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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FCC8C it is the complementary color #F03373. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FCC8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FCC8C shade: #14CC87, #25DE9A, #36F0AD, #47FFC0 and #58FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FCC8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FCC8C shade: #0FCC8C, #00BA79, #00A866, #009653 and #008440

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FCC8C shade: #0FCC8C, #0FCC59, #0FCC26, #2BCC0F and #5ECC0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FCC8C shade: #0FCC8C, #0FCCBF, #0FA6CC, #0F73CC and #0F40CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FCC8C shade matches the following richer shades: #0FCC8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FCC8C shade: #0FCC8C, #21BA86, #33A881, #45977B and #568575

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FCC8C shade: #0FCC25, #0FCC58, #0FCC8A, #0FCCBC and #0FA9CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FCC8C shade: #0A7F57, #0CA672, #0FCC8C, #17EEA5 and #3DF0B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FCC8C shade: #0FCC8C, #0F2CCC and #CC3F0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FCC8C shade: #0FCC8C, #8A0FCC and #CC8A0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FCC8C shade: #0FCC8C, #0F2CCC, #CC0F51 and #CCB00F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FCC8C shade: #0FCC8C, #2C0FCC, #CC0F51 and #B0CC0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 31 / 20

HEX #0FCC8C

RGB 15 204 140

HSL 159.68, 0.86%, 0.43%

LAB 73.01, -56.93, 20.31

 

Complementary color

CMYK 0 / 79 / 52 / 6

HEX #F03373

RGB 240 51 115

HSL 339.68, 0.86%, 0.57%

LAB 54.17, 72.92, 10.46

 

CMYK 90 / 0 / 34 / 20

HEX #14CC87

RGB 20 204 135

HSL 157.5, 0.82%, 0.44%

LAB 72.95, -57.76, 22.87

 

CMYK 83 / 0 / 31 / 13

HEX #25DE9A

RGB 37 222 154

HSL 157.95, 0.74%, 0.51%

LAB 79.02, -59.17, 21.24

 

CMYK 78 / 0 / 28 / 6

HEX #36F0AD

RGB 54 240 173

HSL 158.39, 0.86%, 0.58%

LAB 85.06, -60.2, 19.76

 

CMYK 72 / 0 / 25 / 0

HEX #47FFC0

RGB 71 255 192

HSL 159.46, 1%, 0.64%

LAB 90.17, -59.8, 17.15

 

CMYK 65 / 0 / 17 / 0

HEX #58FFD3

RGB 88 255 211

HSL 164.19, 1%, 0.67%

LAB 90.92, -53.11, 8.48

 

CMYK 93 / 0 / 31 / 20

HEX #0FCC8C

RGB 15 204 140

HSL 159.68, 0.86%, 0.43%

LAB 73.01, -56.93, 20.31

 

CMYK 100 / 0 / 35 / 27

HEX #00BA79

RGB 0 186 121

HSL 159.03, 1%, 0.36%

LAB 66.9, -55, 22.07

 

CMYK 100 / 0 / 39 / 34

HEX #00A866

RGB 0 168 102

HSL 156.43, 1%, 0.33%

LAB 60.75, -52.46, 24.01

 

CMYK 100 / 0 / 45 / 41

HEX #009653

RGB 0 150 83

HSL 153.2, 1%, 0.29%

LAB 54.49, -49.78, 26.02

 

CMYK 100 / 0 / 52 / 48

HEX #008440

RGB 0 132 64

HSL 149.09, 1%, 0.26%

LAB 48.1, -46.91, 28.08

 

CMYK 93 / 0 / 31 / 20

HEX #0FCC8C

RGB 15 204 140

HSL 159.68, 0.86%, 0.43%

LAB 73.01, -56.93, 20.31

 

CMYK 93 / 0 / 56 / 20

HEX #0FCC59

RGB 15 204 89

HSL 143.49, 0.86%, 0.43%

LAB 72.23, -66.09, 45.07

 

CMYK 93 / 0 / 81 / 20

HEX #0FCC26

RGB 15 204 38

HSL 127.3, 0.86%, 0.43%

LAB 71.84, -70.99, 64.18

 

CMYK 79 / 0 / 93 / 20

HEX #2BCC0F

RGB 43 204 15

HSL 111.11, 0.86%, 0.43%

LAB 72.05, -69.42, 69.11

 

CMYK 54 / 0 / 93 / 20

HEX #5ECC0F

RGB 94 204 15

HSL 94.92, 0.86%, 0.43%

LAB 73.29, -59.05, 70.64

 

CMYK 93 / 0 / 31 / 20

HEX #0FCC8C

RGB 15 204 140

HSL 159.68, 0.86%, 0.43%

LAB 73.01, -56.93, 20.31

 

CMYK 93 / 0 / 6 / 20

HEX #0FCCBF

RGB 15 204 191

HSL 175.87, 0.86%, 0.43%

LAB 74.22, -43.99, -5.38

 

CMYK 93 / 19 / 0 / 20

HEX #0FA6CC

RGB 15 166 204

HSL 192.06, 0.86%, 0.43%

LAB 63.12, -21.83, -29.31

 

CMYK 93 / 44 / 0 / 20

HEX #0F73CC

RGB 15 115 204

HSL 208.25, 0.86%, 0.43%

LAB 47.91, 7.49, -53.28

 

CMYK 93 / 69 / 0 / 20

HEX #0F40CC

RGB 15 64 204

HSL 224.44, 0.86%, 0.43%

LAB 34.25, 40.56, -75.5

 

CMYK 93 / 0 / 31 / 20

HEX #0FCC8C

RGB 15 204 140

HSL 159.68, 0.86%, 0.43%

LAB 73.01, -56.93, 20.31

 

CMYK 93 / 0 / 31 / 20

HEX #0FCC8C

RGB 15 204 140

HSL 159.68, 0.86%, 0.43%

LAB 73.01, -56.93, 20.31

 

CMYK 82 / 0 / 28 / 27

HEX #21BA86

RGB 33 186 134

HSL 159.61, 0.7%, 0.43%

LAB 67.4, -50.22, 15.79

 

CMYK 70 / 0 / 23 / 34

HEX #33A881

RGB 51 168 129

HSL 160, 0.53%, 0.43%

LAB 61.91, -41.77, 10.89

 

CMYK 54 / 0 / 19 / 41

HEX #45977B

RGB 69 151 123

HSL 159.51, 0.37%, 0.43%

LAB 56.91, -32.02, 7.23

 

CMYK 35 / 0 / 12 / 48

HEX #568575

RGB 86 133 117

HSL 159.57, 0.21%, 0.43%

LAB 51.88, -19.79, 3.57

 

CMYK 93 / 0 / 82 / 20

HEX #0FCC25

RGB 15 204 37

HSL 126.98, 0.86%, 0.43%

LAB 71.84, -71.05, 64.44

 

CMYK 93 / 0 / 57 / 20

HEX #0FCC58

RGB 15 204 88

HSL 143.17, 0.86%, 0.43%

LAB 72.22, -66.22, 45.52

 

CMYK 93 / 0 / 32 / 20

HEX #0FCC8A

RGB 15 204 138

HSL 159.05, 0.86%, 0.43%

LAB 72.97, -57.36, 21.32

 

CMYK 93 / 0 / 8 / 20

HEX #0FCCBC

RGB 15 204 188

HSL 174.92, 0.86%, 0.43%

LAB 74.14, -44.84, -3.88

 

CMYK 93 / 17 / 0 / 20

HEX #0FA9CC

RGB 15 169 204

HSL 191.11, 0.86%, 0.43%

LAB 64.03, -23.38, -27.91

 

CMYK 92 / 0 / 31 / 50

HEX #0A7F57

RGB 10 127 87

HSL 159.49, 0.85%, 0.27%

LAB 46.88, -39.54, 13.62

 

CMYK 93 / 0 / 31 / 35

HEX #0CA672

RGB 12 166 114

HSL 159.74, 0.87%, 0.35%

LAB 60.4, -48.55, 17

 

CMYK 93 / 0 / 31 / 20

HEX #0FCC8C

RGB 15 204 140

HSL 159.68, 0.86%, 0.43%

LAB 73.01, -56.93, 20.31

 

CMYK 90 / 0 / 31 / 7

HEX #17EEA5

RGB 23 238 165

HSL 159.63, 0.86%, 0.51%

LAB 83.99, -63.56, 22.36

 

CMYK 75 / 0 / 25 / 6

HEX #3DF0B4

RGB 61 240 180

HSL 159.89, 0.86%, 0.59%

LAB 85.31, -57.88, 16.49

 

CMYK 93 / 0 / 31 / 20

HEX #0FCC8C

RGB 15 204 140

HSL 159.68, 0.86%, 0.43%

LAB 73.01, -56.93, 20.31

 

CMYK 93 / 78 / 0 / 20

HEX #0F2CCC

RGB 15 44 204

HSL 230.79, 0.86%, 0.43%

LAB 30.07, 52.25, -82.43

 

CMYK 0 / 69 / 93 / 20

HEX #CC3F0F

RGB 204 63 15

HSL 15.24, 0.86%, 0.43%

LAB 47.53, 53.9, 54.96

 

CMYK 93 / 0 / 31 / 20

HEX #0FCC8C

RGB 15 204 140

HSL 159.68, 0.86%, 0.43%

LAB 73.01, -56.93, 20.31

 

CMYK 32 / 93 / 0 / 20

HEX #8A0FCC

RGB 138 15 204

HSL 279.05, 0.86%, 0.43%

LAB 38.03, 72.01, -68.92

 

CMYK 0 / 32 / 93 / 20

HEX #CC8A0F

RGB 204 138 15

HSL 39.05, 0.86%, 0.43%

LAB 62.55, 16.63, 65.53

 

CMYK 93 / 0 / 31 / 20

HEX #0FCC8C

RGB 15 204 140

HSL 159.68, 0.86%, 0.43%

LAB 73.01, -56.93, 20.31

 

CMYK 93 / 78 / 0 / 20

HEX #0F2CCC

RGB 15 44 204

HSL 230.79, 0.86%, 0.43%

LAB 30.07, 52.25, -82.43

 

CMYK 0 / 93 / 60 / 20

HEX #CC0F51

RGB 204 15 81

HSL 339.05, 0.86%, 0.43%

LAB 43.91, 68.67, 16.03

 

CMYK 0 / 14 / 93 / 20

HEX #CCB00F

RGB 204 176 15

HSL 51.11, 0.86%, 0.43%

LAB 72.18, -3.78, 72.7

 

CMYK 93 / 0 / 31 / 20

HEX #0FCC8C

RGB 15 204 140

HSL 159.68, 0.86%, 0.43%

LAB 73.01, -56.93, 20.31

 

CMYK 78 / 93 / 0 / 20

HEX #2C0FCC

RGB 44 15 204

HSL 249.21, 0.86%, 0.43%

LAB 27.4, 64.52, -86.83

 

CMYK 0 / 93 / 60 / 20

HEX #CC0F51

RGB 204 15 81

HSL 339.05, 0.86%, 0.43%

LAB 43.91, 68.67, 16.03

 

CMYK 14 / 0 / 93 / 20

HEX #B0CC0F

RGB 176 204 15

HSL 68.89, 0.86%, 0.43%

LAB 77.55, -29.84, 75.85

 

Description

Color code: HEX #0FCC8C | qconv.com Color code: HEX #0FCC8C | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 204 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 204 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 31 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 31% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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