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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F750E it is the complementary color #F08AF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F750E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F750E shade: #147509, #25871C, #36992F, #47AB42 and #58BD55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F750E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F750E shade: #0F750E, #006300, #005100, #003F00 and #002D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F750E shade: #0F770E, #2B770E, #47770E, #64770E and #776D0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F750E shade: #0F770E, #0E7729, #0E7745, #0E7762 and #0E6F77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F750E shade matches the following richer shades: #0F770E and #048103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F750E shade: #0F770E, #196C19, #246123, #2E562E and #394C39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F750E shade: #48770E, #2C770E, #10770E, #0E7728 and #0E7744

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F750E shade: #062D05, #0A520A, #0F770E, #149C12 and #18C117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F750E shade: #0F750E, #0E6377 and #770E3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F750E shade: #0F750E, #0E1077 and #770E10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F750E shade: #0F750E, #0E6377, #750E77 and #77210E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F750E shade: #0F750E, #0E4477, #750E77 and #77410E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 88 / 54

HEX #0F750E

RGB 15 117 14

HSL 119.42, 0.79%, 0.26%

LAB 42.55, -46.45, 43.74

 

Complementary color

CMYK 0 / 43 / 0 / 5

HEX #F08AF1

RGB 240 138 241

HSL 299.42, 0.79%, 0.74%

LAB 71.59, 53.51, -35.5

 

CMYK 83 / 0 / 92 / 54

HEX #147509

RGB 20 117 9

HSL 113.89, 0.86%, 0.25%

LAB 42.6, -46.04, 45.01

 

CMYK 73 / 0 / 79 / 47

HEX #25871C

RGB 37 135 28

HSL 114.95, 0.66%, 0.32%

LAB 49.26, -48.14, 45.88

 

CMYK 65 / 0 / 69 / 40

HEX #36992F

RGB 54 153 47

HSL 116.04, 0.53%, 0.39%

LAB 55.86, -49.34, 45.45

 

CMYK 58 / 0 / 61 / 33

HEX #47AB42

RGB 71 171 66

HSL 117.14, 0.44%, 0.46%

LAB 62.39, -49.98, 44.46

 

CMYK 53 / 0 / 55 / 26

HEX #58BD55

RGB 88 189 85

HSL 118.27, 0.44%, 0.54%

LAB 68.84, -50.28, 43.24

 

CMYK 87 / 0 / 88 / 54

HEX #0F750E

RGB 15 117 14

HSL 119.42, 0.79%, 0.26%

LAB 42.55, -46.45, 43.74

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 100 / 0 / 100 / 82

HEX #002D00

RGB 0 45 0

HSL 120, 1%, 0.09%

LAB 14.83, -25.61, 21.09

 

CMYK 87 / 0 / 88 / 53

HEX #0F770E

RGB 15 119 14

HSL 119.43, 0.79%, 0.26%

LAB 43.25, -47.09, 44.38

 

CMYK 64 / 0 / 88 / 53

HEX #2B770E

RGB 43 119 14

HSL 103.43, 0.79%, 0.26%

LAB 43.86, -41.91, 45.15

 

CMYK 40 / 0 / 88 / 53

HEX #47770E

RGB 71 119 14

HSL 87.43, 0.79%, 0.26%

LAB 45.03, -32.88, 46.63

 

CMYK 16 / 0 / 88 / 53

HEX #64770E

RGB 100 119 14

HSL 70.86, 0.79%, 0.26%

LAB 46.89, -20.72, 48.96

 

CMYK 0 / 8 / 88 / 53

HEX #776D0E

RGB 119 109 14

HSL 54.29, 0.79%, 0.26%

LAB 45.48, -6.38, 48.44

 

CMYK 87 / 0 / 88 / 53

HEX #0F770E

RGB 15 119 14

HSL 119.43, 0.79%, 0.26%

LAB 43.25, -47.09, 44.38

 

CMYK 88 / 0 / 66 / 53

HEX #0E7729

RGB 14 119 41

HSL 135.43, 0.79%, 0.26%

LAB 43.43, -44.81, 34.28

 

CMYK 88 / 0 / 42 / 53

HEX #0E7745

RGB 14 119 69

HSL 151.43, 0.79%, 0.26%

LAB 43.82, -40.1, 19.86

 

CMYK 88 / 0 / 18 / 53

HEX #0E7762

RGB 14 119 98

HSL 168, 0.79%, 0.26%

LAB 44.47, -32.92, 3.76

 

CMYK 88 / 7 / 0 / 53

HEX #0E6F77

RGB 14 111 119

HSL 184.57, 0.79%, 0.26%

LAB 42.45, -22.41, -11.84

 

CMYK 87 / 0 / 88 / 53

HEX #0F770E

RGB 15 119 14

HSL 119.43, 0.79%, 0.26%

LAB 43.25, -47.09, 44.38

 

CMYK 97 / 0 / 98 / 49

HEX #048103

RGB 4 129 3

HSL 119.52, 0.95%, 0.26%

LAB 46.62, -51.56, 49.61

 

CMYK 87 / 0 / 88 / 53

HEX #0F770E

RGB 15 119 14

HSL 119.43, 0.79%, 0.26%

LAB 43.25, -47.09, 44.38

 

CMYK 77 / 0 / 77 / 58

HEX #196C19

RGB 25 108 25

HSL 120, 0.62%, 0.26%

LAB 39.58, -41.18, 37.3

 

CMYK 63 / 0 / 64 / 62

HEX #246123

RGB 36 97 35

HSL 119.03, 0.47%, 0.26%

LAB 36.07, -33.36, 29

 

CMYK 47 / 0 / 47 / 66

HEX #2E562E

RGB 46 86 46

HSL 120, 0.3%, 0.26%

LAB 32.77, -23.54, 18.97

 

CMYK 25 / 0 / 25 / 70

HEX #394C39

RGB 57 76 57

HSL 120, 0.14%, 0.26%

LAB 30.24, -11.84, 8.93

 

CMYK 39 / 0 / 88 / 53

HEX #48770E

RGB 72 119 14

HSL 86.86, 0.79%, 0.26%

LAB 45.09, -32.5, 46.7

 

CMYK 63 / 0 / 88 / 53

HEX #2C770E

RGB 44 119 14

HSL 102.86, 0.79%, 0.26%

LAB 43.89, -41.65, 45.19

 

CMYK 87 / 0 / 88 / 53

HEX #10770E

RGB 16 119 14

HSL 118.86, 0.79%, 0.26%

LAB 43.26, -46.97, 44.39

 

CMYK 88 / 0 / 66 / 53

HEX #0E7728

RGB 14 119 40

HSL 134.86, 0.79%, 0.26%

LAB 43.42, -44.94, 34.74

 

CMYK 88 / 0 / 43 / 53

HEX #0E7744

RGB 14 119 68

HSL 150.86, 0.79%, 0.26%

LAB 43.81, -40.31, 20.4

 

CMYK 87 / 0 / 89 / 82

HEX #062D05

RGB 6 45 5

HSL 118.5, 0.8%, 0.1%

LAB 15.1, -23, 19.44

 

CMYK 88 / 0 / 88 / 68

HEX #0A520A

RGB 10 82 10

HSL 120, 0.78%, 0.18%

LAB 29.72, -35.65, 33.11

 

CMYK 87 / 0 / 88 / 53

HEX #0F770E

RGB 15 119 14

HSL 119.43, 0.79%, 0.26%

LAB 43.25, -47.09, 44.38

 

CMYK 87 / 0 / 88 / 39

HEX #149C12

RGB 20 156 18

HSL 119.13, 0.79%, 0.34%

LAB 56.06, -57.78, 54.83

 

CMYK 88 / 0 / 88 / 24

HEX #18C117

RGB 24 193 23

HSL 119.65, 0.79%, 0.42%

LAB 68.31, -68.01, 64.53

 

CMYK 87 / 0 / 88 / 54

HEX #0F750E

RGB 15 117 14

HSL 119.42, 0.79%, 0.26%

LAB 42.55, -46.45, 43.74

 

CMYK 88 / 17 / 0 / 53

HEX #0E6377

RGB 14 99 119

HSL 191.43, 0.79%, 0.26%

LAB 38.46, -15.87, -17.92

 

CMYK 0 / 88 / 51 / 53

HEX #770E3A

RGB 119 14 58

HSL 334.86, 0.79%, 0.26%

LAB 25.39, 45.46, 2.57

 

CMYK 87 / 0 / 88 / 54

HEX #0F750E

RGB 15 117 14

HSL 119.42, 0.79%, 0.26%

LAB 42.55, -46.45, 43.74

 

CMYK 88 / 87 / 0 / 53

HEX #0E1077

RGB 14 16 119

HSL 238.86, 0.79%, 0.26%

LAB 14.38, 38.46, -56.58

 

CMYK 0 / 88 / 87 / 53

HEX #770E10

RGB 119 14 16

HSL 358.86, 0.79%, 0.26%

LAB 24.56, 43.01, 29.45

 

CMYK 87 / 0 / 88 / 54

HEX #0F750E

RGB 15 117 14

HSL 119.42, 0.79%, 0.26%

LAB 42.55, -46.45, 43.74

 

CMYK 88 / 17 / 0 / 53

HEX #0E6377

RGB 14 99 119

HSL 191.43, 0.79%, 0.26%

LAB 38.46, -15.87, -17.92

 

CMYK 2 / 88 / 0 / 53

HEX #750E77

RGB 117 14 119

HSL 298.86, 0.79%, 0.26%

LAB 27.92, 53.03, -33.9

 

CMYK 0 / 72 / 88 / 53

HEX #77210E

RGB 119 33 14

HSL 10.86, 0.79%, 0.26%

LAB 26.85, 36.5, 32.64

 

CMYK 87 / 0 / 88 / 54

HEX #0F750E

RGB 15 117 14

HSL 119.42, 0.79%, 0.26%

LAB 42.55, -46.45, 43.74

 

CMYK 88 / 43 / 0 / 53

HEX #0E4477

RGB 14 68 119

HSL 209.14, 0.79%, 0.26%

LAB 28.27, 3.47, -33.9

 

CMYK 2 / 88 / 0 / 53

HEX #750E77

RGB 117 14 119

HSL 298.86, 0.79%, 0.26%

LAB 27.92, 53.03, -33.9

 

CMYK 0 / 45 / 88 / 53

HEX #77410E

RGB 119 65 14

HSL 29.14, 0.79%, 0.26%

LAB 33.42, 19.64, 38.32

 

Description

Color code: HEX #0F750E | qconv.com Color code: HEX #0F750E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 117 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 117 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 88 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 88% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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