 / 0 / 36 / 66

HEX #005738

RGB 0 87 56

HSL 158.62, 1%, 0.17%

LAB 32.04, -31.39, 11.71

 

CMYK 100 / 0 / 46 / 73

HEX #004525

RGB 0 69 37

HSL 152.17, 1%, 0.14%

LAB 24.92, -28.44, 13.95

 

CMYK 100 / 0 / 65 / 80

HEX #003312

RGB 0 51 18

HSL 141.18, 1%, 0.1%

LAB 17.51, -25.09, 16.33

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 85 / 0 / 28 / 58

HEX #106A4C

RGB 16 106 76

HSL 160, 0.74%, 0.24%

LAB 39.48, -32.88, 9.85

 

CMYK 85 / 0 / 51 / 58

HEX #106A34

RGB 16 106 52

HSL 144, 0.74%, 0.24%

LAB 39.01, -38.17, 23.27

 

CMYK 85 / 0 / 75 / 58

HEX #106A1B

RGB 16 106 27

HSL 127.33, 0.74%, 0.24%

LAB 38.72, -41.7, 35.53

 

CMYK 73 / 0 / 85 / 58

HEX #1D6A10

RGB 29 106 16

HSL 111.33, 0.74%, 0.24%

LAB 38.91, -40.35, 39.92

 

CMYK 49 / 0 / 85 / 58

HEX #366A10

RGB 54 106 16

HSL 94.67, 0.74%, 0.24%

LAB 39.8, -33.26, 41.06

 

CMYK 85 / 0 / 28 / 58

HEX #106A4C

RGB 16 106 76

HSL 160, 0.74%, 0.24%

LAB 39.48, -32.88, 9.85

 

CMYK 85 / 0 / 6 / 58

HEX #106A64

RGB 16 106 100

HSL 176, 0.74%, 0.24%

LAB 40.14, -25.95, -3.76

 

CMYK 85 / 17 / 0 / 58

HEX #10586A

RGB 16 88 106

HSL 192, 0.74%, 0.24%

LAB 34.25, -14.2, -16.36

 

CMYK 85 / 40 / 0 / 58

HEX #10406A

RGB 16 64 106

HSL 208, 0.74%, 0.24%

LAB 26.21, 0.92, -28.94

 

CMYK 85 / 63 / 0 / 58

HEX #10276A

RGB 16 39 106

HSL 224.67, 0.74%, 0.24%

LAB 18.37, 18.83, -41.56

 

CMYK 85 / 0 / 28 / 58

HEX #106A4C

RGB 16 106 76

HSL 160, 0.74%, 0.24%

LAB 39.48, -32.88, 9.85

 

CMYK 95 / 0 / 32 / 55

HEX #06744F

RGB 6 116 79

HSL 159.82, 0.9%, 0.24%

LAB 42.9, -37.25, 12.8

 

CMYK 85 / 0 / 28 / 58

HEX #106A4C

RGB 16 106 76

HSL 160, 0.74%, 0.24%

LAB 39.48, -32.88, 9.85

 

CMYK 73 / 0 / 25 / 62

HEX #1A6149

RGB 26 97 73

HSL 159.72, 0.58%, 0.24%

LAB 36.46, -28.12, 7.47

 

CMYK 59 / 0 / 20 / 66

HEX #245746

RGB 36 87 70

HSL 160, 0.41%, 0.24%

LAB 33.21, -21.79, 4.75

 

CMYK 40 / 0 / 14 / 70

HEX #2E4D42

RGB 46 77 66

HSL 158.71, 0.25%, 0.24%

LAB 30.11, -14.41, 2.91

 

CMYK 16 / 0 / 6 / 74

HEX #38433F

RGB 56 67 63

HSL 158.18, 0.09%, 0.24%

LAB 27.34, -5.44, 0.92

 

CMYK 85 / 0 / 75 / 58

HEX #106A1A

RGB 16 106 26

HSL 126.67, 0.74%, 0.24%

LAB 38.71, -41.8, 35.94

 

CMYK 85 / 0 / 52 / 58

HEX #106A33

RGB 16 106 51

HSL 143.33, 0.74%, 0.24%

LAB 39, -38.36, 23.81

 

CMYK 85 / 0 / 29 / 58

HEX #106A4B

RGB 16 106 75

HSL 159.33, 0.74%, 0.24%

LAB 39.46, -33.13, 10.42

 

CMYK 85 / 0 / 7 / 58

HEX #106A63

RGB 16 106 99

HSL 175.33, 0.74%, 0.24%

LAB 40.11, -26.27, -3.2

 

CMYK 85 / 15 / 0 / 58

HEX #105A6A

RGB 16 90 106

HSL 190.67, 0.74%, 0.24%

LAB 34.93, -15.35, -15.32

 

CMYK 86 / 0 / 29 / 86

HEX #052319

RGB 5 35 25

HSL 160, 0.75%, 0.08%

LAB 11.31, -14.36, 3.49

 

CMYK 85 / 0 / 30 / 72

HEX #0B4732

RGB 11 71 50

HSL 159, 0.73%, 0.16%

LAB 26.18, -24.38, 7.43

 

CMYK 85 / 0 / 28 / 58

HEX #106A4C

RGB 16 106 76

HSL 160, 0.74%, 0.24%

LAB 39.48, -32.88, 9.85

 

CMYK 85 / 0 / 28 / 44

HEX #158E66

RGB 21 142 102

HSL 160.17, 0.74%, 0.32%

LAB 52.36, -41.19, 12.61

 

CMYK 85 / 0 / 29 / 30

HEX #1BB27F

RGB 27 178 127

HSL 159.74, 0.74%, 0.4%

LAB 64.65, -49.23, 15.77

 

CMYK 85 / 0 / 29 / 59

HEX #10694B

RGB 16 105 75

HSL 159.78, 0.74%, 0.24%

LAB 39.11, -32.69, 9.93

 

CMYK 85 / 73 / 0 / 58

HEX #101D6A

RGB 16 29 106

HSL 231.33, 0.74%, 0.24%

LAB 15.64, 25.98, -46.04

 

CMYK 0 / 63 / 85 / 58

HEX #6A2710

RGB 106 39 16

HSL 15.33, 0.74%, 0.24%

LAB 25.42, 28.65, 29.36

 

CMYK 85 / 0 / 29 / 59

HEX #10694B

RGB 16 105 75

HSL 159.78, 0.74%, 0.24%

LAB 39.11, -32.69, 9.93

 

CMYK 29 / 85 / 0 / 58

HEX #4B106A

RGB 75 16 106

HSL 279.33, 0.74%, 0.24%

LAB 19.67, 41.84, -39.2

 

CMYK 0 / 29 / 85 / 58

HEX #6A4B10

RGB 106 75 16

HSL 39.33, 0.74%, 0.24%

LAB 34.26, 7.43, 37.57

 

CMYK 85 / 0 / 29 / 59

HEX #10694B

RGB 16 105 75

HSL 159.78, 0.74%, 0.24%

LAB 39.11, -32.69, 9.93

 

CMYK 85 / 73 / 0 / 58

HEX #101D6A

RGB 16 29 106

HSL 231.33, 0.74%, 0.24%

LAB 15.64, 25.98, -46.04

 

CMYK 0 / 85 / 55 / 58

HEX #6A1030

RGB 106 16 48

HSL 338.67, 0.74%, 0.24%

LAB 22.47, 40.33, 4.94

 

CMYK 0 / 12 / 85 / 58

HEX #6A5D10

RGB 106 93 16

HSL 51.33, 0.74%, 0.24%

LAB 39.46, -3.4, 42.2

 

CMYK 85 / 0 / 29 / 59

HEX #10694B

RGB 16 105 75

HSL 159.78, 0.74%, 0.24%

LAB 39.11, -32.69, 9.93

 

CMYK 73 / 85 / 0 / 58

HEX #1D106A

RGB 29 16 106

HSL 248.67, 0.74%, 0.24%

LAB 13.66, 35.14, -49.28

 

CMYK 0 / 85 / 55 / 58

HEX #6A1030

RGB 106 16 48

HSL 338.67, 0.74%, 0.24%

LAB 22.47, 40.33, 4.94

 

CMYK 12 / 0 / 85 / 58

HEX #5D6A10

RGB 93 106 16

HSL 68.67, 0.74%, 0.24%

LAB 42.27, -16.99, 44.21

 

Description

Color code: HEX #10694B | qconv.com Color code: HEX #10694B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 105 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 105 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 29 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 29% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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