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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F4F3A it is the complementary color #F0B0C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F4F3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F4F3A shade: #144F35, #256148, #36735B, #47856E and #589781

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F4F3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F4F3A shade: #0F4F3A, #003D27, #002B14, #001901 and #000700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F4F3A shade: #0F4D39, #0F4D28, #0F4D17, #174D0F and #284D0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F4F3A shade: #0F4D39, #0F4D49, #0F404D, #0F2F4D and #0F1E4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F4F3A shade matches the following richer shades: #0F4D39 and #07553B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F4F3A shade: #0F4D39, #164636, #1E3E34, #253731 and #2C2F2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F4F3A shade: #0F4D17, #0F4D28, #0F4D38, #0F4D49 and #0F414D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F4F3A shade: #010806, #082A1F, #0F4D39, #157052 and #1C926C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F4F3A shade: #0F4F3A, #0F174D and #4D1F0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F4F3A shade: #0F4F3A, #380F4D and #4D380F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F4F3A shade: #0F4F3A, #0F174D, #4D0F23 and #4D450F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F4F3A shade: #0F4F3A, #190F4D, #4D0F23 and #434D0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 27 / 69

HEX #0F4F3A

RGB 15 79 58

HSL 160.31, 0.68%, 0.18%

LAB 29.41, -25.42, 6.85

 

Complementary color

CMYK 0 / 27 / 18 / 6

HEX #F0B0C5

RGB 240 176 197

HSL 340.31, 0.68%, 0.82%

LAB 78.23, 26.38, -1.43

 

CMYK 75 / 0 / 33 / 69

HEX #144F35

RGB 20 79 53

HSL 153.56, 0.6%, 0.19%

LAB 29.41, -25.85, 10.02

 

CMYK 62 / 0 / 26 / 62

HEX #256148

RGB 37 97 72

HSL 155, 0.45%, 0.26%

LAB 36.76, -26.07, 8.55

 

CMYK 53 / 0 / 21 / 55

HEX #36735B

RGB 54 115 91

HSL 156.39, 0.36%, 0.33%

LAB 43.95, -26.02, 7.31

 

CMYK 47 / 0 / 17 / 48

HEX #47856E

RGB 71 133 110

HSL 157.74, 0.3%, 0.4%

LAB 50.97, -25.85, 6.23

 

CMYK 42 / 0 / 15 / 41

HEX #589781

RGB 88 151 129

HSL 159.05, 0.26%, 0.47%

LAB 57.84, -25.65, 5.26

 

CMYK 81 / 0 / 27 / 69

HEX #0F4F3A

RGB 15 79 58

HSL 160.31, 0.68%, 0.18%

LAB 29.41, -25.42, 6.85

 

CMYK 100 / 0 / 36 / 76

HEX #003D27

RGB 0 61 39

HSL 158.36, 1%, 0.12%

LAB 21.89, -24.47, 8.59

 

CMYK 100 / 0 / 53 / 83

HEX #002B14

RGB 0 43 20

HSL 147.91, 1%, 0.08%

LAB 14.28, -21.31, 10.99

 

CMYK 100 / 0 / 96 / 90

HEX #001901

RGB 0 25 1

HSL 122.4, 1%, 0.05%

LAB 6.3, -12.69, 8.79

 

CMYK 100 / 0 / 100 / 97

HEX #000700

RGB 0 7 0

HSL 120, 1%, 0.01%

LAB 1.37, -2.8, 2

 

CMYK 81 / 0 / 26 / 70

HEX #0F4D39

RGB 15 77 57

HSL 160.65, 0.67%, 0.18%

LAB 28.65, -24.73, 6.42

 

CMYK 81 / 0 / 48 / 70

HEX #0F4D28

RGB 15 77 40

HSL 144.19, 0.67%, 0.18%

LAB 28.28, -28.85, 16.54

 

CMYK 81 / 0 / 70 / 70

HEX #0F4D17

RGB 15 77 23

HSL 127.74, 0.67%, 0.18%

LAB 28.04, -31.7, 25.86

 

CMYK 70 / 0 / 81 / 70

HEX #174D0F

RGB 23 77 15

HSL 112.26, 0.67%, 0.18%

LAB 28.18, -30.79, 29.82

 

CMYK 48 / 0 / 81 / 70

HEX #284D0F

RGB 40 77 15

HSL 95.81, 0.67%, 0.18%

LAB 28.89, -25.32, 30.76

 

CMYK 81 / 0 / 26 / 70

HEX #0F4D39

RGB 15 77 57

HSL 160.65, 0.67%, 0.18%

LAB 28.65, -24.73, 6.42

 

CMYK 81 / 0 / 5 / 70

HEX #0F4D49

RGB 15 77 73

HSL 176.13, 0.67%, 0.18%

LAB 29.13, -19.85, -3.16

 

CMYK 81 / 17 / 0 / 70

HEX #0F404D

RGB 15 64 77

HSL 192.58, 0.67%, 0.18%

LAB 24.65, -10.97, -12.52

 

CMYK 81 / 39 / 0 / 70

HEX #0F2F4D

RGB 15 47 77

HSL 209.03, 0.67%, 0.18%

LAB 18.67, 0.29, -21.85

 

CMYK 81 / 61 / 0 / 70

HEX #0F1E4D

RGB 15 30 77

HSL 225.48, 0.67%, 0.18%

LAB 13.02, 12.97, -30.91

 

CMYK 81 / 0 / 26 / 70

HEX #0F4D39

RGB 15 77 57

HSL 160.65, 0.67%, 0.18%

LAB 28.65, -24.73, 6.42

 

CMYK 92 / 0 / 31 / 67

HEX #07553B

RGB 7 85 59

HSL 160, 0.85%, 0.18%

LAB 31.48, -28.94, 9.1

 

CMYK 81 / 0 / 26 / 70

HEX #0F4D39

RGB 15 77 57

HSL 160.65, 0.67%, 0.18%

LAB 28.65, -24.73, 6.42

 

CMYK 69 / 0 / 23 / 73

HEX #164636

RGB 22 70 54

HSL 160, 0.52%, 0.18%

LAB 26.21, -20.7, 4.92

 

CMYK 52 / 0 / 16 / 76

HEX #1E3E34

RGB 30 62 52

HSL 161.25, 0.35%, 0.18%

LAB 23.57, -14.72, 2.5

 

CMYK 33 / 0 / 11 / 78

HEX #253731

RGB 37 55 49

HSL 160, 0.2%, 0.18%

LAB 21.38, -8.89, 1.41

 

CMYK 6 / 0 / 2 / 82

HEX #2C2F2E

RGB 44 47 46

HSL 160, 0.03%, 0.18%

LAB 19.08, -1.56, 0.18

 

CMYK 81 / 0 / 70 / 70

HEX #0F4D17

RGB 15 77 23

HSL 127.74, 0.67%, 0.18%

LAB 28.04, -31.7, 25.86

 

CMYK 81 / 0 / 48 / 70

HEX #0F4D28

RGB 15 77 40

HSL 144.19, 0.67%, 0.18%

LAB 28.28, -28.85, 16.54

 

CMYK 81 / 0 / 27 / 70

HEX #0F4D38

RGB 15 77 56

HSL 159.68, 0.67%, 0.18%

LAB 28.63, -25, 7.03

 

CMYK 81 / 0 / 5 / 70

HEX #0F4D49

RGB 15 77 73

HSL 176.13, 0.67%, 0.18%

LAB 29.13, -19.85, -3.16

 

CMYK 81 / 16 / 0 / 70

HEX #0F414D

RGB 15 65 77

HSL 191.61, 0.67%, 0.18%

LAB 25.01, -11.58, -11.98

 

CMYK 88 / 0 / 25 / 97

HEX #010806

RGB 1 8 6

HSL 162.86, 0.78%, 0.02%

LAB 1.75, -2.11, 0.11

 

CMYK 81 / 0 / 26 / 84

HEX #082A1F

RGB 8 42 31

HSL 160.59, 0.68%, 0.1%

LAB 14.44, -15.57, 3.66

 

CMYK 81 / 0 / 26 / 70

HEX #0F4D39

RGB 15 77 57

HSL 160.65, 0.67%, 0.18%

LAB 28.65, -24.73, 6.42

 

CMYK 81 / 0 / 27 / 56

HEX #157052

RGB 21 112 82

HSL 160.22, 0.68%, 0.26%

LAB 41.78, -33.39, 9.48

 

CMYK 81 / 0 / 26 / 43

HEX #1C926C

RGB 28 146 108

HSL 160.68, 0.68%, 0.34%

LAB 53.91, -40.68, 11.37

 

CMYK 81 / 0 / 27 / 69

HEX #0F4F3A

RGB 15 79 58

HSL 160.31, 0.68%, 0.18%

LAB 29.41, -25.42, 6.85

 

CMYK 81 / 70 / 0 / 70

HEX #0F174D

RGB 15 23 77

HSL 232.26, 0.67%, 0.18%

LAB 10.92, 18.28, -34.33

 

CMYK 0 / 60 / 81 / 70

HEX #4D1F0F

RGB 77 31 15

HSL 15.48, 0.67%, 0.18%

LAB 18.33, 20.51, 20.73

 

CMYK 81 / 0 / 27 / 69

HEX #0F4F3A

RGB 15 79 58

HSL 160.31, 0.68%, 0.18%

LAB 29.41, -25.42, 6.85

 

CMYK 27 / 81 / 0 / 70

HEX #380F4D

RGB 56 15 77

HSL 279.68, 0.67%, 0.18%

LAB 13.93, 31.44, -29.22

 

CMYK 0 / 27 / 81 / 70

HEX #4D380F

RGB 77 56 15

HSL 39.68, 0.67%, 0.18%

LAB 25.08, 4.64, 28

 

CMYK 81 / 0 / 27 / 69

HEX #0F4F3A

RGB 15 79 58

HSL 160.31, 0.68%, 0.18%

LAB 29.41, -25.42, 6.85

 

CMYK 81 / 70 / 0 / 70

HEX #0F174D

RGB 15 23 77

HSL 232.26, 0.67%, 0.18%

LAB 10.92, 18.28, -34.33

 

CMYK 0 / 81 / 55 / 70

HEX #4D0F23

RGB 77 15 35

HSL 340.65, 0.67%, 0.18%

LAB 15.7, 30.26, 3.73

 

CMYK 0 / 10 / 81 / 70

HEX #4D450F

RGB 77 69 15

HSL 52.26, 0.67%, 0.18%

LAB 29.08, -3.58, 31.93

 

CMYK 81 / 0 / 27 / 69

HEX #0F4F3A

RGB 15 79 58

HSL 160.31, 0.68%, 0.18%

LAB 29.41, -25.42, 6.85

 

CMYK 68 / 81 / 0 / 70

HEX #190F4D

RGB 25 15 77

HSL 249.68, 0.67%, 0.18%

LAB 9.67, 25.3, -36.35

 

CMYK 0 / 81 / 55 / 70

HEX #4D0F23

RGB 77 15 35

HSL 340.65, 0.67%, 0.18%

LAB 15.7, 30.26, 3.73

 

CMYK 13 / 0 / 81 / 70

HEX #434D0F

RGB 67 77 15

HSL 69.68, 0.67%, 0.18%

LAB 30.73, -13.37, 33.19

 

Description

Color code: HEX #0F4F3A | qconv.com Color code: HEX #0F4F3A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 79 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 79 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 27 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 27% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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