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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F6EBA it is the complementary color #F09145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F6EBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F6EBA shade: #146EB5, #2580C8, #3692DB, #47A4EE and #58B6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F6EBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F6EBA shade: #0F6EBA, #005CA7, #004A94, #003881 and #00266E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F6EBA shade: #0F6DB8, #0F3FB8, #0F12B8, #3A0FB8 and #670FB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F6EBA shade: #0F6DB8, #0F3FB8, #0F12B8 and #0F0FB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F6EBA shade matches the following richer shades: #0F6DB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F6EBA shade: #0F6DB8, #1F6BA8, #2F6998, #3F6788 and #4F6678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F6EBA shade: #0FB8A7, #0F9CB8, #0F6FB8, #0F42B8 and #0F15B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F6EBA shade: #09406C, #0C5692, #0F6DB8, #1283DE and #2C97EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F6EBA shade: #0F6EBA, #7A0FB8 and #B2B80F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F6EBA shade: #0F6EBA, #B80F6F and #6FB80F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F6EBA shade: #0F6EBA, #7A0FB8, #B8580F and #4DB80F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F6EBA shade: #0F6EBA, #AD0FB8, #B8580F and #1AB80F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 41 / 0 / 27

HEX #0F6EBA

RGB 15 110 186

HSL 206.67, 0.85%, 0.39%

LAB 45.36, 3.53, -46.99

 

Complementary color

CMYK 0 / 40 / 71 / 6

HEX #F09145

RGB 240 145 69

HSL 26.67, 0.85%, 0.61%

LAB 68.9, 29.82, 54.05

 

CMYK 89 / 39 / 0 / 29

HEX #146EB5

RGB 20 110 181

HSL 206.46, 0.8%, 0.39%

LAB 45.13, 1.84, -44.44

 

CMYK 82 / 36 / 0 / 22

HEX #2580C8

RGB 37 128 200

HSL 206.5, 0.69%, 0.46%

LAB 51.84, -0.53, -44.7

 

CMYK 75 / 33 / 0 / 14

HEX #3692DB

RGB 54 146 219

HSL 206.55, 0.7%, 0.54%

LAB 58.47, -2.4, -44.9

 

CMYK 70 / 31 / 0 / 7

HEX #47A4EE

RGB 71 164 238

HSL 206.59, 0.83%, 0.61%

LAB 65.01, -3.89, -45.06

 

CMYK 65 / 29 / 0 / 0

HEX #58B6FF

RGB 88 182 255

HSL 206.23, 1%, 0.67%

LAB 71.39, -5.74, -44.27

 

CMYK 92 / 41 / 0 / 27

HEX #0F6EBA

RGB 15 110 186

HSL 206.67, 0.85%, 0.39%

LAB 45.36, 3.53, -46.99

 

CMYK 100 / 45 / 0 / 35

HEX #005CA7

RGB 0 92 167

HSL 206.95, 1%, 0.33%

LAB 38.63, 6.73, -46.63

 

CMYK 100 / 50 / 0 / 42

HEX #004A94

RGB 0 74 148

HSL 210, 1%, 0.29%

LAB 31.89, 10.81, -46.06

 

CMYK 100 / 57 / 0 / 49

HEX #003881

RGB 0 56 129

HSL 213.95, 1%, 0.25%

LAB 24.99, 15.24, -45.49

 

CMYK 100 / 65 / 0 / 57

HEX #00266E

RGB 0 38 110

HSL 219.27, 1%, 0.22%

LAB 17.97, 20.03, -44.84

 

CMYK 92 / 41 / 0 / 28

HEX #0F6DB8

RGB 15 109 184

HSL 206.63, 0.85%, 0.39%

LAB 44.94, 3.36, -46.5

 

CMYK 92 / 66 / 0 / 28

HEX #0F3FB8

RGB 15 63 184

HSL 222.96, 0.85%, 0.39%

LAB 32.07, 33.66, -67.36

 

CMYK 92 / 90 / 0 / 28

HEX #0F12B8

RGB 15 18 184

HSL 238.93, 0.85%, 0.39%

LAB 23.65, 57.52, -81.31

 

CMYK 68 / 92 / 0 / 28

HEX #3A0FB8

RGB 58 15 184

HSL 255.27, 0.85%, 0.39%

LAB 25.87, 59.96, -77.56

 

CMYK 44 / 92 / 0 / 28

HEX #670FB8

RGB 103 15 184

HSL 271.24, 0.85%, 0.39%

LAB 31.08, 63.71, -68.76

 

CMYK 92 / 41 / 0 / 28

HEX #0F6DB8

RGB 15 109 184

HSL 206.63, 0.85%, 0.39%

LAB 44.94, 3.36, -46.5

 

CMYK 92 / 66 / 0 / 28

HEX #0F3FB8

RGB 15 63 184

HSL 222.96, 0.85%, 0.39%

LAB 32.07, 33.66, -67.36

 

CMYK 92 / 90 / 0 / 28

HEX #0F12B8

RGB 15 18 184

HSL 238.93, 0.85%, 0.39%

LAB 23.65, 57.52, -81.31

 

CMYK 92 / 92 / 0 / 28

HEX #0F0FB8

RGB 15 15 184

HSL 240, 0.85%, 0.39%

LAB 23.35, 58.44, -81.82

 

CMYK 92 / 41 / 0 / 28

HEX #0F6DB8

RGB 15 109 184

HSL 206.63, 0.85%, 0.39%

LAB 44.94, 3.36, -46.5

 

CMYK 92 / 41 / 0 / 28

HEX #0F6DB8

RGB 15 109 184

HSL 206.63, 0.85%, 0.39%

LAB 44.94, 3.36, -46.5

 

CMYK 82 / 36 / 0 / 34

HEX #1F6BA8

RGB 31 107 168

HSL 206.72, 0.69%, 0.39%

LAB 43.7, -0.45, -39.1

 

CMYK 69 / 31 / 0 / 40

HEX #2F6998

RGB 47 105 152

HSL 206.86, 0.53%, 0.39%

LAB 42.72, -3.05, -31.14

 

CMYK 54 / 24 / 0 / 47

HEX #3F6788

RGB 63 103 136

HSL 207.12, 0.37%, 0.39%

LAB 42.05, -4.06, -22.56

 

CMYK 34 / 15 / 0 / 53

HEX #4F6678

RGB 79 102 120

HSL 206.34, 0.21%, 0.39%

LAB 42.03, -3.81, -12.85

 

CMYK 92 / 0 / 9 / 28

HEX #0FB8A7

RGB 15 184 167

HSL 173.96, 0.85%, 0.39%

LAB 67.41, -42.11, -2.31

 

CMYK 92 / 15 / 0 / 28

HEX #0F9CB8

RGB 15 156 184

HSL 189.94, 0.85%, 0.39%

LAB 59.29, -23.51, -24.01

 

CMYK 92 / 40 / 0 / 28

HEX #0F6FB8

RGB 15 111 184

HSL 205.92, 0.85%, 0.39%

LAB 45.54, 2.11, -45.54

 

CMYK 92 / 64 / 0 / 28

HEX #0F42B8

RGB 15 66 184

HSL 221.89, 0.85%, 0.39%

LAB 32.83, 31.68, -66.12

 

CMYK 92 / 89 / 0 / 28

HEX #0F15B8

RGB 15 21 184

HSL 237.87, 0.85%, 0.39%

LAB 23.99, 56.49, -80.74

 

CMYK 92 / 41 / 0 / 58

HEX #09406C

RGB 9 64 108

HSL 206.67, 0.85%, 0.23%

LAB 26.18, 1.1, -30.27

 

CMYK 92 / 41 / 0 / 43

HEX #0C5692

RGB 12 86 146

HSL 206.87, 0.85%, 0.31%

LAB 35.61, 2.58, -38.85

 

CMYK 92 / 41 / 0 / 28

HEX #0F6DB8

RGB 15 109 184

HSL 206.63, 0.85%, 0.39%

LAB 44.94, 3.36, -46.5

 

CMYK 92 / 41 / 0 / 13

HEX #1283DE

RGB 18 131 222

HSL 206.76, 0.85%, 0.47%

LAB 53.64, 4.73, -54.3

 

CMYK 82 / 37 / 0 / 7

HEX #2C97EE

RGB 44 151 238

HSL 206.91, 0.85%, 0.55%

LAB 60.64, 0.5, -52.02

 

CMYK 92 / 41 / 0 / 27

HEX #0F6EBA

RGB 15 110 186

HSL 206.67, 0.85%, 0.39%

LAB 45.36, 3.53, -46.99

 

CMYK 34 / 92 / 0 / 28

HEX #7A0FB8

RGB 122 15 184

HSL 277.99, 0.85%, 0.39%

LAB 33.86, 65.97, -64.1

 

CMYK 3 / 0 / 92 / 28

HEX #B2B80F

RGB 178 184 15

HSL 62.13, 0.85%, 0.39%

LAB 72.08, -19.29, 71.64

 

CMYK 92 / 41 / 0 / 27

HEX #0F6EBA

RGB 15 110 186

HSL 206.67, 0.85%, 0.39%

LAB 45.36, 3.53, -46.99

 

CMYK 0 / 92 / 40 / 28

HEX #B80F6F

RGB 184 15 111

HSL 325.92, 0.85%, 0.39%

LAB 40.7, 66.3, -7.98

 

CMYK 40 / 0 / 92 / 28

HEX #6FB80F

RGB 111 184 15

HSL 85.92, 0.85%, 0.39%

LAB 67.8, -46.12, 66.41

 

CMYK 92 / 41 / 0 / 27

HEX #0F6EBA

RGB 15 110 186

HSL 206.67, 0.85%, 0.39%

LAB 45.36, 3.53, -46.99

 

CMYK 34 / 92 / 0 / 28

HEX #7A0FB8

RGB 122 15 184

HSL 277.99, 0.85%, 0.39%

LAB 33.86, 65.97, -64.1

 

CMYK 0 / 52 / 92 / 28

HEX #B8580F

RGB 184 88 15

HSL 25.92, 0.85%, 0.39%

LAB 48.52, 35.03, 54.07

 

CMYK 58 / 0 / 92 / 28

HEX #4DB80F

RGB 77 184 15

HSL 97.99, 0.85%, 0.39%

LAB 66.44, -56.53, 64.74

 

CMYK 92 / 41 / 0 / 27

HEX #0F6EBA

RGB 15 110 186

HSL 206.67, 0.85%, 0.39%

LAB 45.36, 3.53, -46.99

 

CMYK 6 / 92 / 0 / 28

HEX #AD0FB8

RGB 173 15 184

HSL 296.09, 0.85%, 0.39%

LAB 42.29, 73.57, -50.03

 

CMYK 0 / 52 / 92 / 28

HEX #B8580F

RGB 184 88 15

HSL 25.92, 0.85%, 0.39%

LAB 48.52, 35.03, 54.07

 

CMYK 86 / 0 / 92 / 28

HEX #1AB80F

RGB 26 184 15

HSL 116.09, 0.85%, 0.39%

LAB 65.39, -65.52, 63.43

 

Description

Color code: HEX #0F6EBA | qconv.com Color code: HEX #0F6EBA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 110 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 110 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 41 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 41% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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