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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F5B26 it is the complementary color #F0A4D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F5B26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F5B26 shade: #145B21, #256D34, #367F47, #47915A and #58A36D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F5B26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F5B26 shade: #0F5B26, #004913, #003700, #002500 and #001300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F5B26 shade: #0F5C26, #0F5C12, #215C0F, #365C0F and #4B5C0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F5B26 shade: #0F5C26, #0F5C3B, #0F5C50, #0F535C and #0F3F5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F5B26 shade matches the following richer shades: #0F5C26 and #066523

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F5B26 shade: #0F5C26, #18532A, #204B2D, #294231 and #323934

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F5B26 shade: #215C0F, #0F5C12, #0F5C26, #0F5C3B and #0F5C4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F5B26 shade: #031509, #093918, #0F5C26, #158035 and #1BA344

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F5B26 shade: #0F5B26, #0F365C and #5C0F17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F5B26 shade: #0F5B26, #260F5C and #5C260F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F5B26 shade: #0F5B26, #0F365C, #5C0F45 and #5C360F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F5B26 shade: #0F5B26, #0F1E5C, #5C0F45 and #5C4D0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 58 / 64

HEX #0F5B26

RGB 15 91 38

HSL 138.16, 0.72%, 0.21%

LAB 33.4, -34.94, 24.11

 

Complementary color

CMYK 0 / 32 / 10 / 6

HEX #F0A4D9

RGB 240 164 217

HSL 318.16, 0.72%, 0.79%

LAB 76.12, 35.94, -15.46

 

CMYK 78 / 0 / 64 / 64

HEX #145B21

RGB 20 91 33

HSL 130.99, 0.64%, 0.22%

LAB 33.44, -34.87, 26.87

 

CMYK 66 / 0 / 52 / 57

HEX #256D34

RGB 37 109 52

HSL 132.5, 0.49%, 0.29%

LAB 40.54, -35.61, 25.28

 

CMYK 57 / 0 / 44 / 50

HEX #367F47

RGB 54 127 71

HSL 133.97, 0.4%, 0.35%

LAB 47.52, -35.81, 23.74

 

CMYK 51 / 0 / 38 / 43

HEX #47915A

RGB 71 145 90

HSL 135.41, 0.34%, 0.42%

LAB 54.37, -35.75, 22.31

 

CMYK 46 / 0 / 33 / 36

HEX #58A36D

RGB 88 163 109

HSL 136.8, 0.3%, 0.49%

LAB 61.11, -35.56, 21.01

 

CMYK 84 / 0 / 58 / 64

HEX #0F5B26

RGB 15 91 38

HSL 138.16, 0.72%, 0.21%

LAB 33.4, -34.94, 24.11

 

CMYK 100 / 0 / 74 / 71

HEX #004913

RGB 0 73 19

HSL 135.62, 1%, 0.14%

LAB 26.19, -33.17, 25.74

 

CMYK 100 / 0 / 100 / 78

HEX #003700

RGB 0 55 0

HSL 120, 1%, 0.11%

LAB 18.94, -29.03, 26.14

 

CMYK 100 / 0 / 100 / 85

HEX #002500

RGB 0 37 0

HSL 120, 1%, 0.07%

LAB 11.44, -22.19, 16.56

 

CMYK 100 / 0 / 100 / 93

HEX #001300

RGB 0 19 0

HSL 120, 1%, 0.04%

LAB 4.21, -8.59, 6.14

 

CMYK 84 / 0 / 59 / 64

HEX #0F5C26

RGB 15 92 38

HSL 137.92, 0.72%, 0.21%

LAB 33.76, -35.33, 24.55

 

CMYK 84 / 0 / 80 / 64

HEX #0F5C12

RGB 15 92 18

HSL 122.34, 0.72%, 0.21%

LAB 33.56, -37.8, 33.94

 

CMYK 64 / 0 / 84 / 64

HEX #215C0F

RGB 33 92 15

HSL 105.97, 0.72%, 0.21%

LAB 34.01, -34.13, 35.66

 

CMYK 41 / 0 / 84 / 64

HEX #365C0F

RGB 54 92 15

HSL 89.61, 0.72%, 0.21%

LAB 34.95, -26.98, 36.89

 

CMYK 18 / 0 / 84 / 64

HEX #4B5C0F

RGB 75 92 15

HSL 73.25, 0.72%, 0.21%

LAB 36.34, -17.87, 38.68

 

CMYK 84 / 0 / 59 / 64

HEX #0F5C26

RGB 15 92 38

HSL 137.92, 0.72%, 0.21%

LAB 33.76, -35.33, 24.55

 

CMYK 84 / 0 / 36 / 64

HEX #0F5C3B

RGB 15 92 59

HSL 154.29, 0.72%, 0.21%

LAB 34.13, -31.1, 12.76

 

CMYK 84 / 0 / 13 / 64

HEX #0F5C50

RGB 15 92 80

HSL 170.65, 0.72%, 0.21%

LAB 34.67, -25.34, 0.53

 

CMYK 84 / 10 / 0 / 64

HEX #0F535C

RGB 15 83 92

HSL 187.01, 0.72%, 0.21%

LAB 31.94, -16.58, -11.08

 

CMYK 84 / 32 / 0 / 64

HEX #0F3F5C

RGB 15 63 92

HSL 202.6, 0.72%, 0.21%

LAB 25.04, -4.36, -21.74

 

CMYK 84 / 0 / 59 / 64

HEX #0F5C26

RGB 15 92 38

HSL 137.92, 0.72%, 0.21%

LAB 33.76, -35.33, 24.55

 

CMYK 94 / 0 / 65 / 60

HEX #066523

RGB 6 101 35

HSL 138.32, 0.89%, 0.21%

LAB 36.87, -40.14, 29.74

 

CMYK 84 / 0 / 59 / 64

HEX #0F5C26

RGB 15 92 38

HSL 137.92, 0.72%, 0.21%

LAB 33.76, -35.33, 24.55

 

CMYK 71 / 0 / 49 / 67

HEX #18532A

RGB 24 83 42

HSL 138.31, 0.55%, 0.21%

LAB 30.75, -29.25, 18.58

 

CMYK 57 / 0 / 40 / 71

HEX #204B2D

RGB 32 75 45

HSL 138.14, 0.4%, 0.21%

LAB 28.19, -22.79, 13.45

 

CMYK 38 / 0 / 26 / 74

HEX #294231

RGB 41 66 49

HSL 139.2, 0.23%, 0.21%

LAB 25.53, -14, 7.35

 

CMYK 12 / 0 / 9 / 78

HEX #323934

RGB 50 57 52

HSL 137.14, 0.07%, 0.21%

LAB 23.18, -4.15, 2.11

 

CMYK 64 / 0 / 84 / 64

HEX #215C0F

RGB 33 92 15

HSL 105.97, 0.72%, 0.21%

LAB 34.01, -34.13, 35.66

 

CMYK 84 / 0 / 80 / 64

HEX #0F5C12

RGB 15 92 18

HSL 122.34, 0.72%, 0.21%

LAB 33.56, -37.8, 33.94

 

CMYK 84 / 0 / 59 / 64

HEX #0F5C26

RGB 15 92 38

HSL 137.92, 0.72%, 0.21%

LAB 33.76, -35.33, 24.55

 

CMYK 84 / 0 / 36 / 64

HEX #0F5C3B

RGB 15 92 59

HSL 154.29, 0.72%, 0.21%

LAB 34.13, -31.1, 12.76

 

CMYK 84 / 0 / 14 / 64

HEX #0F5C4F

RGB 15 92 79

HSL 169.87, 0.72%, 0.21%

LAB 34.64, -25.65, 1.12

 

CMYK 86 / 0 / 57 / 92

HEX #031509

RGB 3 21 9

HSL 140, 0.75%, 0.05%

LAB 5.2, -7.86, 3.94

 

CMYK 84 / 0 / 58 / 78

HEX #093918

RGB 9 57 24

HSL 138.75, 0.73%, 0.13%

LAB 20.24, -24.43, 16.07

 

CMYK 84 / 0 / 59 / 64

HEX #0F5C26

RGB 15 92 38

HSL 137.92, 0.72%, 0.21%

LAB 33.76, -35.33, 24.55

 

CMYK 84 / 0 / 59 / 50

HEX #158035

RGB 21 128 53

HSL 137.94, 0.72%, 0.29%

LAB 46.78, -45.53, 32.26

 

CMYK 83 / 0 / 58 / 36

HEX #1BA344

RGB 27 163 68

HSL 138.09, 0.72%, 0.37%

LAB 58.83, -54.81, 39.14

 

CMYK 84 / 0 / 58 / 64

HEX #0F5B26

RGB 15 91 38

HSL 138.16, 0.72%, 0.21%

LAB 33.4, -34.94, 24.11

 

CMYK 84 / 41 / 0 / 64

HEX #0F365C

RGB 15 54 92

HSL 209.61, 0.72%, 0.21%

LAB 21.99, 1.77, -26.57

 

CMYK 0 / 84 / 75 / 64

HEX #5C0F17

RGB 92 15 23

HSL 353.77, 0.72%, 0.21%

LAB 18.71, 34.42, 16.9

 

CMYK 84 / 0 / 58 / 64

HEX #0F5B26

RGB 15 91 38

HSL 138.16, 0.72%, 0.21%

LAB 33.4, -34.94, 24.11

 

CMYK 59 / 84 / 0 / 64

HEX #260F5C

RGB 38 15 92

HSL 257.92, 0.72%, 0.21%

LAB 12.78, 32.24, -41.42

 

CMYK 0 / 59 / 84 / 64

HEX #5C260F

RGB 92 38 15

HSL 17.92, 0.72%, 0.21%

LAB 22.64, 23.18, 26.28

 

CMYK 84 / 0 / 58 / 64

HEX #0F5B26

RGB 15 91 38

HSL 138.16, 0.72%, 0.21%

LAB 33.4, -34.94, 24.11

 

CMYK 84 / 41 / 0 / 64

HEX #0F365C

RGB 15 54 92

HSL 209.61, 0.72%, 0.21%

LAB 21.99, 1.77, -26.57

 

CMYK 0 / 84 / 25 / 64

HEX #5C0F45

RGB 92 15 69

HSL 317.92, 0.72%, 0.21%

LAB 20.23, 39.07, -13.3

 

CMYK 0 / 41 / 84 / 64

HEX #5C360F

RGB 92 54 15

HSL 30.39, 0.72%, 0.21%

LAB 26.59, 13.5, 30.19

 

CMYK 84 / 0 / 58 / 64

HEX #0F5B26

RGB 15 91 38

HSL 138.16, 0.72%, 0.21%

LAB 33.4, -34.94, 24.11

 

CMYK 84 / 67 / 0 / 64

HEX #0F1E5C

RGB 15 30 92

HSL 228.31, 0.72%, 0.21%

LAB 14.42, 19.41, -38.79

 

CMYK 0 / 84 / 25 / 64

HEX #5C0F45

RGB 92 15 69

HSL 317.92, 0.72%, 0.21%

LAB 20.23, 39.07, -13.3

 

CMYK 0 / 16 / 84 / 64

HEX #5C4D0F

RGB 92 77 15

HSL 48.31, 0.72%, 0.21%

LAB 33.17, -0.85, 36.36

 

Description

Color code: HEX #0F5B26 | qconv.com Color code: HEX #0F5B26 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 91 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 91 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 58 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 58% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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