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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FCD27 it is the complementary color #F032D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FCD27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FCD27 shade: #14CD22, #25DF35, #36F148, #47FF5B and #58FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FCD27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FCD27 shade: #0FCD27, #00BB14, #00A901, #009700 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FCD27 shade: #0FCC27, #2ACC0F, #5DCC0F, #90CC0F and #C3CC0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FCD27 shade: #0FCC27, #0FCC5A, #0FCC8D, #0FCCC0 and #0FA5CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FCD27 shade matches the following richer shades: #0FCC27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FCD27 shade: #0FCC27, #21BA34, #33A842, #45974F and #56855C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FCD27 shade: #5ECC0F, #2CCC0F, #0FCC25, #0FCC58 and #0FCC8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FCD27 shade: #0A7F18, #0CA620, #0FCC27, #17EE32 and #3DF054

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FCD27 shade: #0FCD27, #0F90CC and #CC0F45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FCD27 shade: #0FCD27, #250FCC and #CC250F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FCD27 shade: #0FCD27, #0F90CC, #CC0FB6 and #CC4B0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FCD27 shade: #0FCD27, #0F58CC, #CC0FB6 and #CC840F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 81 / 20

HEX #0FCD27

RGB 15 205 39

HSL 127.58, 0.86%, 0.43%

LAB 72.17, -71.22, 64.21

 

Complementary color

CMYK 0 / 79 / 10 / 6

HEX #F032D8

RGB 240 50 216

HSL 307.58, 0.86%, 0.57%

LAB 57.81, 84.04, -43.13

 

CMYK 90 / 0 / 83 / 20

HEX #14CD22

RGB 20 205 34

HSL 124.54, 0.82%, 0.44%

LAB 72.18, -71.2, 65.53

 

CMYK 83 / 0 / 76 / 13

HEX #25DF35

RGB 37 223 53

HSL 125.16, 0.74%, 0.51%

LAB 78.13, -73.84, 65.83

 

CMYK 78 / 0 / 70 / 5

HEX #36F148

RGB 54 241 72

HSL 125.78, 0.87%, 0.58%

LAB 84.05, -75.81, 65.41

 

CMYK 72 / 0 / 64 / 0

HEX #47FF5B

RGB 71 255 91

HSL 126.52, 1%, 0.64%

LAB 88.74, -76, 63.25

 

CMYK 65 / 0 / 57 / 0

HEX #58FF6E

RGB 88 255 110

HSL 127.9, 1%, 0.67%

LAB 89.26, -71.08, 55.95

 

CMYK 93 / 0 / 81 / 20

HEX #0FCD27

RGB 15 205 39

HSL 127.58, 0.86%, 0.43%

LAB 72.17, -71.22, 64.21

 

CMYK 100 / 0 / 89 / 27

HEX #00BB14

RGB 0 187 20

HSL 126.42, 1%, 0.37%

LAB 66.21, -67.76, 63.22

 

CMYK 100 / 0 / 99 / 34

HEX #00A901

RGB 0 169 1

HSL 120.36, 1%, 0.33%

LAB 60.23, -63.3, 60.98

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 93 / 0 / 81 / 20

HEX #0FCC27

RGB 15 204 39

HSL 127.62, 0.86%, 0.43%

LAB 71.85, -70.94, 63.91

 

CMYK 79 / 0 / 93 / 20

HEX #2ACC0F

RGB 42 204 15

HSL 111.43, 0.86%, 0.43%

LAB 72.04, -69.55, 69.09

 

CMYK 54 / 0 / 93 / 20

HEX #5DCC0F

RGB 93 204 15

HSL 95.24, 0.86%, 0.43%

LAB 73.25, -59.32, 70.59

 

CMYK 29 / 0 / 93 / 20

HEX #90CC0F

RGB 144 204 15

HSL 79.05, 0.86%, 0.43%

LAB 75.54, -42.53, 73.41

 

CMYK 4 / 0 / 93 / 20

HEX #C3CC0F

RGB 195 204 15

HSL 62.86, 0.86%, 0.43%

LAB 78.94, -21.89, 77.53

 

CMYK 93 / 0 / 81 / 20

HEX #0FCC27

RGB 15 204 39

HSL 127.62, 0.86%, 0.43%

LAB 71.85, -70.94, 63.91

 

CMYK 93 / 0 / 56 / 20

HEX #0FCC5A

RGB 15 204 90

HSL 143.81, 0.86%, 0.43%

LAB 72.25, -65.95, 44.61

 

CMYK 93 / 0 / 31 / 20

HEX #0FCC8D

RGB 15 204 141

HSL 160, 0.86%, 0.43%

LAB 73.03, -56.71, 19.81

 

CMYK 93 / 0 / 6 / 20

HEX #0FCCC0

RGB 15 204 192

HSL 176.19, 0.86%, 0.43%

LAB 74.25, -43.71, -5.88

 

CMYK 93 / 19 / 0 / 20

HEX #0FA5CC

RGB 15 165 204

HSL 192.38, 0.86%, 0.43%

LAB 62.82, -21.31, -29.77

 

CMYK 93 / 0 / 81 / 20

HEX #0FCC27

RGB 15 204 39

HSL 127.62, 0.86%, 0.43%

LAB 71.85, -70.94, 63.91

 

CMYK 93 / 0 / 81 / 20

HEX #0FCC27

RGB 15 204 39

HSL 127.62, 0.86%, 0.43%

LAB 71.85, -70.94, 63.91

 

CMYK 82 / 0 / 72 / 27

HEX #21BA34

RGB 33 186 52

HSL 127.45, 0.7%, 0.43%

LAB 66.28, -63.31, 54.27

 

CMYK 70 / 0 / 61 / 34

HEX #33A842

RGB 51 168 66

HSL 127.69, 0.53%, 0.43%

LAB 60.87, -53.26, 42.57

 

CMYK 54 / 0 / 48 / 41

HEX #45974F

RGB 69 151 79

HSL 127.32, 0.37%, 0.43%

LAB 56.05, -40.77, 30.42

 

CMYK 35 / 0 / 31 / 48

HEX #56855C

RGB 86 133 92

HSL 127.66, 0.21%, 0.43%

LAB 51.3, -25.03, 17.18

 

CMYK 54 / 0 / 93 / 20

HEX #5ECC0F

RGB 94 204 15

HSL 94.92, 0.86%, 0.43%

LAB 73.29, -59.05, 70.64

 

CMYK 78 / 0 / 93 / 20

HEX #2CCC0F

RGB 44 204 15

HSL 110.79, 0.86%, 0.43%

LAB 72.06, -69.29, 69.13

 

CMYK 93 / 0 / 82 / 20

HEX #0FCC25

RGB 15 204 37

HSL 126.98, 0.86%, 0.43%

LAB 71.84, -71.05, 64.44

 

CMYK 93 / 0 / 57 / 20

HEX #0FCC58

RGB 15 204 88

HSL 143.17, 0.86%, 0.43%

LAB 72.22, -66.22, 45.52

 

CMYK 93 / 0 / 32 / 20

HEX #0FCC8A

RGB 15 204 138

HSL 159.05, 0.86%, 0.43%

LAB 72.97, -57.36, 21.32

 

CMYK 92 / 0 / 81 / 50

HEX #0A7F18

RGB 10 127 24

HSL 127.18, 0.85%, 0.27%

LAB 46.05, -49.46, 43.99

 

CMYK 93 / 0 / 81 / 35

HEX #0CA620

RGB 12 166 32

HSL 127.79, 0.87%, 0.35%

LAB 59.39, -60.61, 54.2

 

CMYK 93 / 0 / 81 / 20

HEX #0FCC27

RGB 15 204 39

HSL 127.62, 0.86%, 0.43%

LAB 71.85, -70.94, 63.91

 

CMYK 90 / 0 / 79 / 7

HEX #17EE32

RGB 23 238 50

HSL 127.53, 0.86%, 0.51%

LAB 82.68, -79.32, 71.05

 

CMYK 75 / 0 / 65 / 6

HEX #3DF054

RGB 61 240 84

HSL 127.71, 0.86%, 0.59%

LAB 83.94, -73.48, 60.74

 

CMYK 93 / 0 / 81 / 20

HEX #0FCD27

RGB 15 205 39

HSL 127.58, 0.86%, 0.43%

LAB 72.17, -71.22, 64.21

 

CMYK 93 / 29 / 0 / 20

HEX #0F90CC

RGB 15 144 204

HSL 199.05, 0.86%, 0.43%

LAB 56.49, -9.87, -39.64

 

CMYK 0 / 93 / 66 / 20

HEX #CC0F45

RGB 204 15 69

HSL 342.86, 0.86%, 0.43%

LAB 43.67, 68, 23.22

 

CMYK 93 / 0 / 81 / 20

HEX #0FCD27

RGB 15 205 39

HSL 127.58, 0.86%, 0.43%

LAB 72.17, -71.22, 64.21

 

CMYK 82 / 93 / 0 / 20

HEX #250FCC

RGB 37 15 204

HSL 246.98, 0.86%, 0.43%

LAB 27, 64.31, -87.5

 

CMYK 0 / 82 / 93 / 20

HEX #CC250F

RGB 204 37 15

HSL 6.98, 0.86%, 0.43%

LAB 44.51, 62.29, 53.01

 

CMYK 93 / 0 / 81 / 20

HEX #0FCD27

RGB 15 205 39

HSL 127.58, 0.86%, 0.43%

LAB 72.17, -71.22, 64.21

 

CMYK 93 / 29 / 0 / 20

HEX #0F90CC

RGB 15 144 204

HSL 199.05, 0.86%, 0.43%

LAB 56.49, -9.87, -39.64

 

CMYK 0 / 93 / 11 / 20

HEX #CC0FB6

RGB 204 15 182

HSL 306.98, 0.86%, 0.43%

LAB 47.7, 78.69, -39.91

 

CMYK 0 / 63 / 93 / 20

HEX #CC4B0F

RGB 204 75 15

HSL 19.05, 0.86%, 0.43%

LAB 49.38, 48.91, 56.2

 

CMYK 93 / 0 / 81 / 20

HEX #0FCD27

RGB 15 205 39

HSL 127.58, 0.86%, 0.43%

LAB 72.17, -71.22, 64.21

 

CMYK 93 / 57 / 0 / 20

HEX #0F58CC

RGB 15 88 204

HSL 216.83, 0.86%, 0.43%

LAB 40.31, 24.96, -65.56

 

CMYK 0 / 93 / 11 / 20

HEX #CC0FB6

RGB 204 15 182

HSL 306.98, 0.86%, 0.43%

LAB 47.7, 78.69, -39.91

 

CMYK 0 / 35 / 93 / 20

HEX #CC840F

RGB 204 132 15

HSL 37.14, 0.86%, 0.43%

LAB 61.11, 19.9, 64.47

 

Description

Color code: HEX #0FCD27 | qconv.com Color code: HEX #0FCD27 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 205 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 205 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 81 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 81% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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