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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F625B it is the complementary color #F09DA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F625B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F625B shade: #146256, #257469, #36867C, #47988F and #58AAA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F625B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F625B shade: #0F625B, #005048, #003E35, #002C22 and #001A0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F625B shade: #0F615A, #0F6144, #0F612E, #0F6118 and #1C610F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F625B shade: #0F615A, #0F5261, #0F3C61, #0F2661 and #0F1061

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F625B shade matches the following richer shades: #0F615A and #066A62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F625B shade: #0F615A, #185853, #214F4B, #2A4644 and #333D3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F625B shade: #0F612D, #0F6143, #0F6159, #0F5361 and #0F3E61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F625B shade: #041A18, #0A3D39, #0F615A, #15857B and #1AA89C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F625B shade: #0F625B, #170F61 and #61380F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F625B shade: #0F625B, #590F61 and #61590F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F625B shade: #0F625B, #170F61, #610F17 and #59610F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F625B shade: #0F625B, #300F61, #610F17 and #40610F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 7 / 62

HEX #0F625B

RGB 15 98 91

HSL 174.94, 0.73%, 0.22%

LAB 37.1, -24.91, -2.74

 

Complementary color

CMYK 0 / 35 / 32 / 6

HEX #F09DA4

RGB 240 157 164

HSL 354.94, 0.73%, 0.78%

LAB 73.1, 31.82, 9.22

 

CMYK 80 / 0 / 12 / 62

HEX #146256

RGB 20 98 86

HSL 170.77, 0.66%, 0.23%

LAB 37.03, -25.86, 0.26

 

CMYK 68 / 0 / 9 / 55

HEX #257469

RGB 37 116 105

HSL 171.65, 0.52%, 0.3%

LAB 44.09, -26.52, -0.92

 

CMYK 60 / 0 / 7 / 47

HEX #36867C

RGB 54 134 124

HSL 172.5, 0.43%, 0.37%

LAB 51.02, -26.84, -1.93

 

CMYK 53 / 0 / 6 / 40

HEX #47988F

RGB 71 152 143

HSL 173.33, 0.36%, 0.44%

LAB 57.83, -26.97, -2.81

 

CMYK 48 / 0 / 5 / 33

HEX #58AAA2

RGB 88 170 162

HSL 174.15, 0.33%, 0.51%

LAB 64.51, -27, -3.62

 

CMYK 85 / 0 / 7 / 62

HEX #0F625B

RGB 15 98 91

HSL 174.94, 0.73%, 0.22%

LAB 37.1, -24.91, -2.74

 

CMYK 100 / 0 / 10 / 69

HEX #005048

RGB 0 80 72

HSL 174, 1%, 0.16%

LAB 29.92, -23.48, -1.38

 

CMYK 100 / 0 / 15 / 76

HEX #003E35

RGB 0 62 53

HSL 171.29, 1%, 0.12%

LAB 22.66, -20.67, 0.41

 

CMYK 100 / 0 / 23 / 83

HEX #002C22

RGB 0 44 34

HSL 166.36, 1%, 0.09%

LAB 15.04, -17.73, 2.38

 

CMYK 100 / 0 / 42 / 90

HEX #001A0F

RGB 0 26 15

HSL 154.62, 1%, 0.05%

LAB 6.98, -11.44, 3.79

 

CMYK 85 / 0 / 7 / 62

HEX #0F615A

RGB 15 97 90

HSL 174.88, 0.73%, 0.22%

LAB 36.72, -24.72, -2.67

 

CMYK 85 / 0 / 30 / 62

HEX #0F6144

RGB 15 97 68

HSL 158.78, 0.73%, 0.22%

LAB 36.12, -31.06, 10.01

 

CMYK 85 / 0 / 53 / 62

HEX #0F612E

RGB 15 97 46

HSL 142.68, 0.73%, 0.22%

LAB 35.69, -35.9, 22.46

 

CMYK 85 / 0 / 75 / 62

HEX #0F6118

RGB 15 97 24

HSL 126.59, 0.73%, 0.22%

LAB 35.43, -39, 33.37

 

CMYK 71 / 0 / 85 / 62

HEX #1C610F

RGB 28 97 15

HSL 110.49, 0.73%, 0.22%

LAB 35.66, -37.33, 37.17

 

CMYK 85 / 0 / 7 / 62

HEX #0F615A

RGB 15 97 90

HSL 174.88, 0.73%, 0.22%

LAB 36.72, -24.72, -2.67

 

CMYK 85 / 15 / 0 / 62

HEX #0F5261

RGB 15 82 97

HSL 190.98, 0.73%, 0.22%

LAB 31.81, -14.17, -14.46

 

CMYK 85 / 38 / 0 / 62

HEX #0F3C61

RGB 15 60 97

HSL 207.07, 0.73%, 0.22%

LAB 24.31, -0.26, -26.15

 

CMYK 85 / 61 / 0 / 62

HEX #0F2661

RGB 15 38 97

HSL 223.17, 0.73%, 0.22%

LAB 17.23, 15.62, -37.52

 

CMYK 85 / 84 / 0 / 62

HEX #0F1061

RGB 15 16 97

HSL 239.27, 0.73%, 0.22%

LAB 11.52, 30.87, -46.91

 

CMYK 85 / 0 / 7 / 62

HEX #0F615A

RGB 15 97 90

HSL 174.88, 0.73%, 0.22%

LAB 36.72, -24.72, -2.67

 

CMYK 94 / 0 / 8 / 58

HEX #066A62

RGB 6 106 98

HSL 175.2, 0.89%, 0.22%

LAB 39.96, -27.39, -2.82

 

CMYK 85 / 0 / 7 / 62

HEX #0F615A

RGB 15 97 90

HSL 174.88, 0.73%, 0.22%

LAB 36.72, -24.72, -2.67

 

CMYK 73 / 0 / 6 / 65

HEX #185853

RGB 24 88 83

HSL 175.31, 0.57%, 0.22%

LAB 33.56, -21.07, -2.96

 

CMYK 58 / 0 / 5 / 69

HEX #214F4B

RGB 33 79 75

HSL 174.78, 0.41%, 0.22%

LAB 30.46, -16.81, -2.43

 

CMYK 40 / 0 / 3 / 73

HEX #2A4644

RGB 42 70 68

HSL 175.71, 0.25%, 0.22%

LAB 27.55, -11.09, -2.15

 

CMYK 16 / 0 / 2 / 76

HEX #333D3C

RGB 51 61 60

HSL 174, 0.09%, 0.22%

LAB 24.85, -4.37, -0.78

 

CMYK 85 / 0 / 54 / 62

HEX #0F612D

RGB 15 97 45

HSL 141.95, 0.73%, 0.22%

LAB 35.68, -36.08, 23.01

 

CMYK 85 / 0 / 31 / 62

HEX #0F6143

RGB 15 97 67

HSL 158.05, 0.73%, 0.22%

LAB 36.09, -31.32, 10.58

 

CMYK 85 / 0 / 8 / 62

HEX #0F6159

RGB 15 97 89

HSL 174.15, 0.73%, 0.22%

LAB 36.69, -25.04, -2.1

 

CMYK 85 / 14 / 0 / 62

HEX #0F5361

RGB 15 83 97

HSL 190.24, 0.73%, 0.22%

LAB 32.15, -14.75, -13.93

 

CMYK 85 / 36 / 0 / 62

HEX #0F3E61

RGB 15 62 97

HSL 205.61, 0.73%, 0.22%

LAB 24.98, -1.62, -25.08

 

CMYK 85 / 0 / 8 / 90

HEX #041A18

RGB 4 26 24

HSL 174.55, 0.73%, 0.06%

LAB 7.5, -8.4, -1.27

 

CMYK 84 / 0 / 7 / 76

HEX #0A3D39

RGB 10 61 57

HSL 175.29, 0.72%, 0.14%

LAB 22.64, -17.23, -2.27

 

CMYK 85 / 0 / 7 / 62

HEX #0F615A

RGB 15 97 90

HSL 174.88, 0.73%, 0.22%

LAB 36.72, -24.72, -2.67

 

CMYK 84 / 0 / 8 / 48

HEX #15857B

RGB 21 133 123

HSL 174.64, 0.73%, 0.3%

LAB 49.94, -31.49, -3.03

 

CMYK 85 / 0 / 7 / 34

HEX #1AA89C

RGB 26 168 156

HSL 174.93, 0.73%, 0.38%

LAB 62.19, -37.52, -3.85

 

CMYK 85 / 0 / 7 / 62

HEX #0F625B

RGB 15 98 91

HSL 174.94, 0.73%, 0.22%

LAB 37.1, -24.91, -2.74

 

CMYK 76 / 85 / 0 / 62

HEX #170F61

RGB 23 15 97

HSL 245.85, 0.73%, 0.22%

LAB 11.87, 32.09, -46.31

 

CMYK 0 / 42 / 85 / 62

HEX #61380F

RGB 97 56 15

HSL 30, 0.73%, 0.22%

LAB 27.86, 14.7, 31.66

 

CMYK 85 / 0 / 7 / 62

HEX #0F625B

RGB 15 98 91

HSL 174.94, 0.73%, 0.22%

LAB 37.1, -24.91, -2.74

 

CMYK 8 / 85 / 0 / 62

HEX #590F61

RGB 89 15 97

HSL 294.15, 0.73%, 0.22%

LAB 21.31, 43.09, -30.51

 

CMYK 0 / 8 / 85 / 62

HEX #61590F

RGB 97 89 15

HSL 54.15, 0.73%, 0.22%

LAB 37.34, -5.53, 40.31

 

CMYK 85 / 0 / 7 / 62

HEX #0F625B

RGB 15 98 91

HSL 174.94, 0.73%, 0.22%

LAB 37.1, -24.91, -2.74

 

CMYK 76 / 85 / 0 / 62

HEX #170F61

RGB 23 15 97

HSL 245.85, 0.73%, 0.22%

LAB 11.87, 32.09, -46.31

 

CMYK 0 / 85 / 76 / 62

HEX #610F17

RGB 97 15 23

HSL 354.15, 0.73%, 0.22%

LAB 19.82, 36.08, 18.5

 

CMYK 8 / 0 / 85 / 62

HEX #59610F

RGB 89 97 15

HSL 65.85, 0.73%, 0.22%

LAB 39.08, -14, 41.58

 

CMYK 85 / 0 / 7 / 62

HEX #0F625B

RGB 15 98 91

HSL 174.94, 0.73%, 0.22%

LAB 37.1, -24.91, -2.74

 

CMYK 51 / 85 / 0 / 62

HEX #300F61

RGB 48 15 97

HSL 264.15, 0.73%, 0.22%

LAB 14.59, 35.26, -41.74

 

CMYK 0 / 85 / 76 / 62

HEX #610F17

RGB 97 15 23

HSL 354.15, 0.73%, 0.22%

LAB 19.82, 36.08, 18.5

 

CMYK 34 / 0 / 85 / 62

HEX #40610F

RGB 64 97 15

HSL 84.15, 0.73%, 0.22%

LAB 37.25, -25.32, 39.24

 

Description

Color code: HEX #0F625B | qconv.com Color code: HEX #0F625B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 98 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 98 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 7 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 7% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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