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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F8C69 it is the complementary color #F07396. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F8C69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F8C69 shade: #148C64, #259E77, #36B08A, #47C29D and #58D4B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F8C69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F8C69 shade: #0F8C69, #007A56, #006843, #005630 and #00441D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F8C69 shade: #0F8A68, #0F8A46, #0F8A25, #1A8A0F and #3B8A0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F8C69 shade: #0F8A68, #0F8A89, #0F6A8A, #0F498A and #0F278A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F8C69 shade matches the following richer shades: #0F8A68 and #02976D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F8C69 shade: #0F8A68, #1B7E62, #27725D, #346557 and #405952

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F8C69 shade: #0F8A25, #0F8A46, #0F8A67, #0F8A88 and #0F6B8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F8C69 shade: #074030, #0B654C, #0F8A68, #12B084 and #16D5A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F8C69 shade: #0F8C69, #0F198A and #8A360F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F8C69 shade: #0F8C69, #670F8A and #8A670F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F8C69 shade: #0F8C69, #0F198A, #8A0F32 and #8A800F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F8C69 shade: #0F8C69, #290F8A, #8A0F32 and #708A0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 25 / 45

HEX #0F8C69

RGB 15 140 105

HSL 163.2, 0.81%, 0.3%

LAB 51.7, -40.1, 9.96

 

Complementary color

CMYK 0 / 52 / 38 / 6

HEX #F07396

RGB 240 115 150

HSL 343.2, 0.81%, 0.7%

LAB 64.15, 51.5, 4.24

 

CMYK 86 / 0 / 29 / 45

HEX #148C64

RGB 20 140 100

HSL 160, 0.75%, 0.31%

LAB 51.64, -40.94, 12.75

 

CMYK 77 / 0 / 25 / 38

HEX #259E77

RGB 37 158 119

HSL 160.66, 0.62%, 0.38%

LAB 58.21, -41.95, 11.22

 

CMYK 69 / 0 / 22 / 31

HEX #36B08A

RGB 54 176 138

HSL 161.31, 0.53%, 0.45%

LAB 64.7, -42.56, 9.86

 

CMYK 63 / 0 / 19 / 24

HEX #47C29D

RGB 71 194 157

HSL 161.95, 0.5%, 0.52%

LAB 71.12, -42.9, 8.65

 

CMYK 58 / 0 / 17 / 17

HEX #58D4B0

RGB 88 212 176

HSL 162.58, 0.59%, 0.59%

LAB 77.46, -43.08, 7.55

 

CMYK 89 / 0 / 25 / 45

HEX #0F8C69

RGB 15 140 105

HSL 163.2, 0.81%, 0.3%

LAB 51.7, -40.1, 9.96

 

CMYK 100 / 0 / 30 / 52

HEX #007A56

RGB 0 122 86

HSL 162.3, 1%, 0.24%

LAB 45.07, -38.42, 11.68

 

CMYK 100 / 0 / 36 / 59

HEX #006843

RGB 0 104 67

HSL 158.65, 1%, 0.2%

LAB 38.39, -35.74, 13.71

 

CMYK 100 / 0 / 44 / 66

HEX #005630

RGB 0 86 48

HSL 153.49, 1%, 0.17%

LAB 31.51, -32.89, 15.88

 

CMYK 100 / 0 / 57 / 73

HEX #00441D

RGB 0 68 29

HSL 145.59, 1%, 0.13%

LAB 24.4, -29.73, 18.17

 

CMYK 89 / 0 / 25 / 46

HEX #0F8A68

RGB 15 138 104

HSL 163.41, 0.8%, 0.3%

LAB 51.01, -39.52, 9.57

 

CMYK 89 / 0 / 49 / 46

HEX #0F8A46

RGB 15 138 70

HSL 146.83, 0.8%, 0.3%

LAB 50.36, -46.95, 27.74

 

CMYK 89 / 0 / 73 / 46

HEX #0F8A25

RGB 15 138 37

HSL 130.73, 0.8%, 0.3%

LAB 49.99, -51.44, 43.14

 

CMYK 81 / 0 / 89 / 46

HEX #1A8A0F

RGB 26 138 15

HSL 114.63, 0.8%, 0.3%

LAB 50.01, -51.69, 50.21

 

CMYK 57 / 0 / 89 / 46

HEX #3B8A0F

RGB 59 138 15

HSL 98.54, 0.8%, 0.3%

LAB 50.85, -44.65, 51.26

 

CMYK 89 / 0 / 25 / 46

HEX #0F8A68

RGB 15 138 104

HSL 163.41, 0.8%, 0.3%

LAB 51.01, -39.52, 9.57

 

CMYK 89 / 0 / 1 / 46

HEX #0F8A89

RGB 15 138 137

HSL 179.51, 0.8%, 0.3%

LAB 51.93, -30.01, -8.24

 

CMYK 89 / 23 / 0 / 46

HEX #0F6A8A

RGB 15 106 138

HSL 195.61, 0.8%, 0.3%

LAB 41.6, -12.73, -24.58

 

CMYK 89 / 47 / 0 / 46

HEX #0F498A

RGB 15 73 138

HSL 211.71, 0.8%, 0.3%

LAB 31.12, 8.14, -41.17

 

CMYK 89 / 72 / 0 / 46

HEX #0F278A

RGB 15 39 138

HSL 228.29, 0.8%, 0.3%

LAB 21.53, 31.73, -56.78

 

CMYK 89 / 0 / 25 / 46

HEX #0F8A68

RGB 15 138 104

HSL 163.41, 0.8%, 0.3%

LAB 51.01, -39.52, 9.57

 

CMYK 99 / 0 / 28 / 41

HEX #02976D

RGB 2 151 109

HSL 163.09, 0.97%, 0.3%

LAB 55.33, -44.33, 12.76

 

CMYK 89 / 0 / 25 / 46

HEX #0F8A68

RGB 15 138 104

HSL 163.41, 0.8%, 0.3%

LAB 51.01, -39.52, 9.57

 

CMYK 79 / 0 / 22 / 51

HEX #1B7E62

RGB 27 126 98

HSL 163.03, 0.65%, 0.3%

LAB 47.02, -34.69, 7.43

 

CMYK 66 / 0 / 18 / 55

HEX #27725D

RGB 39 114 93

HSL 163.2, 0.49%, 0.3%

LAB 43.15, -28.49, 4.91

 

CMYK 49 / 0 / 14 / 60

HEX #346557

RGB 52 101 87

HSL 162.86, 0.32%, 0.3%

LAB 39.11, -20.37, 2.8

 

CMYK 28 / 0 / 8 / 65

HEX #405952

RGB 64 89 82

HSL 163.2, 0.16%, 0.3%

LAB 35.68, -11.11, 1

 

CMYK 89 / 0 / 73 / 46

HEX #0F8A25

RGB 15 138 37

HSL 130.73, 0.8%, 0.3%

LAB 49.99, -51.44, 43.14

 

CMYK 89 / 0 / 49 / 46

HEX #0F8A46

RGB 15 138 70

HSL 146.83, 0.8%, 0.3%

LAB 50.36, -46.95, 27.74

 

CMYK 89 / 0 / 25 / 46

HEX #0F8A67

RGB 15 138 103

HSL 162.93, 0.8%, 0.3%

LAB 50.99, -39.78, 10.11

 

CMYK 89 / 0 / 1 / 46

HEX #0F8A88

RGB 15 138 136

HSL 179.02, 0.8%, 0.3%

LAB 51.9, -30.33, -7.71

 

CMYK 89 / 22 / 0 / 46

HEX #0F6B8A

RGB 15 107 138

HSL 195.12, 0.8%, 0.3%

LAB 41.93, -13.31, -24.08

 

CMYK 89 / 0 / 25 / 75

HEX #074030

RGB 7 64 48

HSL 163.16, 0.8%, 0.14%

LAB 23.42, -22.14, 4.84

 

CMYK 89 / 0 / 25 / 60

HEX #0B654C

RGB 11 101 76

HSL 163.33, 0.8%, 0.22%

LAB 37.66, -31.16, 7.29

 

CMYK 89 / 0 / 25 / 46

HEX #0F8A68

RGB 15 138 104

HSL 163.41, 0.8%, 0.3%

LAB 51.01, -39.52, 9.57

 

CMYK 90 / 0 / 25 / 31

HEX #12B084

RGB 18 176 132

HSL 163.29, 0.81%, 0.38%

LAB 64.04, -47.88, 12.16

 

CMYK 90 / 0 / 25 / 16

HEX #16D5A0

RGB 22 213 160

HSL 163.35, 0.81%, 0.46%

LAB 76.25, -55.43, 14.21

 

CMYK 89 / 0 / 25 / 45

HEX #0F8C69

RGB 15 140 105

HSL 163.2, 0.81%, 0.3%

LAB 51.7, -40.1, 9.96

 

CMYK 89 / 82 / 0 / 46

HEX #0F198A

RGB 15 25 138

HSL 235.12, 0.8%, 0.3%

LAB 18.5, 40.26, -61.79

 

CMYK 0 / 61 / 89 / 46

HEX #8A360F

RGB 138 54 15

HSL 19.02, 0.8%, 0.3%

LAB 34.14, 33.92, 39.77

 

CMYK 89 / 0 / 25 / 45

HEX #0F8C69

RGB 15 140 105

HSL 163.2, 0.81%, 0.3%

LAB 51.7, -40.1, 9.96

 

CMYK 25 / 89 / 0 / 46

HEX #670F8A

RGB 103 15 138

HSL 282.93, 0.8%, 0.3%

LAB 26.91, 53.84, -47.63

 

CMYK 0 / 25 / 89 / 46

HEX #8A670F

RGB 138 103 15

HSL 42.93, 0.8%, 0.3%

LAB 45.82, 6.21, 49.29

 

CMYK 89 / 0 / 25 / 45

HEX #0F8C69

RGB 15 140 105

HSL 163.2, 0.81%, 0.3%

LAB 51.7, -40.1, 9.96

 

CMYK 89 / 82 / 0 / 46

HEX #0F198A

RGB 15 25 138

HSL 235.12, 0.8%, 0.3%

LAB 18.5, 40.26, -61.79

 

CMYK 0 / 89 / 64 / 46

HEX #8A0F32

RGB 138 15 50

HSL 342.93, 0.8%, 0.3%

LAB 29.35, 49.86, 14.12

 

CMYK 0 / 7 / 89 / 46

HEX #8A800F

RGB 138 128 15

HSL 55.12, 0.8%, 0.3%

LAB 52.81, -7.96, 54.95

 

CMYK 89 / 0 / 25 / 45

HEX #0F8C69

RGB 15 140 105

HSL 163.2, 0.81%, 0.3%

LAB 51.7, -40.1, 9.96

 

CMYK 70 / 89 / 0 / 46

HEX #290F8A

RGB 41 15 138

HSL 252.68, 0.8%, 0.3%

LAB 18.58, 46.37, -61.63

 

CMYK 0 / 89 / 64 / 46

HEX #8A0F32

RGB 138 15 50

HSL 342.93, 0.8%, 0.3%

LAB 29.35, 49.86, 14.12

 

CMYK 19 / 0 / 89 / 46

HEX #708A0F

RGB 112 138 15

HSL 72.68, 0.8%, 0.3%

LAB 53.66, -25.01, 54.77

 

Description

Color code: HEX #0F8C69 | qconv.com Color code: HEX #0F8C69 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 140 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 140 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 25 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 25% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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