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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F6CCACE it is the complementary color #F09335CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F6CCACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F6CCACE shade: #146CC5CE, #257ED8CE, #3690EBCE, #47A2FECE and #58B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F6CCACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F6CCACE shade: #0F6CCACE, #005AB7CE, #0048A4CE, #003691CE and #00247ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F6CCACE shade: #0F6DCC, #0F3ACC, #170FCC, #4A0FCC and #7D0FCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F6CCACE shade: #0F6DCC, #0F3ACC and #0F0FCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F6CCACE shade matches the following richer shades: #0F6DCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F6CCACE shade: #0F6DCC, #216DBA, #336DA8, #456D97 and #566E85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F6CCACE shade: #0FCCC6, #0FA0CC, #0F6ECC, #0F3BCC and #160FCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F6CCACE shade: #0A447F, #0C59A6, #0F6DCC, #1782EE and #3D96F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F6CCACE shade: #0F6CCA, #930FCC and #B9CC0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F6CCACE shade: #0F6CCA, #CC0F6E and #6ECC0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F6CCACE shade: #0F6CCA, #930FCC, #CC6E0F and #48CC0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F6CCACE shade: #0F6CCA, #CC0FCC, #CC6E0F and #0FCC0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 38 / 0 / 17

HEX #0F6CCACE

RGBA 15 108 202 0.81

HSLA 210.16, 0.86%, 0.43%, 0.81

LABA 45.76, 11.14, -55.59, 0.81

 

Complementary color

CMYK 0 / 31 / 63 / 5

HEX #F09335CE

RGBA 240 147 53 0.81

HSLA 30.16, 0.86%, 0.57%, 0.81

LABA 69.22, 28.1, 61.31, 0.81

 

CMYK 73 / 37 / 0 / 18

HEX #146CC5CE

RGBA 20 108 197 0.81

HSLA 210.17, 0.82%, 0.43%, 0.81

LABA 45.5, 9.41, -53.12, 0.81

 

CMYK 67 / 34 / 0 / 12

HEX #257ED8CE

RGBA 37 126 216 0.81

HSLA 210.17, 0.71%, 0.5%, 0.81

LABA 52.14, 6.7, -53.29, 0.81

 

CMYK 62 / 31 / 0 / 6

HEX #3690EBCE

RGBA 54 144 235 0.81

HSLA 210.17, 0.82%, 0.57%, 0.81

LABA 58.72, 4.52, -53.4, 0.81

 

CMYK 58 / 29 / 0 / 0

HEX #47A2FECE

RGBA 71 162 254 0.81

HSLA 210.16, 0.99%, 0.64%, 0.81

LABA 65.23, 2.74, -53.47, 0.81

 

CMYK 53 / 24 / 0 / 0

HEX #58B4FFCE

RGBA 88 180 255 0.81

HSLA 206.95, 1%, 0.67%, 0.81

LABA 70.83, -4.64, -45.14, 0.81

 

CMYK 75 / 38 / 0 / 17

HEX #0F6CCACE

RGBA 15 108 202 0.81

HSLA 210.16, 0.86%, 0.43%, 0.81

LABA 45.76, 11.14, -55.59, 0.81

 

CMYK 81 / 41 / 0 / 23

HEX #005AB7CE

RGBA 0 90 183 0.81

HSLA 210.49, 1%, 0.36%, 0.81

LABA 39.12, 14.64, -55.28, 0.81

 

CMYK 81 / 45 / 0 / 29

HEX #0048A4CE

RGBA 0 72 164 0.81

HSLA 213.66, 1%, 0.32%, 0.81

LABA 32.51, 18.94, -54.73, 0.81

 

CMYK 81 / 51 / 0 / 35

HEX #003691CE

RGBA 0 54 145 0.81

HSLA 217.66, 1%, 0.28%, 0.81

LABA 25.81, 23.51, -54.11, 0.81

 

CMYK 81 / 58 / 0 / 41

HEX #00247ECE

RGBA 0 36 126 0.81

HSLA 222.86, 1%, 0.25%, 0.81

LABA 19.09, 28.24, -53.27, 0.81

 

CMYK 93 / 47 / 0 / 20

HEX #0F6DCC

RGB 15 109 204

HSL 210.16, 0.86%, 0.43%

LAB 46.18, 11.29, -56.06

 

CMYK 93 / 72 / 0 / 20

HEX #0F3ACC

RGB 15 58 204

HSL 226.35, 0.86%, 0.43%

LAB 32.89, 44.27, -77.74

 

CMYK 89 / 93 / 0 / 20

HEX #170FCC

RGB 23 15 204

HSL 242.54, 0.86%, 0.43%

LAB 26.4, 63.99, -88.52

 

CMYK 64 / 93 / 0 / 20

HEX #4A0FCC

RGB 74 15 204

HSL 258.73, 0.86%, 0.43%

LAB 29.81, 65.95, -82.76

 

CMYK 39 / 93 / 0 / 20

HEX #7D0FCC

RGB 125 15 204

HSL 274.92, 0.86%, 0.43%

LAB 36.1, 70.46, -72.15

 

CMYK 93 / 47 / 0 / 20

HEX #0F6DCC

RGB 15 109 204

HSL 210.16, 0.86%, 0.43%

LAB 46.18, 11.29, -56.06

 

CMYK 93 / 72 / 0 / 20

HEX #0F3ACC

RGB 15 58 204

HSL 226.35, 0.86%, 0.43%

LAB 32.89, 44.27, -77.74

 

CMYK 93 / 93 / 0 / 20

HEX #0F0FCC

RGB 15 15 204

HSL 240, 0.86%, 0.43%

LAB 26.17, 63.87, -88.92

 

CMYK 93 / 47 / 0 / 20

HEX #0F6DCC

RGB 15 109 204

HSL 210.16, 0.86%, 0.43%

LAB 46.18, 11.29, -56.06

 

CMYK 93 / 47 / 0 / 20

HEX #0F6DCC

RGB 15 109 204

HSL 210.16, 0.86%, 0.43%

LAB 46.18, 11.29, -56.06

 

CMYK 82 / 41 / 0 / 27

HEX #216DBA

RGB 33 109 186

HSL 210.2, 0.7%, 0.43%

LAB 45.37, 5.44, -46.96

 

CMYK 70 / 35 / 0 / 34

HEX #336DA8

RGB 51 109 168

HSL 210.26, 0.53%, 0.43%

LAB 44.9, 0.95, -37.17

 

CMYK 54 / 28 / 0 / 41

HEX #456D97

RGB 69 109 151

HSL 210.73, 0.37%, 0.43%

LAB 44.85, -1.36, -27.15

 

CMYK 35 / 17 / 0 / 48

HEX #566E85

RGB 86 110 133

HSL 209.36, 0.21%, 0.43%

LAB 45.39, -2.8, -15.52

 

CMYK 93 / 0 / 3 / 20

HEX #0FCCC6

RGB 15 204 198

HSL 178.1, 0.86%, 0.43%

LAB 74.42, -41.98, -8.87

 

CMYK 93 / 22 / 0 / 20

HEX #0FA0CC

RGB 15 160 204

HSL 193.97, 0.86%, 0.43%

LAB 61.31, -18.67, -32.11

 

CMYK 93 / 46 / 0 / 20

HEX #0F6ECC

RGB 15 110 204

HSL 209.84, 0.86%, 0.43%

LAB 46.46, 10.65, -55.6

 

CMYK 93 / 71 / 0 / 20

HEX #0F3BCC

RGB 15 59 204

HSL 226.03, 0.86%, 0.43%

LAB 33.11, 43.66, -77.38

 

CMYK 89 / 93 / 0 / 20

HEX #160FCC

RGB 22 15 204

HSL 242.22, 0.86%, 0.43%

LAB 26.37, 63.97, -88.58

 

CMYK 92 / 46 / 0 / 50

HEX #0A447F

RGB 10 68 127

HSL 210.26, 0.85%, 0.27%

LAB 28.72, 6.57, -38.2

 

CMYK 93 / 46 / 0 / 35

HEX #0C59A6

RGB 12 89 166

HSL 210, 0.87%, 0.35%

LAB 37.8, 8.83, -47.36

 

CMYK 93 / 47 / 0 / 20

HEX #0F6DCC

RGB 15 109 204

HSL 210.16, 0.86%, 0.43%

LAB 46.18, 11.29, -56.06

 

CMYK 90 / 45 / 0 / 7

HEX #1782EE

RGB 23 130 238

HSL 210.14, 0.86%, 0.51%

LAB 54.37, 11.71, -62.07

 

CMYK 75 / 38 / 0 / 6

HEX #3D96F0

RGB 61 150 240

HSL 210.17, 0.86%, 0.59%

LAB 60.87, 3.57, -52.74

 

CMYK 93 / 47 / 0 / 21

HEX #0F6CCA

RGB 15 108 202

HSL 210.16, 0.86%, 0.43%

LAB 45.76, 11.14, -55.59

 

CMYK 28 / 93 / 0 / 20

HEX #930FCC

RGB 147 15 204

HSL 281.9, 0.86%, 0.43%

LAB 39.42, 73.17, -66.59

 

CMYK 9 / 0 / 93 / 20

HEX #B9CC0F

RGB 185 204 15

HSL 66.03, 0.86%, 0.43%

LAB 78.19, -26.1, 76.62

 

CMYK 93 / 47 / 0 / 21

HEX #0F6CCA

RGB 15 108 202

HSL 210.16, 0.86%, 0.43%

LAB 45.76, 11.14, -55.59

 

CMYK 0 / 93 / 46 / 20

HEX #CC0F6E

RGB 204 15 110

HSL 329.84, 0.86%, 0.43%

LAB 44.67, 70.75, -1.04

 

CMYK 46 / 0 / 93 / 20

HEX #6ECC0F

RGB 110 204 15

HSL 89.84, 0.86%, 0.43%

LAB 73.89, -54.34, 71.38

 

CMYK 93 / 47 / 0 / 21

HEX #0F6CCA

RGB 15 108 202

HSL 210.16, 0.86%, 0.43%

LAB 45.76, 11.14, -55.59

 

CMYK 28 / 93 / 0 / 20

HEX #930FCC

RGB 147 15 204

HSL 281.9, 0.86%, 0.43%

LAB 39.42, 73.17, -66.59

 

CMYK 0 / 46 / 93 / 20

HEX #CC6E0F

RGB 204 110 15

HSL 30.16, 0.86%, 0.43%

LAB 56.11, 31.73, 60.87

 

CMYK 65 / 0 / 93 / 20

HEX #48CC0F

RGB 72 204 15

HSL 101.9, 0.86%, 0.43%

LAB 72.63, -64.44, 69.82

 

CMYK 93 / 47 / 0 / 21

HEX #0F6CCA

RGB 15 108 202

HSL 210.16, 0.86%, 0.43%

LAB 45.76, 11.14, -55.59

 

CMYK 0 / 93 / 0 / 20

HEX #CC0FCC

RGB 204 15 204

HSL 300, 0.86%, 0.43%

LAB 48.93, 81.79, -50.75

 

CMYK 0 / 46 / 93 / 20

HEX #CC6E0F

RGB 204 110 15

HSL 30.16, 0.86%, 0.43%

LAB 56.11, 31.73, 60.87

 

CMYK 93 / 0 / 93 / 20

HEX #0FCC0F

RGB 15 204 15

HSL 120, 0.86%, 0.43%

LAB 71.77, -71.91, 68.77

 

Description

Color code: HEX #0F6CCACE | qconv.com Color code: HEX #0F6CCACE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 108 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 108 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 38 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 38% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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