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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #106244 it is the complementary color #EF9DBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #106244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #106244 shade: #15623F, #267452, #378665, #489878 and #59AA8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #106244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #106244 shade: #106244, #005031, #003E1E, #002C0B and #001A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #106244 shade: #106043, #10602D, #106017, #1E6010 and #346010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #106244 shade: #106043, #106059, #105260, #103D60 and #102760

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #106244 shade matches the following richer shades: #106043 and #076A45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #106244 shade: #106043, #195741, #224E3E, #2B453C and #343C39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #106244 shade: #106018, #10602D, #106043, #106058 and #105360

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #106244 shade: #041A12, #0A3D2A, #106043, #15845C and #1BA774

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #106244 shade: #106244, #101D60 and #602310

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #106244 shade: #106244, #431060 and #604310

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #106244 shade: #106244, #101D60, #60102D and #605310

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #106244 shade: #106244, #1A1060, #60102D and #566010

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 31 / 62

HEX #106244

RGB 16 98 68

HSL 158.05, 0.72%, 0.22%

LAB 36.49, -31.38, 10.52

 

Complementary color

CMYK 0 / 34 / 22 / 6

HEX #EF9DBB

RGB 239 157 187

HSL 338.05, 0.72%, 0.78%

LAB 73.58, 34.6, -2.8

 

CMYK 79 / 0 / 36 / 62

HEX #15623F

RGB 21 98 63

HSL 152.73, 0.65%, 0.23%

LAB 36.47, -31.9, 13.54

 

CMYK 67 / 0 / 29 / 55

HEX #267452

RGB 38 116 82

HSL 153.85, 0.51%, 0.3%

LAB 43.52, -32.38, 11.98

 

CMYK 59 / 0 / 25 / 47

HEX #378665

RGB 55 134 101

HSL 154.94, 0.42%, 0.37%

LAB 50.45, -32.52, 10.63

 

CMYK 53 / 0 / 21 / 40

HEX #489878

RGB 72 152 120

HSL 156, 0.36%, 0.44%

LAB 57.26, -32.47, 9.45

 

CMYK 48 / 0 / 18 / 33

HEX #59AA8B

RGB 89 170 139

HSL 157.04, 0.32%, 0.51%

LAB 63.95, -32.33, 8.39

 

CMYK 84 / 0 / 31 / 62

HEX #106244

RGB 16 98 68

HSL 158.05, 0.72%, 0.22%

LAB 36.49, -31.38, 10.52

 

CMYK 100 / 0 / 39 / 69

HEX #005031

RGB 0 80 49

HSL 156.75, 1%, 0.16%

LAB 29.31, -30.18, 12.33

 

CMYK 100 / 0 / 52 / 76

HEX #003E1E

RGB 0 62 30

HSL 149.03, 1%, 0.12%

LAB 22.08, -27.12, 14.64

 

CMYK 100 / 0 / 75 / 83

HEX #002C0B

RGB 0 44 11

HSL 135, 1%, 0.09%

LAB 14.54, -23.53, 16.23

 

CMYK 100 / 0 / 100 / 90

HEX #001A00

RGB 0 26 0

HSL 120, 1%, 0.05%

LAB 6.67, -13.63, 9.74

 

CMYK 83 / 0 / 30 / 62

HEX #106043

RGB 16 96 67

HSL 158.25, 0.71%, 0.22%

LAB 35.75, -30.75, 10.12

 

CMYK 83 / 0 / 53 / 62

HEX #10602D

RGB 16 96 45

HSL 141.75, 0.71%, 0.22%

LAB 35.33, -35.55, 22.58

 

CMYK 83 / 0 / 76 / 62

HEX #106017

RGB 16 96 23

HSL 125.25, 0.71%, 0.22%

LAB 35.08, -38.6, 33.44

 

CMYK 69 / 0 / 83 / 62

HEX #1E6010

RGB 30 96 16

HSL 109.5, 0.71%, 0.22%

LAB 35.36, -36.41, 36.57

 

CMYK 46 / 0 / 83 / 62

HEX #346010

RGB 52 96 16

HSL 93, 0.71%, 0.22%

LAB 36.24, -29.54, 37.71

 

CMYK 83 / 0 / 30 / 62

HEX #106043

RGB 16 96 67

HSL 158.25, 0.71%, 0.22%

LAB 35.75, -30.75, 10.12

 

CMYK 83 / 0 / 7 / 62

HEX #106059

RGB 16 96 89

HSL 174.75, 0.71%, 0.22%

LAB 36.36, -24.42, -2.59

 

CMYK 83 / 15 / 0 / 62

HEX #105260

RGB 16 82 96

HSL 190.5, 0.71%, 0.22%

LAB 31.78, -14.43, -13.86

 

CMYK 83 / 36 / 0 / 62

HEX #103D60

RGB 16 61 96

HSL 206.25, 0.71%, 0.22%

LAB 24.61, -1.24, -25.02

 

CMYK 83 / 59 / 0 / 62

HEX #102760

RGB 16 39 96

HSL 222.75, 0.71%, 0.22%

LAB 17.49, 14.56, -36.44

 

CMYK 83 / 0 / 30 / 62

HEX #106043

RGB 16 96 67

HSL 158.25, 0.71%, 0.22%

LAB 35.75, -30.75, 10.12

 

CMYK 93 / 0 / 35 / 58

HEX #076A45

RGB 7 106 69

HSL 157.58, 0.88%, 0.22%

LAB 39.21, -35.46, 13.65

 

CMYK 83 / 0 / 30 / 62

HEX #106043

RGB 16 96 67

HSL 158.25, 0.71%, 0.22%

LAB 35.75, -30.75, 10.12

 

CMYK 71 / 0 / 25 / 66

HEX #195741

RGB 25 87 65

HSL 158.71, 0.55%, 0.22%

LAB 32.71, -25.62, 7.13

 

CMYK 56 / 0 / 21 / 69

HEX #224E3E

RGB 34 78 62

HSL 158.18, 0.39%, 0.22%

LAB 29.75, -19.7, 4.88

 

CMYK 38 / 0 / 13 / 73

HEX #2B453C

RGB 43 69 60

HSL 159.23, 0.23%, 0.22%

LAB 27.01, -12.33, 2.29

 

CMYK 13 / 0 / 5 / 76

HEX #343C39

RGB 52 60 57

HSL 157.5, 0.07%, 0.22%

LAB 24.5, -4.06, 0.72

 

CMYK 83 / 0 / 75 / 62

HEX #106018

RGB 16 96 24

HSL 126, 0.71%, 0.22%

LAB 35.09, -38.5, 33.02

 

CMYK 83 / 0 / 53 / 62

HEX #10602D

RGB 16 96 45

HSL 141.75, 0.71%, 0.22%

LAB 35.33, -35.55, 22.58

 

CMYK 83 / 0 / 30 / 62

HEX #106043

RGB 16 96 67

HSL 158.25, 0.71%, 0.22%

LAB 35.75, -30.75, 10.12

 

CMYK 83 / 0 / 8 / 62

HEX #106058

RGB 16 96 88

HSL 174, 0.71%, 0.22%

LAB 36.33, -24.74, -2.01

 

CMYK 83 / 14 / 0 / 62

HEX #105360

RGB 16 83 96

HSL 189.75, 0.71%, 0.22%

LAB 32.13, -15.01, -13.34

 

CMYK 85 / 0 / 31 / 90

HEX #041A12

RGB 4 26 18

HSL 158.18, 0.73%, 0.06%

LAB 7.3, -9.81, 2.57

 

CMYK 84 / 0 / 31 / 76

HEX #0A3D2A

RGB 10 61 42

HSL 157.65, 0.72%, 0.14%

LAB 22.19, -21.87, 7.08

 

CMYK 83 / 0 / 30 / 62

HEX #106043

RGB 16 96 67

HSL 158.25, 0.71%, 0.22%

LAB 35.75, -30.75, 10.12

 

CMYK 84 / 0 / 30 / 48

HEX #15845C

RGB 21 132 92

HSL 158.38, 0.73%, 0.3%

LAB 48.8, -39.47, 13.41

 

CMYK 84 / 0 / 31 / 35

HEX #1BA774

RGB 27 167 116

HSL 158.14, 0.72%, 0.38%

LAB 60.9, -47.42, 16.61

 

CMYK 84 / 0 / 31 / 62

HEX #106244

RGB 16 98 68

HSL 158.05, 0.72%, 0.22%

LAB 36.49, -31.38, 10.52

 

CMYK 83 / 70 / 0 / 62

HEX #101D60

RGB 16 29 96

HSL 230.25, 0.71%, 0.22%

LAB 14.59, 21.92, -41.18

 

CMYK 0 / 64 / 83 / 62

HEX #602310

RGB 96 35 16

HSL 14.25, 0.71%, 0.22%

LAB 22.75, 26.61, 26.08

 

CMYK 84 / 0 / 31 / 62

HEX #106244

RGB 16 98 68

HSL 158.05, 0.72%, 0.22%

LAB 36.49, -31.38, 10.52

 

CMYK 30 / 83 / 0 / 62

HEX #431060

RGB 67 16 96

HSL 278.25, 0.71%, 0.22%

LAB 17.5, 37.97, -36.2

 

CMYK 0 / 30 / 83 / 62

HEX #604310

RGB 96 67 16

HSL 38.25, 0.71%, 0.22%

LAB 30.73, 7.39, 33.86

 

CMYK 84 / 0 / 31 / 62

HEX #106244

RGB 16 98 68

HSL 158.05, 0.72%, 0.22%

LAB 36.49, -31.38, 10.52

 

CMYK 83 / 70 / 0 / 62

HEX #101D60

RGB 16 29 96

HSL 230.25, 0.71%, 0.22%

LAB 14.59, 21.92, -41.18

 

CMYK 0 / 83 / 53 / 62

HEX #60102D

RGB 96 16 45

HSL 338.25, 0.71%, 0.22%

LAB 20.23, 37.03, 3.56

 

CMYK 0 / 14 / 83 / 62

HEX #605310

RGB 96 83 16

HSL 50.25, 0.71%, 0.22%

LAB 35.42, -2.42, 38.19

 

CMYK 84 / 0 / 31 / 62

HEX #106244

RGB 16 98 68

HSL 158.05, 0.72%, 0.22%

LAB 36.49, -31.38, 10.52

 

CMYK 73 / 83 / 0 / 62

HEX #1A1060

RGB 26 16 96

HSL 247.5, 0.71%, 0.22%

LAB 12.19, 31.49, -45.11

 

CMYK 0 / 83 / 53 / 62

HEX #60102D

RGB 96 16 45

HSL 338.25, 0.71%, 0.22%

LAB 20.23, 37.03, 3.56

 

CMYK 10 / 0 / 83 / 62

HEX #566010

RGB 86 96 16

HSL 67.5, 0.71%, 0.22%

LAB 38.52, -14.83, 40.65

 

Description

Color code: HEX #106244 | qconv.com Color code: HEX #106244 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 98 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 98 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 31 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 31% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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