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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FE857 it is the complementary color #F017A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FE857. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FE857 shade: #14E852, #25FA65, #36FF78, #47FF8B and #58FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FE857. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FE857 shade: #0FE857, #00D644, #00C431, #00B21E and #00A00B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FE857 shade: #0FE656, #0FE61C, #3BE60F, #75E60F and #B0E60F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FE857 shade: #0FE656, #0FE690, #0FE6CA, #0FC8E6 and #0F8EE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FE857 shade matches the following richer shades: #0FE656

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FE857 shade: #0FE656, #22D25D, #36BF63, #4AAB6A and #5E9771

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FE857 shade: #3DE60F, #0FE619, #0FE653, #0FE68C and #0FE6C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FE857 shade: #0A9939, #0CBF48, #0FE656, #2CF26E and #53F489

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FE857 shade: #0FE857, #0F77E6 and #E60F21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FE857 shade: #0FE857, #530FE6 and #E6530F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FE857 shade: #0FE857, #0F77E6, #E60FA2 and #E67E0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FE857 shade: #0FE857, #0F36E6, #E60FA2 and #E6BF0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 63 / 9

HEX #0FE857

RGB 15 232 87

HSL 139.91, 0.88%, 0.48%

LAB 81.02, -74.84, 56.13

 

Complementary color

CMYK 0 / 90 / 30 / 6

HEX #F017A8

RGB 240 23 168

HSL 319.91, 0.88%, 0.52%

LAB 53.99, 83.07, -21.37

 

CMYK 91 / 0 / 65 / 9

HEX #14E852

RGB 20 232 82

HSL 137.55, 0.84%, 0.49%

LAB 81, -75.16, 58.19

 

CMYK 85 / 0 / 60 / 2

HEX #25FA65

RGB 37 250 101

HSL 138.03, 0.96%, 0.56%

LAB 86.85, -77.27, 56.85

 

CMYK 79 / 0 / 53 / 0

HEX #36FF78

RGB 54 255 120

HSL 139.7, 1%, 0.61%

LAB 88.76, -74.78, 50.71

 

CMYK 72 / 0 / 45 / 0

HEX #47FF8B

RGB 71 255 139

HSL 142.17, 1%, 0.64%

LAB 89.26, -69.83, 42.45

 

CMYK 65 / 0 / 38 / 0

HEX #58FF9E

RGB 88 255 158

HSL 145.15, 1%, 0.67%

LAB 89.89, -63.98, 34.03

 

CMYK 94 / 0 / 63 / 9

HEX #0FE857

RGB 15 232 87

HSL 139.91, 0.88%, 0.48%

LAB 81.02, -74.84, 56.13

 

CMYK 100 / 0 / 68 / 16

HEX #00D644

RGB 0 214 68

HSL 139.07, 1%, 0.42%

LAB 75.15, -72.13, 57.39

 

CMYK 100 / 0 / 75 / 23

HEX #00C431

RGB 0 196 49

HSL 135, 1%, 0.38%

LAB 69.26, -68.64, 58.29

 

CMYK 100 / 0 / 83 / 30

HEX #00B21E

RGB 0 178 30

HSL 130.11, 1%, 0.35%

LAB 63.29, -64.8, 58.38

 

CMYK 100 / 0 / 93 / 37

HEX #00A00B

RGB 0 160 11

HSL 124.13, 1%, 0.31%

LAB 57.24, -60.52, 57.08

 

CMYK 93 / 0 / 63 / 10

HEX #0FE656

RGB 15 230 86

HSL 139.81, 0.88%, 0.48%

LAB 80.39, -74.37, 55.84

 

CMYK 93 / 0 / 88 / 10

HEX #0FE61C

RGB 15 230 28

HSL 123.63, 0.88%, 0.48%

LAB 80.06, -78.58, 73.77

 

CMYK 74 / 0 / 93 / 10

HEX #3BE60F

RGB 59 230 15

HSL 107.72, 0.88%, 0.48%

LAB 80.49, -74.78, 76.22

 

CMYK 49 / 0 / 93 / 10

HEX #75E60F

RGB 117 230 15

HSL 91.53, 0.88%, 0.48%

LAB 82.06, -61.85, 78.15

 

CMYK 23 / 0 / 93 / 10

HEX #B0E60F

RGB 176 230 15

HSL 75.07, 0.88%, 0.48%

LAB 84.92, -41.64, 81.64

 

CMYK 93 / 0 / 63 / 10

HEX #0FE656

RGB 15 230 86

HSL 139.81, 0.88%, 0.48%

LAB 80.39, -74.37, 55.84

 

CMYK 93 / 0 / 37 / 10

HEX #0FE690

RGB 15 230 144

HSL 156, 0.88%, 0.48%

LAB 81.13, -65.38, 29.23

 

CMYK 93 / 0 / 12 / 10

HEX #0FE6CA

RGB 15 230 202

HSL 172.19, 0.88%, 0.48%

LAB 82.36, -51.92, 0.68

 

CMYK 93 / 13 / 0 / 10

HEX #0FC8E6

RGB 15 200 230

HSL 188.37, 0.88%, 0.48%

LAB 74.27, -30.25, -26.41

 

CMYK 93 / 38 / 0 / 10

HEX #0F8EE6

RGB 15 142 230

HSL 204.56, 0.88%, 0.48%

LAB 57.23, 1.05, -53.03

 

CMYK 93 / 0 / 63 / 10

HEX #0FE656

RGB 15 230 86

HSL 139.81, 0.88%, 0.48%

LAB 80.39, -74.37, 55.84

 

CMYK 93 / 0 / 63 / 10

HEX #0FE656

RGB 15 230 86

HSL 139.81, 0.88%, 0.48%

LAB 80.39, -74.37, 55.84

 

CMYK 84 / 0 / 56 / 18

HEX #22D25D

RGB 34 210 93

HSL 140.11, 0.72%, 0.48%

LAB 74.33, -66.12, 45.74

 

CMYK 72 / 0 / 48 / 25

HEX #36BF63

RGB 54 191 99

HSL 139.71, 0.56%, 0.48%

LAB 68.71, -56.28, 36

 

CMYK 57 / 0 / 38 / 33

HEX #4AAB6A

RGB 74 171 106

HSL 139.79, 0.4%, 0.48%

LAB 63.03, -43.31, 25.11

 

CMYK 38 / 0 / 25 / 41

HEX #5E9771

RGB 94 151 113

HSL 140, 0.23%, 0.48%

LAB 57.76, -27.3, 14.24

 

CMYK 73 / 0 / 93 / 10

HEX #3DE60F

RGB 61 230 15

HSL 107.16, 0.88%, 0.48%

LAB 80.53, -74.47, 76.26

 

CMYK 93 / 0 / 89 / 10

HEX #0FE619

RGB 15 230 25

HSL 122.79, 0.88%, 0.48%

LAB 80.05, -78.68, 74.28

 

CMYK 93 / 0 / 64 / 10

HEX #0FE653

RGB 15 230 83

HSL 138.98, 0.88%, 0.48%

LAB 80.36, -74.7, 57.06

 

CMYK 93 / 0 / 39 / 10

HEX #0FE68C

RGB 15 230 140

HSL 154.88, 0.88%, 0.48%

LAB 81.06, -66.16, 31.18

 

CMYK 93 / 0 / 14 / 10

HEX #0FE6C6

RGB 15 230 198

HSL 171.07, 0.88%, 0.48%

LAB 82.26, -52.97, 2.65

 

CMYK 93 / 0 / 63 / 40

HEX #0A9939

RGB 10 153 57

HSL 139.72, 0.88%, 0.32%

LAB 55.22, -54.38, 40.11

 

CMYK 94 / 0 / 62 / 25

HEX #0CBF48

RGB 12 191 72

HSL 140.11, 0.88%, 0.4%

LAB 67.88, -64.39, 47.74

 

CMYK 93 / 0 / 63 / 10

HEX #0FE656

RGB 15 230 86

HSL 139.81, 0.88%, 0.48%

LAB 80.39, -74.37, 55.84

 

CMYK 82 / 0 / 55 / 5

HEX #2CF26E

RGB 44 242 110

HSL 140, 0.88%, 0.56%

LAB 84.57, -73.05, 50.19

 

CMYK 66 / 0 / 44 / 4

HEX #53F489

RGB 83 244 137

HSL 140.12, 0.88%, 0.64%

LAB 86.18, -64.39, 39.52

 

CMYK 94 / 0 / 63 / 9

HEX #0FE857

RGB 15 232 87

HSL 139.91, 0.88%, 0.48%

LAB 81.02, -74.84, 56.13

 

CMYK 93 / 48 / 0 / 10

HEX #0F77E6

RGB 15 119 230

HSL 210.98, 0.88%, 0.48%

LAB 50.7, 15.15, -63.52

 

CMYK 0 / 93 / 86 / 10

HEX #E60F21

RGB 230 15 33

HSL 354.98, 0.88%, 0.48%

LAB 48.6, 73.23, 50.78

 

CMYK 94 / 0 / 63 / 9

HEX #0FE857

RGB 15 232 87

HSL 139.91, 0.88%, 0.48%

LAB 81.02, -74.84, 56.13

 

CMYK 64 / 93 / 0 / 10

HEX #530FE6

RGB 83 15 230

HSL 258.98, 0.88%, 0.48%

LAB 33.76, 72.76, -91.18

 

CMYK 0 / 64 / 93 / 10

HEX #E6530F

RGB 230 83 15

HSL 18.98, 0.88%, 0.48%

LAB 55.12, 54.59, 62.13

 

CMYK 94 / 0 / 63 / 9

HEX #0FE857

RGB 15 232 87

HSL 139.91, 0.88%, 0.48%

LAB 81.02, -74.84, 56.13

 

CMYK 93 / 48 / 0 / 10

HEX #0F77E6

RGB 15 119 230

HSL 210.98, 0.88%, 0.48%

LAB 50.7, 15.15, -63.52

 

CMYK 0 / 93 / 30 / 10

HEX #E60FA2

RGB 230 15 162

HSL 318.98, 0.88%, 0.48%

LAB 51.58, 81.28, -21.68

 

CMYK 0 / 45 / 93 / 10

HEX #E67E0F

RGB 230 126 15

HSL 30.98, 0.88%, 0.48%

LAB 63.16, 34.05, 67.5

 

CMYK 94 / 0 / 63 / 9

HEX #0FE857

RGB 15 232 87

HSL 139.91, 0.88%, 0.48%

LAB 81.02, -74.84, 56.13

 

CMYK 93 / 77 / 0 / 10

HEX #0F36E6

RGB 15 54 230

HSL 229.12, 0.88%, 0.48%

LAB 34.91, 55.48, -89.37

 

CMYK 0 / 93 / 30 / 10

HEX #E60FA2

RGB 230 15 162

HSL 318.98, 0.88%, 0.48%

LAB 51.58, 81.28, -21.68

 

CMYK 0 / 17 / 93 / 10

HEX #E6BF0F

RGB 230 191 15

HSL 49.12, 0.88%, 0.48%

LAB 78.53, -0.23, 78.55

 

Description

Color code: HEX #0FE857 | qconv.com Color code: HEX #0FE857 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 232 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 232 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 63 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 63% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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