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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #106858 it is the complementary color #EF97A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #106858. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #106858 shade: #156853, #267A66, #378C79, #489E8C and #59B09F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #106858. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #106858 shade: #106858, #005645, #004432, #00321F and #00200C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #106858 shade: #116A5A, #116A42, #116A29, #116A11 and #286A11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #106858 shade: #116A5A, #11626A, #114A6A, #11326A and #111A6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #106858 shade matches the following richer shades: #116A5A and #077460

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #106858 shade: #116A5A, #1A6053, #24564D, #2E4C47 and #384240

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #106858 shade: #116A2A, #116A42, #116A59, #11626A and #114B6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #106858 shade: #05221D, #0B463B, #116A5A, #168E78 and #1CB196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #106858 shade: #106858, #12116A and #6A3611

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #106858 shade: #106858, #59116A and #6A5911

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #106858 shade: #106858, #12116A, #6A1121 and #686A11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #106858 shade: #106858, #2D116A, #6A1121 and #4E6A11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 15 / 59

HEX #106858

RGB 16 104 88

HSL 169.09, 0.73%, 0.24%

LAB 39.1, -28.65, 2.03

 

Complementary color

CMYK 0 / 37 / 30 / 6

HEX #EF97A7

RGB 239 151 167

HSL 349.09, 0.73%, 0.76%

LAB 71.74, 35, 5.59

 

CMYK 80 / 0 / 20 / 59

HEX #156853

RGB 21 104 83

HSL 164.82, 0.66%, 0.25%

LAB 39.04, -29.48, 5.01

 

CMYK 69 / 0 / 16 / 52

HEX #267A66

RGB 38 122 102

HSL 165.71, 0.53%, 0.31%

LAB 46.03, -30.1, 3.68

 

CMYK 61 / 0 / 14 / 45

HEX #378C79

RGB 55 140 121

HSL 166.59, 0.44%, 0.38%

LAB 52.89, -30.38, 2.55

 

CMYK 54 / 0 / 11 / 38

HEX #489E8C

RGB 72 158 140

HSL 167.44, 0.37%, 0.45%

LAB 59.64, -30.47, 1.54

 

CMYK 49 / 0 / 10 / 31

HEX #59B09F

RGB 89 176 159

HSL 168.28, 0.36%, 0.52%

LAB 66.27, -30.45, 0.64

 

CMYK 85 / 0 / 15 / 59

HEX #106858

RGB 16 104 88

HSL 169.09, 0.73%, 0.24%

LAB 39.1, -28.65, 2.03

 

CMYK 100 / 0 / 20 / 66

HEX #005645

RGB 0 86 69

HSL 168.14, 1%, 0.17%

LAB 32, -27.34, 3.54

 

CMYK 100 / 0 / 26 / 73

HEX #004432

RGB 0 68 50

HSL 164.12, 1%, 0.13%

LAB 24.84, -24.56, 5.52

 

CMYK 100 / 0 / 38 / 80

HEX #00321F

RGB 0 50 31

HSL 157.2, 1%, 0.1%

LAB 17.37, -21.61, 7.71

 

CMYK 100 / 0 / 63 / 87

HEX #00200C

RGB 0 32 12

HSL 142.5, 1%, 0.06%

LAB 9.48, -16.98, 8.88

 

CMYK 84 / 0 / 15 / 58

HEX #116A5A

RGB 17 106 90

HSL 169.21, 0.72%, 0.24%

LAB 39.86, -28.91, 1.91

 

CMYK 84 / 0 / 38 / 58

HEX #116A42

RGB 17 106 66

HSL 153.03, 0.72%, 0.24%

LAB 39.28, -35.18, 15.54

 

CMYK 84 / 0 / 61 / 58

HEX #116A29

RGB 17 106 41

HSL 136.18, 0.72%, 0.24%

LAB 38.88, -39.85, 29.05

 

CMYK 84 / 0 / 84 / 58

HEX #116A11

RGB 17 106 17

HSL 120, 0.72%, 0.24%

LAB 38.67, -42.41, 39.28

 

CMYK 62 / 0 / 84 / 58

HEX #286A11

RGB 40 106 17

HSL 104.49, 0.72%, 0.24%

LAB 39.24, -37.59, 40.02

 

CMYK 84 / 0 / 15 / 58

HEX #116A5A

RGB 17 106 90

HSL 169.21, 0.72%, 0.24%

LAB 39.86, -28.91, 1.91

 

CMYK 84 / 8 / 0 / 58

HEX #11626A

RGB 17 98 106

HSL 185.39, 0.72%, 0.24%

LAB 37.65, -19.7, -11.17

 

CMYK 84 / 30 / 0 / 58

HEX #114A6A

RGB 17 74 106

HSL 201.57, 0.72%, 0.24%

LAB 29.56, -5.57, -23.65

 

CMYK 84 / 53 / 0 / 58

HEX #11326A

RGB 17 50 106

HSL 217.75, 0.72%, 0.24%

LAB 21.73, 10.9, -36.11

 

CMYK 84 / 75 / 0 / 58

HEX #111A6A

RGB 17 26 106

HSL 233.93, 0.72%, 0.24%

LAB 14.95, 28.1, -47.19

 

CMYK 84 / 0 / 15 / 58

HEX #116A5A

RGB 17 106 90

HSL 169.21, 0.72%, 0.24%

LAB 39.86, -28.91, 1.91

 

CMYK 94 / 0 / 17 / 55

HEX #077460

RGB 7 116 96

HSL 168.99, 0.89%, 0.24%

LAB 43.33, -32.63, 3.3

 

CMYK 84 / 0 / 15 / 58

HEX #116A5A

RGB 17 106 90

HSL 169.21, 0.72%, 0.24%

LAB 39.86, -28.91, 1.91

 

CMYK 73 / 0 / 14 / 62

HEX #1A6053

RGB 26 96 83

HSL 168.86, 0.57%, 0.24%

LAB 36.39, -24.85, 1.19

 

CMYK 58 / 0 / 10 / 66

HEX #24564D

RGB 36 86 77

HSL 169.2, 0.41%, 0.24%

LAB 33.06, -19.32, 0.14

 

CMYK 39 / 0 / 7 / 70

HEX #2E4C47

RGB 46 76 71

HSL 170, 0.25%, 0.24%

LAB 29.92, -12.51, -0.57

 

CMYK 15 / 0 / 3 / 74

HEX #384240

RGB 56 66 64

HSL 168, 0.08%, 0.24%

LAB 27.04, -4.57, -0.17

 

CMYK 84 / 0 / 60 / 58

HEX #116A2A

RGB 17 106 42

HSL 136.85, 0.72%, 0.24%

LAB 38.89, -39.71, 28.54

 

CMYK 84 / 0 / 38 / 58

HEX #116A42

RGB 17 106 66

HSL 153.03, 0.72%, 0.24%

LAB 39.28, -35.18, 15.54

 

CMYK 84 / 0 / 16 / 58

HEX #116A59

RGB 17 106 89

HSL 168.54, 0.72%, 0.24%

LAB 39.83, -29.2, 2.48

 

CMYK 84 / 8 / 0 / 58

HEX #11626A

RGB 17 98 106

HSL 185.39, 0.72%, 0.24%

LAB 37.65, -19.7, -11.17

 

CMYK 84 / 29 / 0 / 58

HEX #114B6A

RGB 17 75 106

HSL 200.9, 0.72%, 0.24%

LAB 29.89, -6.2, -23.12

 

CMYK 85 / 0 / 15 / 87

HEX #05221D

RGB 5 34 29

HSL 169.66, 0.74%, 0.08%

LAB 11.03, -12.46, 0.18

 

CMYK 84 / 0 / 16 / 73

HEX #0B463B

RGB 11 70 59

HSL 168.81, 0.73%, 0.16%

LAB 26.06, -21.24, 1.41

 

CMYK 84 / 0 / 15 / 58

HEX #116A5A

RGB 17 106 90

HSL 169.21, 0.72%, 0.24%

LAB 39.86, -28.91, 1.91

 

CMYK 85 / 0 / 15 / 44

HEX #168E78

RGB 22 142 120

HSL 169, 0.73%, 0.32%

LAB 52.81, -36.4, 2.92

 

CMYK 84 / 0 / 15 / 31

HEX #1CB196

RGB 28 177 150

HSL 169.13, 0.73%, 0.4%

LAB 64.88, -42.99, 3.42

 

CMYK 85 / 0 / 15 / 59

HEX #106858

RGB 16 104 88

HSL 169.09, 0.73%, 0.24%

LAB 39.1, -28.65, 2.03

 

CMYK 83 / 84 / 0 / 58

HEX #12116A

RGB 18 17 106

HSL 240.67, 0.72%, 0.24%

LAB 13.05, 33.71, -50.33

 

CMYK 0 / 49 / 84 / 58

HEX #6A3611

RGB 106 54 17

HSL 24.94, 0.72%, 0.24%

LAB 28.75, 20.25, 32.04

 

CMYK 85 / 0 / 15 / 59

HEX #106858

RGB 16 104 88

HSL 169.09, 0.73%, 0.24%

LAB 39.1, -28.65, 2.03

 

CMYK 16 / 84 / 0 / 58

HEX #59116A

RGB 89 17 106

HSL 288.54, 0.72%, 0.24%

LAB 22.18, 44.23, -35.02

 

CMYK 0 / 16 / 84 / 58

HEX #6A5911

RGB 106 89 17

HSL 48.54, 0.72%, 0.24%

LAB 38.29, -1, 40.81

 

CMYK 85 / 0 / 15 / 59

HEX #106858

RGB 16 104 88

HSL 169.09, 0.73%, 0.24%

LAB 39.1, -28.65, 2.03

 

CMYK 83 / 84 / 0 / 58

HEX #12116A

RGB 18 17 106

HSL 240.67, 0.72%, 0.24%

LAB 13.05, 33.71, -50.33

 

CMYK 0 / 84 / 69 / 58

HEX #6A1121

RGB 106 17 33

HSL 349.21, 0.72%, 0.24%

LAB 22.21, 38.9, 15.03

 

CMYK 2 / 0 / 84 / 58

HEX #686A11

RGB 104 106 17

HSL 61.35, 0.72%, 0.24%

LAB 43.2, -11.77, 45.09

 

CMYK 85 / 0 / 15 / 59

HEX #106858

RGB 16 104 88

HSL 169.09, 0.73%, 0.24%

LAB 39.1, -28.65, 2.03

 

CMYK 58 / 84 / 0 / 58

HEX #2D116A

RGB 45 17 106

HSL 258.88, 0.72%, 0.24%

LAB 15.48, 36.52, -46.22

 

CMYK 0 / 84 / 69 / 58

HEX #6A1121

RGB 106 17 33

HSL 349.21, 0.72%, 0.24%

LAB 22.21, 38.9, 15.03

 

CMYK 26 / 0 / 84 / 58

HEX #4E6A11

RGB 78 106 17

HSL 78.88, 0.72%, 0.24%

LAB 41.17, -23.71, 42.5

 

Description

Color code: HEX #106858 | qconv.com Color code: HEX #106858 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 104 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 104 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 15 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 15% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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