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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F5435 it is the complementary color #F0ABCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F5435. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F5435 shade: #145430, #256643, #367856, #478A69 and #589C7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F5435. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F5435 shade: #0F5435, #004222, #00300F, #001E00 and #000C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F5435 shade: #0F5234, #0F5222, #0F520F, #20520F and #32520F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F5435 shade: #0F5234, #0F5246, #0F4C52, #0F3A52 and #0F2852

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F5435 shade matches the following richer shades: #0F5234 and #075A35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F5435 shade: #0F5234, #164B33, #1E4332, #263B32 and #2E3331

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F5435 shade: #0F5210, #0F5222, #0F5234, #0F5246 and #0F4D52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F5435 shade: #020C08, #082F1E, #0F5234, #15754A and #1B9960

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F5435 shade: #0F5435, #0F1F52 and #52190F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F5435 shade: #0F5435, #340F52 and #52340F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F5435 shade: #0F5435, #0F1F52, #520F2D and #52410F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F5435 shade: #0F5435, #120F52, #520F2D and #4F520F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 37 / 67

HEX #0F5435

RGB 15 84 53

HSL 153.04, 0.7%, 0.19%

LAB 31.11, -29.01, 12.34

 

Complementary color

CMYK 0 / 29 / 16 / 6

HEX #F0ABCA

RGB 240 171 202

HSL 333.04, 0.7%, 0.81%

LAB 77.23, 29.81, -5.63

 

CMYK 76 / 0 / 43 / 67

HEX #145430

RGB 20 84 48

HSL 146.25, 0.62%, 0.2%

LAB 31.12, -29.3, 15.43

 

CMYK 64 / 0 / 34 / 60

HEX #256643

RGB 37 102 67

HSL 147.69, 0.47%, 0.27%

LAB 38.38, -29.63, 13.81

 

CMYK 55 / 0 / 28 / 53

HEX #367856

RGB 54 120 86

HSL 149.09, 0.38%, 0.34%

LAB 45.48, -29.62, 12.42

 

CMYK 49 / 0 / 24 / 46

HEX #478A69

RGB 71 138 105

HSL 150.45, 0.32%, 0.41%

LAB 52.44, -29.45, 11.2

 

CMYK 44 / 0 / 21 / 39

HEX #589C7C

RGB 88 156 124

HSL 151.76, 0.28%, 0.48%

LAB 59.26, -29.23, 10.11

 

CMYK 82 / 0 / 37 / 67

HEX #0F5435

RGB 15 84 53

HSL 153.04, 0.7%, 0.19%

LAB 31.11, -29.01, 12.34

 

CMYK 100 / 0 / 48 / 74

HEX #004222

RGB 0 66 34

HSL 150.91, 1%, 0.13%

LAB 23.71, -27.88, 14.24

 

CMYK 100 / 0 / 69 / 81

HEX #00300F

RGB 0 48 15

HSL 138.75, 1%, 0.09%

LAB 16.25, -24.44, 16.48

 

CMYK 100 / 0 / 100 / 88

HEX #001E00

RGB 0 30 0

HSL 120, 1%, 0.06%

LAB 8.38, -17.11, 12.24

 

CMYK 100 / 0 / 100 / 95

HEX #000C00

RGB 0 12 0

HSL 120, 1%, 0.02%

LAB 2.38, -4.85, 3.47

 

CMYK 82 / 0 / 37 / 68

HEX #0F5234

RGB 15 82 52

HSL 153.13, 0.69%, 0.19%

LAB 30.36, -28.35, 11.94

 

CMYK 82 / 0 / 59 / 68

HEX #0F5222

RGB 15 82 34

HSL 137.01, 0.69%, 0.19%

LAB 30.04, -32.05, 22.26

 

CMYK 82 / 0 / 82 / 68

HEX #0F520F

RGB 15 82 15

HSL 120, 0.69%, 0.19%

LAB 29.84, -34.46, 31.42

 

CMYK 61 / 0 / 82 / 68

HEX #20520F

RGB 32 82 15

HSL 104.78, 0.69%, 0.19%

LAB 30.34, -30.31, 32.09

 

CMYK 39 / 0 / 82 / 68

HEX #32520F

RGB 50 82 15

HSL 88.66, 0.69%, 0.19%

LAB 31.22, -23.76, 33.25

 

CMYK 82 / 0 / 37 / 68

HEX #0F5234

RGB 15 82 52

HSL 153.13, 0.69%, 0.19%

LAB 30.36, -28.35, 11.94

 

CMYK 82 / 0 / 15 / 68

HEX #0F5246

RGB 15 82 70

HSL 169.25, 0.69%, 0.19%

LAB 30.83, -23.41, 1.24

 

CMYK 82 / 7 / 0 / 68

HEX #0F4C52

RGB 15 76 82

HSL 185.37, 0.69%, 0.19%

LAB 29.11, -16.2, -9

 

CMYK 82 / 29 / 0 / 68

HEX #0F3A52

RGB 15 58 82

HSL 201.49, 0.69%, 0.19%

LAB 22.78, -5.16, -18.72

 

CMYK 82 / 51 / 0 / 68

HEX #0F2852

RGB 15 40 82

HSL 217.61, 0.69%, 0.19%

LAB 16.64, 7.57, -28.46

 

CMYK 82 / 0 / 37 / 68

HEX #0F5234

RGB 15 82 52

HSL 153.13, 0.69%, 0.19%

LAB 30.36, -28.35, 11.94

 

CMYK 92 / 0 / 41 / 65

HEX #075A35

RGB 7 90 53

HSL 153.25, 0.86%, 0.19%

LAB 33.17, -32.58, 15.08

 

CMYK 82 / 0 / 37 / 68

HEX #0F5234

RGB 15 82 52

HSL 153.13, 0.69%, 0.19%

LAB 30.36, -28.35, 11.94

 

CMYK 71 / 0 / 32 / 71

HEX #164B33

RGB 22 75 51

HSL 152.83, 0.55%, 0.19%

LAB 27.96, -24.01, 9.3

 

CMYK 55 / 0 / 25 / 74

HEX #1E4332

RGB 30 67 50

HSL 152.43, 0.38%, 0.19%

LAB 25.32, -18.05, 6.32

 

CMYK 36 / 0 / 15 / 77

HEX #263B32

RGB 38 59 50

HSL 154.29, 0.22%, 0.19%

LAB 22.9, -10.72, 2.93

 

CMYK 10 / 0 / 4 / 80

HEX #2E3331

RGB 46 51 49

HSL 156, 0.05%, 0.19%

LAB 20.71, -2.64, 0.53

 

CMYK 82 / 0 / 80 / 68

HEX #0F5210

RGB 15 82 16

HSL 120.9, 0.69%, 0.19%

LAB 29.85, -34.37, 31.02

 

CMYK 82 / 0 / 59 / 68

HEX #0F5222

RGB 15 82 34

HSL 137.01, 0.69%, 0.19%

LAB 30.04, -32.05, 22.26

 

CMYK 82 / 0 / 37 / 68

HEX #0F5234

RGB 15 82 52

HSL 153.13, 0.69%, 0.19%

LAB 30.36, -28.35, 11.94

 

CMYK 82 / 0 / 15 / 68

HEX #0F5246

RGB 15 82 70

HSL 169.25, 0.69%, 0.19%

LAB 30.83, -23.41, 1.24

 

CMYK 82 / 6 / 0 / 68

HEX #0F4D52

RGB 15 77 82

HSL 184.48, 0.69%, 0.19%

LAB 29.46, -16.77, -8.46

 

CMYK 83 / 0 / 33 / 95

HEX #020C08

RGB 2 12 8

HSL 156, 0.71%, 0.03%

LAB 2.65, -3.22, 0.62

 

CMYK 83 / 0 / 36 / 82

HEX #082F1E

RGB 8 47 30

HSL 153.85, 0.71%, 0.11%

LAB 16.4, -18.52, 7.1

 

CMYK 82 / 0 / 37 / 68

HEX #0F5234

RGB 15 82 52

HSL 153.13, 0.69%, 0.19%

LAB 30.36, -28.35, 11.94

 

CMYK 82 / 0 / 37 / 54

HEX #15754A

RGB 21 117 74

HSL 153.13, 0.7%, 0.27%

LAB 43.33, -37.44, 16.33

 

CMYK 82 / 0 / 37 / 40

HEX #1B9960

RGB 27 153 96

HSL 152.86, 0.7%, 0.35%

LAB 55.95, -46.35, 20.9

 

CMYK 82 / 0 / 37 / 67

HEX #0F5435

RGB 15 84 53

HSL 153.04, 0.7%, 0.19%

LAB 31.11, -29.01, 12.34

 

CMYK 82 / 62 / 0 / 68

HEX #0F1F52

RGB 15 31 82

HSL 225.67, 0.69%, 0.19%

LAB 13.77, 14.38, -33.1

 

CMYK 0 / 70 / 82 / 68

HEX #52190F

RGB 82 25 15

HSL 8.96, 0.69%, 0.19%

LAB 18.02, 26, 20.6

 

CMYK 82 / 0 / 37 / 67

HEX #0F5435

RGB 15 84 53

HSL 153.04, 0.7%, 0.19%

LAB 31.11, -29.01, 12.34

 

CMYK 37 / 82 / 0 / 68

HEX #340F52

RGB 52 15 82

HSL 273.13, 0.69%, 0.19%

LAB 13.71, 31.84, -33.03

 

CMYK 0 / 37 / 82 / 68

HEX #52340F

RGB 82 52 15

HSL 33.13, 0.69%, 0.19%

LAB 24.59, 9.78, 27.74

 

CMYK 82 / 0 / 37 / 67

HEX #0F5435

RGB 15 84 53

HSL 153.04, 0.7%, 0.19%

LAB 31.11, -29.01, 12.34

 

CMYK 82 / 62 / 0 / 68

HEX #0F1F52

RGB 15 31 82

HSL 225.67, 0.69%, 0.19%

LAB 13.77, 14.38, -33.1

 

CMYK 0 / 82 / 45 / 68

HEX #520F2D

RGB 82 15 45

HSL 333.13, 0.69%, 0.19%

LAB 17.11, 32.99, -1.34

 

CMYK 0 / 21 / 82 / 68

HEX #52410F

RGB 82 65 15

HSL 44.78, 0.69%, 0.19%

LAB 28.4, 1.49, 31.48

 

CMYK 82 / 0 / 37 / 67

HEX #0F5435

RGB 15 84 53

HSL 153.04, 0.7%, 0.19%

LAB 31.11, -29.01, 12.34

 

CMYK 78 / 82 / 0 / 68

HEX #120F52

RGB 18 15 82

HSL 242.69, 0.69%, 0.19%

LAB 9.64, 26.22, -39.87

 

CMYK 0 / 82 / 45 / 68

HEX #520F2D

RGB 82 15 45

HSL 333.13, 0.69%, 0.19%

LAB 17.11, 32.99, -1.34

 

CMYK 4 / 0 / 82 / 68

HEX #4F520F

RGB 79 82 15

HSL 62.69, 0.69%, 0.19%

LAB 33.42, -10.35, 36.11

 

Description

Color code: HEX #0F5435 | qconv.com Color code: HEX #0F5435 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 84 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 84 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 37 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 37% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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