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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FC0DF it is the complementary color #F03F20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FC0DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FC0DF shade: #14C0DA, #25D2ED, #36E4FF, #47F6FF and #58FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FC0DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FC0DF shade: #0FC0DF, #00AECC, #009CB9, #008AA6 and #007893

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FC0DF shade: #10C1E0, #1089E0, #1051E0, #1018E0 and #3F10E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FC0DF shade: #10C1E0, #1089E0, #1051E0, #1018E0 and #1010E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FC0DF shade matches the following richer shades: #10C1E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FC0DF shade: #10C1E0, #23B3CD, #36A6B9, #4A98A6 and #5D8B93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FC0DF shade: #10E08D, #10E0C4, #10C4E0, #108DE0 and #1055E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FC0DF shade: #0A7F93, #0DA0BA, #10C1E0, #29D2F0 and #4FDAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FC0DF shade: #0FC0DF, #5510E0 and #E0A910

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FC0DF shade: #0FC0DF, #E010C4 and #C4E010

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FC0DF shade: #0FC0DF, #5510E0, #E02B10 and #9BE010

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FC0DF shade: #0FC0DF, #9410E0, #E02B10 and #5CE010

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 14 / 0 / 13

HEX #0FC0DF

RGB 15 192 223

HSL 188.94, 0.87%, 0.47%

LAB 71.64, -28.61, -26.64

 

Complementary color

CMYK 0 / 74 / 87 / 6

HEX #F03F20

RGB 240 63 32

HSL 8.94, 0.87%, 0.53%

LAB 54.22, 65.57, 56.6

 

CMYK 91 / 12 / 0 / 15

HEX #14C0DA

RGB 20 192 218

HSL 187.88, 0.83%, 0.47%

LAB 71.49, -30.04, -24.14

 

CMYK 84 / 11 / 0 / 7

HEX #25D2ED

RGB 37 210 237

HSL 188.1, 0.85%, 0.54%

LAB 77.64, -31.77, -25

 

CMYK 79 / 11 / 0 / 0

HEX #36E4FF

RGB 54 228 255

HSL 188.06, 1%, 0.61%

LAB 83.7, -33.47, -25.3

 

CMYK 72 / 4 / 0 / 0

HEX #47F6FF

RGB 71 246 255

HSL 182.93, 1%, 0.64%

LAB 89.14, -40.11, -17.03

 

CMYK 65 / 0 / 0 / 0

HEX #58FFFF

RGB 88 255 255

HSL 180, 1%, 0.67%

LAB 92.05, -42.03, -12.65

 

CMYK 93 / 14 / 0 / 13

HEX #0FC0DF

RGB 15 192 223

HSL 188.94, 0.87%, 0.47%

LAB 71.64, -28.61, -26.64

 

CMYK 100 / 15 / 0 / 20

HEX #00AECC

RGB 0 174 204

HSL 188.82, 1%, 0.4%

LAB 65.46, -26.4, -25.71

 

CMYK 100 / 16 / 0 / 27

HEX #009CB9

RGB 0 156 185

HSL 189.41, 1%, 0.36%

LAB 59.23, -23.72, -24.67

 

CMYK 100 / 17 / 0 / 35

HEX #008AA6

RGB 0 138 166

HSL 190.12, 1%, 0.33%

LAB 52.87, -20.95, -23.62

 

CMYK 100 / 18 / 0 / 42

HEX #007893

RGB 0 120 147

HSL 191.02, 1%, 0.29%

LAB 46.36, -18.1, -22.58

 

CMYK 93 / 14 / 0 / 12

HEX #10C1E0

RGB 16 193 224

HSL 188.94, 0.87%, 0.47%

LAB 71.98, -28.74, -26.66

 

CMYK 93 / 39 / 0 / 12

HEX #1089E0

RGB 16 137 224

HSL 205.1, 0.87%, 0.47%

LAB 55.46, 1.79, -52.5

 

CMYK 93 / 64 / 0 / 12

HEX #1051E0

RGB 16 81 224

HSL 221.25, 0.87%, 0.47%

LAB 40.21, 37.27, -77.2

 

CMYK 93 / 89 / 0 / 12

HEX #1018E0

RGB 16 24 224

HSL 237.69, 0.87%, 0.47%

LAB 29.78, 66.72, -94.48

 

CMYK 72 / 93 / 0 / 12

HEX #3F10E0

RGB 63 16 224

HSL 253.56, 0.87%, 0.47%

LAB 31.37, 70.11, -91.77

 

CMYK 93 / 14 / 0 / 12

HEX #10C1E0

RGB 16 193 224

HSL 188.94, 0.87%, 0.47%

LAB 71.98, -28.74, -26.66

 

CMYK 93 / 39 / 0 / 12

HEX #1089E0

RGB 16 137 224

HSL 205.1, 0.87%, 0.47%

LAB 55.46, 1.79, -52.5

 

CMYK 93 / 64 / 0 / 12

HEX #1051E0

RGB 16 81 224

HSL 221.25, 0.87%, 0.47%

LAB 40.21, 37.27, -77.2

 

CMYK 93 / 89 / 0 / 12

HEX #1018E0

RGB 16 24 224

HSL 237.69, 0.87%, 0.47%

LAB 29.78, 66.72, -94.48

 

CMYK 93 / 93 / 0 / 12

HEX #1010E0

RGB 16 16 224

HSL 240, 0.87%, 0.47%

LAB 29.06, 68.9, -95.67

 

CMYK 93 / 14 / 0 / 12

HEX #10C1E0

RGB 16 193 224

HSL 188.94, 0.87%, 0.47%

LAB 71.98, -28.74, -26.66

 

CMYK 93 / 14 / 0 / 12

HEX #10C1E0

RGB 16 193 224

HSL 188.94, 0.87%, 0.47%

LAB 71.98, -28.74, -26.66

 

CMYK 83 / 13 / 0 / 20

HEX #23B3CD

RGB 35 179 205

HSL 189.18, 0.71%, 0.47%

LAB 67.28, -26.94, -23.45

 

CMYK 71 / 10 / 0 / 27

HEX #36A6B9

RGB 54 166 185

HSL 188.7, 0.55%, 0.47%

LAB 62.98, -24.76, -18.88

 

CMYK 55 / 8 / 0 / 35

HEX #4A98A6

RGB 74 152 166

HSL 189.13, 0.38%, 0.47%

LAB 58.66, -19.86, -14.65

 

CMYK 37 / 5 / 0 / 42

HEX #5D8B93

RGB 93 139 147

HSL 188.89, 0.23%, 0.47%

LAB 54.97, -13.48, -9.24

 

CMYK 93 / 0 / 37 / 12

HEX #10E08D

RGB 16 224 141

HSL 156.06, 0.87%, 0.47%

LAB 79.24, -63.85, 28.24

 

CMYK 93 / 0 / 13 / 12

HEX #10E0C4

RGB 16 224 196

HSL 171.92, 0.87%, 0.47%

LAB 80.41, -51.02, 1.02

 

CMYK 93 / 13 / 0 / 12

HEX #10C4E0

RGB 16 196 224

HSL 188.08, 0.87%, 0.47%

LAB 72.87, -30.21, -25.3

 

CMYK 93 / 37 / 0 / 12

HEX #108DE0

RGB 16 141 224

HSL 203.94, 0.87%, 0.47%

LAB 56.63, -0.6, -50.65

 

CMYK 93 / 62 / 0 / 12

HEX #1055E0

RGB 16 85 224

HSL 220.1, 0.87%, 0.47%

LAB 41.2, 34.71, -75.58

 

CMYK 93 / 14 / 0 / 42

HEX #0A7F93

RGB 10 127 147

HSL 188.76, 0.87%, 0.31%

LAB 48.7, -21.38, -18.98

 

CMYK 93 / 14 / 0 / 27

HEX #0DA0BA

RGB 13 160 186

HSL 189.02, 0.87%, 0.39%

LAB 60.58, -24.97, -23.15

 

CMYK 93 / 14 / 0 / 12

HEX #10C1E0

RGB 16 193 224

HSL 188.94, 0.87%, 0.47%

LAB 71.98, -28.74, -26.66

 

CMYK 83 / 13 / 0 / 6

HEX #29D2F0

RGB 41 210 240

HSL 189.05, 0.87%, 0.55%

LAB 77.79, -30.55, -26.37

 

CMYK 67 / 10 / 0 / 5

HEX #4FDAF3

RGB 79 218 243

HSL 189.15, 0.87%, 0.63%

LAB 80.89, -29.47, -23.18

 

CMYK 93 / 14 / 0 / 13

HEX #0FC0DF

RGB 15 192 223

HSL 188.94, 0.87%, 0.47%

LAB 71.64, -28.61, -26.64

 

CMYK 62 / 93 / 0 / 12

HEX #5510E0

RGB 85 16 224

HSL 259.9, 0.87%, 0.47%

LAB 33.32, 71.26, -88.48

 

CMYK 0 / 25 / 93 / 12

HEX #E0A910

RGB 224 169 16

HSL 44.13, 0.87%, 0.47%

LAB 72.4, 8.72, 73.61

 

CMYK 93 / 14 / 0 / 13

HEX #0FC0DF

RGB 15 192 223

HSL 188.94, 0.87%, 0.47%

LAB 71.64, -28.61, -26.64

 

CMYK 0 / 93 / 13 / 12

HEX #E010C4

RGB 224 16 196

HSL 308.08, 0.87%, 0.47%

LAB 52.07, 84.06, -40.92

 

CMYK 13 / 0 / 93 / 12

HEX #C4E010

RGB 196 224 16

HSL 68.08, 0.87%, 0.47%

LAB 84.53, -30.99, 81.77

 

CMYK 93 / 14 / 0 / 13

HEX #0FC0DF

RGB 15 192 223

HSL 188.94, 0.87%, 0.47%

LAB 71.64, -28.61, -26.64

 

CMYK 62 / 93 / 0 / 12

HEX #5510E0

RGB 85 16 224

HSL 259.9, 0.87%, 0.47%

LAB 33.32, 71.26, -88.48

 

CMYK 0 / 81 / 93 / 12

HEX #E02B10

RGB 224 43 16

HSL 7.79, 0.87%, 0.47%

LAB 49.02, 66.47, 57.48

 

CMYK 31 / 0 / 93 / 12

HEX #9BE010

RGB 155 224 16

HSL 79.9, 0.87%, 0.47%

LAB 82.01, -46.93, 78.72

 

CMYK 93 / 14 / 0 / 13

HEX #0FC0DF

RGB 15 192 223

HSL 188.94, 0.87%, 0.47%

LAB 71.64, -28.61, -26.64

 

CMYK 34 / 93 / 0 / 12

HEX #9410E0

RGB 148 16 224

HSL 278.08, 0.87%, 0.47%

LAB 41.29, 77.01, -75.04

 

CMYK 0 / 81 / 93 / 12

HEX #E02B10

RGB 224 43 16

HSL 7.79, 0.87%, 0.47%

LAB 49.02, 66.47, 57.48

 

CMYK 59 / 0 / 93 / 12

HEX #5CE010

RGB 92 224 16

HSL 98.08, 0.87%, 0.47%

LAB 79.4, -66.43, 75.51

 

Description

Color code: HEX #0FC0DF | qconv.com Color code: HEX #0FC0DF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 192 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 192 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 14 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 14% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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