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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #104F6F it is the complementary color #EFB090. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #104F6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #104F6F: #154F6A, #26617D, #377390, #4885A3 and #5997B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #104F6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #104F6F: #104F6F, #003D5C, #002B49, #001936 and #000723

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 29 / 0 / 56

HEX #104F6F

RGB 16 79 111

HSL 200.21, 0.75%, 0.25%

LAB 31.46, -6.84, -23.82

 

Complementary color

CMYK 0 / 26 / 40 / 6

HEX #EFB090

RGB 239 176 144

HSL 20.21, 0.75%, 0.75%

LAB 76.93, 19, 25.41

 

CMYK 80 / 25 / 0 / 58

HEX #154F6A

RGB 21 79 106

HSL 199.06, 0.67%, 0.25%

LAB 31.33, -8.21, -20.87

 

CMYK 70 / 22 / 0 / 51

HEX #26617D

RGB 38 97 125

HSL 199.31, 0.53%, 0.32%

LAB 38.62, -9.46, -21.29

 

CMYK 62 / 20 / 0 / 44

HEX #377390

RGB 55 115 144

HSL 199.55, 0.45%, 0.39%

LAB 45.75, -10.29, -21.65

 

CMYK 56 / 18 / 0 / 36

HEX #4885A3

RGB 72 133 163

HSL 199.78, 0.39%, 0.46%

LAB 52.73, -10.86, -21.99

 

CMYK 51 / 17 / 0 / 29

HEX #5997B6

RGB 89 151 182

HSL 200, 0.39%, 0.53%

LAB 59.56, -11.28, -22.31

 

CMYK 86 / 29 / 0 / 56

HEX #104F6F

RGB 16 79 111

HSL 200.21, 0.75%, 0.25%

LAB 31.46, -6.84, -23.82

 

CMYK 100 / 34 / 0 / 64

HEX #003D5C

RGB 0 61 92

HSL 200.22, 1%, 0.18%

LAB 24.03, -4.63, -23.35

 

CMYK 100 / 41 / 0 / 71

HEX #002B49

RGB 0 43 73

HSL 204.66, 1%, 0.14%

LAB 16.55, -0.74, -22.53

Pantone® 7463 C

CMYK 100 / 54 / 0 / 79

HEX #001936

RGB 0 25 54

HSL 212.22, 1%, 0.11%

LAB 8.67, 3.73, -21.79

 

CMYK 100 / 80 / 0 / 86

HEX #000723

RGB 0 7 35

HSL 228, 1%, 0.07%

LAB 2.47, 4.9, -17.38

 

CMYK 86 / 29 / 0 / 56

HEX #104F6F

RGB 16 79 111

HSL 200.21, 0.75%, 0.25%

LAB 31.46, -6.84, -23.82

 

CMYK 86 / 43 / 0 / 56

HEX #0F3F6F

RGB 15 63 111

HSL 210, 0.76%, 0.25%

LAB 26.17, 3.61, -32.19

 

CMYK 86 / 58 / 0 / 56

HEX #0F2F6F

RGB 15 47 111

HSL 220, 0.76%, 0.25%

LAB 21.14, 15.02, -40.3

 

CMYK 86 / 72 / 0 / 56

HEX #0F1F6F

RGB 15 31 111

HSL 230, 0.76%, 0.25%

LAB 16.65, 26.51, -47.65

 

CMYK 86 / 86 / 0 / 56

HEX #0F0F6F

RGB 15 15 111

HSL 240, 0.76%, 0.25%

LAB 13.17, 36.32, -53.39

 

CMYK 86 / 29 / 0 / 56

HEX #104F6F

RGB 16 79 111

HSL 200.21, 0.75%, 0.25%

LAB 31.46, -6.84, -23.82

 

CMYK 86 / 29 / 0 / 36

HEX #1773A2

RGB 23 115 162

HSL 200.29, 0.75%, 0.36%

LAB 45.71, -8.32, -32.42

 

CMYK 85 / 29 / 0 / 16

HEX #1F98D5

RGB 31 152 213

HSL 200.11, 0.75%, 0.48%

LAB 59.48, -10.19, -39.98

 

CMYK 89 / 33 / 0 / 96

HEX #010609

RGB 1 6 9

HSL 202.5, 0.8%, 0.02%

LAB 1.41, -0.89, -1.6

 

CMYK 85 / 28 / 0 / 76

HEX #092B3C

RGB 9 43 60

HSL 200, 0.74%, 0.14%

LAB 16.06, -5.13, -14.31

 

CMYK 86 / 29 / 0 / 56

HEX #104F6F

RGB 16 79 111

HSL 200.21, 0.75%, 0.25%

LAB 31.46, -6.84, -23.82

 

CMYK 41 / 86 / 0 / 56

HEX #420F6F

RGB 66 15 111

HSL 271.88, 0.76%, 0.25%

LAB 18.57, 41.84, -44.3

 

CMYK 0 / 5 / 86 / 56

HEX #6F690F

RGB 111 105 15

HSL 56.25, 0.76%, 0.25%

LAB 43.53, -7.93, 46.22

 

CMYK 86 / 29 / 0 / 56

HEX #104F6F

RGB 16 79 111

HSL 200.21, 0.75%, 0.25%

LAB 31.46, -6.84, -23.82

 

CMYK 0 / 86 / 29 / 56

HEX #6F0F4F

RGB 111 15 79

HSL 320, 0.76%, 0.25%

LAB 24.59, 45.4, -13.06

 

CMYK 29 / 0 / 86 / 56

HEX #4F6F0F

RGB 79 111 15

HSL 80, 0.76%, 0.25%

LAB 42.86, -25.86, 44.64

 

CMYK 86 / 29 / 0 / 56

HEX #104F6F

RGB 16 79 111

HSL 200.21, 0.75%, 0.25%

LAB 31.46, -6.84, -23.82

 

CMYK 41 / 86 / 0 / 56

HEX #420F6F

RGB 66 15 111

HSL 271.88, 0.76%, 0.25%

LAB 18.57, 41.84, -44.3

 

CMYK 0 / 58 / 86 / 56

HEX #6F2F0F

RGB 111 47 15

HSL 20, 0.76%, 0.25%

LAB 27.97, 26.42, 32.58

 

CMYK 46 / 0 / 86 / 56

HEX #3C6F0F

RGB 60 111 15

HSL 91.88, 0.76%, 0.25%

LAB 41.79, -33.36, 43.28

 

CMYK 86 / 29 / 0 / 56

HEX #104F6F

RGB 16 79 111

HSL 200.21, 0.75%, 0.25%

LAB 31.46, -6.84, -23.82

 

CMYK 14 / 86 / 0 / 56

HEX #5F0F6F

RGB 95 15 111

HSL 290, 0.76%, 0.25%

LAB 23.41, 47.02, -36.22

 

CMYK 0 / 58 / 86 / 56

HEX #6F2F0F

RGB 111 47 15

HSL 20, 0.76%, 0.25%

LAB 27.97, 26.42, 32.58

 

CMYK 72 / 0 / 86 / 56

HEX #1F6F0F

RGB 31 111 15

HSL 110, 0.76%, 0.25%

LAB 40.73, -41.78, 41.92

 

Description

Color code: HEX #104F6F | qconv.com Color code: HEX #104F6F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 79 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 79 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 29 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 29% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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