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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #103693 it is the complementary color #EFC96C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #103693. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #103693 shade: #15368E, #2648A1, #375AB4, #486CC7 and #597EDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #103693. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #103693 shade: #103693, #002480, #00126D, #00005A and #000047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #103693 shade: #103693, #101393, #311093, #541093 and #771093

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #103693 shade: #103693, #101393 and #101093

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #103693 shade matches the following richer shades: #103693 and #0331A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #103693 shade: #103693, #1E3C86, #2B4178, #38476B and #454C5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #103693 shade: #107D93, #105A93, #103793, #101593 and #2F1093

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #103693 shade: #081B49, #0C286E, #103693, #1444B8 and #1952DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #103693 shade: #103693, #861093 and #6C9310

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #103693 shade: #103693, #931037 and #379310

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #103693 shade: #103693, #861093, #936C10 and #1D9310

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #103693 shade: #103693, #931079, #936C10 and #10932A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

Complementary color

CMYK 0 / 16 / 55 / 6

HEX #EFC96C

RGB 239 201 108

HSL 42.6, 0.8%, 0.68%

LAB 82.49, 2.45, 50.9

 

CMYK 85 / 62 / 0 / 44

HEX #15368E

RGB 21 54 142

HSL 223.64, 0.74%, 0.32%

LAB 26.01, 23.5, -51.91

 

CMYK 76 / 55 / 0 / 37

HEX #2648A1

RGB 38 72 161

HSL 223.41, 0.62%, 0.39%

LAB 33.18, 20.47, -51.8

 

CMYK 69 / 50 / 0 / 29

HEX #375AB4

RGB 55 90 180

HSL 223.2, 0.53%, 0.46%

LAB 40.28, 18.1, -51.58

 

CMYK 64 / 46 / 0 / 22

HEX #486CC7

RGB 72 108 199

HSL 222.99, 0.53%, 0.53%

LAB 47.27, 16.23, -51.34

 

CMYK 59 / 42 / 0 / 15

HEX #597EDA

RGB 89 126 218

HSL 222.79, 0.64%, 0.6%

LAB 54.14, 14.73, -51.12

 

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

CMYK 100 / 72 / 0 / 50

HEX #002480

RGB 0 36 128

HSL 223.13, 1%, 0.25%

LAB 19.31, 29.05, -54.17

 

CMYK 100 / 83 / 0 / 57

HEX #00126D

RGB 0 18 109

HSL 230.09, 1%, 0.21%

LAB 12.84, 33.29, -52.66

 

CMYK 100 / 100 / 0 / 65

HEX #00005A

RGB 0 0 90

HSL 240, 1%, 0.18%

LAB 6.67, 36.68, -50.3

 

CMYK 100 / 100 / 0 / 72

HEX #000047

RGB 0 0 71

HSL 240, 1%, 0.14%

LAB 4.11, 27.68, -41.39

 

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

CMYK 89 / 87 / 0 / 42

HEX #101393

RGB 16 19 147

HSL 238.63, 0.8%, 0.32%

LAB 18.72, 46.18, -67.04

 

CMYK 67 / 89 / 0 / 42

HEX #311093

RGB 49 16 147

HSL 255.11, 0.8%, 0.32%

LAB 20.56, 49.16, -63.93

 

CMYK 43 / 89 / 0 / 42

HEX #541093

RGB 84 16 147

HSL 271.15, 0.8%, 0.32%

LAB 24.83, 52.8, -56.73

 

CMYK 19 / 89 / 0 / 42

HEX #771093

RGB 119 16 147

HSL 287.18, 0.8%, 0.32%

LAB 30.4, 58.02, -47.41

 

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

CMYK 89 / 87 / 0 / 42

HEX #101393

RGB 16 19 147

HSL 238.63, 0.8%, 0.32%

LAB 18.72, 46.18, -67.04

 

CMYK 89 / 89 / 0 / 42

HEX #101093

RGB 16 16 147

HSL 240, 0.8%, 0.32%

LAB 18.31, 47.43, -67.73

 

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

CMYK 98 / 69 / 0 / 37

HEX #0331A0

RGB 3 49 160

HSL 222.42, 0.96%, 0.32%

LAB 26.02, 33.15, -62.94

 

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

CMYK 78 / 55 / 0 / 47

HEX #1E3C86

RGB 30 60 134

HSL 222.69, 0.63%, 0.32%

LAB 27.38, 17.02, -44.71

 

CMYK 64 / 46 / 0 / 53

HEX #2B4178

RGB 43 65 120

HSL 222.86, 0.47%, 0.32%

LAB 28.51, 10.24, -34.09

 

CMYK 48 / 34 / 0 / 58

HEX #38476B

RGB 56 71 107

HSL 222.35, 0.31%, 0.32%

LAB 30.42, 4.78, -22.8

 

CMYK 27 / 19 / 0 / 63

HEX #454C5E

RGB 69 76 94

HSL 223.2, 0.15%, 0.32%

LAB 32.35, 1.76, -11.49

 

CMYK 89 / 15 / 0 / 42

HEX #107D93

RGB 16 125 147

HSL 190.08, 0.8%, 0.32%

LAB 48.11, -19.97, -19.87

 

CMYK 89 / 39 / 0 / 42

HEX #105A93

RGB 16 90 147

HSL 206.11, 0.8%, 0.32%

LAB 36.98, 0.66, -37.27

 

CMYK 89 / 63 / 0 / 42

HEX #103793

RGB 16 55 147

HSL 222.14, 0.8%, 0.32%

LAB 26.59, 24.46, -54.05

 

CMYK 89 / 86 / 0 / 42

HEX #101593

RGB 16 21 147

HSL 237.71, 0.8%, 0.32%

LAB 19.03, 45.29, -66.54

 

CMYK 68 / 89 / 0 / 42

HEX #2F1093

RGB 47 16 147

HSL 254.2, 0.8%, 0.32%

LAB 20.37, 49.01, -64.25

 

CMYK 89 / 63 / 0 / 71

HEX #081B49

RGB 8 27 73

HSL 222.46, 0.8%, 0.16%

LAB 11.39, 12.56, -30.81

 

CMYK 89 / 64 / 0 / 57

HEX #0C286E

RGB 12 40 110

HSL 222.86, 0.8%, 0.24%

LAB 18.89, 19.44, -43.32

 

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

CMYK 89 / 63 / 0 / 28

HEX #1444B8

RGB 20 68 184

HSL 222.44, 0.8%, 0.4%

LAB 33.44, 30.6, -65.11

 

CMYK 89 / 63 / 0 / 13

HEX #1952DD

RGB 25 82 221

HSL 222.55, 0.8%, 0.48%

LAB 40.35, 35.87, -75.26

 

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

CMYK 9 / 89 / 0 / 42

HEX #861093

RGB 134 16 147

HSL 294.05, 0.8%, 0.32%

LAB 33.02, 60.61, -43.05

 

CMYK 27 / 0 / 89 / 42

HEX #6C9310

RGB 108 147 16

HSL 77.86, 0.8%, 0.32%

LAB 56.18, -31.01, 56.55

 

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

CMYK 0 / 89 / 63 / 42

HEX #931037

RGB 147 16 55

HSL 342.14, 0.8%, 0.32%

LAB 31.46, 52.43, 13.95

 

CMYK 63 / 0 / 89 / 42

HEX #379310

RGB 55 147 16

HSL 102.14, 0.8%, 0.32%

LAB 53.73, -48.99, 53.49

 

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

CMYK 9 / 89 / 0 / 42

HEX #861093

RGB 134 16 147

HSL 294.05, 0.8%, 0.32%

LAB 33.02, 60.61, -43.05

 

CMYK 0 / 27 / 89 / 42

HEX #936C10

RGB 147 108 16

HSL 42.14, 0.8%, 0.32%

LAB 48.22, 7.59, 51.38

 

CMYK 80 / 0 / 89 / 42

HEX #1D9310

RGB 29 147 16

HSL 114.05, 0.8%, 0.32%

LAB 53.13, -54.06, 52.74

 

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

CMYK 0 / 89 / 18 / 42

HEX #931079

RGB 147 16 121

HSL 311.91, 0.8%, 0.32%

LAB 33.89, 59.13, -25.35

 

CMYK 0 / 27 / 89 / 42

HEX #936C10

RGB 147 108 16

HSL 42.14, 0.8%, 0.32%

LAB 48.22, 7.59, 51.38

 

CMYK 89 / 0 / 71 / 42

HEX #10932A

RGB 16 147 42

HSL 131.91, 0.8%, 0.32%

LAB 53.11, -53.73, 44.38

 

Description

Color code: HEX #103693 | qconv.com Color code: HEX #103693 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 54 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 54 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 63 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 63% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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