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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10410F it is the complementary color #EFBEF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10410F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10410F shade: #15410A, #26531D, #376530, #487743 and #598956

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10410F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10410F shade: #10410F, #002F00, #001D00, #000B00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10410F shade: #10430F, #1E430F, #2C430F, #3A430F and #433D0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10410F shade: #10430F, #0F431C, #0F432A, #0F4338 and #0F3F43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10410F shade matches the following richer shades: #10430F, #0A4908 and #035002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10410F shade: #10430F, #163C16, #1D351C, #232F23 and #29282A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10410F shade: #2C430F, #1F430F, #11430F, #0F431B and #0F4329

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10410F shade: #000000, #082107, #10430F, #186417 and #20861E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10410F shade: #10410F, #0F3A43 and #430F25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10410F shade: #10410F, #0F1143 and #430F11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10410F shade: #10410F, #0F3A43, #410F43 and #43180F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10410F shade: #10410F, #0F2B43, #410F43 and #43270F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 77 / 75

HEX #10410F

RGB 16 65 15

HSL 118.8, 0.63%, 0.16%

LAB 23.42, -27.64, 24.81

 

Complementary color

CMYK 0 / 21 / 0 / 6

HEX #EFBEF0

RGB 239 190 240

HSL 298.8, 0.63%, 0.84%

LAB 82.63, 25.84, -18.08

 

CMYK 68 / 0 / 85 / 75

HEX #15410A

RGB 21 65 10

HSL 108, 0.73%, 0.15%

LAB 23.55, -26.8, 27.25

 

CMYK 54 / 0 / 65 / 67

HEX #26531D

RGB 38 83 29

HSL 110, 0.48%, 0.22%

LAB 31.08, -27.39, 26.41

 

CMYK 46 / 0 / 52 / 60

HEX #376530

RGB 55 101 48

HSL 112.08, 0.36%, 0.29%

LAB 38.43, -27.44, 25.04

 

CMYK 39 / 0 / 44 / 53

HEX #487743

RGB 72 119 67

HSL 114.23, 0.28%, 0.36%

LAB 45.6, -27.28, 23.65

 

CMYK 35 / 0 / 37 / 46

HEX #598956

RGB 89 137 86

HSL 116.47, 0.23%, 0.44%

LAB 52.61, -27.05, 22.34

 

CMYK 75 / 0 / 77 / 75

HEX #10410F

RGB 16 65 15

HSL 118.8, 0.63%, 0.16%

LAB 23.42, -27.64, 24.81

 

CMYK 100 / 0 / 100 / 82

HEX #002F00

RGB 0 47 0

HSL 120, 1%, 0.09%

LAB 15.66, -26.3, 22.15

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 76 / 0 / 78 / 74

HEX #10430F

RGB 16 67 15

HSL 118.85, 0.63%, 0.16%

LAB 24.19, -28.46, 25.63

 

CMYK 55 / 0 / 78 / 74

HEX #1E430F

RGB 30 67 15

HSL 102.69, 0.63%, 0.16%

LAB 24.72, -24.3, 26.35

 

CMYK 34 / 0 / 78 / 74

HEX #2C430F

RGB 44 67 15

HSL 86.54, 0.63%, 0.16%

LAB 25.52, -18.65, 27.42

 

CMYK 13 / 0 / 78 / 74

HEX #3A430F

RGB 58 67 15

HSL 70.38, 0.63%, 0.16%

LAB 26.59, -12.02, 28.86

 

CMYK 0 / 9 / 78 / 74

HEX #433D0F

RGB 67 61 15

HSL 53.08, 0.63%, 0.16%

LAB 25.46, -3.78, 28

 

CMYK 76 / 0 / 78 / 74

HEX #10430F

RGB 16 67 15

HSL 118.85, 0.63%, 0.16%

LAB 24.19, -28.46, 25.63

 

CMYK 78 / 0 / 58 / 74

HEX #0F431C

RGB 15 67 28

HSL 135, 0.63%, 0.16%

LAB 24.32, -26.83, 18.74

 

CMYK 78 / 0 / 37 / 74

HEX #0F432A

RGB 15 67 42

HSL 151.15, 0.63%, 0.16%

LAB 24.59, -23.86, 10.39

 

CMYK 78 / 0 / 16 / 74

HEX #0F4338

RGB 15 67 56

HSL 167.31, 0.63%, 0.16%

LAB 24.96, -19.97, 1.79

 

CMYK 78 / 6 / 0 / 74

HEX #0F3F43

RGB 15 63 67

HSL 184.62, 0.63%, 0.16%

LAB 23.87, -14.08, -7.09

 

CMYK 76 / 0 / 78 / 74

HEX #10430F

RGB 16 67 15

HSL 118.85, 0.63%, 0.16%

LAB 24.19, -28.46, 25.63

 

CMYK 86 / 0 / 89 / 71

HEX #0A4908

RGB 10 73 8

HSL 118.15, 0.8%, 0.16%

LAB 26.29, -32.59, 30.61

 

CMYK 96 / 0 / 98 / 69

HEX #035002

RGB 3 80 2

HSL 119.23, 0.95%, 0.16%

LAB 28.8, -36.56, 35.14

 

CMYK 76 / 0 / 78 / 74

HEX #10430F

RGB 16 67 15

HSL 118.85, 0.63%, 0.16%

LAB 24.19, -28.46, 25.63

 

CMYK 63 / 0 / 63 / 76

HEX #163C16

RGB 22 60 22

HSL 120, 0.46%, 0.16%

LAB 21.8, -22.82, 19.27

 

CMYK 45 / 0 / 47 / 79

HEX #1D351C

RGB 29 53 28

HSL 117.6, 0.31%, 0.16%

LAB 19.6, -15.67, 12.89

 

CMYK 26 / 0 / 26 / 82

HEX #232F23

RGB 35 47 35

HSL 120, 0.15%, 0.16%

LAB 17.97, -8.09, 6.08

 

CMYK 2 / 5 / 0 / 84

HEX #29282A

RGB 41 40 42

HSL 270, 0.02%, 0.16%

LAB 16.29, 0.94, -1.15

 

CMYK 34 / 0 / 78 / 74

HEX #2C430F

RGB 44 67 15

HSL 86.54, 0.63%, 0.16%

LAB 25.52, -18.65, 27.42

 

CMYK 54 / 0 / 78 / 74

HEX #1F430F

RGB 31 67 15

HSL 101.54, 0.63%, 0.16%

LAB 24.77, -23.94, 26.41

 

CMYK 75 / 0 / 78 / 74

HEX #11430F

RGB 17 67 15

HSL 117.69, 0.63%, 0.16%

LAB 24.22, -28.22, 25.67

 

CMYK 78 / 0 / 60 / 74

HEX #0F431B

RGB 15 67 27

HSL 133.85, 0.63%, 0.16%

LAB 24.31, -27, 19.31

 

CMYK 78 / 0 / 39 / 74

HEX #0F4329

RGB 15 67 41

HSL 150, 0.63%, 0.16%

LAB 24.56, -24.1, 11

 

CMYK 76 / 0 / 79 / 87

HEX #082107

RGB 8 33 7

HSL 117.69, 0.65%, 0.08%

LAB 10.22, -16.09, 12.07

 

CMYK 76 / 0 / 78 / 74

HEX #10430F

RGB 16 67 15

HSL 118.85, 0.63%, 0.16%

LAB 24.19, -28.46, 25.63

 

CMYK 76 / 0 / 77 / 61

HEX #186417

RGB 24 100 23

HSL 119.22, 0.63%, 0.24%

LAB 36.69, -38.66, 35.15

 

CMYK 76 / 0 / 78 / 47

HEX #20861E

RGB 32 134 30

HSL 118.85, 0.63%, 0.32%

LAB 48.82, -48.56, 44.71

 

CMYK 75 / 0 / 77 / 75

HEX #10410F

RGB 16 65 15

HSL 118.8, 0.63%, 0.16%

LAB 23.42, -27.64, 24.81

 

CMYK 78 / 13 / 0 / 74

HEX #0F3A43

RGB 15 58 67

HSL 190.38, 0.63%, 0.16%

LAB 22.06, -11.07, -9.84

 

CMYK 0 / 78 / 45 / 74

HEX #430F25

RGB 67 15 37

HSL 334.62, 0.63%, 0.16%

LAB 13.64, 27.01, -0.98

 

CMYK 75 / 0 / 77 / 75

HEX #10410F

RGB 16 65 15

HSL 118.8, 0.63%, 0.16%

LAB 23.42, -27.64, 24.81

 

CMYK 78 / 75 / 0 / 74

HEX #0F1143

RGB 15 17 67

HSL 237.69, 0.63%, 0.16%

LAB 8.2, 18.57, -31.81

 

CMYK 0 / 78 / 75 / 74

HEX #430F11

RGB 67 15 17

HSL 357.69, 0.63%, 0.16%

LAB 13.08, 25.05, 12.57

 

CMYK 75 / 0 / 77 / 75

HEX #10410F

RGB 16 65 15

HSL 118.8, 0.63%, 0.16%

LAB 23.42, -27.64, 24.81

 

CMYK 78 / 13 / 0 / 74

HEX #0F3A43

RGB 15 58 67

HSL 190.38, 0.63%, 0.16%

LAB 22.06, -11.07, -9.84

 

CMYK 3 / 78 / 0 / 74

HEX #410F43

RGB 65 15 67

HSL 297.69, 0.63%, 0.16%

LAB 14.79, 31.43, -20.81

 

CMYK 0 / 64 / 78 / 74

HEX #43180F

RGB 67 24 15

HSL 10.38, 0.63%, 0.16%

LAB 14.85, 20.1, 16

 

CMYK 75 / 0 / 77 / 75

HEX #10410F

RGB 16 65 15

HSL 118.8, 0.63%, 0.16%

LAB 23.42, -27.64, 24.81

 

CMYK 78 / 36 / 0 / 74

HEX #0F2B43

RGB 15 43 67

HSL 207.69, 0.63%, 0.16%

LAB 16.67, -1.11, -18.19

 

CMYK 3 / 78 / 0 / 74

HEX #410F43

RGB 65 15 67

HSL 297.69, 0.63%, 0.16%

LAB 14.79, 31.43, -20.81

 

CMYK 0 / 42 / 78 / 74

HEX #43270F

RGB 67 39 15

HSL 27.69, 0.63%, 0.16%

LAB 18.71, 10.6, 20.75

 

Description

Color code: HEX #10410F | qconv.com Color code: HEX #10410F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 65 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 65 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 77 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 77% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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