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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F5DF8CE it is the complementary color #F0A207CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F5DF8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F5DF8CE shade: #145DF3CE, #256FFFCE, #3681FFCE, #4793FFCE and #58A5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F5DF8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F5DF8CE shade: #0F5DF8CE, #004BE5CE, #0039D2CE, #0027BFCE and #0015ACCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F5DF8CE shade: #125FF8, #1221F8, #4112F8, #7F12F8 and #BD12F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F5DF8CE shade: #125FF8, #1221F8 and #1212F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F5DF8CE shade matches the following richer shades: #125FF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F5DF8CE shade: #125FF8, #2565E4, #396CD0, #4D72BC and #6179A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F5DF8CE shade: #12DDF8, #129FF8, #1262F8, #1225F8 and #3C12F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F5DF8CE shade: #053FB1, #074DD9, #125FF8, #3A7AF9 and #6295FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F5DF8CE shade: #0F5DF8, #D512F8 and #BEF812

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F5DF8CE shade: #0F5DF8, #F81262 and #62F812

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F5DF8CE shade: #0F5DF8, #D512F8, #F8A712 and #34F812

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F5DF8CE shade: #0F5DF8, #F812D5, #F8A712 and #12F834

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 51 / 0 / 2

HEX #0F5DF8CE

RGBA 15 93 248 0.81

HSLA 219.91, 0.94%, 0.52%, 0.81

LABA 45.23, 38.61, -82.5, 0.81

 

Complementary color

CMYK 0 / 26 / 79 / 5

HEX #F0A207CE

RGBA 240 162 7 0.81

HSLA 39.91, 0.94%, 0.48%, 0.81

LABA 72.48, 19.24, 75.65, 0.81

 

CMYK 74 / 50 / 0 / 4

HEX #145DF3CE

RGBA 20 93 243 0.81

HSLA 220.36, 0.9%, 0.52%, 0.81

LABA 44.87, 36.9, -80.29, 0.81

 

CMYK 69 / 46 / 0 / 0

HEX #256FFFCE

RGBA 37 111 255 0.81

HSLA 219.63, 1%, 0.57%, 0.81

LABA 50.67, 30.84, -77.49, 0.81

 

CMYK 64 / 40 / 0 / 0

HEX #3681FFCE

RGBA 54 129 255 0.81

HSLA 217.61, 1%, 0.61%, 0.81

LABA 55.79, 20.94, -69.15, 0.81

 

CMYK 58 / 34 / 0 / 0

HEX #4793FFCE

RGBA 71 147 255 0.81

HSLA 215.22, 1%, 0.64%, 0.81

LABA 61.16, 11.91, -60.5, 0.81

 

CMYK 53 / 29 / 0 / 0

HEX #58A5FFCE

RGBA 88 165 255 0.81

HSLA 212.34, 1%, 0.67%, 0.81

LABA 66.68, 3.82, -51.68, 0.81

 

CMYK 76 / 51 / 0 / 2

HEX #0F5DF8CE

RGBA 15 93 248 0.81

HSLA 219.91, 0.94%, 0.52%, 0.81

LABA 45.23, 38.61, -82.5, 0.81

 

CMYK 81 / 54 / 0 / 8

HEX #004BE5CE

RGBA 0 75 229 0.81

HSLA 220.35, 1%, 0.45%, 0.81

LABA 39.05, 42.52, -81.96, 0.81

 

CMYK 81 / 59 / 0 / 14

HEX #0039D2CE

RGBA 0 57 210 0.81

HSLA 223.71, 1%, 0.41%, 0.81

LABA 33.09, 46.65, -80.9, 0.81

 

CMYK 81 / 64 / 0 / 20

HEX #0027BFCE

RGBA 0 39 191 0.81

HSLA 227.75, 1%, 0.37%, 0.81

LABA 27.33, 50.28, -79.34, 0.81

 

CMYK 81 / 71 / 0 / 26

HEX #0015ACCE

RGBA 0 21 172 0.81

HSLA 232.67, 1%, 0.34%, 0.81

LABA 22, 52.7, -76.89, 0.81

 

CMYK 93 / 62 / 0 / 3

HEX #125FF8

RGB 18 95 248

HSL 219.91, 0.94%, 0.52%

LAB 45.76, 37.44, -81.63

 

CMYK 93 / 87 / 0 / 3

HEX #1221F8

RGB 18 33 248

HSL 236.09, 0.94%, 0.52%

LAB 33.97, 70.34, -101.14

 

CMYK 74 / 93 / 0 / 3

HEX #4112F8

RGB 65 18 248

HSL 252.26, 0.94%, 0.52%

LAB 34.67, 75.69, -99.92

 

CMYK 49 / 93 / 0 / 3

HEX #7F12F8

RGB 127 18 248

HSL 268.43, 0.94%, 0.52%

LAB 40.77, 79.51, -89.61

 

CMYK 24 / 93 / 0 / 3

HEX #BD12F8

RGB 189 18 248

HSL 284.61, 0.94%, 0.52%

LAB 49.53, 86.35, -74.9

 

CMYK 93 / 62 / 0 / 3

HEX #125FF8

RGB 18 95 248

HSL 219.91, 0.94%, 0.52%

LAB 45.76, 37.44, -81.63

 

CMYK 93 / 87 / 0 / 3

HEX #1221F8

RGB 18 33 248

HSL 236.09, 0.94%, 0.52%

LAB 33.97, 70.34, -101.14

 

CMYK 93 / 93 / 0 / 3

HEX #1212F8

RGB 18 18 248

HSL 240, 0.94%, 0.52%

LAB 32.57, 74.62, -103.48

 

CMYK 93 / 62 / 0 / 3

HEX #125FF8

RGB 18 95 248

HSL 219.91, 0.94%, 0.52%

LAB 45.76, 37.44, -81.63

 

CMYK 93 / 62 / 0 / 3

HEX #125FF8

RGB 18 95 248

HSL 219.91, 0.94%, 0.52%

LAB 45.76, 37.44, -81.63

 

CMYK 84 / 56 / 0 / 11

HEX #2565E4

RGB 37 101 228

HSL 219.9, 0.78%, 0.52%

LAB 46.05, 27.06, -69.91

 

CMYK 73 / 48 / 0 / 18

HEX #396CD0

RGB 57 108 208

HSL 219.74, 0.62%, 0.52%

LAB 47.17, 17.14, -56.7

 

CMYK 59 / 39 / 0 / 26

HEX #4D72BC

RGB 77 114 188

HSL 220, 0.45%, 0.52%

LAB 48.57, 9.66, -42.93

 

CMYK 42 / 28 / 0 / 34

HEX #6179A8

RGB 97 121 168

HSL 219.72, 0.29%, 0.52%

LAB 50.74, 3.84, -27.85

 

CMYK 93 / 11 / 0 / 3

HEX #12DDF8

RGB 18 221 248

HSL 187.04, 0.94%, 0.52%

LAB 81.08, -34.47, -25.62

 

CMYK 93 / 36 / 0 / 3

HEX #129FF8

RGB 18 159 248

HSL 203.22, 0.94%, 0.52%

LAB 63.1, -2.05, -53.64

 

CMYK 93 / 60 / 0 / 3

HEX #1262F8

RGB 18 98 248

HSL 219.13, 0.94%, 0.52%

LAB 46.5, 35.54, -80.42

 

CMYK 93 / 85 / 0 / 3

HEX #1225F8

RGB 18 37 248

HSL 235.04, 0.94%, 0.52%

LAB 34.46, 68.87, -100.32

 

CMYK 76 / 93 / 0 / 3

HEX #3C12F8

RGB 60 18 248

HSL 250.96, 0.94%, 0.52%

LAB 34.34, 75.51, -100.48

 

CMYK 97 / 64 / 0 / 31

HEX #053FB1

RGB 5 63 177

HSL 219.77, 0.95%, 0.36%

LAB 31.26, 30.57, -64.55

 

CMYK 97 / 65 / 0 / 15

HEX #074DD9

RGB 7 77 217

HSL 220, 0.94%, 0.44%

LAB 38.49, 36.94, -76.04

 

CMYK 93 / 62 / 0 / 3

HEX #125FF8

RGB 18 95 248

HSL 219.91, 0.94%, 0.52%

LAB 45.76, 37.44, -81.63

 

CMYK 77 / 51 / 0 / 2

HEX #3A7AF9

RGB 58 122 249

HSL 219.9, 0.94%, 0.6%

LAB 53.66, 23.49, -69.27

 

CMYK 61 / 40 / 0 / 2

HEX #6295FA

RGB 98 149 250

HSL 219.87, 0.94%, 0.68%

LAB 62.5, 13.19, -55.55

 

CMYK 94 / 63 / 0 / 3

HEX #0F5DF8

RGB 15 93 248

HSL 219.91, 0.94%, 0.52%

LAB 45.23, 38.61, -82.5

 

CMYK 14 / 93 / 0 / 3

HEX #D512F8

RGB 213 18 248

HSL 290.87, 0.94%, 0.52%

LAB 53.34, 89.67, -68.55

 

CMYK 23 / 0 / 93 / 3

HEX #BEF812

RGB 190 248 18

HSL 75.13, 0.94%, 0.52%

LAB 90.84, -44.07, 86.34

 

CMYK 94 / 63 / 0 / 3

HEX #0F5DF8

RGB 15 93 248

HSL 219.91, 0.94%, 0.52%

LAB 45.23, 38.61, -82.5

 

CMYK 0 / 93 / 60 / 3

HEX #F81262

RGB 248 18 98

HSL 339.13, 0.94%, 0.52%

LAB 53.24, 79.73, 19.68

 

CMYK 60 / 0 / 93 / 3

HEX #62F812

RGB 98 248 18

HSL 99.13, 0.94%, 0.52%

LAB 86.89, -72.84, 81.5

 

CMYK 94 / 63 / 0 / 3

HEX #0F5DF8

RGB 15 93 248

HSL 219.91, 0.94%, 0.52%

LAB 45.23, 38.61, -82.5

 

CMYK 14 / 93 / 0 / 3

HEX #D512F8

RGB 213 18 248

HSL 290.87, 0.94%, 0.52%

LAB 53.34, 89.67, -68.55

 

CMYK 0 / 33 / 93 / 3

HEX #F8A712

RGB 248 167 18

HSL 38.87, 0.94%, 0.52%

LAB 74.6, 20.11, 76.11

 

CMYK 79 / 0 / 93 / 3

HEX #34F812

RGB 52 248 18

HSL 111.13, 0.94%, 0.52%

LAB 85.96, -80.79, 80.36

 

CMYK 94 / 63 / 0 / 3

HEX #0F5DF8

RGB 15 93 248

HSL 219.91, 0.94%, 0.52%

LAB 45.23, 38.61, -82.5

 

CMYK 0 / 93 / 14 / 3

HEX #F812D5

RGB 248 18 213

HSL 309.13, 0.94%, 0.52%

LAB 57.26, 90.35, -42.2

 

CMYK 0 / 33 / 93 / 3

HEX #F8A712

RGB 248 167 18

HSL 38.87, 0.94%, 0.52%

LAB 74.6, 20.11, 76.11

 

CMYK 93 / 0 / 79 / 3

HEX #12F834

RGB 18 248 52

HSL 128.87, 0.94%, 0.52%

LAB 85.76, -82.18, 73.4

 

Description

Color code: HEX #0F5DF8CE | qconv.com Color code: HEX #0F5DF8CE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 93 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 93 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 51 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 51% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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