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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #106133 it is the complementary color #EF9ECC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #106133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #106133 shade: #15612E, #267341, #378554, #489767 and #59A97A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #106133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #106133 shade: #106133, #004F20, #003D0D, #002B00 and #001900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #106133 shade: #106033, #10601D, #186010, #2E6010 and #446010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #106133 shade: #106033, #106048, #10605E, #104D60 and #103760

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #106133 shade matches the following richer shades: #106033 and #076A31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #106133 shade: #106033, #195734, #224E35, #2B4536 and #343C38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #106133 shade: #196010, #10601C, #106031, #106047 and #10605C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #106133 shade: #041A0D, #0A3D20, #106033, #158445 and #1BA758

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #106133 shade: #106133, #102F60 and #601110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #106133 shade: #106133, #311060 and #603110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #106133 shade: #106133, #102F60, #60103F and #604210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #106133 shade: #106133, #101660, #60103F and #605A10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 47 / 62

HEX #106133

RGB 16 97 51

HSL 145.93, 0.72%, 0.22%

LAB 35.79, -34.81, 19.73

 

Complementary color

CMYK 0 / 34 / 15 / 6

HEX #EF9ECC

RGB 239 158 204

HSL 325.93, 0.72%, 0.78%

LAB 74.29, 36.65, -11.1

 

CMYK 78 / 0 / 53 / 62

HEX #15612E

RGB 21 97 46

HSL 139.74, 0.64%, 0.23%

LAB 35.8, -34.98, 22.63

 

CMYK 67 / 0 / 43 / 55

HEX #267341

RGB 38 115 65

HSL 141.04, 0.5%, 0.3%

LAB 42.85, -35.59, 20.94

 

CMYK 59 / 0 / 37 / 48

HEX #378554

RGB 55 133 84

HSL 142.31, 0.41%, 0.37%

LAB 49.77, -35.74, 19.42

 

CMYK 52 / 0 / 32 / 41

HEX #489767

RGB 72 151 103

HSL 143.54, 0.35%, 0.44%

LAB 56.58, -35.67, 18.06

 

CMYK 47 / 0 / 28 / 34

HEX #59A97A

RGB 89 169 122

HSL 144.75, 0.32%, 0.51%

LAB 63.26, -35.5, 16.83

 

CMYK 84 / 0 / 47 / 62

HEX #106133

RGB 16 97 51

HSL 145.93, 0.72%, 0.22%

LAB 35.79, -34.81, 19.73

 

CMYK 100 / 0 / 59 / 69

HEX #004F20

RGB 0 79 32

HSL 144.3, 1%, 0.15%

LAB 28.63, -33.38, 21.63

 

CMYK 100 / 0 / 79 / 76

HEX #003D0D

RGB 0 61 13

HSL 132.79, 1%, 0.12%

LAB 21.46, -29.64, 23.56

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 100 / 0 / 100 / 90

HEX #001900

RGB 0 25 0

HSL 120, 1%, 0.05%

LAB 6.28, -12.83, 9.17

 

CMYK 83 / 0 / 47 / 62

HEX #106033

RGB 16 96 51

HSL 146.25, 0.71%, 0.22%

LAB 35.43, -34.41, 19.26

 

CMYK 83 / 0 / 70 / 62

HEX #10601D

RGB 16 96 29

HSL 129.75, 0.71%, 0.22%

LAB 35.13, -37.94, 30.77

 

CMYK 75 / 0 / 83 / 62

HEX #186010

RGB 24 96 16

HSL 114, 0.71%, 0.22%

LAB 35.2, -37.77, 36.36

 

CMYK 52 / 0 / 83 / 62

HEX #2E6010

RGB 46 96 16

HSL 97.5, 0.71%, 0.22%

LAB 35.95, -31.68, 37.34

 

CMYK 29 / 0 / 83 / 62

HEX #446010

RGB 68 96 16

HSL 81, 0.71%, 0.22%

LAB 37.17, -23.06, 38.92

 

CMYK 83 / 0 / 47 / 62

HEX #106033

RGB 16 96 51

HSL 146.25, 0.71%, 0.22%

LAB 35.43, -34.41, 19.26

 

CMYK 83 / 0 / 25 / 62

HEX #106048

RGB 16 96 72

HSL 162, 0.71%, 0.22%

LAB 35.88, -29.43, 7.22

 

CMYK 83 / 0 / 2 / 62

HEX #10605E

RGB 16 96 94

HSL 178.5, 0.71%, 0.22%

LAB 36.53, -22.81, -5.44

 

CMYK 83 / 20 / 0 / 62

HEX #104D60

RGB 16 77 96

HSL 194.25, 0.71%, 0.22%

LAB 30.07, -11.47, -16.5

 

CMYK 83 / 43 / 0 / 62

HEX #103760

RGB 16 55 96

HSL 210.75, 0.71%, 0.22%

LAB 22.61, 2.91, -28.2

 

CMYK 83 / 0 / 47 / 62

HEX #106033

RGB 16 96 51

HSL 146.25, 0.71%, 0.22%

LAB 35.43, -34.41, 19.26

 

CMYK 93 / 0 / 54 / 58

HEX #076A31

RGB 7 106 49

HSL 145.45, 0.88%, 0.22%

LAB 38.86, -39.64, 24.71

 

CMYK 83 / 0 / 47 / 62

HEX #106033

RGB 16 96 51

HSL 146.25, 0.71%, 0.22%

LAB 35.43, -34.41, 19.26

 

CMYK 71 / 0 / 40 / 66

HEX #195734

RGB 25 87 52

HSL 146.13, 0.55%, 0.22%

LAB 32.42, -28.77, 14.75

 

CMYK 56 / 0 / 32 / 69

HEX #224E35

RGB 34 78 53

HSL 145.91, 0.39%, 0.22%

LAB 29.53, -21.94, 10.27

 

CMYK 38 / 0 / 22 / 73

HEX #2B4536

RGB 43 69 54

HSL 145.38, 0.23%, 0.22%

LAB 26.84, -13.82, 5.95

 

CMYK 13 / 0 / 7 / 76

HEX #343C38

RGB 52 60 56

HSL 150, 0.07%, 0.22%

LAB 24.47, -4.3, 1.34

 

CMYK 74 / 0 / 83 / 62

HEX #196010

RGB 25 96 16

HSL 113.25, 0.71%, 0.22%

LAB 35.22, -37.56, 36.39

 

CMYK 83 / 0 / 71 / 62

HEX #10601C

RGB 16 96 28

HSL 129, 0.71%, 0.22%

LAB 35.12, -38.06, 31.24

 

CMYK 83 / 0 / 49 / 62

HEX #106031

RGB 16 96 49

HSL 144.75, 0.71%, 0.22%

LAB 35.4, -34.8, 20.38

 

CMYK 83 / 0 / 26 / 62

HEX #106047

RGB 16 96 71

HSL 161.25, 0.71%, 0.22%

LAB 35.85, -29.7, 7.8

 

CMYK 83 / 0 / 4 / 62

HEX #10605C

RGB 16 96 92

HSL 177, 0.71%, 0.22%

LAB 36.46, -23.46, -4.3

 

CMYK 85 / 0 / 50 / 90

HEX #041A0D

RGB 4 26 13

HSL 144.55, 0.73%, 0.06%

LAB 7.17, -10.74, 5.09

 

CMYK 84 / 0 / 48 / 76

HEX #0A3D20

RGB 10 61 32

HSL 145.88, 0.72%, 0.14%

LAB 21.97, -24.37, 13.27

 

CMYK 83 / 0 / 47 / 62

HEX #106033

RGB 16 96 51

HSL 146.25, 0.71%, 0.22%

LAB 35.43, -34.41, 19.26

 

CMYK 84 / 0 / 48 / 48

HEX #158445

RGB 21 132 69

HSL 145.95, 0.73%, 0.3%

LAB 48.38, -44.35, 25.78

 

CMYK 84 / 0 / 47 / 35

HEX #1BA758

RGB 27 167 88

HSL 146.14, 0.72%, 0.38%

LAB 60.4, -53.07, 31.02

 

CMYK 84 / 0 / 47 / 62

HEX #106133

RGB 16 97 51

HSL 145.93, 0.72%, 0.22%

LAB 35.79, -34.81, 19.73

 

CMYK 83 / 51 / 0 / 62

HEX #102F60

RGB 16 47 96

HSL 216.75, 0.71%, 0.22%

LAB 19.99, 8.65, -32.39

 

CMYK 0 / 82 / 83 / 62

HEX #601110

RGB 96 17 16

HSL 0.75, 0.71%, 0.22%

LAB 19.74, 34.75, 22.81

 

CMYK 84 / 0 / 47 / 62

HEX #106133

RGB 16 97 51

HSL 145.93, 0.72%, 0.22%

LAB 35.79, -34.81, 19.73

 

CMYK 49 / 83 / 0 / 62

HEX #311060

RGB 49 16 96

HSL 264.75, 0.71%, 0.22%

LAB 14.78, 34.67, -40.75

 

CMYK 0 / 49 / 83 / 62

HEX #603110

RGB 96 49 16

HSL 24.75, 0.71%, 0.22%

LAB 25.92, 18.55, 29.25

 

CMYK 84 / 0 / 47 / 62

HEX #106133

RGB 16 97 51

HSL 145.93, 0.72%, 0.22%

LAB 35.79, -34.81, 19.73

 

CMYK 83 / 51 / 0 / 62

HEX #102F60

RGB 16 47 96

HSL 216.75, 0.71%, 0.22%

LAB 19.99, 8.65, -32.39

 

CMYK 0 / 83 / 34 / 62

HEX #60103F

RGB 96 16 63

HSL 324.75, 0.71%, 0.22%

LAB 20.89, 39.04, -8.07

 

CMYK 0 / 31 / 83 / 62

HEX #604210

RGB 96 66 16

HSL 37.5, 0.71%, 0.22%

LAB 30.45, 8.02, 33.59

 

CMYK 84 / 0 / 47 / 62

HEX #106133

RGB 16 97 51

HSL 145.93, 0.72%, 0.22%

LAB 35.79, -34.81, 19.73

 

CMYK 83 / 77 / 0 / 62

HEX #101660

RGB 16 22 96

HSL 235.5, 0.71%, 0.22%

LAB 12.79, 26.8, -44.14

 

CMYK 0 / 83 / 34 / 62

HEX #60103F

RGB 96 16 63

HSL 324.75, 0.71%, 0.22%

LAB 20.89, 39.04, -8.07

 

CMYK 0 / 6 / 83 / 62

HEX #605A10

RGB 96 90 16

HSL 55.5, 0.71%, 0.22%

LAB 37.55, -6.57, 40.11

 

Description

Color code: HEX #106133 | qconv.com Color code: HEX #106133 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 97 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 97 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 47 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 47% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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