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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FC4A8BF it is the complementary color #F03B57BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FC4A8BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FC4A8BF shade: #14C4A3BF, #25D6B6BF, #36E8C9BF, #47FADCBF and #58FFEFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FC4A8BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FC4A8BF shade: #0FC4A8BF, #00B295BF, #00A082BF, #008E6FBF and #007C5CBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FC4A8BF shade: #0FC2A7, #0FC276, #0FC246, #0FC215 and #39C20F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FC4A8BF shade: #0FC2A7, #0FAEC2, #0F7DC2, #0F4DC2 and #0F1CC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FC4A8BF shade matches the following richer shades: #0FC2A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FC4A8BF shade: #0FC2A7, #20B29B, #30A18F, #419084 and #527F78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FC4A8BF shade: #0FC245, #0FC275, #0FC2A4, #0FB0C2 and #0F81C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FC4A8BF shade: #097665, #0C9C86, #0FC2A7, #12E9C8 and #34F0D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FC4A8BF shade: #0FC4A8, #150FC2 and #C25D0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FC4A8BF shade: #0FC4A8, #A40FC2 and #C2A40F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FC4A8BF shade: #0FC4A8, #150FC2, #C20F2D and #BCC20F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FC4A8BF shade: #0FC4A8, #4B0FC2, #C20F2D and #87C20F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 11 / 17

HEX #0FC4A8BF

RGBA 15 196 168 0.75

HSLA 170.72, 0.86%, 0.41%, 0.75

LABA 71.15, -46.95, 2.61, 0.75

 

Complementary color

CMYK 0 / 57 / 48 / 4

HEX #F03B57BF

RGBA 240 59 87 0.75

HSLA 350.72, 0.86%, 0.59%, 0.75

LABA 54.39, 68.85, 27.48, 0.75

 

CMYK 67 / 0 / 13 / 17

HEX #14C4A3BF

RGBA 20 196 163 0.75

HSLA 168.75, 0.81%, 0.42%, 0.75

LABA 71.06, -48.04, 5.2, 0.75

 

CMYK 62 / 0 / 11 / 12

HEX #25D6B6BF

RGBA 37 214 182 0.75

HSLA 169.15, 0.71%, 0.49%, 0.75

LABA 77.2, -49.4, 3.84, 0.75

 

CMYK 58 / 0 / 10 / 7

HEX #36E8C9BF

RGBA 54 232 201 0.75

HSLA 169.55, 0.79%, 0.56%, 0.75

LABA 83.29, -50.44, 2.61, 0.75

 

CMYK 54 / 0 / 9 / 1

HEX #47FADCBF

RGBA 71 250 220 0.75

HSLA 169.94, 0.95%, 0.63%, 0.75

LABA 89.34, -51.21, 1.49, 0.75

 

CMYK 49 / 0 / 5 / 0

HEX #58FFEFBF

RGBA 88 255 239 0.75

HSLA 174.25, 1%, 0.67%, 0.75

LABA 91.61, -46.25, -5.01, 0.75

 

CMYK 69 / 0 / 11 / 17

HEX #0FC4A8BF

RGBA 15 196 168 0.75

HSLA 170.72, 0.86%, 0.41%, 0.75

LABA 71.15, -46.95, 2.61, 0.75

 

CMYK 75 / 0 / 12 / 23

HEX #00B295BF

RGBA 0 178 149 0.75

HSLA 170.22, 1%, 0.35%, 0.75

LABA 64.97, -45.09, 4.09, 0.75

 

CMYK 75 / 0 / 14 / 28

HEX #00A082BF

RGBA 0 160 130 0.75

HSLA 168.75, 1%, 0.31%, 0.75

LABA 58.75, -42.69, 5.74, 0.75

 

CMYK 75 / 0 / 16 / 33

HEX #008E6FBF

RGBA 0 142 111 0.75

HSLA 166.9, 1%, 0.28%, 0.75

LABA 52.39, -40.23, 7.48, 0.75

 

CMYK 75 / 0 / 19 / 39

HEX #007C5CBF

RGBA 0 124 92 0.75

HSLA 164.52, 1%, 0.24%, 0.75

LABA 45.89, -37.7, 9.31, 0.75

HEX #007C5CBF

CMYK 92 / 0 / 14 / 24

HEX #0FC2A7

RGB 15 194 167

HSL 170.95, 0.86%, 0.41%

LAB 70.51, -46.38, 2.22

 

CMYK 92 / 0 / 39 / 24

HEX #0FC276

RGB 15 194 118

HSL 154.53, 0.86%, 0.41%

LAB 69.46, -57.9, 27.11

 

CMYK 92 / 0 / 64 / 24

HEX #0FC246

RGB 15 194 70

HSL 138.44, 0.86%, 0.41%

LAB 68.84, -65.39, 49.7

 

CMYK 92 / 0 / 89 / 24

HEX #0FC215

RGB 15 194 21

HSL 122.01, 0.86%, 0.41%

LAB 68.56, -68.97, 65.1

 

CMYK 71 / 0 / 92 / 24

HEX #39C20F

RGB 57 194 15

HSL 105.92, 0.86%, 0.41%

LAB 69.1, -64.24, 66.75

 

CMYK 92 / 0 / 14 / 24

HEX #0FC2A7

RGB 15 194 167

HSL 170.95, 0.86%, 0.41%

LAB 70.51, -46.38, 2.22

 

CMYK 92 / 10 / 0 / 24

HEX #0FAEC2

RGB 15 174 194

HSL 186.7, 0.86%, 0.41%

LAB 65.18, -29.23, -20.6

 

CMYK 92 / 36 / 0 / 24

HEX #0F7DC2

RGB 15 125 194

HSL 203.13, 0.86%, 0.41%

LAB 50.29, -2.55, -43.75

 

CMYK 92 / 60 / 0 / 24

HEX #0F4DC2

RGB 15 77 194

HSL 219.22, 0.86%, 0.41%

LAB 36.56, 28.3, -65.88

 

CMYK 92 / 86 / 0 / 24

HEX #0F1CC2

RGB 15 28 194

HSL 235.64, 0.86%, 0.41%

LAB 26.24, 56.71, -82.93

 

CMYK 92 / 0 / 14 / 24

HEX #0FC2A7

RGB 15 194 167

HSL 170.95, 0.86%, 0.41%

LAB 70.51, -46.38, 2.22

 

CMYK 92 / 0 / 14 / 24

HEX #0FC2A7

RGB 15 194 167

HSL 170.95, 0.86%, 0.41%

LAB 70.51, -46.38, 2.22

 

CMYK 82 / 0 / 13 / 30

HEX #20B29B

RGB 32 178 155

HSL 170.55, 0.7%, 0.41%

LAB 65.37, -41.73, 1.37

 

CMYK 70 / 0 / 11 / 37

HEX #30A18F

RGB 48 161 143

HSL 170.44, 0.54%, 0.41%

LAB 59.98, -35.55, 0.26

 

CMYK 55 / 0 / 8 / 44

HEX #419084

RGB 65 144 132

HSL 170.89, 0.38%, 0.41%

LAB 54.8, -27.28, -0.98

 

CMYK 35 / 0 / 6 / 50

HEX #527F78

RGB 82 127 120

HSL 170.67, 0.22%, 0.41%

LAB 49.89, -17.1, -1.11

 

CMYK 92 / 0 / 64 / 24

HEX #0FC245

RGB 15 194 69

HSL 138.1, 0.86%, 0.41%

LAB 68.83, -65.51, 50.12

 

CMYK 92 / 0 / 40 / 24

HEX #0FC275

RGB 15 194 117

HSL 154.19, 0.86%, 0.41%

LAB 69.45, -58.09, 27.61

 

CMYK 92 / 0 / 15 / 24

HEX #0FC2A4

RGB 15 194 164

HSL 169.94, 0.86%, 0.41%

LAB 70.43, -47.19, 3.75

 

CMYK 92 / 9 / 0 / 24

HEX #0FB0C2

RGB 15 176 194

HSL 186.03, 0.86%, 0.41%

LAB 65.79, -30.21, -19.67

 

CMYK 92 / 34 / 0 / 24

HEX #0F81C2

RGB 15 129 194

HSL 201.79, 0.86%, 0.41%

LAB 51.49, -4.93, -41.85

 

CMYK 92 / 0 / 14 / 54

HEX #097665

RGB 9 118 101

HSL 170.64, 0.86%, 0.25%

LAB 44.17, -31.95, 1.52

 

CMYK 92 / 0 / 14 / 39

HEX #0C9C86

RGB 12 156 134

HSL 170.83, 0.86%, 0.33%

LAB 57.63, -39.35, 1.88

 

CMYK 92 / 0 / 14 / 24

HEX #0FC2A7

RGB 15 194 167

HSL 170.95, 0.86%, 0.41%

LAB 70.51, -46.38, 2.22

 

CMYK 92 / 0 / 14 / 9

HEX #12E9C8

RGB 18 233 200

HSL 170.79, 0.86%, 0.49%

LAB 83.22, -53.56, 2.99

 

CMYK 78 / 0 / 12 / 6

HEX #34F0D3

RGB 52 240 211

HSL 170.74, 0.86%, 0.57%

LAB 85.88, -51.38, 1.12

 

CMYK 92 / 0 / 14 / 23

HEX #0FC4A8

RGB 15 196 168

HSL 170.72, 0.86%, 0.41%

LAB 71.15, -46.95, 2.61

 

CMYK 89 / 92 / 0 / 24

HEX #150FC2

RGB 21 15 194

HSL 242.01, 0.86%, 0.41%

LAB 24.94, 61.28, -85.09

 

CMYK 0 / 52 / 92 / 24

HEX #C25D0F

RGB 194 93 15

HSL 26.15, 0.86%, 0.41%

LAB 51.07, 36.49, 56.61

 

CMYK 92 / 0 / 14 / 23

HEX #0FC4A8

RGB 15 196 168

HSL 170.72, 0.86%, 0.41%

LAB 71.15, -46.95, 2.61

 

CMYK 15 / 92 / 0 / 24

HEX #A40FC2

RGB 164 15 194

HSL 289.94, 0.86%, 0.41%

LAB 41.42, 73.79, -57.38

 

CMYK 0 / 15 / 92 / 24

HEX #C2A40F

RGB 194 164 15

HSL 49.94, 0.86%, 0.41%

LAB 68.06, -1.88, 69.16

 

CMYK 92 / 0 / 14 / 23

HEX #0FC4A8

RGB 15 196 168

HSL 170.72, 0.86%, 0.41%

LAB 71.15, -46.95, 2.61

 

CMYK 89 / 92 / 0 / 24

HEX #150FC2

RGB 21 15 194

HSL 242.01, 0.86%, 0.41%

LAB 24.94, 61.28, -85.09

 

CMYK 0 / 92 / 77 / 24

HEX #C20F2D

RGB 194 15 45

HSL 349.94, 0.86%, 0.41%

LAB 41.22, 64.47, 34.5

 

CMYK 3 / 0 / 92 / 24

HEX #BCC20F

RGB 188 194 15

HSL 62.01, 0.86%, 0.41%

LAB 75.64, -19.96, 74.75

 

CMYK 92 / 0 / 14 / 23

HEX #0FC4A8

RGB 15 196 168

HSL 170.72, 0.86%, 0.41%

LAB 71.15, -46.95, 2.61

 

CMYK 61 / 92 / 0 / 24

HEX #4B0FC2

RGB 75 15 194

HSL 260.11, 0.86%, 0.41%

LAB 28.73, 63.56, -78.68

 

CMYK 0 / 92 / 77 / 24

HEX #C20F2D

RGB 194 15 45

HSL 349.94, 0.86%, 0.41%

LAB 41.22, 64.47, 34.5

 

CMYK 30 / 0 / 92 / 24

HEX #87C20F

RGB 135 194 15

HSL 79.78, 0.86%, 0.41%

LAB 72.07, -41.6, 70.41

 

Description

Color code: HEX #0FC4A8BF | qconv.com Color code: HEX #0FC4A8BF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 196 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 196 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 11 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 11% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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