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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F6C67 it is the complementary color #F09398. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F6C67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F6C67 shade: #146C62, #257E75, #369088, #47A29B and #58B4AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F6C67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F6C67 shade: #0F6C67, #005A54, #004841, #00362E and #00241B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F6C67 shade: #0F6C67, #0F6C4E, #0F6C35, #0F6C1B and #1B6C0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F6C67 shade: #0F6C67, #0F586C, #0F3F6C, #0F256C and #0F0F6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F6C67 shade matches the following richer shades: #0F6C67 and #057670

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F6C67 shade: #0F6C67, #19625E, #225855, #2C4E4C and #364443

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F6C67 shade: #0F6C34, #0F6C4D, #0F6C66, #0F596C and #0F406C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F6C67 shade: #052321, #0A4744, #0F6C67, #149089 and #19B4AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F6C67 shade: #0F6C67, #1B0F6C and #6C400F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F6C67 shade: #0F6C67, #660F6C and #6C660F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F6C67 shade: #0F6C67, #1B0F6C, #6C0F15 and #5F6C0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F6C67 shade: #0F6C67, #370F6C, #6C0F15 and #436C0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 5 / 58

HEX #0F6C67

RGB 15 108 103

HSL 176.77, 0.76%, 0.24%

LAB 40.91, -26.09, -4.46

 

Complementary color

CMYK 0 / 39 / 37 / 6

HEX #F09398

RGB 240 147 152

HSL 356.77, 0.76%, 0.76%

LAB 70.64, 35.6, 12.36

 

CMYK 81 / 0 / 9 / 58

HEX #146C62

RGB 20 108 98

HSL 173.18, 0.69%, 0.25%

LAB 40.83, -27.14, -1.53

 

CMYK 71 / 0 / 7 / 51

HEX #257E75

RGB 37 126 117

HSL 173.93, 0.55%, 0.32%

LAB 47.75, -27.96, -2.68

 

CMYK 63 / 0 / 6 / 44

HEX #369088

RGB 54 144 136

HSL 174.67, 0.45%, 0.39%

LAB 54.56, -28.42, -3.68

 

CMYK 56 / 0 / 4 / 36

HEX #47A29B

RGB 71 162 155

HSL 175.38, 0.39%, 0.46%

LAB 61.26, -28.68, -4.55

 

CMYK 51 / 0 / 3 / 29

HEX #58B4AE

RGB 88 180 174

HSL 176.09, 0.38%, 0.53%

LAB 67.85, -28.8, -5.34

 

CMYK 86 / 0 / 5 / 58

HEX #0F6C67

RGB 15 108 103

HSL 176.77, 0.76%, 0.24%

LAB 40.91, -26.09, -4.46

 

CMYK 100 / 0 / 7 / 65

HEX #005A54

RGB 0 90 84

HSL 176, 1%, 0.18%

LAB 33.88, -24.52, -3.15

 

CMYK 100 / 0 / 10 / 72

HEX #004841

RGB 0 72 65

HSL 174.17, 1%, 0.14%

LAB 26.78, -21.76, -1.48

 

CMYK 100 / 0 / 15 / 79

HEX #00362E

RGB 0 54 46

HSL 171.11, 1%, 0.11%

LAB 19.37, -18.89, 0.34

 

CMYK 100 / 0 / 25 / 86

HEX #00241B

RGB 0 36 27

HSL 165, 1%, 0.07%

LAB 11.56, -15.87, 2.37

 

CMYK 86 / 0 / 5 / 58

HEX #0F6C67

RGB 15 108 103

HSL 176.77, 0.76%, 0.24%

LAB 40.91, -26.09, -4.46

 

CMYK 86 / 0 / 28 / 58

HEX #0F6C4E

RGB 15 108 78

HSL 160.65, 0.76%, 0.24%

LAB 40.21, -33.35, 9.67

 

CMYK 86 / 0 / 51 / 58

HEX #0F6C35

RGB 15 108 53

HSL 144.52, 0.76%, 0.24%

LAB 39.72, -38.88, 23.6

 

CMYK 86 / 0 / 75 / 58

HEX #0F6C1B

RGB 15 108 27

HSL 127.74, 0.76%, 0.24%

LAB 39.42, -42.52, 36.25

 

CMYK 75 / 0 / 86 / 58

HEX #1B6C0F

RGB 27 108 15

HSL 112.26, 0.76%, 0.24%

LAB 39.57, -41.53, 40.82

 

CMYK 86 / 0 / 5 / 58

HEX #0F6C67

RGB 15 108 103

HSL 176.77, 0.76%, 0.24%

LAB 40.91, -26.09, -4.46

 

CMYK 86 / 19 / 0 / 58

HEX #0F586C

RGB 15 88 108

HSL 192.9, 0.76%, 0.24%

LAB 34.32, -13.56, -17.5

 

CMYK 86 / 42 / 0 / 58

HEX #0F3F6C

RGB 15 63 108

HSL 209.03, 0.76%, 0.24%

LAB 25.98, 2.34, -30.58

 

CMYK 86 / 66 / 0 / 58

HEX #0F256C

RGB 15 37 108

HSL 225.81, 0.76%, 0.24%

LAB 17.95, 21.03, -43.56

 

CMYK 86 / 86 / 0 / 58

HEX #0F0F6C

RGB 15 15 108

HSL 240, 0.76%, 0.24%

LAB 12.77, 35.3, -52.1

 

CMYK 86 / 0 / 5 / 58

HEX #0F6C67

RGB 15 108 103

HSL 176.77, 0.76%, 0.24%

LAB 40.91, -26.09, -4.46

 

CMYK 96 / 0 / 5 / 54

HEX #057670

RGB 5 118 112

HSL 176.81, 0.92%, 0.24%

LAB 44.46, -28.84, -4.63

 

CMYK 86 / 0 / 5 / 58

HEX #0F6C67

RGB 15 108 103

HSL 176.77, 0.76%, 0.24%

LAB 40.91, -26.09, -4.46

 

CMYK 74 / 0 / 4 / 62

HEX #19625E

RGB 25 98 94

HSL 176.71, 0.59%, 0.24%

LAB 37.39, -22.68, -4.14

 

CMYK 61 / 0 / 3 / 65

HEX #225855

RGB 34 88 85

HSL 176.67, 0.44%, 0.24%

LAB 33.93, -18.5, -3.63

 

CMYK 44 / 0 / 3 / 69

HEX #2C4E4C

RGB 44 78 76

HSL 176.47, 0.28%, 0.24%

LAB 30.65, -12.91, -2.72

 

CMYK 21 / 0 / 1 / 73

HEX #364443

RGB 54 68 67

HSL 175.71, 0.11%, 0.24%

LAB 27.64, -5.86, -1.27

 

CMYK 86 / 0 / 52 / 58

HEX #0F6C34

RGB 15 108 52

HSL 143.87, 0.76%, 0.24%

LAB 39.71, -39.06, 24.14

 

CMYK 86 / 0 / 29 / 58

HEX #0F6C4D

RGB 15 108 77

HSL 160, 0.76%, 0.24%

LAB 40.18, -33.6, 10.23

 

CMYK 86 / 0 / 6 / 58

HEX #0F6C66

RGB 15 108 102

HSL 176.13, 0.76%, 0.24%

LAB 40.87, -26.41, -3.9

 

CMYK 86 / 18 / 0 / 58

HEX #0F596C

RGB 15 89 108

HSL 192.26, 0.76%, 0.24%

LAB 34.66, -14.14, -16.98

 

CMYK 86 / 41 / 0 / 58

HEX #0F406C

RGB 15 64 108

HSL 208.39, 0.76%, 0.24%

LAB 26.31, 1.65, -30.06

 

CMYK 86 / 0 / 6 / 86

HEX #052321

RGB 5 35 33

HSL 176, 0.75%, 0.08%

LAB 11.58, -11.63, -1.93

 

CMYK 86 / 0 / 4 / 72

HEX #0A4744

RGB 10 71 68

HSL 177.05, 0.75%, 0.16%

LAB 26.7, -18.96, -3.53

 

CMYK 86 / 0 / 5 / 58

HEX #0F6C67

RGB 15 108 103

HSL 176.77, 0.76%, 0.24%

LAB 40.91, -26.09, -4.46

 

CMYK 86 / 0 / 5 / 44

HEX #149089

RGB 20 144 137

HSL 176.61, 0.76%, 0.32%

LAB 53.92, -32.53, -5.27

 

CMYK 86 / 0 / 4 / 29

HEX #19B4AC

RGB 25 180 172

HSL 176.9, 0.76%, 0.4%

LAB 66.39, -38.35, -6.56

 

CMYK 86 / 0 / 5 / 58

HEX #0F6C67

RGB 15 108 103

HSL 176.77, 0.76%, 0.24%

LAB 40.91, -26.09, -4.46

 

CMYK 75 / 86 / 0 / 58

HEX #1B0F6C

RGB 27 15 108

HSL 247.74, 0.76%, 0.24%

LAB 13.58, 36.12, -50.74

 

CMYK 0 / 41 / 86 / 58

HEX #6C400F

RGB 108 64 15

HSL 31.61, 0.76%, 0.24%

LAB 31.55, 15.09, 35.65

 

CMYK 86 / 0 / 5 / 58

HEX #0F6C67

RGB 15 108 103

HSL 176.77, 0.76%, 0.24%

LAB 40.91, -26.09, -4.46

 

CMYK 6 / 86 / 0 / 58

HEX #660F6C

RGB 102 15 108

HSL 296.13, 0.76%, 0.24%

LAB 24.48, 47.86, -32.5

 

CMYK 0 / 6 / 86 / 58

HEX #6C660F

RGB 108 102 15

HSL 56.13, 0.76%, 0.24%

LAB 42.35, -7.67, 45.09

 

CMYK 86 / 0 / 5 / 58

HEX #0F6C67

RGB 15 108 103

HSL 176.77, 0.76%, 0.24%

LAB 40.91, -26.09, -4.46

 

CMYK 75 / 86 / 0 / 58

HEX #1B0F6C

RGB 27 15 108

HSL 247.74, 0.76%, 0.24%

LAB 13.58, 36.12, -50.74

 

CMYK 0 / 86 / 81 / 58

HEX #6C0F15

RGB 108 15 21

HSL 356.13, 0.76%, 0.24%

LAB 22.25, 39.52, 23.25

 

CMYK 12 / 0 / 86 / 58

HEX #5F6C0F

RGB 95 108 15

HSL 68.39, 0.76%, 0.24%

LAB 43.05, -17.18, 45.26

 

CMYK 86 / 0 / 5 / 58

HEX #0F6C67

RGB 15 108 103

HSL 176.77, 0.76%, 0.24%

LAB 40.91, -26.09, -4.46

 

CMYK 49 / 86 / 0 / 58

HEX #370F6C

RGB 55 15 108

HSL 265.81, 0.76%, 0.24%

LAB 16.68, 39.38, -45.51

 

CMYK 0 / 86 / 81 / 58

HEX #6C0F15

RGB 108 15 21

HSL 356.13, 0.76%, 0.24%

LAB 22.25, 39.52, 23.25

 

CMYK 38 / 0 / 86 / 58

HEX #436C0F

RGB 67 108 15

HSL 86.45, 0.76%, 0.24%

LAB 41.14, -29.36, 42.84

 

Description

Color code: HEX #0F6C67 | qconv.com Color code: HEX #0F6C67 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 108 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 108 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 5 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 5% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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