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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F915F it is the complementary color #F06EA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F915F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F915F shade: #14915A, #25A36D, #36B580, #47C793 and #58D9A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F915F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F915F shade: #0F915F, #007F4C, #006D39, #005B26 and #004913

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F915F shade: #0F8F5E, #0F8F3B, #0F8F19, #288F0F and #4A8F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F915F shade: #0F8F5E, #0F8F80, #0F7B8F, #0F598F and #0F368F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F915F shade matches the following richer shades: #0F8F5E and #029C61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F915F shade: #0F8F5E, #1C825B, #297558, #356955 and #425C52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F915F shade: #0F8F18, #0F8F3A, #0F8F5C, #0F8F7E and #0F7E8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F915F shade: #07442D, #0B6A45, #0F8F5E, #13B476 and #17DA8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F915F shade: #0F915F, #0F298F and #8F290F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F915F shade: #0F915F, #5C0F8F and #8F5C0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F915F shade: #0F915F, #0F298F, #8F0F42 and #8F750F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F915F shade: #0F915F, #1C0F8F, #8F0F42 and #828F0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 34 / 43

HEX #0F915F

RGB 15 145 95

HSL 156.92, 0.81%, 0.31%

LAB 53.14, -44.53, 17.64

 

Complementary color

CMYK 0 / 54 / 33 / 6

HEX #F06EA0

RGB 240 110 160

HSL 336.92, 0.81%, 0.69%

LAB 63.52, 55.01, -2.4

 

CMYK 86 / 0 / 38 / 43

HEX #14915A

RGB 20 145 90

HSL 153.6, 0.76%, 0.32%

LAB 53.1, -45.22, 20.39

 

CMYK 77 / 0 / 33 / 36

HEX #25A36D

RGB 37 163 109

HSL 154.29, 0.63%, 0.39%

LAB 59.61, -46.3, 18.72

 

CMYK 70 / 0 / 29 / 29

HEX #36B580

RGB 54 181 128

HSL 154.96, 0.54%, 0.46%

LAB 66.05, -46.95, 17.23

 

CMYK 64 / 0 / 26 / 22

HEX #47C793

RGB 71 199 147

HSL 155.63, 0.53%, 0.53%

LAB 72.42, -47.31, 15.89

 

CMYK 59 / 0 / 24 / 15

HEX #58D9A6

RGB 88 217 166

HSL 156.28, 0.63%, 0.6%

LAB 78.73, -47.48, 14.67

 

CMYK 90 / 0 / 34 / 43

HEX #0F915F

RGB 15 145 95

HSL 156.92, 0.81%, 0.31%

LAB 53.14, -44.53, 17.64

 

CMYK 100 / 0 / 40 / 50

HEX #007F4C

RGB 0 127 76

HSL 155.91, 1%, 0.25%

LAB 46.58, -42.74, 19.5

 

CMYK 100 / 0 / 48 / 57

HEX #006D39

RGB 0 109 57

HSL 151.38, 1%, 0.21%

LAB 39.97, -39.9, 21.63

 

CMYK 100 / 0 / 58 / 64

HEX #005B26

RGB 0 91 38

HSL 145.05, 1%, 0.18%

LAB 33.18, -36.77, 23.8

 

CMYK 100 / 0 / 74 / 71

HEX #004913

RGB 0 73 19

HSL 135.62, 1%, 0.14%

LAB 26.19, -33.17, 25.74

 

CMYK 90 / 0 / 34 / 44

HEX #0F8F5E

RGB 15 143 94

HSL 157.03, 0.81%, 0.31%

LAB 52.46, -43.97, 17.27

 

CMYK 90 / 0 / 59 / 44

HEX #0F8F3B

RGB 15 143 59

HSL 140.63, 0.81%, 0.31%

LAB 51.91, -50.46, 35.32

 

CMYK 90 / 0 / 83 / 44

HEX #0F8F19

RGB 15 143 25

HSL 124.69, 0.81%, 0.31%

LAB 51.63, -53.94, 48.99

 

CMYK 72 / 0 / 90 / 44

HEX #288F0F

RGB 40 143 15

HSL 108.28, 0.81%, 0.31%

LAB 51.98, -50.98, 52.03

 

CMYK 48 / 0 / 90 / 44

HEX #4A8F0F

RGB 74 143 15

HSL 92.34, 0.81%, 0.31%

LAB 53.1, -42, 53.43

 

CMYK 90 / 0 / 34 / 44

HEX #0F8F5E

RGB 15 143 94

HSL 157.03, 0.81%, 0.31%

LAB 52.46, -43.97, 17.27

 

CMYK 90 / 0 / 10 / 44

HEX #0F8F80

RGB 15 143 128

HSL 172.97, 0.81%, 0.31%

LAB 53.28, -35.1, -1.03

 

CMYK 90 / 14 / 0 / 44

HEX #0F7B8F

RGB 15 123 143

HSL 189.38, 0.81%, 0.31%

LAB 47.3, -20.37, -18.76

 

CMYK 90 / 38 / 0 / 44

HEX #0F598F

RGB 15 89 143

HSL 205.31, 0.81%, 0.31%

LAB 36.42, -0.39, -35.74

 

CMYK 90 / 62 / 0 / 44

HEX #0F368F

RGB 15 54 143

HSL 221.72, 0.81%, 0.31%

LAB 25.93, 23.46, -52.67

 

CMYK 90 / 0 / 34 / 44

HEX #0F8F5E

RGB 15 143 94

HSL 157.03, 0.81%, 0.31%

LAB 52.46, -43.97, 17.27

 

CMYK 99 / 0 / 38 / 39

HEX #029C61

RGB 2 156 97

HSL 157.01, 0.97%, 0.31%

LAB 56.74, -49.01, 21.37

 

CMYK 90 / 0 / 34 / 44

HEX #0F8F5E

RGB 15 143 94

HSL 157.03, 0.81%, 0.31%

LAB 52.46, -43.97, 17.27

 

CMYK 78 / 0 / 30 / 49

HEX #1C825B

RGB 28 130 91

HSL 157.06, 0.65%, 0.31%

LAB 48.22, -38.04, 13.19

 

CMYK 65 / 0 / 25 / 54

HEX #297558

RGB 41 117 88

HSL 157.11, 0.48%, 0.31%

LAB 44.09, -30.79, 9.23

 

CMYK 50 / 0 / 19 / 59

HEX #356955

RGB 53 105 85

HSL 156.92, 0.33%, 0.31%

LAB 40.44, -22.69, 5.92

 

CMYK 28 / 0 / 11 / 64

HEX #425C52

RGB 66 92 82

HSL 156.92, 0.16%, 0.31%

LAB 36.78, -12.14, 2.61

 

CMYK 90 / 0 / 83 / 44

HEX #0F8F18

RGB 15 143 24

HSL 124.22, 0.81%, 0.31%

LAB 51.62, -54, 49.28

 

CMYK 90 / 0 / 59 / 44

HEX #0F8F3A

RGB 15 143 58

HSL 140.16, 0.81%, 0.31%

LAB 51.9, -50.6, 35.79

 

CMYK 90 / 0 / 36 / 44

HEX #0F8F5C

RGB 15 143 92

HSL 156.09, 0.81%, 0.31%

LAB 52.42, -44.42, 18.34

 

CMYK 90 / 0 / 12 / 44

HEX #0F8F7E

RGB 15 143 126

HSL 172.03, 0.81%, 0.31%

LAB 53.23, -35.68, 0.05

 

CMYK 90 / 12 / 0 / 44

HEX #0F7E8F

RGB 15 126 143

HSL 187.97, 0.81%, 0.31%

LAB 48.27, -21.97, -17.28

 

CMYK 90 / 0 / 34 / 73

HEX #07442D

RGB 7 68 45

HSL 157.38, 0.81%, 0.15%

LAB 24.86, -24.9, 8.8

 

CMYK 90 / 0 / 35 / 58

HEX #0B6A45

RGB 11 106 69

HSL 156.63, 0.81%, 0.23%

LAB 39.26, -35.12, 13.72

 

CMYK 90 / 0 / 34 / 44

HEX #0F8F5E

RGB 15 143 94

HSL 157.03, 0.81%, 0.31%

LAB 52.46, -43.97, 17.27

 

CMYK 89 / 0 / 34 / 29

HEX #13B476

RGB 19 180 118

HSL 156.89, 0.81%, 0.39%

LAB 65.03, -52.58, 21.17

 

CMYK 89 / 0 / 34 / 15

HEX #17DA8F

RGB 23 218 143

HSL 156.92, 0.81%, 0.47%

LAB 77.46, -60.99, 24.82

 

CMYK 90 / 0 / 34 / 43

HEX #0F915F

RGB 15 145 95

HSL 156.92, 0.81%, 0.31%

LAB 53.14, -44.53, 17.64

 

CMYK 90 / 71 / 0 / 44

HEX #0F298F

RGB 15 41 143

HSL 227.81, 0.81%, 0.31%

LAB 22.55, 32.34, -58.22

 

CMYK 0 / 71 / 90 / 44

HEX #8F290F

RGB 143 41 15

HSL 12.19, 0.81%, 0.31%

LAB 32.83, 41.78, 39.09

 

CMYK 90 / 0 / 34 / 43

HEX #0F915F

RGB 15 145 95

HSL 156.92, 0.81%, 0.31%

LAB 53.14, -44.53, 17.64

 

CMYK 36 / 90 / 0 / 44

HEX #5C0F8F

RGB 92 15 143

HSL 276.09, 0.81%, 0.31%

LAB 25.56, 53.23, -53.01

 

CMYK 0 / 36 / 90 / 44

HEX #8F5C0F

RGB 143 92 15

HSL 36.09, 0.81%, 0.31%

LAB 43.55, 14.96, 47.71

 

CMYK 90 / 0 / 34 / 43

HEX #0F915F

RGB 15 145 95

HSL 156.92, 0.81%, 0.31%

LAB 53.14, -44.53, 17.64

 

CMYK 90 / 71 / 0 / 44

HEX #0F298F

RGB 15 41 143

HSL 227.81, 0.81%, 0.31%

LAB 22.55, 32.34, -58.22

 

CMYK 0 / 90 / 54 / 44

HEX #8F0F42

RGB 143 15 66

HSL 336.09, 0.81%, 0.31%

LAB 30.82, 52.34, 5.62

 

CMYK 0 / 18 / 90 / 44

HEX #8F750F

RGB 143 117 15

HSL 47.81, 0.81%, 0.31%

LAB 50.21, 0.54, 53.06

 

CMYK 90 / 0 / 34 / 43

HEX #0F915F

RGB 15 145 95

HSL 156.92, 0.81%, 0.31%

LAB 53.14, -44.53, 17.64

 

CMYK 80 / 90 / 0 / 44

HEX #1C0F8F

RGB 28 15 143

HSL 246.09, 0.81%, 0.31%

LAB 18.24, 47.06, -65.34

 

CMYK 0 / 90 / 54 / 44

HEX #8F0F42

RGB 143 15 66

HSL 336.09, 0.81%, 0.31%

LAB 30.82, 52.34, 5.62

 

CMYK 9 / 0 / 90 / 44

HEX #828F0F

RGB 130 143 15

HSL 66.09, 0.81%, 0.31%

LAB 56.51, -19.61, 57.66

 

Description

Color code: HEX #0F915F | qconv.com Color code: HEX #0F915F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 145 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 145 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 34 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 34% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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