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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FF4E6 it is the complementary color #F00B19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FF4E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FF4E6 shade: #14F4E1, #25FFF4, #36FFFF, #47FFFF and #58FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FF4E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FF4E6 shade: #0FF4E6, #00E2D3, #00D0C0, #00BEAD and #00AC9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FF4E6 shade: #10F3E5, #10F3A8, #10F36B, #10F32D and #30F310

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FF4E6 shade: #10F3E5, #10C4F3, #1087F3, #1049F3 and #1010F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FF4E6 shade matches the following richer shades: #10F3E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FF4E6 shade: #10F3E5, #24DFD4, #38CBC2, #4CB7B0 and #61A29E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FF4E6 shade: #10F36B, #10F3A7, #10F3E4, #10C6F3 and #1089F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FF4E6 shade: #07A99F, #09D0C4, #10F3E5, #37F5E9 and #5FF7EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FF4E6 shade: #0FF4E6, #2E10F3 and #F38910

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FF4E6 shade: #0FF4E6, #E410F3 and #F3E410

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FF4E6 shade: #0FF4E6, #2E10F3, #F3101F and #D5F310

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FF4E6 shade: #0FF4E6, #7210F3, #F3101F and #91F310

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 6 / 4

HEX #0FF4E6

RGB 15 244 230

HSL 176.33, 0.91%, 0.51%

LAB 87.25, -50.13, -6.86

 

Complementary color

CMYK 0 / 95 / 90 / 6

HEX #F00B19

RGB 240 11 25

HSL 356.33, 0.91%, 0.49%

LAB 50.49, 75.92, 56.72

 

CMYK 92 / 0 / 8 / 4

HEX #14F4E1

RGB 20 244 225

HSL 174.91, 0.91%, 0.52%

LAB 87.14, -51.34, -4.41

 

CMYK 85 / 0 / 4 / 0

HEX #25FFF4

RGB 37 255 244

HSL 176.97, 1%, 0.57%

LAB 90.98, -49.97, -8.61

 

CMYK 79 / 0 / 0 / 0

HEX #36FFFF

RGB 54 255 255

HSL 180, 1%, 0.61%

LAB 91.47, -45.75, -13.57

 

CMYK 72 / 0 / 0 / 0

HEX #47FFFF

RGB 71 255 255

HSL 180, 1%, 0.64%

LAB 91.72, -44.13, -13.17

 

CMYK 65 / 0 / 0 / 0

HEX #58FFFF

RGB 88 255 255

HSL 180, 1%, 0.67%

LAB 92.05, -42.03, -12.65

 

CMYK 94 / 0 / 6 / 4

HEX #0FF4E6

RGB 15 244 230

HSL 176.33, 0.91%, 0.51%

LAB 87.25, -50.13, -6.86

 

CMYK 100 / 0 / 7 / 11

HEX #00E2D3

RGB 0 226 211

HSL 176.02, 1%, 0.44%

LAB 81.34, -48.19, -5.58

 

CMYK 100 / 0 / 8 / 18

HEX #00D0C0

RGB 0 208 192

HSL 175.38, 1%, 0.41%

LAB 75.4, -45.88, -4.19

 

CMYK 100 / 0 / 9 / 25

HEX #00BEAD

RGB 0 190 173

HSL 174.63, 1%, 0.37%

LAB 69.36, -43.53, -2.75

 

CMYK 100 / 0 / 10 / 33

HEX #00AC9A

RGB 0 172 154

HSL 173.72, 1%, 0.34%

LAB 63.21, -41.15, -1.26

 

CMYK 93 / 0 / 6 / 5

HEX #10F3E5

RGB 16 243 229

HSL 176.3, 0.9%, 0.51%

LAB 86.93, -49.96, -6.81

 

CMYK 93 / 0 / 31 / 5

HEX #10F3A8

RGB 16 243 168

HSL 160.18, 0.9%, 0.51%

LAB 85.52, -65, 22.92

 

CMYK 93 / 0 / 56 / 5

HEX #10F36B

RGB 16 243 107

HSL 144.05, 0.9%, 0.51%

LAB 84.62, -75.62, 51.57

 

CMYK 93 / 0 / 81 / 5

HEX #10F32D

RGB 16 243 45

HSL 127.67, 0.9%, 0.51%

LAB 84.17, -81.3, 73.76

 

CMYK 80 / 0 / 93 / 5

HEX #30F310

RGB 48 243 16

HSL 111.54, 0.9%, 0.51%

LAB 84.36, -79.9, 79.24

 

CMYK 93 / 0 / 6 / 5

HEX #10F3E5

RGB 16 243 229

HSL 176.3, 0.9%, 0.51%

LAB 86.93, -49.96, -6.81

 

CMYK 93 / 19 / 0 / 5

HEX #10C4F3

RGB 16 196 243

HSL 192.42, 0.9%, 0.51%

LAB 73.59, -23.94, -34.47

 

CMYK 93 / 44 / 0 / 5

HEX #1087F3

RGB 16 135 243

HSL 208.55, 0.9%, 0.51%

LAB 56, 10.26, -62.23

 

CMYK 93 / 70 / 0 / 5

HEX #1049F3

RGB 16 73 243

HSL 224.93, 0.9%, 0.51%

LAB 40.16, 49.13, -88.05

 

CMYK 93 / 93 / 0 / 5

HEX #1010F3

RGB 16 16 243

HSL 240, 0.9%, 0.51%

LAB 31.7, 73.76, -102.11

 

CMYK 93 / 0 / 6 / 5

HEX #10F3E5

RGB 16 243 229

HSL 176.3, 0.9%, 0.51%

LAB 86.93, -49.96, -6.81

 

CMYK 93 / 0 / 6 / 5

HEX #10F3E5

RGB 16 243 229

HSL 176.3, 0.9%, 0.51%

LAB 86.93, -49.96, -6.81

 

CMYK 84 / 0 / 5 / 13

HEX #24DFD4

RGB 36 223 212

HSL 176.47, 0.75%, 0.51%

LAB 80.69, -45.21, -7.07

 

CMYK 72 / 0 / 4 / 20

HEX #38CBC2

RGB 56 203 194

HSL 176.33, 0.59%, 0.51%

LAB 74.48, -39.54, -6.57

 

CMYK 58 / 0 / 4 / 28

HEX #4CB7B0

RGB 76 183 176

HSL 176.07, 0.43%, 0.51%

LAB 68.42, -32.16, -5.66

 

CMYK 40 / 0 / 2 / 36

HEX #61A29E

RGB 97 162 158

HSL 176.31, 0.26%, 0.51%

LAB 62.38, -21.73, -4.47

 

CMYK 93 / 0 / 56 / 5

HEX #10F36B

RGB 16 243 107

HSL 144.05, 0.9%, 0.51%

LAB 84.62, -75.62, 51.57

 

CMYK 93 / 0 / 31 / 5

HEX #10F3A7

RGB 16 243 167

HSL 159.91, 0.9%, 0.51%

LAB 85.5, -65.22, 23.4

 

CMYK 93 / 0 / 6 / 5

HEX #10F3E4

RGB 16 243 228

HSL 176.04, 0.9%, 0.51%

LAB 86.9, -50.23, -6.32

 

CMYK 93 / 19 / 0 / 5

HEX #10C6F3

RGB 16 198 243

HSL 191.89, 0.9%, 0.51%

LAB 74.17, -24.95, -33.56

 

CMYK 93 / 44 / 0 / 5

HEX #1089F3

RGB 16 137 243

HSL 208.02, 0.9%, 0.51%

LAB 56.56, 9.04, -61.33

 

CMYK 96 / 0 / 6 / 34

HEX #07A99F

RGB 7 169 159

HSL 176.3, 0.92%, 0.35%

LAB 62.44, -38.1, -5.18

 

CMYK 96 / 0 / 6 / 18

HEX #09D0C4

RGB 9 208 196

HSL 176.38, 0.92%, 0.43%

LAB 75.55, -44.49, -6.12

 

CMYK 93 / 0 / 6 / 5

HEX #10F3E5

RGB 16 243 229

HSL 176.3, 0.9%, 0.51%

LAB 86.93, -49.96, -6.81

 

CMYK 78 / 0 / 5 / 4

HEX #37F5E9

RGB 55 245 233

HSL 176.21, 0.9%, 0.59%

LAB 87.97, -47.4, -7.33

 

CMYK 62 / 0 / 4 / 3

HEX #5FF7EE

RGB 95 247 238

HSL 176.45, 0.9%, 0.67%

LAB 89.45, -41.93, -7.66

 

CMYK 94 / 0 / 6 / 4

HEX #0FF4E6

RGB 15 244 230

HSL 176.33, 0.91%, 0.51%

LAB 87.25, -50.13, -6.86

 

CMYK 81 / 93 / 0 / 5

HEX #2E10F3

RGB 46 16 243

HSL 247.93, 0.9%, 0.51%

LAB 32.75, 74.26, -100.32

 

CMYK 0 / 44 / 93 / 5

HEX #F38910

RGB 243 137 16

HSL 31.98, 0.9%, 0.51%

LAB 67.26, 33.67, 70.98

 

CMYK 94 / 0 / 6 / 4

HEX #0FF4E6

RGB 15 244 230

HSL 176.33, 0.91%, 0.51%

LAB 87.25, -50.13, -6.86

 

CMYK 6 / 93 / 0 / 5

HEX #E410F3

RGB 228 16 243

HSL 296.04, 0.9%, 0.51%

LAB 55.42, 91.33, -62.28

 

CMYK 0 / 6 / 93 / 5

HEX #F3E410

RGB 243 228 16

HSL 56.04, 0.9%, 0.51%

LAB 89.2, -13.37, 86.91

 

CMYK 94 / 0 / 6 / 4

HEX #0FF4E6

RGB 15 244 230

HSL 176.33, 0.91%, 0.51%

LAB 87.25, -50.13, -6.86

 

CMYK 81 / 93 / 0 / 5

HEX #2E10F3

RGB 46 16 243

HSL 247.93, 0.9%, 0.51%

LAB 32.75, 74.26, -100.32

 

CMYK 0 / 93 / 87 / 5

HEX #F3101F

RGB 243 16 31

HSL 356.04, 0.9%, 0.51%

LAB 51.29, 76.31, 55

 

CMYK 12 / 0 / 93 / 5

HEX #D5F310

RGB 213 243 16

HSL 67.93, 0.9%, 0.51%

LAB 90.91, -32.89, 87.23

 

CMYK 94 / 0 / 6 / 4

HEX #0FF4E6

RGB 15 244 230

HSL 176.33, 0.91%, 0.51%

LAB 87.25, -50.13, -6.86

 

CMYK 53 / 93 / 0 / 5

HEX #7210F3

RGB 114 16 243

HSL 265.9, 0.9%, 0.51%

LAB 38.58, 77.66, -90.46

 

CMYK 0 / 93 / 87 / 5

HEX #F3101F

RGB 243 16 31

HSL 356.04, 0.9%, 0.51%

LAB 51.29, 76.31, 55

 

CMYK 40 / 0 / 93 / 5

HEX #91F310

RGB 145 243 16

HSL 85.9, 0.9%, 0.51%

LAB 87.07, -58.02, 82.57

 

Description

Color code: HEX #0FF4E6 | qconv.com Color code: HEX #0FF4E6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 244 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 244 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 6 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 6% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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