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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FC363 it is the complementary color #F03C9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FC363. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FC363 shade: #14C35E, #25D571, #36E784, #47F997 and #58FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FC363. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FC363 shade: #0FC363, #00B150, #009F3D, #008D2A and #007B17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FC363 shade: #0FC263, #0FC232, #1CC20F, #4CC20F and #7DC20F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FC363 shade: #0FC263, #0FC293, #0FC1C2, #0F91C2 and #0F60C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FC363 shade matches the following richer shades: #0FC263

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FC363 shade: #0FC263, #20B264, #30A165, #419066 and #527F67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FC363 shade: #1BC20F, #0FC233, #0FC263, #0FC293 and #0FC2C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FC363 shade: #09763C, #0C9C4F, #0FC263, #12E976 and #34F08C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FC363 shade: #0FC363, #0F4BC2 and #C21B0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FC363 shade: #0FC363, #630FC2 and #C2630F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FC363 shade: #0FC363, #0F4BC2, #C20F6F and #C2870F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FC363 shade: #0FC363, #0F15C2, #C20F6F and #C2BC0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 49 / 24

HEX #0FC363

RGB 15 195 99

HSL 148, 0.86%, 0.41%

LAB 69.49, -61.67, 36.88

 

Complementary color

CMYK 0 / 75 / 35 / 6

HEX #F03C9C

RGB 240 60 156

HSL 328, 0.86%, 0.59%

LAB 56.24, 74.07, -10.89

 

CMYK 90 / 0 / 52 / 24

HEX #14C35E

RGB 20 195 94

HSL 145.37, 0.81%, 0.42%

LAB 69.46, -62.19, 39.32

 

CMYK 83 / 0 / 47 / 16

HEX #25D571

RGB 37 213 113

HSL 145.91, 0.7%, 0.49%

LAB 75.56, -63.8, 37.62

 

CMYK 77 / 0 / 43 / 9

HEX #36E784

RGB 54 231 132

HSL 146.44, 0.79%, 0.56%

LAB 81.62, -64.94, 36

 

CMYK 71 / 0 / 39 / 2

HEX #47F997

RGB 71 249 151

HSL 146.97, 0.94%, 0.63%

LAB 87.64, -65.72, 34.47

 

CMYK 65 / 0 / 33 / 0

HEX #58FFAA

RGB 88 255 170

HSL 149.46, 1%, 0.67%

LAB 90.09, -61.78, 28.29

 

CMYK 92 / 0 / 49 / 24

HEX #0FC363

RGB 15 195 99

HSL 148, 0.86%, 0.41%

LAB 69.49, -61.67, 36.88

 

CMYK 100 / 0 / 55 / 31

HEX #00B150

RGB 0 177 80

HSL 147.12, 1%, 0.35%

LAB 63.36, -59.43, 38.69

 

CMYK 100 / 0 / 62 / 38

HEX #009F3D

RGB 0 159 61

HSL 143.02, 1%, 0.31%

LAB 57.2, -56.34, 40.51

 

CMYK 100 / 0 / 70 / 45

HEX #008D2A

RGB 0 141 42

HSL 137.87, 1%, 0.28%

LAB 50.94, -52.94, 42.04

 

CMYK 100 / 0 / 81 / 52

HEX #007B17

RGB 0 123 23

HSL 131.22, 1%, 0.24%

LAB 44.56, -49.1, 42.85

 

CMYK 92 / 0 / 49 / 24

HEX #0FC263

RGB 15 194 99

HSL 148.16, 0.86%, 0.41%

LAB 69.17, -61.34, 36.48

 

CMYK 92 / 0 / 74 / 24

HEX #0FC232

RGB 15 194 50

HSL 131.73, 0.86%, 0.41%

LAB 68.69, -67.33, 57.4

 

CMYK 86 / 0 / 92 / 24

HEX #1CC20F

RGB 28 194 15

HSL 115.64, 0.86%, 0.41%

LAB 68.65, -68.2, 66.19

 

CMYK 61 / 0 / 92 / 24

HEX #4CC20F

RGB 76 194 15

HSL 99.55, 0.86%, 0.41%

LAB 69.58, -60.22, 67.34

 

CMYK 36 / 0 / 92 / 24

HEX #7DC20F

RGB 125 194 15

HSL 83.13, 0.86%, 0.41%

LAB 71.54, -45.29, 69.75

 

CMYK 92 / 0 / 49 / 24

HEX #0FC263

RGB 15 194 99

HSL 148.16, 0.86%, 0.41%

LAB 69.17, -61.34, 36.48

 

CMYK 92 / 0 / 24 / 24

HEX #0FC293

RGB 15 194 147

HSL 164.25, 0.86%, 0.41%

LAB 70.03, -51.51, 12.41

 

CMYK 92 / 1 / 0 / 24

HEX #0FC1C2

RGB 15 193 194

HSL 180.34, 0.86%, 0.41%

LAB 70.96, -38.22, -11.85

 

CMYK 92 / 25 / 0 / 24

HEX #0F91C2

RGB 15 145 194

HSL 196.42, 0.86%, 0.41%

LAB 56.33, -14.1, -34.24

 

CMYK 92 / 51 / 0 / 24

HEX #0F60C2

RGB 15 96 194

HSL 212.85, 0.86%, 0.41%

LAB 41.79, 15.72, -57.38

 

CMYK 92 / 0 / 49 / 24

HEX #0FC263

RGB 15 194 99

HSL 148.16, 0.86%, 0.41%

LAB 69.17, -61.34, 36.48

 

CMYK 92 / 0 / 49 / 24

HEX #0FC263

RGB 15 194 99

HSL 148.16, 0.86%, 0.41%

LAB 69.17, -61.34, 36.48

 

CMYK 82 / 0 / 44 / 30

HEX #20B264

RGB 32 178 100

HSL 147.95, 0.7%, 0.41%

LAB 64.22, -54.35, 29.67

 

CMYK 70 / 0 / 37 / 37

HEX #30A165

RGB 48 161 101

HSL 148.14, 0.54%, 0.41%

LAB 59.03, -45.53, 22.35

 

CMYK 55 / 0 / 29 / 44

HEX #419066

RGB 65 144 102

HSL 148.1, 0.38%, 0.41%

LAB 54.06, -34.49, 15.13

 

CMYK 35 / 0 / 19 / 50

HEX #527F67

RGB 82 127 103

HSL 148, 0.22%, 0.41%

LAB 49.44, -21.07, 8.21

 

CMYK 86 / 0 / 92 / 24

HEX #1BC20F

RGB 27 194 15

HSL 115.98, 0.86%, 0.41%

LAB 68.64, -68.29, 66.18

 

CMYK 92 / 0 / 74 / 24

HEX #0FC233

RGB 15 194 51

HSL 132.07, 0.86%, 0.41%

LAB 68.7, -67.25, 57.05

 

CMYK 92 / 0 / 49 / 24

HEX #0FC263

RGB 15 194 99

HSL 148.16, 0.86%, 0.41%

LAB 69.17, -61.34, 36.48

 

CMYK 92 / 0 / 24 / 24

HEX #0FC293

RGB 15 194 147

HSL 164.25, 0.86%, 0.41%

LAB 70.03, -51.51, 12.41

 

CMYK 92 / 0 / 0 / 24

HEX #0FC2C2

RGB 15 194 194

HSL 180, 0.86%, 0.41%

LAB 71.27, -38.68, -11.4

 

CMYK 92 / 0 / 49 / 54

HEX #09763C

RGB 9 118 60

HSL 148.07, 0.86%, 0.25%

LAB 43.27, -41.92, 24.19

 

CMYK 92 / 0 / 49 / 39

HEX #0C9C4F

RGB 12 156 79

HSL 147.92, 0.86%, 0.33%

LAB 56.51, -51.96, 30.74

 

CMYK 92 / 0 / 49 / 24

HEX #0FC263

RGB 15 194 99

HSL 148.16, 0.86%, 0.41%

LAB 69.17, -61.34, 36.48

 

CMYK 92 / 0 / 49 / 9

HEX #12E976

RGB 18 233 118

HSL 147.91, 0.86%, 0.49%

LAB 81.68, -70.84, 42.85

 

CMYK 78 / 0 / 42 / 6

HEX #34F08C

RGB 52 240 140

HSL 148.09, 0.86%, 0.57%

LAB 84.45, -66.9, 35.7

 

CMYK 92 / 0 / 49 / 24

HEX #0FC363

RGB 15 195 99

HSL 148, 0.86%, 0.41%

LAB 69.49, -61.67, 36.88

 

CMYK 92 / 61 / 0 / 24

HEX #0F4BC2

RGB 15 75 194

HSL 219.89, 0.86%, 0.41%

LAB 36.04, 29.63, -66.73

 

CMYK 0 / 86 / 92 / 24

HEX #C21B0F

RGB 194 27 15

HSL 4.02, 0.86%, 0.41%

LAB 41.67, 61.76, 50.18

 

CMYK 92 / 0 / 49 / 24

HEX #0FC363

RGB 15 195 99

HSL 148, 0.86%, 0.41%

LAB 69.49, -61.67, 36.88

 

CMYK 49 / 92 / 0 / 24

HEX #630FC2

RGB 99 15 194

HSL 268.16, 0.86%, 0.41%

LAB 31.55, 65.55, -73.91

 

CMYK 0 / 49 / 92 / 24

HEX #C2630F

RGB 194 99 15

HSL 28.16, 0.86%, 0.41%

LAB 52.32, 33.38, 57.5

 

CMYK 92 / 0 / 49 / 24

HEX #0FC363

RGB 15 195 99

HSL 148, 0.86%, 0.41%

LAB 69.49, -61.67, 36.88

 

CMYK 92 / 61 / 0 / 24

HEX #0F4BC2

RGB 15 75 194

HSL 219.89, 0.86%, 0.41%

LAB 36.04, 29.63, -66.73

 

CMYK 0 / 92 / 43 / 24

HEX #C20F6F

RGB 194 15 111

HSL 327.82, 0.86%, 0.41%

LAB 42.7, 68.56, -4.79

 

CMYK 0 / 30 / 92 / 24

HEX #C2870F

RGB 194 135 15

HSL 40.22, 0.86%, 0.41%

LAB 60.63, 13.85, 63.58

 

CMYK 92 / 0 / 49 / 24

HEX #0FC363

RGB 15 195 99

HSL 148, 0.86%, 0.41%

LAB 69.49, -61.67, 36.88

 

CMYK 92 / 89 / 0 / 24

HEX #0F15C2

RGB 15 21 194

HSL 237.99, 0.86%, 0.41%

LAB 25.36, 59.35, -84.39

 

CMYK 0 / 92 / 43 / 24

HEX #C20F6F

RGB 194 15 111

HSL 327.82, 0.86%, 0.41%

LAB 42.7, 68.56, -4.79

 

CMYK 0 / 3 / 92 / 24

HEX #C2BC0F

RGB 194 188 15

HSL 57.99, 0.86%, 0.41%

LAB 74.49, -14.36, 74.07

 

Description

Color code: HEX #0FC363 | qconv.com Color code: HEX #0FC363 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 195 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 195 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 49 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 49% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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