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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #103149 it is the complementary color #EFCEB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #103149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #103149 shade: #153144, #264357, #37556A, #48677D and #597990

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #103149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #103149 shade: #103149, #001F36, #000D23, #000010 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #103149 shade: #103047, #102147, #101247, #1C1047 and #2B1047

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #103149 shade: #103047, #102147, #101247 and #101047

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #103149 shade matches the following richer shades: #103047, #09314E and #023255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #103149 shade: #103047, #172F40, #1E2E39, #252C32 and #2C2B2B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #103149 shade: #104741, #103F47, #103047, #102147 and #101247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #103149 shade: #010203, #081925, #103047, #174669 and #1E5D8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #103149 shade: #103149, #321047 and #464710

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #103149 shade: #103149, #471030 and #304710

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #103149 shade: #103149, #321047, #472710 and #254710

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #103149 shade: #103149, #421047, #472710 and #144710

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 33 / 0 / 71

HEX #103149

RGB 16 49 73

HSL 205.26, 0.64%, 0.17%

LAB 19.17, -2.62, -18.35

 

Complementary color

CMYK 0 / 14 / 24 / 6

HEX #EFCEB6

RGB 239 206 182

HSL 25.26, 0.64%, 0.83%

LAB 84.93, 7.97, 16.21

 

CMYK 69 / 28 / 0 / 73

HEX #153144

RGB 21 49 68

HSL 204.26, 0.53%, 0.17%

LAB 19.11, -3.63, -15.04

 

CMYK 56 / 23 / 0 / 66

HEX #264357

RGB 38 67 87

HSL 204.49, 0.39%, 0.25%

LAB 27.06, -4.36, -15.29

 

CMYK 48 / 20 / 0 / 58

HEX #37556A

RGB 55 85 106

HSL 204.71, 0.32%, 0.32%

LAB 34.7, -4.79, -15.55

 

CMYK 42 / 18 / 0 / 51

HEX #48677D

RGB 72 103 125

HSL 204.91, 0.27%, 0.39%

LAB 42.09, -5.08, -15.83

 

CMYK 38 / 16 / 0 / 44

HEX #597990

RGB 89 121 144

HSL 205.09, 0.24%, 0.46%

LAB 49.27, -5.3, -16.12

 

CMYK 78 / 33 / 0 / 71

HEX #103149

RGB 16 49 73

HSL 205.26, 0.64%, 0.17%

LAB 19.17, -2.62, -18.35

 

CMYK 100 / 43 / 0 / 79

HEX #001F36

RGB 0 31 54

HSL 205.56, 1%, 0.11%

LAB 10.89, -0.95, -18.23

 

CMYK 100 / 63 / 0 / 86

HEX #000D23

RGB 0 13 35

HSL 217.71, 1%, 0.07%

LAB 3.7, 2.39, -15.49

 

CMYK 100 / 100 / 0 / 94

HEX #000010

RGB 0 0 16

HSL 240, 1%, 0.03%

LAB 0.34, 2.37, -6.46

 

CMYK 77 / 32 / 0 / 72

HEX #103047

RGB 16 48 71

HSL 205.09, 0.63%, 0.17%

LAB 18.71, -2.76, -17.72

 

CMYK 77 / 54 / 0 / 72

HEX #102147

RGB 16 33 71

HSL 221.45, 0.63%, 0.17%

LAB 13.55, 8.21, -25.92

 

CMYK 77 / 75 / 0 / 72

HEX #101247

RGB 16 18 71

HSL 237.82, 0.63%, 0.17%

LAB 8.97, 19.63, -33.35

 

CMYK 61 / 77 / 0 / 72

HEX #1C1047

RGB 28 16 71

HSL 253.09, 0.63%, 0.17%

LAB 9.58, 23.05, -32.31

 

CMYK 39 / 77 / 0 / 72

HEX #2B1047

RGB 43 16 71

HSL 269.45, 0.63%, 0.17%

LAB 11.55, 26.28, -29.02

 

CMYK 77 / 32 / 0 / 72

HEX #103047

RGB 16 48 71

HSL 205.09, 0.63%, 0.17%

LAB 18.71, -2.76, -17.72

 

CMYK 77 / 54 / 0 / 72

HEX #102147

RGB 16 33 71

HSL 221.45, 0.63%, 0.17%

LAB 13.55, 8.21, -25.92

 

CMYK 77 / 75 / 0 / 72

HEX #101247

RGB 16 18 71

HSL 237.82, 0.63%, 0.17%

LAB 8.97, 19.63, -33.35

 

CMYK 77 / 77 / 0 / 72

HEX #101047

RGB 16 16 71

HSL 240, 0.63%, 0.17%

LAB 8.44, 21.06, -34.22

 

CMYK 77 / 32 / 0 / 72

HEX #103047

RGB 16 48 71

HSL 205.09, 0.63%, 0.17%

LAB 18.71, -2.76, -17.72

 

CMYK 88 / 37 / 0 / 69

HEX #09314E

RGB 9 49 78

HSL 205.22, 0.79%, 0.17%

LAB 19.24, -1.53, -21.63

 

CMYK 98 / 41 / 0 / 67

HEX #023255

RGB 2 50 85

HSL 205.3, 0.95%, 0.17%

LAB 19.84, 0.03, -25.38

 

CMYK 77 / 32 / 0 / 72

HEX #103047

RGB 16 48 71

HSL 205.09, 0.63%, 0.17%

LAB 18.71, -2.76, -17.72

 

CMYK 64 / 27 / 0 / 75

HEX #172F40

RGB 23 47 64

HSL 204.88, 0.47%, 0.17%

LAB 18.3, -3.32, -13.56

 

CMYK 47 / 19 / 0 / 78

HEX #1E2E39

RGB 30 46 57

HSL 204.44, 0.31%, 0.17%

LAB 18.03, -3.11, -9.11

 

CMYK 26 / 12 / 0 / 80

HEX #252C32

RGB 37 44 50

HSL 207.69, 0.15%, 0.17%

LAB 17.58, -1.38, -4.89

 

CMYK 0 / 2 / 2 / 83

HEX #2C2B2B

RGB 44 43 43

HSL 0, 0.01%, 0.17%

LAB 17.63, 0.45, 0.16

 

CMYK 77 / 0 / 8 / 72

HEX #104741

RGB 16 71 65

HSL 173.45, 0.63%, 0.17%

LAB 26.73, -19.09, -1.52

 

CMYK 77 / 11 / 0 / 72

HEX #103F47

RGB 16 63 71

HSL 188.73, 0.63%, 0.17%

LAB 24.06, -12.45, -9.45

 

CMYK 77 / 32 / 0 / 72

HEX #103047

RGB 16 48 71

HSL 205.09, 0.63%, 0.17%

LAB 18.71, -2.76, -17.72

 

CMYK 77 / 54 / 0 / 72

HEX #102147

RGB 16 33 71

HSL 221.45, 0.63%, 0.17%

LAB 13.55, 8.21, -25.92

 

CMYK 77 / 75 / 0 / 72

HEX #101247

RGB 16 18 71

HSL 237.82, 0.63%, 0.17%

LAB 8.97, 19.63, -33.35

 

CMYK 67 / 33 / 0 / 99

HEX #010203

RGB 1 2 3

HSL 210, 0.5%, 0.01%

LAB 0.51, -0.12, -0.47

 

CMYK 78 / 32 / 0 / 85

HEX #081925

RGB 8 25 37

HSL 204.83, 0.64%, 0.09%

LAB 7.95, -2.26, -10.39

 

CMYK 77 / 32 / 0 / 72

HEX #103047

RGB 16 48 71

HSL 205.09, 0.63%, 0.17%

LAB 18.71, -2.76, -17.72

 

CMYK 78 / 33 / 0 / 59

HEX #174669

RGB 23 70 105

HSL 205.61, 0.64%, 0.25%

LAB 28.33, -2.59, -24.92

 

CMYK 78 / 33 / 0 / 45

HEX #1E5D8B

RGB 30 93 139

HSL 205.32, 0.64%, 0.33%

LAB 37.79, -3.02, -31.14

 

CMYK 78 / 33 / 0 / 71

HEX #103149

RGB 16 49 73

HSL 205.26, 0.64%, 0.17%

LAB 19.17, -2.62, -18.35

 

CMYK 30 / 77 / 0 / 72

HEX #321047

RGB 50 16 71

HSL 277.09, 0.63%, 0.17%

LAB 12.63, 27.98, -27.22

 

CMYK 1 / 0 / 77 / 72

HEX #464710

RGB 70 71 16

HSL 61.09, 0.63%, 0.17%

LAB 29.02, -8.31, 31.2

 

CMYK 78 / 33 / 0 / 71

HEX #103149

RGB 16 49 73

HSL 205.26, 0.64%, 0.17%

LAB 19.17, -2.62, -18.35

 

CMYK 0 / 77 / 32 / 72

HEX #471030

RGB 71 16 48

HSL 325.09, 0.63%, 0.17%

LAB 15.08, 29.43, -6.77

 

CMYK 32 / 0 / 77 / 72

HEX #304710

RGB 48 71 16

HSL 85.09, 0.63%, 0.17%

LAB 27.22, -18.91, 28.8

 

CMYK 78 / 33 / 0 / 71

HEX #103149

RGB 16 49 73

HSL 205.26, 0.64%, 0.17%

LAB 19.17, -2.62, -18.35

 

CMYK 30 / 77 / 0 / 72

HEX #321047

RGB 50 16 71

HSL 277.09, 0.63%, 0.17%

LAB 12.63, 27.98, -27.22

 

CMYK 0 / 45 / 77 / 72

HEX #472710

RGB 71 39 16

HSL 25.09, 0.63%, 0.17%

LAB 19.34, 12.7, 21.1

 

CMYK 48 / 0 / 77 / 72

HEX #254710

RGB 37 71 16

HSL 97.09, 0.63%, 0.17%

LAB 26.56, -23.51, 27.9

 

CMYK 78 / 33 / 0 / 71

HEX #103149

RGB 16 49 73

HSL 205.26, 0.64%, 0.17%

LAB 19.17, -2.62, -18.35

 

CMYK 7 / 77 / 0 / 72

HEX #421047

RGB 66 16 71

HSL 294.55, 0.63%, 0.17%

LAB 15.4, 32.09, -22.62

 

CMYK 0 / 45 / 77 / 72

HEX #472710

RGB 71 39 16

HSL 25.09, 0.63%, 0.17%

LAB 19.34, 12.7, 21.1

 

CMYK 72 / 0 / 77 / 72

HEX #144710

RGB 20 71 16

HSL 115.64, 0.63%, 0.17%

LAB 25.84, -29.01, 26.94

 

Description

Color code: HEX #103149 | qconv.com Color code: HEX #103149 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 49 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 49 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 33 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 33% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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