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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FB440 it is the complementary color #F04BBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FB440. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FB440 shade: #14B43B, #25C64E, #36D861, #47EA74 and #58FC87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FB440. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FB440 shade: #0FB440, #00A22D, #00901A, #007E07 and #006C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FB440 shade: #0FB33F, #0FB313, #36B30F, #63B30F and #8FB30F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FB440 shade: #0FB33F, #0FB36C, #0FB398, #0FA2B3 and #0F75B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FB440 shade matches the following richer shades: #0FB33F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FB440 shade: #0FB33F, #1EA446, #2E944C, #3E8453 and #4D7559

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FB440 shade: #38B30F, #0FB311, #0FB33D, #0FB369 and #0FB395

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FB440 shade: #086724, #0B8D32, #0FB33F, #12D94D and #27ED62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FB440 shade: #0FB440, #0F64B3 and #B30F22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FB440 shade: #0FB440, #3D0FB3 and #B33D0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FB440 shade: #0FB440, #0F64B3, #B30F85 and #B35E0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FB440 shade: #0FB440, #0F32B3, #B30F85 and #B3900F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 64 / 29

HEX #0FB440

RGB 15 180 64

HSL 137.82, 0.85%, 0.38%

LAB 64.25, -61.78, 47.17

 

Complementary color

CMYK 0 / 69 / 20 / 6

HEX #F04BBF

RGB 240 75 191

HSL 317.82, 0.85%, 0.62%

LAB 59.27, 73.34, -26.6

 

CMYK 89 / 0 / 67 / 29

HEX #14B43B

RGB 20 180 59

HSL 134.63, 0.8%, 0.39%

LAB 64.25, -61.99, 49.31

 

CMYK 81 / 0 / 61 / 22

HEX #25C64E

RGB 37 198 78

HSL 135.28, 0.69%, 0.46%

LAB 70.41, -63.91, 48.01

 

CMYK 75 / 0 / 55 / 15

HEX #36D861

RGB 54 216 97

HSL 135.93, 0.68%, 0.53%

LAB 76.53, -65.23, 46.58

 

CMYK 70 / 0 / 50 / 8

HEX #47EA74

RGB 71 234 116

HSL 136.56, 0.8%, 0.6%

LAB 82.62, -66.1, 45.11

 

CMYK 65 / 0 / 46 / 1

HEX #58FC87

RGB 88 252 135

HSL 137.2, 0.96%, 0.67%

LAB 88.66, -66.66, 43.68

 

CMYK 92 / 0 / 64 / 29

HEX #0FB440

RGB 15 180 64

HSL 137.82, 0.85%, 0.38%

LAB 64.25, -61.78, 47.17

 

CMYK 100 / 0 / 72 / 36

HEX #00A22D

RGB 0 162 45

HSL 136.67, 1%, 0.32%

LAB 58.07, -59.06, 48.35

 

CMYK 100 / 0 / 82 / 44

HEX #00901A

RGB 0 144 26

HSL 130.83, 1%, 0.28%

LAB 51.86, -55.21, 48.86

 

CMYK 100 / 0 / 94 / 51

HEX #007E07

RGB 0 126 7

HSL 123.33, 1%, 0.25%

LAB 45.55, -50.84, 47.88

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 92 / 0 / 65 / 30

HEX #0FB33F

RGB 15 179 63

HSL 137.56, 0.85%, 0.38%

LAB 63.92, -61.58, 47.23

 

CMYK 92 / 0 / 89 / 30

HEX #0FB313

RGB 15 179 19

HSL 121.46, 0.85%, 0.38%

LAB 63.66, -64.82, 61.24

 

CMYK 70 / 0 / 92 / 30

HEX #36B30F

RGB 54 179 15

HSL 105.73, 0.85%, 0.38%

LAB 64.21, -60.05, 62.61

 

CMYK 45 / 0 / 92 / 30

HEX #63B30F

RGB 99 179 15

HSL 89.27, 0.85%, 0.38%

LAB 65.69, -48.17, 64.45

 

CMYK 20 / 0 / 92 / 30

HEX #8FB30F

RGB 143 179 15

HSL 73.17, 0.85%, 0.38%

LAB 68.1, -31.68, 67.42

 

CMYK 92 / 0 / 65 / 30

HEX #0FB33F

RGB 15 179 63

HSL 137.56, 0.85%, 0.38%

LAB 63.92, -61.58, 47.23

 

CMYK 92 / 0 / 40 / 30

HEX #0FB36C

RGB 15 179 108

HSL 154.02, 0.85%, 0.38%

LAB 64.5, -54.52, 25.8

 

CMYK 92 / 0 / 15 / 30

HEX #0FB398

RGB 15 179 152

HSL 170.12, 0.85%, 0.38%

LAB 65.44, -44.12, 3.12

 

CMYK 92 / 9 / 0 / 30

HEX #0FA2B3

RGB 15 162 179

HSL 186.22, 0.85%, 0.38%

LAB 60.96, -28.22, -18.64

 

CMYK 92 / 35 / 0 / 30

HEX #0F75B3

RGB 15 117 179

HSL 202.68, 0.85%, 0.38%

LAB 47.08, -3.53, -40.2

 

CMYK 92 / 0 / 65 / 30

HEX #0FB33F

RGB 15 179 63

HSL 137.56, 0.85%, 0.38%

LAB 63.92, -61.58, 47.23

 

CMYK 92 / 0 / 65 / 30

HEX #0FB33F

RGB 15 179 63

HSL 137.56, 0.85%, 0.38%

LAB 63.92, -61.58, 47.23

 

CMYK 82 / 0 / 57 / 36

HEX #1EA446

RGB 30 164 70

HSL 137.91, 0.69%, 0.38%

LAB 59.22, -54.54, 38.65

 

CMYK 69 / 0 / 49 / 42

HEX #2E944C

RGB 46 148 76

HSL 137.65, 0.53%, 0.38%

LAB 54.33, -45.37, 29.68

 

CMYK 53 / 0 / 37 / 48

HEX #3E8453

RGB 62 132 83

HSL 138, 0.36%, 0.38%

LAB 49.68, -33.67, 19.91

 

CMYK 34 / 0 / 24 / 54

HEX #4D7559

RGB 77 117 89

HSL 138, 0.21%, 0.38%

LAB 45.66, -20.48, 11.07

 

CMYK 69 / 0 / 92 / 30

HEX #38B30F

RGB 56 179 15

HSL 105, 0.85%, 0.38%

LAB 64.25, -59.66, 62.67

 

CMYK 92 / 0 / 91 / 30

HEX #0FB311

RGB 15 179 17

HSL 120.73, 0.85%, 0.38%

LAB 63.66, -64.89, 61.59

 

CMYK 92 / 0 / 66 / 30

HEX #0FB33D

RGB 15 179 61

HSL 136.83, 0.85%, 0.38%

LAB 63.9, -61.81, 48.07

 

CMYK 92 / 0 / 41 / 30

HEX #0FB369

RGB 15 179 105

HSL 152.93, 0.85%, 0.38%

LAB 64.45, -55.11, 27.32

 

CMYK 92 / 0 / 17 / 30

HEX #0FB395

RGB 15 179 149

HSL 169.02, 0.85%, 0.38%

LAB 65.37, -44.93, 4.67

 

CMYK 92 / 0 / 65 / 60

HEX #086724

RGB 8 103 36

HSL 137.68, 0.86%, 0.22%

LAB 37.63, -40.5, 30.11

 

CMYK 92 / 0 / 65 / 45

HEX #0B8D32

RGB 11 141 50

HSL 138, 0.86%, 0.3%

LAB 51.1, -51.3, 38.68

 

CMYK 92 / 0 / 65 / 30

HEX #0FB33F

RGB 15 179 63

HSL 137.56, 0.85%, 0.38%

LAB 63.92, -61.58, 47.23

 

CMYK 92 / 0 / 65 / 15

HEX #12D94D

RGB 18 217 77

HSL 137.79, 0.85%, 0.46%

LAB 76.25, -71.38, 54.99

 

CMYK 84 / 0 / 59 / 7

HEX #27ED62

RGB 39 237 98

HSL 137.88, 0.85%, 0.54%

LAB 82.85, -73.51, 53.53

 

CMYK 92 / 0 / 64 / 29

HEX #0FB440

RGB 15 180 64

HSL 137.82, 0.85%, 0.38%

LAB 64.25, -61.78, 47.17

 

CMYK 92 / 44 / 0 / 30

HEX #0F64B3

RGB 15 100 179

HSL 208.9, 0.85%, 0.38%

LAB 41.95, 7.09, -48.36

 

CMYK 0 / 92 / 81 / 30

HEX #B30F22

RGB 179 15 34

HSL 353.05, 0.85%, 0.38%

LAB 37.92, 60.21, 36.51

 

CMYK 92 / 0 / 64 / 29

HEX #0FB440

RGB 15 180 64

HSL 137.82, 0.85%, 0.38%

LAB 64.25, -61.78, 47.17

 

CMYK 66 / 92 / 0 / 30

HEX #3D0FB3

RGB 61 15 179

HSL 256.83, 0.85%, 0.38%

LAB 25.53, 58.85, -75.13

 

CMYK 0 / 66 / 92 / 30

HEX #B33D0F

RGB 179 61 15

HSL 16.83, 0.85%, 0.38%

LAB 42.7, 46.1, 49.51

 

CMYK 92 / 0 / 64 / 29

HEX #0FB440

RGB 15 180 64

HSL 137.82, 0.85%, 0.38%

LAB 64.25, -61.78, 47.17

 

CMYK 92 / 44 / 0 / 30

HEX #0F64B3

RGB 15 100 179

HSL 208.9, 0.85%, 0.38%

LAB 41.95, 7.09, -48.36

 

CMYK 0 / 92 / 26 / 30

HEX #B30F85

RGB 179 15 133

HSL 316.83, 0.85%, 0.38%

LAB 40.6, 67.57, -21.9

 

CMYK 0 / 47 / 92 / 30

HEX #B35E0F

RGB 179 94 15

HSL 28.9, 0.85%, 0.38%

LAB 49.04, 29.79, 54.11

 

CMYK 92 / 0 / 64 / 29

HEX #0FB440

RGB 15 180 64

HSL 137.82, 0.85%, 0.38%

LAB 64.25, -61.78, 47.17

 

CMYK 92 / 72 / 0 / 30

HEX #0F32B3

RGB 15 50 179

HSL 227.2, 0.85%, 0.38%

LAB 28.48, 40.11, -70.32

 

CMYK 0 / 92 / 26 / 30

HEX #B30F85

RGB 179 15 133

HSL 316.83, 0.85%, 0.38%

LAB 40.6, 67.57, -21.9

 

CMYK 0 / 20 / 92 / 30

HEX #B3900F

RGB 179 144 15

HSL 47.2, 0.85%, 0.38%

LAB 61.28, 2.16, 63.34

 

Description

Color code: HEX #0FB440 | qconv.com Color code: HEX #0FB440 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 180 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 180 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 64 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 64% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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