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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FFA70 it is the complementary color #F0058F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FFA70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FFA70 shade: #14FA6B, #25FF7E, #36FF91, #47FFA4 and #58FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FFA70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FFA70 shade: #0FFA70, #00E85D, #00D64A, #00C437 and #00B224

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FFA70 shade: #0FFA70, #0FFA31, #2DFA0F, #6CFA0F and #ACFA0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FFA70 shade: #0FFA70, #0FFAAF, #0FFAEF, #0FC6FA and #0F87FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FFA70 shade matches the following richer shades: #0FFA70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FFA70 shade: #0FFA70, #23E674, #37D277, #4BBF7A and #5EAB7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FFA70 shade: #2EFA0F, #0FFA2E, #0FFA6D, #0FFAAC and #0FFAEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FFA70 shade: #04B34C, #04DB5D, #0FFA70, #38FB88 and #60FCA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FFA70 shade: #0FFA70, #0F6DFA and #FA0F0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FFA70 shade: #0FFA70, #6D0FFA and #FA6D0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FFA70 shade: #0FFA70, #0F6DFA, #FA0F9C and #FA9C0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FFA70 shade: #0FFA70, #0F27FA, #FA0F9C and #FAE30F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 55 / 2

HEX #0FFA70

RGB 15 250 112

HSL 144.77, 0.96%, 0.52%

LAB 86.82, -77.1, 51.93

 

Complementary color

CMYK 0 / 98 / 40 / 6

HEX #F0058F

RGB 240 5 143

HSL 324.77, 0.96%, 0.48%

LAB 52.53, 82.25, -8.74

 

CMYK 92 / 0 / 57 / 2

HEX #14FA6B

RGB 20 250 107

HSL 142.7, 0.96%, 0.53%

LAB 86.79, -77.56, 54.13

 

CMYK 85 / 0 / 51 / 0

HEX #25FF7E

RGB 37 255 126

HSL 144.5, 1%, 0.57%

LAB 88.65, -75.47, 47.75

 

CMYK 79 / 0 / 43 / 0

HEX #36FF91

RGB 54 255 145

HSL 147.16, 1%, 0.61%

LAB 89.09, -70.94, 39.26

 

CMYK 72 / 0 / 36 / 0

HEX #47FFA4

RGB 71 255 164

HSL 150.33, 1%, 0.64%

LAB 89.65, -65.5, 30.65

 

CMYK 65 / 0 / 28 / 0

HEX #58FFB7

RGB 88 255 183

HSL 154.13, 1%, 0.67%

LAB 90.33, -59.22, 22.02

 

CMYK 94 / 0 / 55 / 2

HEX #0FFA70

RGB 15 250 112

HSL 144.77, 0.96%, 0.52%

LAB 86.82, -77.1, 51.93

 

CMYK 100 / 0 / 60 / 9

HEX #00E85D

RGB 0 232 93

HSL 144.05, 1%, 0.45%

LAB 81.02, -74.63, 53.54

 

CMYK 100 / 0 / 65 / 16

HEX #00D64A

RGB 0 214 74

HSL 140.75, 1%, 0.42%

LAB 75.19, -71.52, 55.04

 

CMYK 100 / 0 / 72 / 23

HEX #00C437

RGB 0 196 55

HSL 136.84, 1%, 0.38%

LAB 69.3, -68.14, 56.19

 

CMYK 100 / 0 / 80 / 30

HEX #00B224

RGB 0 178 36

HSL 132.13, 1%, 0.35%

LAB 63.32, -64.44, 56.69

 

CMYK 94 / 0 / 55 / 2

HEX #0FFA70

RGB 15 250 112

HSL 144.77, 0.96%, 0.52%

LAB 86.82, -77.1, 51.93

 

CMYK 94 / 0 / 80 / 2

HEX #0FFA31

RGB 15 250 49

HSL 128.68, 0.96%, 0.52%

LAB 86.35, -83.01, 74.75

 

CMYK 82 / 0 / 94 / 2

HEX #2DFA0F

RGB 45 250 15

HSL 112.34, 0.96%, 0.52%

LAB 86.49, -82.16, 81.08

 

CMYK 57 / 0 / 94 / 2

HEX #6CFA0F

RGB 108 250 15

HSL 96.26, 0.96%, 0.52%

LAB 87.77, -71.18, 82.66

 

CMYK 31 / 0 / 94 / 2

HEX #ACFA0F

RGB 172 250 15

HSL 79.91, 0.96%, 0.52%

LAB 90.4, -51.58, 85.87

 

CMYK 94 / 0 / 55 / 2

HEX #0FFA70

RGB 15 250 112

HSL 144.77, 0.96%, 0.52%

LAB 86.82, -77.1, 51.93

 

CMYK 94 / 0 / 30 / 2

HEX #0FFAAF

RGB 15 250 175

HSL 160.85, 0.96%, 0.52%

LAB 87.76, -66.04, 22.41

 

CMYK 94 / 0 / 4 / 2

HEX #0FFAEF

RGB 15 250 239

HSL 177.19, 0.96%, 0.52%

LAB 89.25, -50.16, -8.59

 

CMYK 94 / 21 / 0 / 2

HEX #0FC6FA

RGB 15 198 250

HSL 193.28, 0.96%, 0.52%

LAB 74.44, -22.63, -36.91

 

CMYK 94 / 46 / 0 / 2

HEX #0F87FA

RGB 15 135 250

HSL 209.36, 0.96%, 0.52%

LAB 56.42, 12.91, -65.42

 

CMYK 94 / 0 / 55 / 2

HEX #0FFA70

RGB 15 250 112

HSL 144.77, 0.96%, 0.52%

LAB 86.82, -77.1, 51.93

 

CMYK 94 / 0 / 55 / 2

HEX #0FFA70

RGB 15 250 112

HSL 144.77, 0.96%, 0.52%

LAB 86.82, -77.1, 51.93

 

CMYK 85 / 0 / 50 / 10

HEX #23E674

RGB 35 230 116

HSL 144.92, 0.8%, 0.52%

LAB 80.86, -69.13, 42.81

 

CMYK 74 / 0 / 43 / 18

HEX #37D277

RGB 55 210 119

HSL 144.77, 0.63%, 0.52%

LAB 74.97, -59.63, 33.91

 

CMYK 61 / 0 / 36 / 25

HEX #4BBF7A

RGB 75 191 122

HSL 144.31, 0.48%, 0.52%

LAB 69.59, -48.35, 25.35

 

CMYK 45 / 0 / 26 / 33

HEX #5EAB7E

RGB 94 171 126

HSL 144.94, 0.31%, 0.52%

LAB 64.17, -34.23, 15.92

 

CMYK 82 / 0 / 94 / 2

HEX #2EFA0F

RGB 46 250 15

HSL 112.09, 0.96%, 0.52%

LAB 86.5, -82.06, 81.09

 

CMYK 94 / 0 / 82 / 2

HEX #0FFA2E

RGB 15 250 46

HSL 127.91, 0.96%, 0.52%

LAB 86.34, -83.16, 75.5

 

CMYK 94 / 0 / 56 / 2

HEX #0FFA6D

RGB 15 250 109

HSL 144, 0.96%, 0.52%

LAB 86.79, -77.5, 53.24

 

CMYK 94 / 0 / 31 / 2

HEX #0FFAAC

RGB 15 250 172

HSL 160.09, 0.96%, 0.52%

LAB 87.7, -66.68, 23.87

 

CMYK 94 / 0 / 6 / 2

HEX #0FFAEA

RGB 15 250 234

HSL 175.91, 0.96%, 0.52%

LAB 89.12, -51.54, -6.19

 

CMYK 98 / 0 / 58 / 30

HEX #04B34C

RGB 4 179 76

HSL 144.69, 0.96%, 0.36%

LAB 63.99, -60.47, 41.37

 

CMYK 98 / 0 / 58 / 14

HEX #04DB5D

RGB 4 219 93

HSL 144.84, 0.96%, 0.44%

LAB 76.97, -70.6, 48.82

 

CMYK 94 / 0 / 55 / 2

HEX #0FFA70

RGB 15 250 112

HSL 144.77, 0.96%, 0.52%

LAB 86.82, -77.1, 51.93

 

CMYK 78 / 0 / 46 / 2

HEX #38FB88

RGB 56 251 136

HSL 144.62, 0.96%, 0.6%

LAB 87.78, -70.86, 41.96

 

CMYK 62 / 0 / 37 / 1

HEX #60FCA0

RGB 96 252 160

HSL 144.62, 0.96%, 0.68%

LAB 89.23, -61.06, 32.18

 

CMYK 94 / 0 / 55 / 2

HEX #0FFA70

RGB 15 250 112

HSL 144.77, 0.96%, 0.52%

LAB 86.82, -77.1, 51.93

 

CMYK 94 / 56 / 0 / 2

HEX #0F6DFA

RGB 15 109 250

HSL 216, 0.96%, 0.52%

LAB 49.42, 29.22, -76.75

 

CMYK 0 / 94 / 94 / 2

HEX #FA0F0F

RGB 250 15 15

HSL 0, 0.96%, 0.52%

LAB 52.62, 77.92, 62.58

 

CMYK 94 / 0 / 55 / 2

HEX #0FFA70

RGB 15 250 112

HSL 144.77, 0.96%, 0.52%

LAB 86.82, -77.1, 51.93

 

CMYK 56 / 94 / 0 / 2

HEX #6D0FFA

RGB 109 15 250

HSL 264, 0.96%, 0.52%

LAB 38.72, 79.01, -94.2

 

CMYK 0 / 56 / 94 / 2

HEX #FA6D0F

RGB 250 109 15

HSL 24, 0.96%, 0.52%

LAB 62.76, 50.17, 68.63

 

CMYK 94 / 0 / 55 / 2

HEX #0FFA70

RGB 15 250 112

HSL 144.77, 0.96%, 0.52%

LAB 86.82, -77.1, 51.93

 

CMYK 94 / 56 / 0 / 2

HEX #0F6DFA

RGB 15 109 250

HSL 216, 0.96%, 0.52%

LAB 49.42, 29.22, -76.75

 

CMYK 0 / 94 / 38 / 2

HEX #FA0F9C

RGB 250 15 156

HSL 324, 0.96%, 0.52%

LAB 55.14, 84.77, -12.36

 

CMYK 0 / 38 / 94 / 2

HEX #FA9C0F

RGB 250 156 15

HSL 36, 0.96%, 0.52%

LAB 72.32, 26.67, 75.07

 

CMYK 94 / 0 / 55 / 2

HEX #0FFA70

RGB 15 250 112

HSL 144.77, 0.96%, 0.52%

LAB 86.82, -77.1, 51.93

 

CMYK 94 / 84 / 0 / 2

HEX #0F27FA

RGB 15 39 250

HSL 233.87, 0.96%, 0.52%

LAB 34.91, 68.62, -100.69

 

CMYK 0 / 94 / 38 / 2

HEX #FA0F9C

RGB 250 15 156

HSL 324, 0.96%, 0.52%

LAB 55.14, 84.77, -12.36

 

CMYK 0 / 9 / 94 / 2

HEX #FAE30F

RGB 250 227 15

HSL 54.13, 0.96%, 0.52%

LAB 89.53, -9.93, 87.53

 

Description

Color code: HEX #0FFA70 | qconv.com Color code: HEX #0FFA70 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 250 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 250 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 55 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 55% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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