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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F7753 it is the complementary color #F088AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F7753. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F7753 shade: #14774E, #258961, #369B74, #47AD87 and #58BF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F7753. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F7753 shade: #0F7753, #006540, #00532D, #00411A and #002F07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F7753 shade: #0F7652, #0F7636, #0F761A, #1F760F and #3B760F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F7753 shade: #0F7652, #0F766E, #0F6276, #0F4676 and #0F2A76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F7753 shade matches the following richer shades: #0F7652 and #048156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F7753 shade: #0F7652, #196B4F, #24614C, #2F5648 and #394B45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F7753 shade: #0F761B, #0F7636, #0F7652, #0F766D and #0F6376

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F7753 shade: #062D1F, #0A5139, #0F7652, #139B6C and #18BF85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F7753 shade: #0F7753, #0F1E76 and #76280F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F7753 shade: #0F7753, #520F76 and #76520F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F7753 shade: #0F7753, #0F1E76, #760F33 and #76660F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F7753 shade: #0F7753, #1E0F76, #760F33 and #66760F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 30 / 53

HEX #0F7753

RGB 15 119 83

HSL 159.23, 0.78%, 0.26%

LAB 44.12, -36.81, 12.14

 

Complementary color

CMYK 0 / 43 / 28 / 6

HEX #F088AC

RGB 240 136 172

HSL 339.23, 0.78%, 0.74%

LAB 68.83, 43.77, -1.41

 

CMYK 83 / 0 / 34 / 53

HEX #14774E

RGB 20 119 78

HSL 155.15, 0.71%, 0.27%

LAB 44.08, -37.48, 15.02

 

CMYK 73 / 0 / 29 / 46

HEX #258961

RGB 37 137 97

HSL 156, 0.57%, 0.34%

LAB 50.86, -38.29, 13.43

 

CMYK 65 / 0 / 25 / 39

HEX #369B74

RGB 54 155 116

HSL 156.83, 0.48%, 0.41%

LAB 57.55, -38.69, 12.03

 

CMYK 59 / 0 / 22 / 32

HEX #47AD87

RGB 71 173 135

HSL 157.65, 0.42%, 0.48%

LAB 64.14, -38.84, 10.79

 

CMYK 54 / 0 / 19 / 25

HEX #58BF9A

RGB 88 191 154

HSL 158.45, 0.45%, 0.55%

LAB 70.64, -38.84, 9.68

 

CMYK 87 / 0 / 30 / 53

HEX #0F7753

RGB 15 119 83

HSL 159.23, 0.78%, 0.26%

LAB 44.12, -36.81, 12.14

 

CMYK 100 / 0 / 37 / 60

HEX #006540

RGB 0 101 64

HSL 158.02, 1%, 0.2%

LAB 37.26, -35.24, 13.96

 

CMYK 100 / 0 / 46 / 67

HEX #00532D

RGB 0 83 45

HSL 152.53, 1%, 0.16%

LAB 30.34, -32.35, 16.16

 

CMYK 100 / 0 / 60 / 75

HEX #00411A

RGB 0 65 26

HSL 144, 1%, 0.13%

LAB 23.19, -29.13, 18.45

HEX #00411A

CMYK 100 / 0 / 85 / 82

HEX #002F07

RGB 0 47 7

HSL 128.94, 1%, 0.09%

LAB 15.74, -25.28, 19.4

HEX #002F07

CMYK 87 / 0 / 31 / 54

HEX #0F7652

RGB 15 118 82

HSL 159.03, 0.77%, 0.26%

LAB 43.75, -36.63, 12.22

 

CMYK 87 / 0 / 54 / 54

HEX #0F7636

RGB 15 118 54

HSL 142.72, 0.77%, 0.26%

LAB 43.25, -42.45, 27.44

 

CMYK 87 / 0 / 78 / 54

HEX #0F761A

RGB 15 118 26

HSL 126.41, 0.77%, 0.26%

LAB 42.96, -45.96, 40.26

 

CMYK 74 / 0 / 87 / 54

HEX #1F760F

RGB 31 118 15

HSL 110.68, 0.77%, 0.26%

LAB 43.19, -44.24, 44.16

 

CMYK 50 / 0 / 87 / 54

HEX #3B760F

RGB 59 118 15

HSL 94.37, 0.77%, 0.26%

LAB 44.12, -36.7, 45.35

 

CMYK 87 / 0 / 31 / 54

HEX #0F7652

RGB 15 118 82

HSL 159.03, 0.77%, 0.26%

LAB 43.75, -36.63, 12.22

 

CMYK 87 / 0 / 7 / 54

HEX #0F766E

RGB 15 118 110

HSL 175.34, 0.77%, 0.26%

LAB 44.5, -28.8, -3.37

 

CMYK 87 / 17 / 0 / 54

HEX #0F6276

RGB 15 98 118

HSL 191.65, 0.77%, 0.26%

LAB 38.1, -15.59, -17.86

 

CMYK 87 / 41 / 0 / 54

HEX #0F4676

RGB 15 70 118

HSL 207.96, 0.77%, 0.26%

LAB 28.88, 1.79, -32.31

 

CMYK 87 / 64 / 0 / 54

HEX #0F2A76

RGB 15 42 118

HSL 224.27, 0.77%, 0.26%

LAB 20.3, 21.61, -46.16

 

CMYK 87 / 0 / 31 / 54

HEX #0F7652

RGB 15 118 82

HSL 159.03, 0.77%, 0.26%

LAB 43.75, -36.63, 12.22

 

CMYK 97 / 0 / 33 / 49

HEX #048156

RGB 4 129 86

HSL 159.36, 0.94%, 0.26%

LAB 47.49, -40.98, 15.03

 

CMYK 87 / 0 / 31 / 54

HEX #0F7652

RGB 15 118 82

HSL 159.03, 0.77%, 0.26%

LAB 43.75, -36.63, 12.22

 

CMYK 77 / 0 / 26 / 58

HEX #196B4F

RGB 25 107 79

HSL 159.51, 0.62%, 0.26%

LAB 40.06, -31.36, 8.88

 

CMYK 63 / 0 / 22 / 62

HEX #24614C

RGB 36 97 76

HSL 159.34, 0.46%, 0.26%

LAB 36.83, -25.29, 6.19

 

CMYK 45 / 0 / 16 / 66

HEX #2F5648

RGB 47 86 72

HSL 158.46, 0.29%, 0.26%

LAB 33.41, -17.61, 3.85

 

CMYK 24 / 0 / 8 / 71

HEX #394B45

RGB 57 75 69

HSL 160, 0.14%, 0.26%

LAB 30.23, -8.53, 1.25

 

CMYK 87 / 0 / 77 / 54

HEX #0F761B

RGB 15 118 27

HSL 126.99, 0.77%, 0.26%

LAB 42.97, -45.87, 39.88

 

CMYK 87 / 0 / 54 / 54

HEX #0F7636

RGB 15 118 54

HSL 142.72, 0.77%, 0.26%

LAB 43.25, -42.45, 27.44

 

CMYK 87 / 0 / 31 / 54

HEX #0F7652

RGB 15 118 82

HSL 159.03, 0.77%, 0.26%

LAB 43.75, -36.63, 12.22

 

CMYK 87 / 0 / 8 / 54

HEX #0F766D

RGB 15 118 109

HSL 174.76, 0.77%, 0.26%

LAB 44.47, -29.11, -2.82

 

CMYK 87 / 16 / 0 / 54

HEX #0F6376

RGB 15 99 118

HSL 191.07, 0.77%, 0.26%

LAB 38.43, -16.16, -17.35

 

CMYK 87 / 0 / 31 / 82

HEX #062D1F

RGB 6 45 31

HSL 158.46, 0.76%, 0.1%

LAB 15.56, -17.69, 5.24

 

CMYK 88 / 0 / 30 / 68

HEX #0A5139

RGB 10 81 57

HSL 159.72, 0.78%, 0.18%

LAB 30.02, -27.31, 8.33

 

CMYK 87 / 0 / 31 / 54

HEX #0F7652

RGB 15 118 82

HSL 159.03, 0.77%, 0.26%

LAB 43.75, -36.63, 12.22

 

CMYK 88 / 0 / 30 / 39

HEX #139B6C

RGB 19 155 108

HSL 159.26, 0.78%, 0.34%

LAB 56.75, -45.19, 15.31

 

CMYK 87 / 0 / 30 / 25

HEX #18BF85

RGB 24 191 133

HSL 159.16, 0.78%, 0.42%

LAB 68.86, -53.11, 18.34

 

CMYK 87 / 0 / 30 / 53

HEX #0F7753

RGB 15 119 83

HSL 159.23, 0.78%, 0.26%

LAB 44.12, -36.81, 12.14

 

CMYK 87 / 75 / 0 / 54

HEX #0F1E76

RGB 15 30 118

HSL 231.26, 0.77%, 0.26%

LAB 17.17, 29.94, -51.31

 

CMYK 0 / 66 / 87 / 54

HEX #76280F

RGB 118 40 15

HSL 14.56, 0.77%, 0.26%

LAB 27.86, 32.94, 32.95

 

CMYK 87 / 0 / 30 / 53

HEX #0F7753

RGB 15 119 83

HSL 159.23, 0.78%, 0.26%

LAB 44.12, -36.81, 12.14

 

CMYK 31 / 87 / 0 / 54

HEX #520F76

RGB 82 15 118

HSL 279.03, 0.77%, 0.26%

LAB 21.74, 46.12, -43.55

 

CMYK 0 / 31 / 87 / 54

HEX #76520F

RGB 118 82 15

HSL 39.03, 0.77%, 0.26%

LAB 37.7, 9.02, 41.55

 

CMYK 87 / 0 / 30 / 53

HEX #0F7753

RGB 15 119 83

HSL 159.23, 0.78%, 0.26%

LAB 44.12, -36.81, 12.14

 

CMYK 87 / 75 / 0 / 54

HEX #0F1E76

RGB 15 30 118

HSL 231.26, 0.77%, 0.26%

LAB 17.17, 29.94, -51.31

 

CMYK 0 / 87 / 57 / 54

HEX #760F33

RGB 118 15 51

HSL 339.03, 0.77%, 0.26%

LAB 25.05, 44.34, 6.87

 

CMYK 0 / 14 / 87 / 54

HEX #76660F

RGB 118 102 15

HSL 50.68, 0.77%, 0.26%

LAB 43.34, -2.82, 46.34

 

CMYK 87 / 0 / 30 / 53

HEX #0F7753

RGB 15 119 83

HSL 159.23, 0.78%, 0.26%

LAB 44.12, -36.81, 12.14

 

CMYK 75 / 87 / 0 / 54

HEX #1E0F76

RGB 30 15 118

HSL 248.74, 0.77%, 0.26%

LAB 15.09, 39.55, -54.72

 

CMYK 0 / 87 / 57 / 54

HEX #760F33

RGB 118 15 51

HSL 339.03, 0.77%, 0.26%

LAB 25.05, 44.34, 6.87

 

CMYK 14 / 0 / 87 / 54

HEX #66760F

RGB 102 118 15

HSL 69.32, 0.77%, 0.26%

LAB 46.73, -19.26, 48.64

 

Description

Color code: HEX #0F7753 | qconv.com Color code: HEX #0F7753 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 119 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 119 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 30 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 30% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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