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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F709F it is the complementary color #F08F60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F709F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F709F shade: #14709A, #2582AD, #3694C0, #47A6D3 and #58B8E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F709F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F709F shade: #0F709F, #005E8C, #004C79, #003A66 and #002853

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F709F shade: #0F709F, #0F499F, #0F229F, #220F9F and #490F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F709F shade: #0F709F, #0F499F, #0F229F and #0F0F9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F709F shade matches the following richer shades: #0F709F and #0175AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F709F shade: #0F709F, #1D6B91, #2B6683, #396175 and #475C67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F709F shade: #0F9F7F, #0F979F, #0F719F, #0F4B9F and #0F249F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F709F shade: #083B53, #0B5579, #0F709F, #128AC4 and #17A5E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F709F shade: #0F709F, #590F9F and #9F930F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F709F shade: #0F709F, #9F0F71 and #719F0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F709F shade: #0F709F, #590F9F, #9F3C0F and #549F0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F709F shade: #0F709F, #840F9F, #9F3C0F and #299F0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 30 / 0 / 38

HEX #0F709F

RGB 15 112 159

HSL 199.58, 0.83%, 0.34%

LAB 44.51, -8.26, -32.54

 

Complementary color

CMYK 0 / 40 / 60 / 6

HEX #F08F60

RGB 240 143 96

HSL 19.58, 0.83%, 0.66%

LAB 68.76, 32.46, 40.44

 

CMYK 87 / 27 / 0 / 40

HEX #14709A

RGB 20 112 154

HSL 198.81, 0.77%, 0.34%

LAB 44.33, -9.82, -29.86

 

CMYK 79 / 25 / 0 / 32

HEX #2582AD

RGB 37 130 173

HSL 198.97, 0.65%, 0.41%

LAB 51.12, -11.6, -30.34

 

CMYK 72 / 23 / 0 / 25

HEX #3694C0

RGB 54 148 192

HSL 199.13, 0.56%, 0.48%

LAB 57.82, -12.94, -30.75

 

CMYK 66 / 21 / 0 / 17

HEX #47A6D3

RGB 71 166 211

HSL 199.29, 0.61%, 0.55%

LAB 64.42, -13.95, -31.11

 

CMYK 62 / 20 / 0 / 10

HEX #58B8E6

RGB 88 184 230

HSL 199.44, 0.74%, 0.62%

LAB 70.92, -14.74, -31.45

 

CMYK 91 / 30 / 0 / 38

HEX #0F709F

RGB 15 112 159

HSL 199.58, 0.83%, 0.34%

LAB 44.51, -8.26, -32.54

 

CMYK 100 / 33 / 0 / 45

HEX #005E8C

RGB 0 94 140

HSL 199.71, 1%, 0.27%

LAB 37.66, -5.65, -31.98

 

CMYK 100 / 37 / 0 / 53

HEX #004C79

RGB 0 76 121

HSL 202.31, 1%, 0.24%

LAB 30.76, -2.06, -31.21

 

CMYK 100 / 43 / 0 / 60

HEX #003A66

RGB 0 58 102

HSL 205.88, 1%, 0.2%

LAB 23.62, 1.83, -30.5

 

CMYK 100 / 52 / 0 / 67

HEX #002853

RGB 0 40 83

HSL 211.08, 1%, 0.16%

LAB 16.22, 6.18, -29.85

 

CMYK 91 / 30 / 0 / 38

HEX #0F709F

RGB 15 112 159

HSL 199.58, 0.83%, 0.34%

LAB 44.51, -8.26, -32.54

 

CMYK 91 / 54 / 0 / 38

HEX #0F499F

RGB 15 73 159

HSL 215.83, 0.83%, 0.34%

LAB 32.63, 16.89, -51.51

 

CMYK 91 / 79 / 0 / 38

HEX #0F229F

RGB 15 34 159

HSL 232.08, 0.83%, 0.34%

LAB 22.82, 42.51, -67.62

 

CMYK 79 / 91 / 0 / 38

HEX #220F9F

RGB 34 15 159

HSL 247.92, 0.83%, 0.34%

LAB 20.77, 51.97, -71

 

CMYK 54 / 91 / 0 / 38

HEX #490F9F

RGB 73 15 159

HSL 264.17, 0.83%, 0.34%

LAB 24.52, 54.73, -64.68

 

CMYK 91 / 30 / 0 / 38

HEX #0F709F

RGB 15 112 159

HSL 199.58, 0.83%, 0.34%

LAB 44.51, -8.26, -32.54

 

CMYK 91 / 54 / 0 / 38

HEX #0F499F

RGB 15 73 159

HSL 215.83, 0.83%, 0.34%

LAB 32.63, 16.89, -51.51

 

CMYK 91 / 79 / 0 / 38

HEX #0F229F

RGB 15 34 159

HSL 232.08, 0.83%, 0.34%

LAB 22.82, 42.51, -67.62

 

CMYK 91 / 91 / 0 / 38

HEX #0F0F9F

RGB 15 15 159

HSL 240, 0.83%, 0.34%

LAB 19.83, 51.35, -72.6

 

CMYK 91 / 30 / 0 / 38

HEX #0F709F

RGB 15 112 159

HSL 199.58, 0.83%, 0.34%

LAB 44.51, -8.26, -32.54

 

CMYK 99 / 32 / 0 / 32

HEX #0175AD

RGB 1 117 173

HSL 199.53, 0.99%, 0.34%

LAB 46.64, -6.47, -37.4

 

CMYK 91 / 30 / 0 / 38

HEX #0F709F

RGB 15 112 159

HSL 199.58, 0.83%, 0.34%

LAB 44.51, -8.26, -32.54

 

CMYK 80 / 26 / 0 / 43

HEX #1D6B91

RGB 29 107 145

HSL 199.66, 0.67%, 0.34%

LAB 42.49, -9.38, -27.37

 

CMYK 67 / 22 / 0 / 49

HEX #2B6683

RGB 43 102 131

HSL 199.77, 0.51%, 0.34%

LAB 40.66, -9.42, -21.77

 

CMYK 51 / 17 / 0 / 54

HEX #396175

RGB 57 97 117

HSL 200, 0.34%, 0.34%

LAB 39.08, -8.05, -15.64

 

CMYK 31 / 11 / 0 / 60

HEX #475C67

RGB 71 92 103

HSL 200.63, 0.18%, 0.34%

LAB 37.79, -5.04, -8.89

 

CMYK 91 / 0 / 20 / 38

HEX #0F9F7F

RGB 15 159 127

HSL 166.67, 0.83%, 0.34%

LAB 58.44, -42.37, 7.01

 

CMYK 91 / 5 / 0 / 38

HEX #0F979F

RGB 15 151 159

HSL 183.33, 0.83%, 0.34%

LAB 56.82, -29.31, -13.58

 

CMYK 91 / 29 / 0 / 38

HEX #0F719F

RGB 15 113 159

HSL 199.17, 0.83%, 0.34%

LAB 44.82, -8.85, -32.05

 

CMYK 91 / 53 / 0 / 38

HEX #0F4B9F

RGB 15 75 159

HSL 215, 0.83%, 0.34%

LAB 33.21, 15.52, -50.57

 

CMYK 91 / 77 / 0 / 38

HEX #0F249F

RGB 15 36 159

HSL 231.25, 0.83%, 0.34%

LAB 23.23, 41.36, -66.95

 

CMYK 90 / 29 / 0 / 67

HEX #083B53

RGB 8 59 83

HSL 199.2, 0.82%, 0.18%

LAB 23.01, -6.28, -19.04

 

CMYK 91 / 30 / 0 / 53

HEX #0B5579

RGB 11 85 121

HSL 199.64, 0.83%, 0.26%

LAB 33.88, -7.03, -26.28

 

CMYK 91 / 30 / 0 / 38

HEX #0F709F

RGB 15 112 159

HSL 199.58, 0.83%, 0.34%

LAB 44.51, -8.26, -32.54

 

CMYK 91 / 30 / 0 / 23

HEX #128AC4

RGB 18 138 196

HSL 199.55, 0.83%, 0.42%

LAB 54.33, -9.27, -38.51

 

CMYK 90 / 29 / 0 / 9

HEX #17A5E9

RGB 23 165 233

HSL 199.43, 0.83%, 0.5%

LAB 64.14, -10.71, -43.75

 

CMYK 91 / 30 / 0 / 38

HEX #0F709F

RGB 15 112 159

HSL 199.58, 0.83%, 0.34%

LAB 44.51, -8.26, -32.54

 

CMYK 44 / 91 / 0 / 38

HEX #590F9F

RGB 89 15 159

HSL 270.83, 0.83%, 0.34%

LAB 26.65, 56.47, -61.09

 

CMYK 0 / 8 / 91 / 38

HEX #9F930F

RGB 159 147 15

HSL 55, 0.83%, 0.34%

LAB 60.13, -8.59, 61.6

 

CMYK 91 / 30 / 0 / 38

HEX #0F709F

RGB 15 112 159

HSL 199.58, 0.83%, 0.34%

LAB 44.51, -8.26, -32.54

 

CMYK 0 / 91 / 29 / 38

HEX #9F0F71

RGB 159 15 113

HSL 319.17, 0.83%, 0.34%

LAB 35.8, 60.9, -17.15

 

CMYK 29 / 0 / 91 / 38

HEX #719F0F

RGB 113 159 15

HSL 79.17, 0.83%, 0.34%

LAB 60.2, -34.58, 60.21

 

CMYK 91 / 30 / 0 / 38

HEX #0F709F

RGB 15 112 159

HSL 199.58, 0.83%, 0.34%

LAB 44.51, -8.26, -32.54

 

CMYK 44 / 91 / 0 / 38

HEX #590F9F

RGB 89 15 159

HSL 270.83, 0.83%, 0.34%

LAB 26.65, 56.47, -61.09

 

CMYK 0 / 62 / 91 / 38

HEX #9F3C0F

RGB 159 60 15

HSL 18.75, 0.83%, 0.34%

LAB 38.96, 39.17, 45.15

 

CMYK 47 / 0 / 91 / 38

HEX #549F0F

RGB 84 159 15

HSL 91.25, 0.83%, 0.34%

LAB 58.71, -45.14, 58.37

 

CMYK 91 / 30 / 0 / 38

HEX #0F709F

RGB 15 112 159

HSL 199.58, 0.83%, 0.34%

LAB 44.51, -8.26, -32.54

 

CMYK 17 / 91 / 0 / 38

HEX #840F9F

RGB 132 15 159

HSL 288.75, 0.83%, 0.34%

LAB 33.46, 62.58, -49.69

 

CMYK 0 / 62 / 91 / 38

HEX #9F3C0F

RGB 159 60 15

HSL 18.75, 0.83%, 0.34%

LAB 38.96, 39.17, 45.15

 

CMYK 74 / 0 / 91 / 38

HEX #299F0F

RGB 41 159 15

HSL 109.17, 0.83%, 0.34%

LAB 57.37, -56.02, 56.69

 

Description

Color code: HEX #0F709F | qconv.com Color code: HEX #0F709F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 112 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 112 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 30 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 30% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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