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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FEC2E it is the complementary color #F013D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FEC2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FEC2E shade: #14EC29, #25FE3C, #36FF4F, #47FF62 and #58FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FEC2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FEC2E shade: #0FEC2E, #00DA1B, #00C808, #00B600 and #00A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FEC2E shade: #0EEA2D, #2BEA0E, #66EA0E, #A2EA0E and #DDEA0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FEC2E shade: #0EEA2D, #0EEA69, #0EEAA4, #0EEADF and #0EBAEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FEC2E shade matches the following richer shades: #0EEA2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FEC2E shade: #0EEA2D, #23D63C, #37C24A, #4BAE59 and #5F9A68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FEC2E shade: #66EA0E, #2CEA0E, #0EEA2C, #0EEA66 and #0EEAA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FEC2E shade: #0A9D1E, #0CC426, #0EEA2D, #31F14C and #58F46E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FEC2E shade: #0FEC2E, #0EA1EA and #EA0E49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FEC2E shade: #0FEC2E, #2C0EEA and #EA2C0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FEC2E shade: #0FEC2E, #0EA1EA, #EA0ECD and #EA580E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FEC2E shade: #0FEC2E, #0E5FEA, #EA0ECD and #EA9A0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 81 / 7

HEX #0FEC2E

RGB 15 236 46

HSL 128.42, 0.88%, 0.49%

LAB 82, -79.39, 71.48

 

Complementary color

CMYK 0 / 92 / 13 / 6

HEX #F013D1

RGB 240 19 209

HSL 308.42, 0.88%, 0.51%

LAB 55.68, 88.31, -42.51

 

CMYK 92 / 0 / 83 / 7

HEX #14EC29

RGB 20 236 41

HSL 125.83, 0.85%, 0.5%

LAB 82, -79.42, 72.76

 

CMYK 85 / 0 / 76 / 0

HEX #25FE3C

RGB 37 254 60

HSL 126.36, 0.99%, 0.57%

LAB 87.78, -82.17, 73.07

 

CMYK 79 / 0 / 69 / 0

HEX #36FF4F

RGB 54 255 79

HSL 127.46, 1%, 0.61%

LAB 88.39, -79.37, 67.39

 

CMYK 72 / 0 / 62 / 0

HEX #47FF62

RGB 71 255 98

HSL 128.8, 1%, 0.64%

LAB 88.8, -75.28, 60.47

 

CMYK 65 / 0 / 54 / 0

HEX #58FF75

RGB 88 255 117

HSL 130.42, 1%, 0.67%

LAB 89.34, -70.21, 52.91

 

CMYK 94 / 0 / 81 / 7

HEX #0FEC2E

RGB 15 236 46

HSL 128.42, 0.88%, 0.49%

LAB 82, -79.39, 71.48

 

CMYK 100 / 0 / 88 / 15

HEX #00DA1B

RGB 0 218 27

HSL 127.43, 1%, 0.43%

LAB 76.21, -75.93, 70.58

 

CMYK 100 / 0 / 96 / 22

HEX #00C808

RGB 0 200 8

HSL 122.4, 1%, 0.39%

LAB 70.4, -71.61, 68.41

 

CMYK 100 / 0 / 100 / 29

HEX #00B600

RGB 0 182 0

HSL 120, 1%, 0.36%

LAB 64.53, -66.9, 64.57

 

CMYK 100 / 0 / 100 / 36

HEX #00A400

RGB 0 164 0

HSL 120, 1%, 0.32%

LAB 58.56, -61.94, 59.78

 

CMYK 94 / 0 / 81 / 8

HEX #0EEA2D

RGB 14 234 45

HSL 128.45, 0.89%, 0.49%

LAB 81.36, -78.94, 71.16

 

CMYK 82 / 0 / 94 / 8

HEX #2BEA0E

RGB 43 234 14

HSL 112.09, 0.89%, 0.49%

LAB 81.51, -77.98, 77.07

 

CMYK 56 / 0 / 94 / 8

HEX #66EA0E

RGB 102 234 14

HSL 96, 0.89%, 0.49%

LAB 82.75, -67.35, 78.61

 

CMYK 31 / 0 / 94 / 8

HEX #A2EA0E

RGB 162 234 14

HSL 79.64, 0.89%, 0.49%

LAB 85.28, -48.59, 81.69

 

CMYK 6 / 0 / 94 / 8

HEX #DDEA0E

RGB 221 234 14

HSL 63.55, 0.89%, 0.49%

LAB 89.04, -25.47, 86.24

 

CMYK 94 / 0 / 81 / 8

HEX #0EEA2D

RGB 14 234 45

HSL 128.45, 0.89%, 0.49%

LAB 81.36, -78.94, 71.16

 

CMYK 94 / 0 / 55 / 8

HEX #0EEA69

RGB 14 234 105

HSL 144.82, 0.89%, 0.49%

LAB 81.82, -73.23, 49.12

 

CMYK 94 / 0 / 30 / 8

HEX #0EEAA4

RGB 14 234 164

HSL 160.91, 0.89%, 0.49%

LAB 82.71, -62.7, 21.1

 

CMYK 94 / 0 / 5 / 8

HEX #0EEADF

RGB 14 234 223

HSL 177, 0.89%, 0.49%

LAB 84.1, -47.88, -7.84

 

CMYK 94 / 21 / 0 / 8

HEX #0EBAEA

RGB 14 186 234

HSL 193.09, 0.89%, 0.49%

LAB 70.28, -21.94, -34.72

 

CMYK 94 / 0 / 81 / 8

HEX #0EEA2D

RGB 14 234 45

HSL 128.45, 0.89%, 0.49%

LAB 81.36, -78.94, 71.16

 

CMYK 94 / 0 / 81 / 8

HEX #0EEA2D

RGB 14 234 45

HSL 128.45, 0.89%, 0.49%

LAB 81.36, -78.94, 71.16

 

CMYK 84 / 0 / 72 / 16

HEX #23D63C

RGB 35 214 60

HSL 128.38, 0.72%, 0.49%

LAB 75.31, -70.87, 60.64

 

CMYK 72 / 0 / 62 / 24

HEX #37C24A

RGB 55 194 74

HSL 128.2, 0.56%, 0.49%

LAB 69.39, -60.59, 48.71

 

CMYK 57 / 0 / 49 / 32

HEX #4BAE59

RGB 75 174 89

HSL 128.48, 0.4%, 0.49%

LAB 63.75, -47.12, 34.95

 

CMYK 38 / 0 / 32 / 40

HEX #5F9A68

RGB 95 154 104

HSL 129.15, 0.24%, 0.49%

LAB 58.55, -30.15, 20.35

 

CMYK 56 / 0 / 94 / 8

HEX #66EA0E

RGB 102 234 14

HSL 96, 0.89%, 0.49%

LAB 82.75, -67.35, 78.61

 

CMYK 81 / 0 / 94 / 8

HEX #2CEA0E

RGB 44 234 14

HSL 111.82, 0.89%, 0.49%

LAB 81.52, -77.87, 77.08

 

CMYK 94 / 0 / 81 / 8

HEX #0EEA2C

RGB 14 234 44

HSL 128.18, 0.89%, 0.49%

LAB 81.36, -78.99, 71.41

 

CMYK 94 / 0 / 56 / 8

HEX #0EEA66

RGB 14 234 102

HSL 144, 0.89%, 0.49%

LAB 81.78, -73.63, 50.45

 

CMYK 94 / 0 / 31 / 8

HEX #0EEAA1

RGB 14 234 161

HSL 160.09, 0.89%, 0.49%

LAB 82.65, -63.34, 22.57

 

CMYK 94 / 0 / 81 / 38

HEX #0A9D1E

RGB 10 157 30

HSL 128.16, 0.88%, 0.33%

LAB 56.36, -58.19, 51.92

 

CMYK 94 / 0 / 81 / 23

HEX #0CC426

RGB 12 196 38

HSL 128.48, 0.88%, 0.41%

LAB 69.25, -68.89, 61.75

 

CMYK 94 / 0 / 81 / 8

HEX #0EEA2D

RGB 14 234 45

HSL 128.45, 0.89%, 0.49%

LAB 81.36, -78.94, 71.16

 

CMYK 80 / 0 / 68 / 5

HEX #31F14C

RGB 49 241 76

HSL 128.44, 0.87%, 0.57%

LAB 84.01, -76.05, 63.87

 

CMYK 64 / 0 / 55 / 4

HEX #58F46E

RGB 88 244 110

HSL 128.46, 0.88%, 0.65%

LAB 85.96, -67.32, 52.04

 

CMYK 94 / 0 / 81 / 7

HEX #0FEC2E

RGB 15 236 46

HSL 128.42, 0.88%, 0.49%

LAB 82, -79.39, 71.48

 

CMYK 94 / 31 / 0 / 8

HEX #0EA1EA

RGB 14 161 234

HSL 199.91, 0.89%, 0.49%

LAB 62.95, -8.48, -46.19

 

CMYK 0 / 94 / 69 / 8

HEX #EA0E49

RGB 234 14 73

HSL 343.91, 0.89%, 0.49%

LAB 49.84, 75.57, 29.85

 

CMYK 94 / 0 / 81 / 7

HEX #0FEC2E

RGB 15 236 46

HSL 128.42, 0.88%, 0.49%

LAB 82, -79.39, 71.48

 

CMYK 81 / 94 / 0 / 8

HEX #2C0EEA

RGB 44 14 234

HSL 248.18, 0.89%, 0.49%

LAB 31.32, 72.36, -97.6

 

CMYK 0 / 81 / 94 / 8

HEX #EA2C0E

RGB 234 44 14

HSL 8.18, 0.89%, 0.49%

LAB 51.07, 69, 60.3

 

CMYK 94 / 0 / 81 / 7

HEX #0FEC2E

RGB 15 236 46

HSL 128.42, 0.88%, 0.49%

LAB 82, -79.39, 71.48

 

CMYK 94 / 31 / 0 / 8

HEX #0EA1EA

RGB 14 161 234

HSL 199.91, 0.89%, 0.49%

LAB 62.95, -8.48, -46.19

 

CMYK 0 / 94 / 12 / 8

HEX #EA0ECD

RGB 234 14 205

HSL 307.91, 0.89%, 0.49%

LAB 54.25, 87.19, -42.54

 

CMYK 0 / 62 / 94 / 8

HEX #EA580E

RGB 234 88 14

HSL 20.18, 0.89%, 0.49%

LAB 56.59, 53.84, 63.63

 

CMYK 94 / 0 / 81 / 7

HEX #0FEC2E

RGB 15 236 46

HSL 128.42, 0.88%, 0.49%

LAB 82, -79.39, 71.48

 

CMYK 94 / 59 / 0 / 8

HEX #0E5FEA

RGB 14 95 234

HSL 217.91, 0.89%, 0.49%

LAB 44.54, 32.02, -75.77

 

CMYK 0 / 94 / 12 / 8

HEX #EA0ECD

RGB 234 14 205

HSL 307.91, 0.89%, 0.49%

LAB 54.25, 87.19, -42.54

 

CMYK 0 / 34 / 94 / 8

HEX #EA9A0E

RGB 234 154 14

HSL 38.18, 0.89%, 0.49%

LAB 69.92, 20.98, 72.64

 

Description

Color code: HEX #0FEC2E | qconv.com Color code: HEX #0FEC2E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 236 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 236 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 81 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 81% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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