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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F8211 it is the complementary color #F07DEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F8211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F8211 shade: #14820C, #25941F, #36A632, #47B845 and #58CA58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F8211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F8211 shade: #0F8211, #007000, #005E00, #004C00 and #003A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F8211 shade: #0F8011, #2B800F, #4A800F, #68800F and #80790F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F8211 shade: #0F8011, #0F802F, #0F804E, #0F806C and #0F7580

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F8211 shade matches the following richer shades: #0F8011 and #038B06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F8211 shade: #0F8011, #1B741C, #266927, #325D32 and #3D523E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F8211 shade: #49800F, #2B800F, #0F8011, #0F802F and #0F804D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F8211 shade: #063607, #0B5B0C, #0F8011, #13A516 and #18CA1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F8211 shade: #0F8211, #0F6780 and #800F3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F8211 shade: #0F8211, #110F80 and #80110F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F8211 shade: #0F8211, #0F6780, #800F7E and #80270F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F8211 shade: #0F8211, #0F4680, #800F7E and #80490F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 87 / 49

HEX #0F8211

RGB 15 130 17

HSL 121.04, 0.79%, 0.28%

LAB 47.11, -50.39, 47.08

 

Complementary color

CMYK 0 / 48 / 1 / 6

HEX #F07DEE

RGB 240 125 238

HSL 301.04, 0.79%, 0.72%

LAB 69.02, 59.36, -37.86

 

CMYK 85 / 0 / 91 / 49

HEX #14820C

RGB 20 130 12

HSL 115.93, 0.83%, 0.28%

LAB 47.16, -50.07, 48.33

 

CMYK 75 / 0 / 79 / 42

HEX #25941F

RGB 37 148 31

HSL 116.92, 0.65%, 0.35%

LAB 53.68, -52.32, 49.15

 

CMYK 67 / 0 / 70 / 35

HEX #36A632

RGB 54 166 50

HSL 117.93, 0.54%, 0.42%

LAB 60.15, -53.69, 48.77

 

CMYK 61 / 0 / 63 / 28

HEX #47B845

RGB 71 184 69

HSL 118.96, 0.45%, 0.5%

LAB 66.56, -54.48, 47.83

 

CMYK 56 / 0 / 56 / 21

HEX #58CA58

RGB 88 202 88

HSL 120, 0.52%, 0.57%

LAB 72.91, -54.91, 46.65

 

CMYK 88 / 0 / 87 / 49

HEX #0F8211

RGB 15 130 17

HSL 121.04, 0.79%, 0.28%

LAB 47.11, -50.39, 47.08

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 100 / 0 / 100 / 63

HEX #005E00

RGB 0 94 0

HSL 120, 1%, 0.18%

LAB 33.99, -41.54, 40.09

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 88 / 0 / 87 / 50

HEX #0F8011

RGB 15 128 17

HSL 121.06, 0.79%, 0.28%

LAB 46.42, -49.77, 46.45

 

CMYK 66 / 0 / 88 / 50

HEX #2B800F

RGB 43 128 15

HSL 105.13, 0.79%, 0.28%

LAB 46.96, -45.15, 47.65

 

CMYK 42 / 0 / 88 / 50

HEX #4A800F

RGB 74 128 15

HSL 88.67, 0.79%, 0.28%

LAB 48.17, -35.7, 49.18

 

CMYK 19 / 0 / 88 / 50

HEX #68800F

RGB 104 128 15

HSL 72.74, 0.79%, 0.28%

LAB 50, -23.5, 51.47

 

CMYK 0 / 5 / 88 / 50

HEX #80790F

RGB 128 121 15

HSL 56.28, 0.79%, 0.28%

LAB 49.86, -8.79, 52.15

 

CMYK 88 / 0 / 87 / 50

HEX #0F8011

RGB 15 128 17

HSL 121.06, 0.79%, 0.28%

LAB 46.42, -49.77, 46.45

 

CMYK 88 / 0 / 63 / 50

HEX #0F802F

RGB 15 128 47

HSL 136.99, 0.79%, 0.28%

LAB 46.64, -47.02, 35.05

 

CMYK 88 / 0 / 39 / 50

HEX #0F804E

RGB 15 128 78

HSL 153.45, 0.79%, 0.28%

LAB 47.09, -41.62, 19.08

 

CMYK 88 / 0 / 16 / 50

HEX #0F806C

RGB 15 128 108

HSL 169.38, 0.79%, 0.28%

LAB 47.78, -34.07, 2.62

 

CMYK 88 / 9 / 0 / 50

HEX #0F7580

RGB 15 117 128

HSL 185.84, 0.79%, 0.28%

LAB 44.78, -22.4, -13.71

 

CMYK 88 / 0 / 87 / 50

HEX #0F8011

RGB 15 128 17

HSL 121.06, 0.79%, 0.28%

LAB 46.42, -49.77, 46.45

 

CMYK 98 / 0 / 96 / 45

HEX #038B06

RGB 3 139 6

HSL 121.32, 0.96%, 0.28%

LAB 50.09, -54.46, 51.9

 

CMYK 88 / 0 / 87 / 50

HEX #0F8011

RGB 15 128 17

HSL 121.06, 0.79%, 0.28%

LAB 46.42, -49.77, 46.45

 

CMYK 77 / 0 / 76 / 55

HEX #1B741C

RGB 27 116 28

HSL 120.67, 0.62%, 0.28%

LAB 42.47, -43.38, 39.05

 

CMYK 64 / 0 / 63 / 59

HEX #266927

RGB 38 105 39

HSL 120.9, 0.47%, 0.28%

LAB 39, -35.63, 30.35

 

CMYK 46 / 0 / 46 / 64

HEX #325D32

RGB 50 93 50

HSL 120, 0.3%, 0.28%

LAB 35.47, -24.96, 20.12

 

CMYK 26 / 0 / 24 / 68

HEX #3D523E

RGB 61 82 62

HSL 122.86, 0.15%, 0.28%

LAB 32.64, -12.7, 9.16

 

CMYK 43 / 0 / 88 / 50

HEX #49800F

RGB 73 128 15

HSL 89.2, 0.79%, 0.28%

LAB 48.12, -36.06, 49.12

 

CMYK 66 / 0 / 88 / 50

HEX #2B800F

RGB 43 128 15

HSL 105.13, 0.79%, 0.28%

LAB 46.96, -45.15, 47.65

 

CMYK 88 / 0 / 87 / 50

HEX #0F8011

RGB 15 128 17

HSL 121.06, 0.79%, 0.28%

LAB 46.42, -49.77, 46.45

 

CMYK 88 / 0 / 63 / 50

HEX #0F802F

RGB 15 128 47

HSL 136.99, 0.79%, 0.28%

LAB 46.64, -47.02, 35.05

 

CMYK 88 / 0 / 40 / 50

HEX #0F804D

RGB 15 128 77

HSL 152.92, 0.79%, 0.28%

LAB 47.07, -41.83, 19.62

 

CMYK 89 / 0 / 87 / 79

HEX #063607

RGB 6 54 7

HSL 121.25, 0.8%, 0.12%

LAB 18.77, -26.35, 23.13

 

CMYK 88 / 0 / 87 / 64

HEX #0B5B0C

RGB 11 91 12

HSL 120.75, 0.78%, 0.2%

LAB 33.09, -38.48, 35.62

 

CMYK 88 / 0 / 87 / 50

HEX #0F8011

RGB 15 128 17

HSL 121.06, 0.79%, 0.28%

LAB 46.42, -49.77, 46.45

 

CMYK 88 / 0 / 87 / 35

HEX #13A516

RGB 19 165 22

HSL 121.23, 0.79%, 0.36%

LAB 59.07, -60.36, 56.59

 

CMYK 88 / 0 / 87 / 21

HEX #18CA1B

RGB 24 202 27

HSL 121.01, 0.79%, 0.44%

LAB 71.22, -70.4, 66.27

 

CMYK 88 / 0 / 87 / 49

HEX #0F8211

RGB 15 130 17

HSL 121.04, 0.79%, 0.28%

LAB 47.11, -50.39, 47.08

 

CMYK 88 / 20 / 0 / 50

HEX #0F6780

RGB 15 103 128

HSL 193.27, 0.79%, 0.28%

LAB 40.18, -14.74, -20.75

 

CMYK 0 / 88 / 55 / 50

HEX #800F3A

RGB 128 15 58

HSL 337.17, 0.79%, 0.28%

LAB 27.4, 47.69, 5.7

 

CMYK 88 / 0 / 87 / 49

HEX #0F8211

RGB 15 130 17

HSL 121.04, 0.79%, 0.28%

LAB 47.11, -50.39, 47.08

 

CMYK 87 / 88 / 0 / 50

HEX #110F80

RGB 17 15 128

HSL 241.06, 0.79%, 0.28%

LAB 15.59, 41.98, -60.33

 

CMYK 0 / 87 / 88 / 50

HEX #80110F

RGB 128 17 15

HSL 1.06, 0.79%, 0.28%

LAB 26.8, 44.98, 32.81

 

CMYK 88 / 0 / 87 / 49

HEX #0F8211

RGB 15 130 17

HSL 121.04, 0.79%, 0.28%

LAB 47.11, -50.39, 47.08

 

CMYK 88 / 20 / 0 / 50

HEX #0F6780

RGB 15 103 128

HSL 193.27, 0.79%, 0.28%

LAB 40.18, -14.74, -20.75

 

CMYK 0 / 88 / 2 / 50

HEX #800F7E

RGB 128 15 126

HSL 301.06, 0.79%, 0.28%

LAB 30.49, 56.16, -34.11

 

CMYK 0 / 70 / 88 / 50

HEX #80270F

RGB 128 39 15

HSL 12.74, 0.79%, 0.28%

LAB 29.6, 37.22, 35.22

 

CMYK 88 / 0 / 87 / 49

HEX #0F8211

RGB 15 130 17

HSL 121.04, 0.79%, 0.28%

LAB 47.11, -50.39, 47.08

 

CMYK 88 / 45 / 0 / 50

HEX #0F4680

RGB 15 70 128

HSL 210.8, 0.79%, 0.28%

LAB 29.51, 5.99, -37.55

 

CMYK 0 / 88 / 2 / 50

HEX #800F7E

RGB 128 15 126

HSL 301.06, 0.79%, 0.28%

LAB 30.49, 56.16, -34.11

 

CMYK 0 / 43 / 88 / 50

HEX #80490F

RGB 128 73 15

HSL 30.8, 0.79%, 0.28%

LAB 36.72, 19.12, 41.26

 

Description

Color code: HEX #0F8211 | qconv.com Color code: HEX #0F8211 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 130 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 130 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 87 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 87% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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