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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F5F754C it is the complementary color #F0A08A4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F5F754C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F5F754C shade: #145F704C, #2571834C, #3683964C, #4795A94C and #58A7BC4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F5F754C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F5F754C shade: #0F5F754C, #004D624C, #003B4F4C, #00293C4C and #0017294C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F5F754C shade: #0F5F75, #0F4475, #0F2875, #120F75 and #2D0F75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F5F754C shade: #0F5F75, #0F4475, #0F2875 and #0F0F75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F5F754C shade matches the following richer shades: #0F5F75 and #056580

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F5F754C shade: #0F5F75, #1A596B, #255360, #2F4D55 and #3A474A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F5F754C shade: #0F7553, #0F756F, #0F6175, #0F4675 and #0F2A75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F5F754C shade: #06242C, #0B4251, #0F5F75, #147D9A and #199BBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F5F754C shade: #0F5F75, #380F75 and #75610F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F5F754C shade: #0F5F75, #750F61 and #61750F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F5F754C shade: #0F5F75, #380F75, #75240F and #4D750F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F5F754C shade: #0F5F75, #570F75, #75240F and #2E750F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 6 / 0 / 16

HEX #0F5F754C

RGBA 15 95 117 0.3

HSLA 192.94, 0.77%, 0.26%, 0.3

LABA 37.06, -14.25, -18.85, 0.3

 

Complementary color

CMYK 0 / 10 / 13 / 2

HEX #F0A08A4C

RGBA 240 160 138 0.3

HSLA 12.94, 0.77%, 0.74%, 0.3

LABA 73.22, 27.21, 23.65, 0.3

 

CMYK 25 / 5 / 0 / 17

HEX #145F704C

RGBA 20 95 112 0.3

HSLA 191.09, 0.7%, 0.26%, 0.3

LABA 36.94, -15.58, -15.96, 0.3

 

CMYK 22 / 4 / 0 / 15

HEX #2571834C

RGBA 37 113 131 0.3

HSLA 191.49, 0.56%, 0.33%, 0.3

LABA 44.01, -16.73, -16.64, 0.3

 

CMYK 19 / 4 / 0 / 12

HEX #3683964C

RGBA 54 131 150 0.3

HSLA 191.88, 0.47%, 0.4%, 0.3

LABA 50.94, -17.49, -17.23, 0.3

 

CMYK 17 / 4 / 0 / 10

HEX #4795A94C

RGBA 71 149 169 0.3

HSLA 192.24, 0.41%, 0.47%, 0.3

LABA 57.75, -18, -17.75, 0.3

 

CMYK 16 / 3 / 0 / 8

HEX #58A7BC4C

RGBA 88 167 188 0.3

HSLA 192.6, 0.43%, 0.54%, 0.3

LABA 64.44, -18.35, -18.24, 0.3

 

CMYK 26 / 6 / 0 / 16

HEX #0F5F754C

RGBA 15 95 117 0.3

HSLA 192.94, 0.77%, 0.26%, 0.3

LABA 37.06, -14.25, -18.85, 0.3

 

CMYK 30 / 6 / 0 / 18

HEX #004D624C

RGBA 0 77 98 0.3

HSLA 192.86, 1%, 0.19%, 0.3

LABA 29.89, -12.22, -18.07, 0.3

 

CMYK 30 / 8 / 0 / 21

HEX #003B4F4C

RGBA 0 59 79 0.3

HSLA 195.19, 1%, 0.15%, 0.3

LABA 22.63, -8.92, -17, 0.3

 

CMYK 30 / 10 / 0 / 23

HEX #00293C4C

RGBA 0 41 60 0.3

HSLA 199, 1%, 0.12%, 0.3

LABA 15.02, -5.33, -15.97, 0.3

 

CMYK 30 / 13 / 0 / 25

HEX #0017294C

RGBA 0 23 41 0.3

HSLA 206.34, 1%, 0.08%, 0.3

LABA 6.98, -1.15, -14.93, 0.3

 

CMYK 87 / 19 / 0 / 54

HEX #0F5F75

RGB 15 95 117

HSL 192.94, 0.77%, 0.26%

LAB 37.06, -14.25, -18.85

 

CMYK 87 / 42 / 0 / 54

HEX #0F4475

RGB 15 68 117

HSL 208.82, 0.77%, 0.26%

LAB 28.17, 2.72, -32.81

 

CMYK 87 / 66 / 0 / 54

HEX #0F2875

RGB 15 40 117

HSL 225.29, 0.77%, 0.26%

LAB 19.65, 22.62, -46.58

 

CMYK 85 / 87 / 0 / 54

HEX #120F75

RGB 18 15 117

HSL 241.76, 0.77%, 0.26%

LAB 14.14, 38.47, -55.68

 

CMYK 62 / 87 / 0 / 54

HEX #2D0F75

RGB 45 15 117

HSL 257.65, 0.77%, 0.26%

LAB 16.42, 40.64, -51.82

 

CMYK 87 / 19 / 0 / 54

HEX #0F5F75

RGB 15 95 117

HSL 192.94, 0.77%, 0.26%

LAB 37.06, -14.25, -18.85

 

CMYK 87 / 42 / 0 / 54

HEX #0F4475

RGB 15 68 117

HSL 208.82, 0.77%, 0.26%

LAB 28.17, 2.72, -32.81

 

CMYK 87 / 66 / 0 / 54

HEX #0F2875

RGB 15 40 117

HSL 225.29, 0.77%, 0.26%

LAB 19.65, 22.62, -46.58

 

CMYK 87 / 87 / 0 / 54

HEX #0F0F75

RGB 15 15 117

HSL 240, 0.77%, 0.26%

LAB 13.99, 38.33, -55.94

 

CMYK 87 / 19 / 0 / 54

HEX #0F5F75

RGB 15 95 117

HSL 192.94, 0.77%, 0.26%

LAB 37.06, -14.25, -18.85

 

CMYK 96 / 21 / 0 / 50

HEX #056580

RGB 5 101 128

HSL 193.17, 0.92%, 0.26%

LAB 39.41, -14.25, -21.95

 

CMYK 87 / 19 / 0 / 54

HEX #0F5F75

RGB 15 95 117

HSL 192.94, 0.77%, 0.26%

LAB 37.06, -14.25, -18.85

 

CMYK 76 / 17 / 0 / 58

HEX #1A596B

RGB 26 89 107

HSL 193.33, 0.61%, 0.26%

LAB 34.85, -13.15, -16.04

 

CMYK 61 / 14 / 0 / 62

HEX #255360

RGB 37 83 96

HSL 193.22, 0.44%, 0.26%

LAB 32.75, -11.42, -12.32

 

CMYK 45 / 9 / 0 / 67

HEX #2F4D55

RGB 47 77 85

HSL 192.63, 0.29%, 0.26%

LAB 30.8, -8.74, -8.24

 

CMYK 22 / 4 / 0 / 71

HEX #3A474A

RGB 58 71 74

HSL 191.25, 0.12%, 0.26%

LAB 29.16, -4.43, -3.54

 

CMYK 87 / 0 / 29 / 54

HEX #0F7553

RGB 15 117 83

HSL 160, 0.77%, 0.26%

LAB 43.43, -35.96, 11.19

 

CMYK 87 / 0 / 5 / 54

HEX #0F756F

RGB 15 117 111

HSL 176.47, 0.77%, 0.26%

LAB 44.19, -28, -4.42

 

CMYK 87 / 17 / 0 / 54

HEX #0F6175

RGB 15 97 117

HSL 191.76, 0.77%, 0.26%

LAB 37.73, -15.39, -17.83

 

CMYK 87 / 40 / 0 / 54

HEX #0F4675

RGB 15 70 117

HSL 207.65, 0.77%, 0.26%

LAB 28.81, 1.37, -31.78

 

CMYK 87 / 64 / 0 / 54

HEX #0F2A75

RGB 15 42 117

HSL 224.12, 0.77%, 0.26%

LAB 20.21, 21.19, -45.67

 

CMYK 86 / 18 / 0 / 83

HEX #06242C

RGB 6 36 44

HSL 192.63, 0.76%, 0.1%

LAB 12.5, -7.69, -8.52

 

CMYK 86 / 19 / 0 / 68

HEX #0B4251

RGB 11 66 81

HSL 192.86, 0.76%, 0.18%

LAB 25.45, -11.18, -13.94

 

CMYK 87 / 19 / 0 / 54

HEX #0F5F75

RGB 15 95 117

HSL 192.94, 0.77%, 0.26%

LAB 37.06, -14.25, -18.85

 

CMYK 87 / 19 / 0 / 40

HEX #147D9A

RGB 20 125 154

HSL 192.99, 0.77%, 0.34%

LAB 48.45, -17.2, -23.46

 

CMYK 87 / 18 / 0 / 25

HEX #199BBE

RGB 25 155 190

HSL 192.73, 0.77%, 0.42%

LAB 59.31, -20.37, -27.35

 

CMYK 87 / 19 / 0 / 54

HEX #0F5F75

RGB 15 95 117

HSL 192.94, 0.77%, 0.26%

LAB 37.06, -14.25, -18.85

 

CMYK 52 / 87 / 0 / 54

HEX #380F75

RGB 56 15 117

HSL 264.12, 0.77%, 0.26%

LAB 17.77, 41.95, -49.56

 

CMYK 0 / 17 / 87 / 54

HEX #75610F

RGB 117 97 15

HSL 48.24, 0.77%, 0.26%

LAB 41.79, -0.4, 44.98

 

CMYK 87 / 19 / 0 / 54

HEX #0F5F75

RGB 15 95 117

HSL 192.94, 0.77%, 0.26%

LAB 37.06, -14.25, -18.85

 

CMYK 0 / 87 / 17 / 54

HEX #750F61

RGB 117 15 97

HSL 311.76, 0.77%, 0.26%

LAB 26.7, 49.34, -21.64

 

CMYK 17 / 0 / 87 / 54

HEX #61750F

RGB 97 117 15

HSL 71.76, 0.77%, 0.26%

LAB 46.04, -21, 47.9

 

CMYK 87 / 19 / 0 / 54

HEX #0F5F75

RGB 15 95 117

HSL 192.94, 0.77%, 0.26%

LAB 37.06, -14.25, -18.85

 

CMYK 52 / 87 / 0 / 54

HEX #380F75

RGB 56 15 117

HSL 264.12, 0.77%, 0.26%

LAB 17.77, 41.95, -49.56

 

CMYK 0 / 69 / 87 / 54

HEX #75240F

RGB 117 36 15

HSL 12.35, 0.77%, 0.26%

LAB 26.96, 34.45, 32.07

 

CMYK 34 / 0 / 87 / 54

HEX #4D750F

RGB 77 117 15

HSL 83.53, 0.77%, 0.26%

LAB 44.71, -29.57, 46.22

 

CMYK 87 / 19 / 0 / 54

HEX #0F5F75

RGB 15 95 117

HSL 192.94, 0.77%, 0.26%

LAB 37.06, -14.25, -18.85

 

CMYK 26 / 87 / 0 / 54

HEX #570F75

RGB 87 15 117

HSL 282.35, 0.77%, 0.26%

LAB 22.49, 46.76, -41.65

 

CMYK 0 / 69 / 87 / 54

HEX #75240F

RGB 117 36 15

HSL 12.35, 0.77%, 0.26%

LAB 26.96, 34.45, 32.07

 

CMYK 61 / 0 / 87 / 54

HEX #2E750F

RGB 46 117 15

HSL 101.76, 0.77%, 0.26%

LAB 43.27, -40.3, 44.39

 

Description

Color code: HEX #0F5F754C | qconv.com Color code: HEX #0F5F754C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 95 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 95 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 6 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 6% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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