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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #104CEC it is the complementary color #EFB313. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #104CEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #104CEC shade: #154CE7, #265EFA, #3770FF, #4882FF and #5994FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #104CEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #104CEC shade: #104CEC, #003AD9, #0028C6, #0016B3 and #0004A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #104CEC shade: #104CEA, #1011EA, #4A10EA, #8510EA and #BF10EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #104CEC shade: #104CEA, #1011EA and #1010EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #104CEC shade matches the following richer shades: #104CEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #104CEC shade: #104CEA, #2455D5, #395EC1, #4D67AD and #617099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #104CEC shade: #10C2EA, #1088EA, #104EEA, #1014EA and #4710EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #104CEC shade: #0B339D, #0E3FC3, #104CEA, #3266F1 and #5983F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #104CEC shade: #104CEC, #D810EA and #A5EA10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #104CEC shade: #104CEC, #EA104E and #4EEA10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #104CEC shade: #104CEC, #D810EA, #EAAC10 and #22EA10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #104CEC shade: #104CEC, #EA10BB, #EAAC10 and #10EA3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 68 / 0 / 7

HEX #104CEC

RGB 16 76 236

HSL 223.64, 0.87%, 0.49%

LAB 40.14, 44.82, -84.13

 

Complementary color

CMYK 0 / 25 / 92 / 6

HEX #EFB313

RGB 239 179 19

HSL 43.64, 0.87%, 0.51%

LAB 76.46, 9.97, 76.86

 

CMYK 91 / 67 / 0 / 9

HEX #154CE7

RGB 21 76 231

HSL 224.29, 0.83%, 0.49%

LAB 39.74, 43.18, -81.94

 

CMYK 85 / 62 / 0 / 2

HEX #265EFA

RGB 38 94 250

HSL 224.15, 0.95%, 0.56%

LAB 46.07, 39.72, -82.22

 

CMYK 78 / 56 / 0 / 0

HEX #3770FF

RGB 55 112 255

HSL 222.9, 1%, 0.61%

LAB 51.41, 31.6, -76.26

 

CMYK 72 / 49 / 0 / 0

HEX #4882FF

RGB 72 130 255

HSL 220.98, 1%, 0.64%

LAB 56.65, 22.33, -67.74

 

CMYK 65 / 42 / 0 / 0

HEX #5994FF

RGB 89 148 255

HSL 218.67, 1%, 0.67%

LAB 62.1, 13.91, -58.95

 

CMYK 93 / 68 / 0 / 7

HEX #104CEC

RGB 16 76 236

HSL 223.64, 0.87%, 0.49%

LAB 40.14, 44.82, -84.13

 

CMYK 100 / 73 / 0 / 15

HEX #003AD9

RGB 0 58 217

HSL 223.96, 1%, 0.43%

LAB 34.06, 48.53, -83.35

 

CMYK 100 / 80 / 0 / 22

HEX #0028C6

RGB 0 40 198

HSL 227.88, 1%, 0.39%

LAB 28.37, 52.07, -81.75

 

CMYK 100 / 88 / 0 / 30

HEX #0016B3

RGB 0 22 179

HSL 232.63, 1%, 0.35%

LAB 23.1, 54.41, -79.26

 

CMYK 100 / 98 / 0 / 37

HEX #0004A0

RGB 0 4 160

HSL 238.5, 1%, 0.31%

LAB 18.47, 54.7, -75.48

 

CMYK 93 / 68 / 0 / 8

HEX #104CEA

RGB 16 76 234

HSL 223.49, 0.87%, 0.49%

LAB 39.95, 44.1, -83.31

 

CMYK 93 / 93 / 0 / 8

HEX #1011EA

RGB 16 17 234

HSL 239.72, 0.87%, 0.49%

LAB 30.52, 71.25, -98.96

 

CMYK 68 / 93 / 0 / 8

HEX #4A10EA

RGB 74 16 234

HSL 255.96, 0.87%, 0.49%

LAB 33.49, 73.06, -93.93

 

CMYK 43 / 93 / 0 / 8

HEX #8510EA

RGB 133 16 234

HSL 272.2, 0.87%, 0.49%

LAB 40.08, 77.4, -82.82

 

CMYK 18 / 93 / 0 / 8

HEX #BF10EA

RGB 191 16 234

HSL 288.17, 0.87%, 0.49%

LAB 48.74, 84.43, -68.29

 

CMYK 93 / 68 / 0 / 8

HEX #104CEA

RGB 16 76 234

HSL 223.49, 0.87%, 0.49%

LAB 39.95, 44.1, -83.31

 

CMYK 93 / 93 / 0 / 8

HEX #1011EA

RGB 16 17 234

HSL 239.72, 0.87%, 0.49%

LAB 30.52, 71.25, -98.96

 

CMYK 93 / 93 / 0 / 8

HEX #1010EA

RGB 16 16 234

HSL 240, 0.87%, 0.49%

LAB 30.45, 71.47, -99.08

 

CMYK 93 / 68 / 0 / 8

HEX #104CEA

RGB 16 76 234

HSL 223.49, 0.87%, 0.49%

LAB 39.95, 44.1, -83.31

 

CMYK 93 / 68 / 0 / 8

HEX #104CEA

RGB 16 76 234

HSL 223.49, 0.87%, 0.49%

LAB 39.95, 44.1, -83.31

 

CMYK 83 / 60 / 0 / 16

HEX #2455D5

RGB 36 85 213

HSL 223.39, 0.71%, 0.49%

LAB 40.7, 31.62, -70.1

 

CMYK 70 / 51 / 0 / 24

HEX #395EC1

RGB 57 94 193

HSL 223.68, 0.54%, 0.49%

LAB 42.35, 20.59, -55.83

 

CMYK 55 / 40 / 0 / 32

HEX #4D67AD

RGB 77 103 173

HSL 223.75, 0.38%, 0.49%

LAB 44.65, 11.46, -40.41

 

CMYK 37 / 27 / 0 / 40

HEX #617099

RGB 97 112 153

HSL 223.93, 0.22%, 0.49%

LAB 47.53, 4.93, -24.04

 

CMYK 93 / 17 / 0 / 8

HEX #10C2EA

RGB 16 194 234

HSL 191.01, 0.87%, 0.49%

LAB 72.65, -25.94, -31.05

 

CMYK 93 / 42 / 0 / 8

HEX #1088EA

RGB 16 136 234

HSL 206.97, 0.87%, 0.49%

LAB 55.74, 6.21, -57.63

 

CMYK 93 / 67 / 0 / 8

HEX #104EEA

RGB 16 78 234

HSL 222.94, 0.87%, 0.49%

LAB 40.41, 42.86, -82.55

 

CMYK 93 / 91 / 0 / 8

HEX #1014EA

RGB 16 20 234

HSL 238.9, 0.87%, 0.49%

LAB 30.76, 70.52, -98.56

 

CMYK 70 / 93 / 0 / 8

HEX #4710EA

RGB 71 16 234

HSL 255.14, 0.87%, 0.49%

LAB 33.24, 72.92, -94.35

 

CMYK 93 / 68 / 0 / 38

HEX #0B339D

RGB 11 51 157

HSL 223.56, 0.87%, 0.33%

LAB 26.37, 30.94, -60.54

 

CMYK 93 / 68 / 0 / 24

HEX #0E3FC3

RGB 14 63 195

HSL 223.76, 0.87%, 0.41%

LAB 33.11, 37.81, -72.13

 

CMYK 93 / 68 / 0 / 8

HEX #104CEA

RGB 16 76 234

HSL 223.49, 0.87%, 0.49%

LAB 39.95, 44.1, -83.31

 

CMYK 79 / 58 / 0 / 5

HEX #3266F1

RGB 50 102 241

HSL 223.66, 0.87%, 0.57%

LAB 47.66, 32.32, -74.57

 

CMYK 63 / 46 / 0 / 5

HEX #5983F3

RGB 89 131 243

HSL 223.64, 0.87%, 0.65%

LAB 56.91, 20.07, -60.66

 

CMYK 93 / 68 / 0 / 7

HEX #104CEC

RGB 16 76 236

HSL 223.64, 0.87%, 0.49%

LAB 40.14, 44.82, -84.13

 

CMYK 8 / 93 / 0 / 8

HEX #D810EA

RGB 216 16 234

HSL 295.05, 0.87%, 0.49%

LAB 52.85, 88.12, -61.46

 

CMYK 29 / 0 / 93 / 8

HEX #A5EA10

RGB 165 234 16

HSL 78.99, 0.87%, 0.49%

LAB 85.44, -47.47, 81.68

 

CMYK 93 / 68 / 0 / 7

HEX #104CEC

RGB 16 76 236

HSL 223.64, 0.87%, 0.49%

LAB 40.14, 44.82, -84.13

 

CMYK 0 / 93 / 67 / 8

HEX #EA104E

RGB 234 16 78

HSL 342.94, 0.87%, 0.49%

LAB 49.99, 75.6, 27.01

 

CMYK 67 / 0 / 93 / 8

HEX #4EEA10

RGB 78 234 16

HSL 102.94, 0.87%, 0.49%

LAB 82.11, -72.69, 77.6

 

CMYK 93 / 68 / 0 / 7

HEX #104CEC

RGB 16 76 236

HSL 223.64, 0.87%, 0.49%

LAB 40.14, 44.82, -84.13

 

CMYK 8 / 93 / 0 / 8

HEX #D810EA

RGB 216 16 234

HSL 295.05, 0.87%, 0.49%

LAB 52.85, 88.12, -61.46

 

CMYK 0 / 26 / 93 / 8

HEX #EAAC10

RGB 234 172 16

HSL 42.94, 0.87%, 0.49%

LAB 74.21, 11.47, 75.43

 

CMYK 85 / 0 / 93 / 8

HEX #22EA10

RGB 34 234 16

HSL 115.05, 0.87%, 0.49%

LAB 81.41, -78.79, 76.74

 

CMYK 93 / 68 / 0 / 7

HEX #104CEC

RGB 16 76 236

HSL 223.64, 0.87%, 0.49%

LAB 40.14, 44.82, -84.13

 

CMYK 0 / 93 / 20 / 8

HEX #EA10BB

RGB 234 16 187

HSL 312.94, 0.87%, 0.49%

LAB 53.44, 84.79, -33.42

 

CMYK 0 / 26 / 93 / 8

HEX #EAAC10

RGB 234 172 16

HSL 42.94, 0.87%, 0.49%

LAB 74.21, 11.47, 75.43

 

CMYK 93 / 0 / 73 / 8

HEX #10EA3F

RGB 16 234 63

HSL 132.94, 0.87%, 0.49%

LAB 81.46, -77.67, 65.81

 

Description

Color code: HEX #104CEC | qconv.com Color code: HEX #104CEC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 76 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 76 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 68 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 68% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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