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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FDDFE it is the complementary color #F02201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FDDFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FDDFE shade: #14DDF9, #25EFFF, #36FFFF, #47FFFF and #58FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FDDFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FDDFE shade: #0FDDFE, #00CBEB, #00B9D8, #00A7C5 and #0095B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FDDFE shade: #10DDFD, #109DFD, #105DFD, #101DFD and #4310FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FDDFE shade: #10DDFD, #109DFD, #105DFD, #101DFD and #1010FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FDDFE shade matches the following richer shades: #10DDFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FDDFE shade: #10DDFD, #23CFEA, #37C0D7, #4AB2C3 and #5EA4B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FDDFE shade: #10FD9E, #10FDDE, #10DEFD, #109EFD and #105FFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FDDFE shade: #00A1BA, #01C4E3, #10DDFD, #39E2FE and #62E8FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FDDFE shade: #0FDDFE, #5F10FD and #FDBE10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FDDFE shade: #0FDDFE, #FD10DE and #DEFD10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FDDFE shade: #0FDDFE, #5F10FD, #FD3010 and #AEFD10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FDDFE shade: #0FDDFE, #A610FD, #FD3010 and #67FD10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 13 / 0 / 0

HEX #0FDDFE

RGB 15 221 254

HSL 188.28, 0.99%, 0.53%

LAB 81.28, -32.67, -28.51

 

Complementary color

CMYK 0 / 86 / 100 / 6

HEX #F02201

RGB 240 34 1

HSL 8.28, 0.99%, 0.47%

LAB 51.46, 72.68, 64.43

 

CMYK 92 / 11 / 0 / 2

HEX #14DDF9

RGB 20 221 249

HSL 187.34, 0.95%, 0.53%

LAB 81.13, -34.09, -26.08

 

CMYK 85 / 6 / 0 / 0

HEX #25EFFF

RGB 37 239 255

HSL 184.4, 1%, 0.57%

LAB 86.68, -39.8, -20.8

 

CMYK 79 / 0 / 0 / 0

HEX #36FFFF

RGB 54 255 255

HSL 180, 1%, 0.61%

LAB 91.47, -45.75, -13.57

 

CMYK 72 / 0 / 0 / 0

HEX #47FFFF

RGB 71 255 255

HSL 180, 1%, 0.64%

LAB 91.72, -44.13, -13.17

 

CMYK 65 / 0 / 0 / 0

HEX #58FFFF

RGB 88 255 255

HSL 180, 1%, 0.67%

LAB 92.05, -42.03, -12.65

 

CMYK 94 / 13 / 0 / 0

HEX #0FDDFE

RGB 15 221 254

HSL 188.28, 0.99%, 0.53%

LAB 81.28, -32.67, -28.51

 

CMYK 100 / 14 / 0 / 8

HEX #00CBEB

RGB 0 203 235

HSL 188.17, 1%, 0.46%

LAB 75.27, -30.47, -27.57

 

CMYK 100 / 14 / 0 / 15

HEX #00B9D8

RGB 0 185 216

HSL 188.61, 1%, 0.42%

LAB 69.22, -27.88, -26.54

 

CMYK 100 / 15 / 0 / 23

HEX #00A7C5

RGB 0 167 197

HSL 189.14, 1%, 0.39%

LAB 63.07, -25.23, -25.5

HEX #00A7C5

CMYK 100 / 16 / 0 / 30

HEX #0095B2

RGB 0 149 178

HSL 189.78, 1%, 0.35%

LAB 56.79, -22.52, -24.46

HEX #0095B2

CMYK 94 / 13 / 0 / 1

HEX #10DDFD

RGB 16 221 253

HSL 188.1, 0.98%, 0.53%

LAB 81.24, -32.96, -28.02

 

CMYK 94 / 38 / 0 / 1

HEX #109DFD

RGB 16 157 253

HSL 204.3, 0.98%, 0.53%

LAB 62.77, 0.89, -56.88

 

CMYK 94 / 63 / 0 / 1

HEX #105DFD

RGB 16 93 253

HSL 220.51, 0.98%, 0.53%

LAB 45.68, 40.49, -84.56

 

CMYK 94 / 89 / 0 / 1

HEX #101DFD

RGB 16 29 253

HSL 236.71, 0.98%, 0.53%

LAB 34.15, 72.99, -103.65

 

CMYK 74 / 94 / 0 / 1

HEX #4310FD

RGB 67 16 253

HSL 252.91, 0.98%, 0.53%

LAB 35.31, 77.35, -101.65

 

CMYK 94 / 13 / 0 / 1

HEX #10DDFD

RGB 16 221 253

HSL 188.1, 0.98%, 0.53%

LAB 81.24, -32.96, -28.02

 

CMYK 94 / 38 / 0 / 1

HEX #109DFD

RGB 16 157 253

HSL 204.3, 0.98%, 0.53%

LAB 62.77, 0.89, -56.88

 

CMYK 94 / 63 / 0 / 1

HEX #105DFD

RGB 16 93 253

HSL 220.51, 0.98%, 0.53%

LAB 45.68, 40.49, -84.56

 

CMYK 94 / 89 / 0 / 1

HEX #101DFD

RGB 16 29 253

HSL 236.71, 0.98%, 0.53%

LAB 34.15, 72.99, -103.65

 

CMYK 94 / 94 / 0 / 1

HEX #1010FD

RGB 16 16 253

HSL 240, 0.98%, 0.53%

LAB 33.08, 76.28, -105.44

 

CMYK 94 / 13 / 0 / 1

HEX #10DDFD

RGB 16 221 253

HSL 188.1, 0.98%, 0.53%

LAB 81.24, -32.96, -28.02

 

CMYK 94 / 13 / 0 / 1

HEX #10DDFD

RGB 16 221 253

HSL 188.1, 0.98%, 0.53%

LAB 81.24, -32.96, -28.02

 

CMYK 85 / 12 / 0 / 8

HEX #23CFEA

RGB 35 207 234

HSL 188.14, 0.83%, 0.53%

LAB 76.63, -31.4, -24.93

 

CMYK 74 / 11 / 0 / 16

HEX #37C0D7

RGB 55 192 215

HSL 188.63, 0.67%, 0.53%

LAB 71.84, -28.29, -21.95

 

CMYK 62 / 9 / 0 / 24

HEX #4AB2C3

RGB 74 178 195

HSL 188.43, 0.5%, 0.53%

LAB 67.45, -24.68, -17.59

 

CMYK 47 / 7 / 0 / 31

HEX #5EA4B0

RGB 94 164 176

HSL 188.78, 0.34%, 0.53%

LAB 63.4, -18.79, -13.08

 

CMYK 94 / 0 / 38 / 1

HEX #10FD9E

RGB 16 253 158

HSL 155.95, 0.98%, 0.53%

LAB 88.37, -70.5, 31.84

 

CMYK 94 / 0 / 12 / 1

HEX #10FDDE

RGB 16 253 222

HSL 172.15, 0.98%, 0.53%

LAB 89.69, -55.94, 0.89

 

CMYK 94 / 12 / 0 / 1

HEX #10DEFD

RGB 16 222 253

HSL 187.85, 0.98%, 0.53%

LAB 81.54, -33.43, -27.58

 

CMYK 94 / 38 / 0 / 1

HEX #109EFD

RGB 16 158 253

HSL 204.05, 0.98%, 0.53%

LAB 63.06, 0.31, -56.43

 

CMYK 94 / 62 / 0 / 1

HEX #105FFD

RGB 16 95 253

HSL 220, 0.98%, 0.53%

LAB 46.16, 39.23, -83.76

 

CMYK 100 / 13 / 0 / 27

HEX #00A1BA

RGB 0 161 186

HSL 188.06, 1%, 0.36%

LAB 60.81, -25.93, -22.81

 

CMYK 100 / 14 / 0 / 11

HEX #01C4E3

RGB 1 196 227

HSL 188.23, 0.99%, 0.45%

LAB 72.91, -29.65, -26.87

 

CMYK 94 / 13 / 0 / 1

HEX #10DDFD

RGB 16 221 253

HSL 188.1, 0.98%, 0.53%

LAB 81.24, -32.96, -28.02

 

CMYK 78 / 11 / 0 / 0

HEX #39E2FE

RGB 57 226 254

HSL 188.53, 0.99%, 0.61%

LAB 83.14, -32.56, -25.63

 

CMYK 61 / 9 / 0 / 0

HEX #62E8FE

RGB 98 232 254

HSL 188.46, 0.99%, 0.69%

LAB 85.74, -30.16, -21.59

 

CMYK 94 / 13 / 0 / 0

HEX #0FDDFE

RGB 15 221 254

HSL 188.28, 0.99%, 0.53%

LAB 81.28, -32.67, -28.51

 

CMYK 62 / 94 / 0 / 1

HEX #5F10FD

RGB 95 16 253

HSL 260, 0.98%, 0.53%

LAB 37.65, 78.65, -97.69

 

CMYK 0 / 25 / 94 / 1

HEX #FDBE10

RGB 253 190 16

HSL 44.05, 0.98%, 0.53%

LAB 80.6, 10.19, 80.98

 

CMYK 94 / 13 / 0 / 0

HEX #0FDDFE

RGB 15 221 254

HSL 188.28, 0.99%, 0.53%

LAB 81.28, -32.67, -28.51

 

CMYK 0 / 94 / 12 / 1

HEX #FD10DE

RGB 253 16 222

HSL 307.85, 0.98%, 0.53%

LAB 58.53, 92.54, -45.24

 

CMYK 12 / 0 / 94 / 1

HEX #DEFD10

RGB 222 253 16

HSL 67.85, 0.98%, 0.53%

LAB 94.23, -33.86, 90.06

 

CMYK 94 / 13 / 0 / 0

HEX #0FDDFE

RGB 15 221 254

HSL 188.28, 0.99%, 0.53%

LAB 81.28, -32.67, -28.51

 

CMYK 62 / 94 / 0 / 1

HEX #5F10FD

RGB 95 16 253

HSL 260, 0.98%, 0.53%

LAB 37.65, 78.65, -97.69

 

CMYK 0 / 81 / 94 / 1

HEX #FD3010

RGB 253 48 16

HSL 8.1, 0.98%, 0.53%

LAB 55.11, 73.31, 63.99

 

CMYK 31 / 0 / 94 / 1

HEX #AEFD10

RGB 174 253 16

HSL 80, 0.98%, 0.53%

LAB 91.36, -52.08, 86.58

 

CMYK 94 / 13 / 0 / 0

HEX #0FDDFE

RGB 15 221 254

HSL 188.28, 0.99%, 0.53%

LAB 81.28, -32.67, -28.51

 

CMYK 34 / 94 / 0 / 1

HEX #A610FD

RGB 166 16 253

HSL 277.97, 0.98%, 0.53%

LAB 46.4, 84.7, -82.95

 

CMYK 0 / 81 / 94 / 1

HEX #FD3010

RGB 253 48 16

HSL 8.1, 0.98%, 0.53%

LAB 55.11, 73.31, 63.99

 

CMYK 59 / 0 / 94 / 1

HEX #67FD10

RGB 103 253 16

HSL 97.97, 0.98%, 0.53%

LAB 88.53, -73.34, 83.12

 

Description

Color code: HEX #0FDDFE | qconv.com Color code: HEX #0FDDFE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 221 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 221 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 13 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 13% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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