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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FB680 it is the complementary color #F0497F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FB680. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FB680 shade: #14B67B, #25C88E, #36DAA1, #47ECB4 and #58FEC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FB680. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FB680 shade: #0FB680, #00A46D, #00925A, #008047 and #006E34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FB680 shade: #0FB881, #0FB854, #0FB826, #25B80F and #53B80F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FB680 shade: #0FB881, #0FB8AF, #0F93B8, #0F66B8 and #0F38B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FB680 shade matches the following richer shades: #0FB881

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FB680 shade: #0FB881, #1FA87C, #2F9876, #3F8870 and #4F786B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FB680 shade: #0FB825, #0FB853, #0FB880, #0FB8AD and #0F96B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FB680 shade: #096C4C, #0C9266, #0FB881, #12DE9C and #2CEEAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FB680 shade: #0FB680, #0F25B8 and #B83C0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FB680 shade: #0FB680, #800FB8 and #B8800F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FB680 shade: #0FB680, #0F25B8, #B80F47 and #B8A10F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FB680 shade: #0FB680, #2B0FB8, #B80F47 and #9CB80F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 30 / 29

HEX #0FB680

RGB 15 182 128

HSL 160.6, 0.85%, 0.39%

LAB 65.84, -51.34, 16.86

 

Complementary color

CMYK 0 / 70 / 47 / 6

HEX #F0497F

RGB 240 73 127

HSL 340.6, 0.85%, 0.61%

LAB 56.9, 67.05, 7.19

 

CMYK 89 / 0 / 32 / 29

HEX #14B67B

RGB 20 182 123

HSL 158.15, 0.8%, 0.4%

LAB 65.78, -52.18, 19.49

 

CMYK 82 / 0 / 29 / 22

HEX #25C88E

RGB 37 200 142

HSL 158.65, 0.69%, 0.46%

LAB 72, -53.48, 17.88

 

CMYK 75 / 0 / 26 / 15

HEX #36DAA1

RGB 54 218 161

HSL 159.15, 0.69%, 0.53%

LAB 78.17, -54.39, 16.42

 

CMYK 70 / 0 / 24 / 7

HEX #47ECB4

RGB 71 236 180

HSL 159.64, 0.81%, 0.6%

LAB 84.29, -55.01, 15.09

 

CMYK 65 / 0 / 22 / 0

HEX #58FEC7

RGB 88 254 199

HSL 160.12, 0.99%, 0.67%

LAB 90.36, -55.42, 13.87

 

CMYK 92 / 0 / 30 / 29

HEX #0FB680

RGB 15 182 128

HSL 160.6, 0.85%, 0.39%

LAB 65.84, -51.34, 16.86

 

CMYK 100 / 0 / 34 / 36

HEX #00A46D

RGB 0 164 109

HSL 159.88, 1%, 0.32%

LAB 59.58, -49.47, 18.62

 

CMYK 100 / 0 / 38 / 43

HEX #00925A

RGB 0 146 90

HSL 156.99, 1%, 0.29%

LAB 53.27, -46.89, 20.59

 

CMYK 100 / 0 / 45 / 50

HEX #008047

RGB 0 128 71

HSL 153.28, 1%, 0.25%

LAB 46.83, -44.16, 22.65

 

CMYK 100 / 0 / 53 / 57

HEX #006E34

RGB 0 110 52

HSL 148.36, 1%, 0.22%

LAB 40.25, -41.21, 24.77

 

CMYK 92 / 0 / 30 / 28

HEX #0FB881

RGB 15 184 129

HSL 160.47, 0.85%, 0.39%

LAB 66.5, -51.88, 17.22

 

CMYK 92 / 0 / 54 / 28

HEX #0FB854

RGB 15 184 84

HSL 144.5, 0.85%, 0.39%

LAB 65.77, -60.41, 39.67

 

CMYK 92 / 0 / 79 / 28

HEX #0FB826

RGB 15 184 38

HSL 128.17, 0.85%, 0.39%

LAB 65.38, -65.3, 58.08

 

CMYK 80 / 0 / 92 / 28

HEX #25B80F

RGB 37 184 15

HSL 112.19, 0.85%, 0.39%

LAB 65.52, -64.31, 63.6

 

CMYK 55 / 0 / 92 / 28

HEX #53B80F

RGB 83 184 15

HSL 95.86, 0.85%, 0.39%

LAB 66.64, -54.92, 64.98

 

CMYK 92 / 0 / 30 / 28

HEX #0FB881

RGB 15 184 129

HSL 160.47, 0.85%, 0.39%

LAB 66.5, -51.88, 17.22

 

CMYK 92 / 0 / 5 / 28

HEX #0FB8AF

RGB 15 184 175

HSL 176.8, 0.85%, 0.39%

LAB 67.63, -39.81, -6.38

 

CMYK 92 / 20 / 0 / 28

HEX #0F93B8

RGB 15 147 184

HSL 193.14, 0.85%, 0.39%

LAB 56.52, -18.77, -28.29

 

CMYK 92 / 45 / 0 / 28

HEX #0F66B8

RGB 15 102 184

HSL 209.11, 0.85%, 0.39%

LAB 42.86, 7.81, -49.83

 

CMYK 92 / 70 / 0 / 28

HEX #0F38B8

RGB 15 56 184

HSL 225.44, 0.85%, 0.39%

LAB 30.38, 38.19, -70.15

 

CMYK 92 / 0 / 30 / 28

HEX #0FB881

RGB 15 184 129

HSL 160.47, 0.85%, 0.39%

LAB 66.5, -51.88, 17.22

 

CMYK 92 / 0 / 30 / 28

HEX #0FB881

RGB 15 184 129

HSL 160.47, 0.85%, 0.39%

LAB 66.5, -51.88, 17.22

 

CMYK 82 / 0 / 26 / 34

HEX #1FA87C

RGB 31 168 124

HSL 160.73, 0.69%, 0.39%

LAB 61.44, -45.57, 12.95

 

CMYK 69 / 0 / 22 / 40

HEX #2F9876

RGB 47 152 118

HSL 160.57, 0.53%, 0.39%

LAB 56.46, -38.14, 9.34

 

CMYK 54 / 0 / 18 / 47

HEX #3F8870

RGB 63 136 112

HSL 160.27, 0.37%, 0.39%

LAB 51.65, -28.94, 6

 

CMYK 34 / 0 / 11 / 53

HEX #4F786B

RGB 79 120 107

HSL 160.98, 0.21%, 0.39%

LAB 47.18, -17.42, 2.59

 

CMYK 92 / 0 / 80 / 28

HEX #0FB825

RGB 15 184 37

HSL 127.81, 0.85%, 0.39%

LAB 65.37, -65.36, 58.38

 

CMYK 92 / 0 / 55 / 28

HEX #0FB853

RGB 15 184 83

HSL 144.14, 0.85%, 0.39%

LAB 65.75, -60.55, 40.14

 

CMYK 92 / 0 / 30 / 28

HEX #0FB880

RGB 15 184 128

HSL 160.12, 0.85%, 0.39%

LAB 66.47, -52.11, 17.74

 

CMYK 92 / 0 / 6 / 28

HEX #0FB8AD

RGB 15 184 173

HSL 176.09, 0.85%, 0.39%

LAB 67.58, -40.39, -5.37

 

CMYK 92 / 18 / 0 / 28

HEX #0F96B8

RGB 15 150 184

HSL 192.07, 0.85%, 0.39%

LAB 57.44, -20.37, -26.86

 

CMYK 92 / 0 / 30 / 58

HEX #096C4C

RGB 9 108 76

HSL 160.61, 0.85%, 0.23%

LAB 40.09, -34.4, 10.69

 

CMYK 92 / 0 / 30 / 43

HEX #0C9266

RGB 12 146 102

HSL 160.3, 0.85%, 0.31%

LAB 53.59, -43.5, 14.31

 

CMYK 92 / 0 / 30 / 28

HEX #0FB881

RGB 15 184 129

HSL 160.47, 0.85%, 0.39%

LAB 66.5, -51.88, 17.22

 

CMYK 92 / 0 / 30 / 13

HEX #12DE9C

RGB 18 222 156

HSL 160.59, 0.85%, 0.47%

LAB 78.91, -59.92, 20.02

 

CMYK 82 / 0 / 26 / 7

HEX #2CEEAF

RGB 44 238 175

HSL 160.52, 0.85%, 0.55%

LAB 84.37, -59.97, 17.74

 

CMYK 92 / 0 / 30 / 29

HEX #0FB680

RGB 15 182 128

HSL 160.6, 0.85%, 0.39%

LAB 65.84, -51.34, 16.86

 

CMYK 92 / 80 / 0 / 28

HEX #0F25B8

RGB 15 37 184

HSL 232.19, 0.85%, 0.39%

LAB 26.41, 49.34, -76.73

 

CMYK 0 / 67 / 92 / 28

HEX #B83C0F

RGB 184 60 15

HSL 15.98, 0.85%, 0.39%

LAB 43.44, 48.29, 50.45

 

CMYK 92 / 0 / 30 / 29

HEX #0FB680

RGB 15 182 128

HSL 160.6, 0.85%, 0.39%

LAB 65.84, -51.34, 16.86

 

CMYK 30 / 92 / 0 / 28

HEX #800FB8

RGB 128 15 184

HSL 280.12, 0.85%, 0.39%

LAB 34.79, 66.76, -62.55

 

CMYK 0 / 30 / 92 / 28

HEX #B8800F

RGB 184 128 15

HSL 40.12, 0.85%, 0.39%

LAB 57.72, 13.25, 60.88

 

CMYK 92 / 0 / 30 / 29

HEX #0FB680

RGB 15 182 128

HSL 160.6, 0.85%, 0.39%

LAB 65.84, -51.34, 16.86

 

CMYK 92 / 80 / 0 / 28

HEX #0F25B8

RGB 15 37 184

HSL 232.19, 0.85%, 0.39%

LAB 26.41, 49.34, -76.73

 

CMYK 0 / 92 / 61 / 28

HEX #B80F47

RGB 184 15 71

HSL 340.12, 0.85%, 0.39%

LAB 39.56, 63.16, 15.78

 

CMYK 0 / 13 / 92 / 28

HEX #B8A10F

RGB 184 161 15

HSL 51.83, 0.85%, 0.39%

LAB 66.3, -4.76, 67.4

 

CMYK 92 / 0 / 30 / 29

HEX #0FB680

RGB 15 182 128

HSL 160.6, 0.85%, 0.39%

LAB 65.84, -51.34, 16.86

 

CMYK 77 / 92 / 0 / 28

HEX #2B0FB8

RGB 43 15 184

HSL 249.94, 0.85%, 0.39%

LAB 24.69, 59.22, -79.55

 

CMYK 0 / 92 / 61 / 28

HEX #B80F47

RGB 184 15 71

HSL 340.12, 0.85%, 0.39%

LAB 39.56, 63.16, 15.78

 

CMYK 15 / 0 / 92 / 28

HEX #9CB80F

RGB 156 184 15

HSL 69.94, 0.85%, 0.39%

LAB 70.44, -28.66, 69.66

 

Description

Color code: HEX #0FB680 | qconv.com Color code: HEX #0FB680 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 182 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 182 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 30 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 30% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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