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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #103C22 it is the complementary color #EFC3DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #103C22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #103C22 shade: #153C1D, #264E30, #376043, #487256 and #598469

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #103C22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #103C22 shade: #103C22, #002A0F, #001800, #000600 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #103C22 shade: #103C22, #103C16, #163C10, #223C10 and #2E3C10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #103C22 shade: #103C22, #103C2E, #103C3A, #10333C and #10273C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #103C22 shade matches the following richer shades: #103C22, #0A4321 and #044920

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #103C22 shade: #103C22, #163623, #1C3024, #232A26 and #292427

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #103C22 shade: #163C10, #103C16, #103C22, #103C2E and #103C39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #103C22 shade: #000000, #071C10, #103C22, #195D35 and #217E47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #103C22 shade: #103C22, #10223C and #3C1010

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #103C22 shade: #103C22, #22103C and #3C2210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #103C22 shade: #103C22, #10223C, #3C102B and #3C2B10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #103C22 shade: #103C22, #10153C, #3C102B and #3C3810

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 43 / 76

HEX #103C22

RGB 16 60 34

HSL 144.55, 0.58%, 0.15%

LAB 21.79, -22.18, 11.78

 

Complementary color

CMYK 0 / 18 / 8 / 6

HEX #EFC3DD

RGB 239 195 221

HSL 324.55, 0.58%, 0.85%

LAB 83.23, 19.82, -7.02

 

CMYK 65 / 0 / 52 / 76

HEX #153C1D

RGB 21 60 29

HSL 132.31, 0.48%, 0.16%

LAB 21.87, -21.9, 15.1

 

CMYK 51 / 0 / 38 / 69

HEX #264E30

RGB 38 78 48

HSL 135, 0.34%, 0.23%

LAB 29.6, -21.8, 13.52

 

CMYK 43 / 0 / 30 / 62

HEX #376043

RGB 55 96 67

HSL 137.56, 0.27%, 0.3%

LAB 37.08, -21.53, 12.16

 

CMYK 37 / 0 / 25 / 55

HEX #487256

RGB 72 114 86

HSL 140, 0.23%, 0.36%

LAB 44.35, -21.23, 10.98

 

CMYK 33 / 0 / 20 / 48

HEX #598469

RGB 89 132 105

HSL 142.33, 0.19%, 0.43%

LAB 51.43, -20.94, 9.92

 

CMYK 73 / 0 / 43 / 76

HEX #103C22

RGB 16 60 34

HSL 144.55, 0.58%, 0.15%

LAB 21.79, -22.18, 11.78

 

CMYK 100 / 0 / 64 / 84

HEX #002A0F

RGB 0 42 15

HSL 141.43, 1%, 0.08%

LAB 13.77, -21.99, 13.3

 

CMYK 100 / 0 / 100 / 91

HEX #001800

RGB 0 24 0

HSL 120, 1%, 0.05%

LAB 5.9, -12.05, 8.62

 

CMYK 100 / 0 / 100 / 98

HEX #000600

RGB 0 6 0

HSL 120, 1%, 0.01%

LAB 1.18, -2.4, 1.72

 

CMYK 73 / 0 / 43 / 76

HEX #103C22

RGB 16 60 34

HSL 144.55, 0.58%, 0.15%

LAB 21.79, -22.18, 11.78

 

CMYK 73 / 0 / 63 / 76

HEX #103C16

RGB 16 60 22

HSL 128.18, 0.58%, 0.15%

LAB 21.58, -24.53, 18.95

 

CMYK 63 / 0 / 73 / 76

HEX #163C10

RGB 22 60 16

HSL 111.82, 0.58%, 0.15%

LAB 21.73, -23.65, 22.52

 

CMYK 43 / 0 / 73 / 76

HEX #223C10

RGB 34 60 16

HSL 95.45, 0.58%, 0.15%

LAB 22.33, -19.18, 23.36

 

CMYK 23 / 0 / 73 / 76

HEX #2E3C10

RGB 46 60 16

HSL 79.09, 0.58%, 0.15%

LAB 23.17, -13.75, 24.51

 

CMYK 73 / 0 / 43 / 76

HEX #103C22

RGB 16 60 34

HSL 144.55, 0.58%, 0.15%

LAB 21.79, -22.18, 11.78

 

CMYK 73 / 0 / 23 / 76

HEX #103C2E

RGB 16 60 46

HSL 160.91, 0.58%, 0.15%

LAB 22.09, -19.07, 4.3

 

CMYK 73 / 0 / 3 / 76

HEX #103C3A

RGB 16 60 58

HSL 177.27, 0.58%, 0.15%

LAB 22.47, -15.29, -3.18

 

CMYK 73 / 15 / 0 / 76

HEX #10333C

RGB 16 51 60

HSL 192.27, 0.58%, 0.15%

LAB 19.24, -9.13, -9.39

 

CMYK 73 / 35 / 0 / 76

HEX #10273C

RGB 16 39 60

HSL 208.64, 0.58%, 0.15%

LAB 14.89, -0.98, -16.14

 

CMYK 73 / 0 / 43 / 76

HEX #103C22

RGB 16 60 34

HSL 144.55, 0.58%, 0.15%

LAB 21.79, -22.18, 11.78

 

CMYK 85 / 0 / 51 / 74

HEX #0A4321

RGB 10 67 33

HSL 144.21, 0.74%, 0.15%

LAB 24.29, -26.82, 15.65

 

CMYK 95 / 0 / 56 / 71

HEX #044920

RGB 4 73 32

HSL 144.35, 0.9%, 0.15%

LAB 26.43, -30.47, 18.94

 

CMYK 73 / 0 / 43 / 76

HEX #103C22

RGB 16 60 34

HSL 144.55, 0.58%, 0.15%

LAB 21.79, -22.18, 11.78

 

CMYK 59 / 0 / 35 / 79

HEX #163623

RGB 22 54 35

HSL 144.38, 0.42%, 0.15%

LAB 19.76, -17.19, 8.43

 

CMYK 42 / 0 / 25 / 81

HEX #1C3024

RGB 28 48 36

HSL 144, 0.26%, 0.15%

LAB 17.86, -11.37, 5.17

 

CMYK 17 / 0 / 10 / 84

HEX #232A26

RGB 35 42 38

HSL 145.71, 0.09%, 0.15%

LAB 16.27, -4.1, 1.58

 

CMYK 0 / 12 / 5 / 84

HEX #292427

RGB 41 36 39

HSL 324, 0.06%, 0.15%

LAB 14.84, 3.03, -1.14

 

CMYK 63 / 0 / 73 / 76

HEX #163C10

RGB 22 60 16

HSL 111.82, 0.58%, 0.15%

LAB 21.73, -23.65, 22.52

 

CMYK 73 / 0 / 63 / 76

HEX #103C16

RGB 16 60 22

HSL 128.18, 0.58%, 0.15%

LAB 21.58, -24.53, 18.95

 

CMYK 73 / 0 / 43 / 76

HEX #103C22

RGB 16 60 34

HSL 144.55, 0.58%, 0.15%

LAB 21.79, -22.18, 11.78

 

CMYK 73 / 0 / 23 / 76

HEX #103C2E

RGB 16 60 46

HSL 160.91, 0.58%, 0.15%

LAB 22.09, -19.07, 4.3

 

CMYK 73 / 0 / 5 / 76

HEX #103C39

RGB 16 60 57

HSL 175.91, 0.58%, 0.15%

LAB 22.43, -15.63, -2.56

 

CMYK 75 / 0 / 43 / 89

HEX #071C10

RGB 7 28 16

HSL 145.71, 0.6%, 0.07%

LAB 8.25, -11.11, 5.13

 

CMYK 73 / 0 / 43 / 76

HEX #103C22

RGB 16 60 34

HSL 144.55, 0.58%, 0.15%

LAB 21.79, -22.18, 11.78

 

CMYK 73 / 0 / 43 / 64

HEX #195D35

RGB 25 93 53

HSL 144.71, 0.58%, 0.23%

LAB 34.58, -31.22, 17.02

 

CMYK 74 / 0 / 44 / 51

HEX #217E47

RGB 33 126 71

HSL 144.52, 0.58%, 0.31%

LAB 46.58, -39.95, 22.4

 

CMYK 73 / 0 / 43 / 76

HEX #103C22

RGB 16 60 34

HSL 144.55, 0.58%, 0.15%

LAB 21.79, -22.18, 11.78

 

CMYK 73 / 43 / 0 / 76

HEX #10223C

RGB 16 34 60

HSL 215.45, 0.58%, 0.15%

LAB 13.11, 2.7, -18.93

 

CMYK 0 / 73 / 73 / 76

HEX #3C1010

RGB 60 16 16

HSL 0, 0.58%, 0.15%

LAB 11.75, 21.64, 11.08

 

CMYK 73 / 0 / 43 / 76

HEX #103C22

RGB 16 60 34

HSL 144.55, 0.58%, 0.15%

LAB 21.79, -22.18, 11.78

 

CMYK 43 / 73 / 0 / 76

HEX #22103C

RGB 34 16 60

HSL 264.55, 0.58%, 0.15%

LAB 9.3, 20.71, -24.96

 

CMYK 0 / 43 / 73 / 76

HEX #3C2210

RGB 60 34 16

HSL 24.55, 0.58%, 0.15%

LAB 16.22, 10.41, 16.94

 

CMYK 73 / 0 / 43 / 76

HEX #103C22

RGB 16 60 34

HSL 144.55, 0.58%, 0.15%

LAB 21.79, -22.18, 11.78

 

CMYK 73 / 43 / 0 / 76

HEX #10223C

RGB 16 34 60

HSL 215.45, 0.58%, 0.15%

LAB 13.11, 2.7, -18.93

 

CMYK 0 / 73 / 28 / 76

HEX #3C102B

RGB 60 16 43

HSL 323.18, 0.58%, 0.15%

LAB 12.64, 24.93, -7.04

 

CMYK 0 / 28 / 73 / 76

HEX #3C2B10

RGB 60 43 16

HSL 36.82, 0.58%, 0.15%

LAB 18.91, 4.33, 20.19

 

CMYK 73 / 0 / 43 / 76

HEX #103C22

RGB 16 60 34

HSL 144.55, 0.58%, 0.15%

LAB 21.79, -22.18, 11.78

 

CMYK 73 / 65 / 0 / 76

HEX #10153C

RGB 16 21 60

HSL 233.18, 0.58%, 0.15%

LAB 8.76, 12.76, -25.91

 

CMYK 0 / 73 / 28 / 76

HEX #3C102B

RGB 60 16 43

HSL 323.18, 0.58%, 0.15%

LAB 12.64, 24.93, -7.04

 

CMYK 0 / 7 / 73 / 76

HEX #3C3810

RGB 60 56 16

HSL 54.55, 0.58%, 0.15%

LAB 23.09, -4.21, 24.81

 

Description

Color code: HEX #103C22 | qconv.com Color code: HEX #103C22 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 60 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 60 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 43 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 43% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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