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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FB160 it is the complementary color #F04E9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FB160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FB160 shade: #14B15B, #25C36E, #36D581, #47E794 and #58F9A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FB160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FB160 shade: #0FB160, #009F4D, #008D3A, #007B27 and #006914

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FB160 shade: #10B261, #10B235, #16B210, #42B210 and #6EB210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FB160 shade: #10B261, #10B28D, #10ACB2, #1080B2 and #1054B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FB160 shade matches the following richer shades: #10B261

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FB160 shade: #10B261, #1FA361, #2F9361, #3F8361 and #4E7461

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FB160 shade: #15B210, #10B235, #10B261, #10B28C and #10ADB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FB160 shade: #096638, #0C8C4C, #10B261, #13D876 and #28EC8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FB160 shade: #0FB160, #1040B2 and #B22010

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FB160 shade: #0FB160, #6110B2 and #B26110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FB160 shade: #0FB160, #1040B2, #B21061 and #B28110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FB160 shade: #0FB160, #1010B2, #B21061 and #B2B210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 46 / 31

HEX #0FB160

RGB 15 177 96

HSL 150, 0.84%, 0.38%

LAB 63.66, -56.09, 31.01

 

Complementary color

CMYK 0 / 68 / 34 / 6

HEX #F04E9F

RGB 240 78 159

HSL 330, 0.84%, 0.62%

LAB 58.49, 68.39, -9.28

 

CMYK 89 / 0 / 49 / 31

HEX #14B15B

RGB 20 177 91

HSL 147.13, 0.8%, 0.39%

LAB 63.63, -56.64, 33.55

 

CMYK 81 / 0 / 44 / 24

HEX #25C36E

RGB 37 195 110

HSL 147.72, 0.68%, 0.45%

LAB 69.86, -58.09, 31.82

 

CMYK 75 / 0 / 39 / 16

HEX #36D581

RGB 54 213 129

HSL 148.3, 0.65%, 0.52%

LAB 76.04, -59.06, 30.21

 

CMYK 69 / 0 / 36 / 9

HEX #47E794

RGB 71 231 148

HSL 148.88, 0.77%, 0.59%

LAB 82.18, -59.69, 28.72

 

CMYK 65 / 0 / 33 / 2

HEX #58F9A7

RGB 88 249 167

HSL 149.44, 0.93%, 0.66%

LAB 88.26, -60.08, 27.33

 

CMYK 92 / 0 / 46 / 31

HEX #0FB160

RGB 15 177 96

HSL 150, 0.84%, 0.38%

LAB 63.66, -56.09, 31.01

 

CMYK 100 / 0 / 52 / 38

HEX #009F4D

RGB 0 159 77

HSL 149.06, 1%, 0.31%

LAB 57.4, -53.97, 32.88

HEX #009F4D

CMYK 100 / 0 / 59 / 45

HEX #008D3A

RGB 0 141 58

HSL 144.68, 1%, 0.28%

LAB 51.1, -50.93, 34.83

HEX #008D3A

CMYK 100 / 0 / 68 / 52

HEX #007B27

RGB 0 123 39

HSL 139.02, 1%, 0.24%

LAB 44.68, -47.57, 36.56

HEX #007B27

CMYK 100 / 0 / 81 / 59

HEX #006914

RGB 0 105 20

HSL 131.43, 1%, 0.21%

LAB 38.12, -43.72, 37.63

HEX #006914

CMYK 91 / 0 / 46 / 30

HEX #10B261

RGB 16 178 97

HSL 150, 0.84%, 0.38%

LAB 64.01, -56.2, 30.94

 

CMYK 91 / 0 / 70 / 30

HEX #10B235

RGB 16 178 53

HSL 133.7, 0.84%, 0.38%

LAB 63.51, -62.26, 50.95

 

CMYK 88 / 0 / 91 / 30

HEX #16B210

RGB 22 178 16

HSL 117.78, 0.84%, 0.38%

LAB 63.38, -64.12, 61.55

 

CMYK 63 / 0 / 91 / 30

HEX #42B210

RGB 66 178 16

HSL 101.48, 0.84%, 0.38%

LAB 64.19, -57.14, 62.56

 

CMYK 38 / 0 / 91 / 30

HEX #6EB210

RGB 110 178 16

HSL 85.19, 0.84%, 0.38%

LAB 65.9, -43.96, 64.68

 

CMYK 91 / 0 / 46 / 30

HEX #10B261

RGB 16 178 97

HSL 150, 0.84%, 0.38%

LAB 64.01, -56.2, 30.94

 

CMYK 91 / 0 / 21 / 30

HEX #10B28D

RGB 16 178 141

HSL 166.3, 0.84%, 0.38%

LAB 64.86, -46.55, 8.37

 

CMYK 91 / 3 / 0 / 30

HEX #10ACB2

RGB 16 172 178

HSL 182.22, 0.84%, 0.38%

LAB 64.02, -33.34, -13.44

 

CMYK 91 / 28 / 0 / 30

HEX #1080B2

RGB 16 128 178

HSL 198.52, 0.84%, 0.38%

LAB 50.41, -10.35, -34.37

 

CMYK 91 / 53 / 0 / 30

HEX #1054B2

RGB 16 84 178

HSL 214.81, 0.84%, 0.38%

LAB 37.23, 17.26, -55.39

 

CMYK 91 / 0 / 46 / 30

HEX #10B261

RGB 16 178 97

HSL 150, 0.84%, 0.38%

LAB 64.01, -56.2, 30.94

 

CMYK 91 / 0 / 46 / 30

HEX #10B261

RGB 16 178 97

HSL 150, 0.84%, 0.38%

LAB 64.01, -56.2, 30.94

 

CMYK 81 / 0 / 40 / 36

HEX #1FA361

RGB 31 163 97

HSL 150, 0.68%, 0.38%

LAB 59.3, -49.51, 24.82

 

CMYK 68 / 0 / 34 / 42

HEX #2F9361

RGB 47 147 97

HSL 150, 0.52%, 0.38%

LAB 54.38, -40.8, 18.29

 

CMYK 52 / 0 / 26 / 49

HEX #3F8361

RGB 63 131 97

HSL 150, 0.35%, 0.38%

LAB 49.68, -30.04, 11.91

 

CMYK 33 / 0 / 16 / 55

HEX #4E7461

RGB 78 116 97

HSL 150, 0.2%, 0.38%

LAB 45.6, -17.89, 6.25

 

CMYK 88 / 0 / 91 / 30

HEX #15B210

RGB 21 178 16

HSL 118.15, 0.84%, 0.38%

LAB 63.37, -64.21, 61.54

 

CMYK 91 / 0 / 70 / 30

HEX #10B235

RGB 16 178 53

HSL 133.7, 0.84%, 0.38%

LAB 63.51, -62.26, 50.95

 

CMYK 91 / 0 / 46 / 30

HEX #10B261

RGB 16 178 97

HSL 150, 0.84%, 0.38%

LAB 64.01, -56.2, 30.94

 

CMYK 91 / 0 / 21 / 30

HEX #10B28C

RGB 16 178 140

HSL 165.93, 0.84%, 0.38%

LAB 64.84, -46.81, 8.88

 

CMYK 91 / 3 / 0 / 30

HEX #10ADB2

RGB 16 173 178

HSL 181.85, 0.84%, 0.38%

LAB 64.33, -33.81, -12.98

 

CMYK 91 / 0 / 45 / 60

HEX #096638

RGB 9 102 56

HSL 150.32, 0.84%, 0.22%

LAB 37.57, -36.58, 19.11

 

CMYK 91 / 0 / 46 / 45

HEX #0C8C4C

RGB 12 140 76

HSL 150, 0.84%, 0.3%

LAB 51.1, -46.8, 25.45

 

CMYK 91 / 0 / 46 / 30

HEX #10B261

RGB 16 178 97

HSL 150, 0.84%, 0.38%

LAB 64.01, -56.2, 30.94

 

CMYK 91 / 0 / 45 / 15

HEX #13D876

RGB 19 216 118

HSL 150.15, 0.84%, 0.46%

LAB 76.41, -65.26, 36.18

 

CMYK 83 / 0 / 42 / 7

HEX #28EC8A

RGB 40 236 138

HSL 150, 0.84%, 0.54%

LAB 83.06, -67.05, 34.85

 

CMYK 92 / 0 / 46 / 31

HEX #0FB160

RGB 15 177 96

HSL 150, 0.84%, 0.38%

LAB 63.66, -56.09, 31.01

 

CMYK 91 / 64 / 0 / 30

HEX #1040B2

RGB 16 64 178

HSL 222.22, 0.84%, 0.38%

LAB 31.79, 30.71, -64.27

 

CMYK 0 / 82 / 91 / 30

HEX #B22010

RGB 178 32 16

HSL 5.93, 0.84%, 0.38%

LAB 38.79, 56.05, 46.26

 

CMYK 92 / 0 / 46 / 31

HEX #0FB160

RGB 15 177 96

HSL 150, 0.84%, 0.38%

LAB 63.66, -56.09, 31.01

 

CMYK 46 / 91 / 0 / 30

HEX #6110B2

RGB 97 16 178

HSL 270, 0.84%, 0.38%

LAB 29.73, 61.5, -67.45

 

CMYK 0 / 46 / 91 / 30

HEX #B26110

RGB 178 97 16

HSL 30, 0.84%, 0.38%

LAB 49.56, 27.76, 54.16

 

CMYK 92 / 0 / 46 / 31

HEX #0FB160

RGB 15 177 96

HSL 150, 0.84%, 0.38%

LAB 63.66, -56.09, 31.01

 

CMYK 91 / 64 / 0 / 30

HEX #1040B2

RGB 16 64 178

HSL 222.22, 0.84%, 0.38%

LAB 31.79, 30.71, -64.27

 

CMYK 0 / 91 / 46 / 30

HEX #B21061

RGB 178 16 97

HSL 330, 0.84%, 0.38%

LAB 39.07, 63.48, -1.69

 

CMYK 0 / 28 / 91 / 30

HEX #B28110

RGB 178 129 16

HSL 41.85, 0.84%, 0.38%

LAB 57.27, 10, 60.02

 

CMYK 92 / 0 / 46 / 31

HEX #0FB160

RGB 15 177 96

HSL 150, 0.84%, 0.38%

LAB 63.66, -56.09, 31.01

 

CMYK 91 / 91 / 0 / 30

HEX #1010B2

RGB 16 16 178

HSL 240, 0.84%, 0.38%

LAB 22.64, 56.49, -79.42

 

CMYK 0 / 91 / 46 / 30

HEX #B21061

RGB 178 16 97

HSL 330, 0.84%, 0.38%

LAB 39.07, 63.48, -1.69

 

CMYK 0 / 0 / 91 / 30

HEX #B2B210

RGB 178 178 16

HSL 60, 0.84%, 0.38%

LAB 70.42, -16.25, 70.2

 

Description

Color code: HEX #0FB160 | qconv.com Color code: HEX #0FB160 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 177 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 177 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 46 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 46% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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