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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FECAD it is the complementary color #F01352. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FECAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FECAD shade: #14ECA8, #25FEBB, #36FFCE, #47FFE1 and #58FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FECAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FECAD shade: #0FECAD, #00DA9A, #00C887, #00B674 and #00A461

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FECAD shade: #0FEBAC, #0FEB71, #0FEB36, #24EB0F and #5FEB0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FECAD shade: #0FEBAC, #0FEBE8, #0FB3EB, #0F78EB and #0F3CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FECAD shade matches the following richer shades: #0FEBAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FECAD shade: #0FEBAC, #23D7A4, #37C29B, #4CAE92 and #609A89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FECAD shade: #0FEB34, #0FEB6E, #0FEBA9, #0FEBE4 and #0FB8EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FECAD shade: #0A9D73, #0DC490, #0FEBAC, #31F2BB and #58F4C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FECAD shade: #0FECAD, #0F25EB and #EB510F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FECAD shade: #0FECAD, #A90FEB and #EBA90F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FECAD shade: #0FECAD, #0F25EB, #EB0F51 and #EBD50F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FECAD shade: #0FECAD, #3B0FEB, #EB0F51 and #BFEB0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 27 / 7

HEX #0FECAD

RGB 15 236 173

HSL 162.9, 0.88%, 0.49%

LAB 83.5, -61.39, 17.53

 

Complementary color

CMYK 0 / 92 / 66 / 6

HEX #F01352

RGB 240 19 82

HSL 342.9, 0.88%, 0.51%

LAB 51.38, 76.9, 26.61

 

CMYK 92 / 0 / 29 / 7

HEX #14ECA8

RGB 20 236 168

HSL 161.11, 0.85%, 0.5%

LAB 83.42, -62.32, 20.02

 

CMYK 85 / 0 / 26 / 0

HEX #25FEBB

RGB 37 254 187

HSL 161.47, 0.99%, 0.57%

LAB 89.33, -63.81, 18.47

 

CMYK 79 / 0 / 19 / 0

HEX #36FFCE

RGB 54 255 206

HSL 165.37, 1%, 0.61%

LAB 90.21, -58.47, 9.97

 

CMYK 72 / 0 / 12 / 0

HEX #47FFE1

RGB 71 255 225

HSL 170.22, 1%, 0.64%

LAB 90.91, -52.03, 1.19

 

CMYK 65 / 0 / 4 / 0

HEX #58FFF4

RGB 88 255 244

HSL 176.05, 1%, 0.67%

LAB 91.74, -44.95, -7.4

 

CMYK 94 / 0 / 27 / 7

HEX #0FECAD

RGB 15 236 173

HSL 162.9, 0.88%, 0.49%

LAB 83.5, -61.39, 17.53

 

CMYK 100 / 0 / 29 / 15

HEX #00DA9A

RGB 0 218 154

HSL 162.39, 1%, 0.43%

LAB 77.56, -59.48, 19.2

 

CMYK 100 / 0 / 33 / 22

HEX #00C887

RGB 0 200 135

HSL 160.5, 1%, 0.39%

LAB 71.59, -57.08, 21.01

 

CMYK 100 / 0 / 36 / 29

HEX #00B674

RGB 0 182 116

HSL 158.24, 1%, 0.36%

LAB 65.53, -54.61, 22.89

 

CMYK 100 / 0 / 41 / 36

HEX #00A461

RGB 0 164 97

HSL 155.49, 1%, 0.32%

LAB 59.36, -52.03, 24.85

 

CMYK 94 / 0 / 27 / 8

HEX #0FEBAC

RGB 15 235 172

HSL 162.82, 0.88%, 0.49%

LAB 83.18, -61.25, 17.6

 

CMYK 94 / 0 / 52 / 8

HEX #0FEB71

RGB 15 235 113

HSL 146.73, 0.88%, 0.49%

LAB 82.22, -72.36, 45.9

 

CMYK 94 / 0 / 77 / 8

HEX #0FEB36

RGB 15 235 54

HSL 130.64, 0.88%, 0.49%

LAB 81.72, -78.63, 68.96

 

CMYK 85 / 0 / 94 / 8

HEX #24EB0F

RGB 36 235 15

HSL 114.27, 0.88%, 0.49%

LAB 81.74, -78.91, 77.13

 

CMYK 60 / 0 / 94 / 8

HEX #5FEB0F

RGB 95 235 15

HSL 98.18, 0.88%, 0.49%

LAB 82.85, -69.37, 78.49

 

CMYK 94 / 0 / 27 / 8

HEX #0FEBAC

RGB 15 235 172

HSL 162.82, 0.88%, 0.49%

LAB 83.18, -61.25, 17.6

 

CMYK 94 / 0 / 1 / 8

HEX #0FEBE8

RGB 15 235 232

HSL 179.18, 0.88%, 0.49%

LAB 84.66, -45.72, -11.76

 

CMYK 94 / 24 / 0 / 8

HEX #0FB3EB

RGB 15 179 235

HSL 195.27, 0.88%, 0.49%

LAB 68.27, -17.91, -38.39

 

CMYK 94 / 49 / 0 / 8

HEX #0F78EB

RGB 15 120 235

HSL 211.36, 0.88%, 0.49%

LAB 51.3, 16.46, -65.34

 

CMYK 94 / 74 / 0 / 8

HEX #0F3CEB

RGB 15 60 235

HSL 227.73, 0.88%, 0.49%

LAB 36.61, 53.86, -89.39

 

CMYK 94 / 0 / 27 / 8

HEX #0FEBAC

RGB 15 235 172

HSL 162.82, 0.88%, 0.49%

LAB 83.18, -61.25, 17.6

 

CMYK 94 / 0 / 27 / 8

HEX #0FEBAC

RGB 15 235 172

HSL 162.82, 0.88%, 0.49%

LAB 83.18, -61.25, 17.6

 

CMYK 84 / 0 / 24 / 16

HEX #23D7A4

RGB 35 215 164

HSL 163, 0.72%, 0.49%

LAB 77.06, -54.41, 13.25

 

CMYK 72 / 0 / 20 / 24

HEX #37C29B

RGB 55 194 155

HSL 163.17, 0.56%, 0.49%

LAB 70.71, -45.93, 9.1

 

CMYK 56 / 0 / 16 / 32

HEX #4CAE92

RGB 76 174 146

HSL 162.86, 0.39%, 0.49%

LAB 64.87, -35.63, 5.76

 

CMYK 38 / 0 / 11 / 40

HEX #609A89

RGB 96 154 137

HSL 162.41, 0.23%, 0.49%

LAB 59.35, -23, 2.94

 

CMYK 94 / 0 / 78 / 8

HEX #0FEB34

RGB 15 235 52

HSL 130.09, 0.88%, 0.49%

LAB 81.71, -78.76, 69.54

 

CMYK 94 / 0 / 53 / 8

HEX #0FEB6E

RGB 15 235 110

HSL 145.91, 0.88%, 0.49%

LAB 82.19, -72.8, 47.26

 

CMYK 94 / 0 / 28 / 8

HEX #0FEBA9

RGB 15 235 169

HSL 162, 0.88%, 0.49%

LAB 83.12, -61.92, 19.07

 

CMYK 94 / 0 / 3 / 8

HEX #0FEBE4

RGB 15 235 228

HSL 178.09, 0.88%, 0.49%

LAB 84.55, -46.86, -9.82

 

CMYK 94 / 22 / 0 / 8

HEX #0FB8EB

RGB 15 184 235

HSL 193.91, 0.88%, 0.49%

LAB 69.74, -20.53, -36.1

 

CMYK 94 / 0 / 27 / 38

HEX #0A9D73

RGB 10 157 115

HSL 162.86, 0.88%, 0.33%

LAB 57.48, -44.87, 12.39

 

CMYK 93 / 0 / 27 / 23

HEX #0DC490

RGB 13 196 144

HSL 162.95, 0.88%, 0.41%

LAB 70.58, -53.09, 14.8

 

CMYK 94 / 0 / 27 / 8

HEX #0FEBAC

RGB 15 235 172

HSL 162.82, 0.88%, 0.49%

LAB 83.18, -61.25, 17.6

 

CMYK 80 / 0 / 23 / 5

HEX #31F2BB

RGB 49 242 187

HSL 162.9, 0.88%, 0.57%

LAB 85.88, -58.33, 13.64

 

CMYK 64 / 0 / 18 / 4

HEX #58F4C8

RGB 88 244 200

HSL 163.08, 0.88%, 0.65%

LAB 87.46, -51.12, 9.23

 

CMYK 94 / 0 / 27 / 7

HEX #0FECAD

RGB 15 236 173

HSL 162.9, 0.88%, 0.49%

LAB 83.5, -61.39, 17.53

 

CMYK 94 / 84 / 0 / 8

HEX #0F25EB

RGB 15 37 235

HSL 234, 0.88%, 0.49%

LAB 32.75, 65.1, -95.81

 

CMYK 0 / 66 / 94 / 8

HEX #EB510F

RGB 235 81 15

HSL 18, 0.88%, 0.49%

LAB 55.67, 57.13, 62.9

 

CMYK 94 / 0 / 27 / 7

HEX #0FECAD

RGB 15 236 173

HSL 162.9, 0.88%, 0.49%

LAB 83.5, -61.39, 17.53

 

CMYK 28 / 94 / 0 / 8

HEX #A90FEB

RGB 169 15 235

HSL 282, 0.88%, 0.49%

LAB 45.32, 81.79, -74.58

 

CMYK 0 / 28 / 94 / 8

HEX #EBA90F

RGB 235 169 15

HSL 42, 0.88%, 0.49%

LAB 73.59, 13.47, 75.17

 

CMYK 94 / 0 / 27 / 7

HEX #0FECAD

RGB 15 236 173

HSL 162.9, 0.88%, 0.49%

LAB 83.5, -61.39, 17.53

 

CMYK 94 / 84 / 0 / 8

HEX #0F25EB

RGB 15 37 235

HSL 234, 0.88%, 0.49%

LAB 32.75, 65.1, -95.81

 

CMYK 0 / 94 / 66 / 8

HEX #EB0F51

RGB 235 15 81

HSL 342, 0.88%, 0.49%

LAB 50.21, 76.08, 25.51

 

CMYK 0 / 9 / 94 / 8

HEX #EBD50F

RGB 235 213 15

HSL 54, 0.88%, 0.49%

LAB 84.63, -9.31, 83.3

 

CMYK 94 / 0 / 27 / 7

HEX #0FECAD

RGB 15 236 173

HSL 162.9, 0.88%, 0.49%

LAB 83.5, -61.39, 17.53

 

CMYK 75 / 94 / 0 / 8

HEX #3B0FEB

RGB 59 15 235

HSL 252, 0.88%, 0.49%

LAB 32.41, 72.87, -96.33

 

CMYK 0 / 94 / 66 / 8

HEX #EB0F51

RGB 235 15 81

HSL 342, 0.88%, 0.49%

LAB 50.21, 76.08, 25.51

 

CMYK 19 / 0 / 94 / 8

HEX #BFEB0F

RGB 191 235 15

HSL 72, 0.88%, 0.49%

LAB 87.25, -38.02, 83.87

 

Description

Color code: HEX #0FECAD | qconv.com Color code: HEX #0FECAD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 236 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 236 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 27 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 27% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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