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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F4652 it is the complementary color #F0B9AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F4652. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F4652 shade: #14464D, #255860, #366A73, #477C86 and #588E99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F4652. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F4652 shade: #0F4652, #00343F, #00222C, #001019 and #000006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F4652 shade: #0F4652, #0F3452, #0F2252, #0F1052 and #200F52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F4652 shade: #0F4652, #0F3452, #0F2252, #0F1052 and #0F0F52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F4652 shade matches the following richer shades: #0F4652 and #074B5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F4652 shade: #0F4652, #17414A, #1F3C42, #27373A and #2E3233

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F4652 shade: #0F5239, #0F524B, #0F4752, #0F3552 and #0F2352

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F4652 shade: #020A0C, #09282F, #0F4652, #156475 and #1C8198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F4652 shade: #0F4652, #280F52 and #52420F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F4652 shade: #0F4652, #520F47 and #47520F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F4652 shade: #0F4652, #280F52, #521A0F and #39520F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F4652 shade: #0F4652, #3C0F52, #521A0F and #25520F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 15 / 0 / 68

HEX #0F4652

RGB 15 70 82

HSL 190.75, 0.69%, 0.19%

LAB 26.99, -12.71, -12.21

 

Complementary color

CMYK 0 / 23 / 28 / 6

HEX #F0B9AD

RGB 240 185 173

HSL 10.75, 0.69%, 0.81%

LAB 79.75, 18.16, 13.74

 

CMYK 74 / 9 / 0 / 70

HEX #14464D

RGB 20 70 77

HSL 187.37, 0.59%, 0.19%

LAB 26.92, -13.75, -9.06

 

CMYK 61 / 8 / 0 / 62

HEX #255860

RGB 37 88 96

HSL 188.14, 0.44%, 0.26%

LAB 34.43, -14.34, -9.78

 

CMYK 53 / 8 / 0 / 55

HEX #366A73

RGB 54 106 115

HSL 188.85, 0.36%, 0.33%

LAB 41.74, -14.64, -10.39

 

CMYK 47 / 7 / 0 / 47

HEX #477C86

RGB 71 124 134

HSL 189.52, 0.31%, 0.4%

LAB 48.85, -14.8, -10.95

 

CMYK 42 / 7 / 0 / 40

HEX #588E99

RGB 88 142 153

HSL 190.15, 0.27%, 0.47%

LAB 55.81, -14.88, -11.47

 

CMYK 82 / 15 / 0 / 68

HEX #0F4652

RGB 15 70 82

HSL 190.75, 0.69%, 0.19%

LAB 26.99, -12.71, -12.21

 

CMYK 100 / 17 / 0 / 75

HEX #00343F

RGB 0 52 63

HSL 190.48, 1%, 0.12%

LAB 19.29, -11.24, -11.41

 

CMYK 100 / 23 / 0 / 83

HEX #00222C

RGB 0 34 44

HSL 193.64, 1%, 0.09%

LAB 11.46, -7.82, -10.14

 

CMYK 100 / 36 / 0 / 90

HEX #001019

RGB 0 16 25

HSL 201.6, 1%, 0.05%

LAB 3.98, -2.38, -7.23

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 82 / 15 / 0 / 68

HEX #0F4652

RGB 15 70 82

HSL 190.75, 0.69%, 0.19%

LAB 26.99, -12.71, -12.21

 

CMYK 82 / 37 / 0 / 68

HEX #0F3452

RGB 15 52 82

HSL 206.87, 0.69%, 0.19%

LAB 20.7, -1.09, -22

 

CMYK 82 / 59 / 0 / 68

HEX #0F2252

RGB 15 34 82

HSL 222.99, 0.69%, 0.19%

LAB 14.71, 12.1, -31.59

 

CMYK 82 / 80 / 0 / 68

HEX #0F1052

RGB 15 16 82

HSL 239.1, 0.69%, 0.19%

LAB 9.65, 25.26, -39.86

 

CMYK 61 / 82 / 0 / 68

HEX #200F52

RGB 32 15 82

HSL 255.22, 0.69%, 0.19%

LAB 10.98, 28.12, -37.62

 

CMYK 82 / 15 / 0 / 68

HEX #0F4652

RGB 15 70 82

HSL 190.75, 0.69%, 0.19%

LAB 26.99, -12.71, -12.21

 

CMYK 82 / 37 / 0 / 68

HEX #0F3452

RGB 15 52 82

HSL 206.87, 0.69%, 0.19%

LAB 20.7, -1.09, -22

 

CMYK 82 / 59 / 0 / 68

HEX #0F2252

RGB 15 34 82

HSL 222.99, 0.69%, 0.19%

LAB 14.71, 12.1, -31.59

 

CMYK 82 / 80 / 0 / 68

HEX #0F1052

RGB 15 16 82

HSL 239.1, 0.69%, 0.19%

LAB 9.65, 25.26, -39.86

 

CMYK 82 / 82 / 0 / 68

HEX #0F0F52

RGB 15 15 82

HSL 240, 0.69%, 0.19%

LAB 9.42, 25.91, -40.24

 

CMYK 82 / 15 / 0 / 68

HEX #0F4652

RGB 15 70 82

HSL 190.75, 0.69%, 0.19%

LAB 26.99, -12.71, -12.21

 

CMYK 92 / 17 / 0 / 65

HEX #074B5A

RGB 7 75 90

HSL 190.84, 0.86%, 0.19%

LAB 28.94, -13.52, -14.41

 

CMYK 82 / 15 / 0 / 68

HEX #0F4652

RGB 15 70 82

HSL 190.75, 0.69%, 0.19%

LAB 26.99, -12.71, -12.21

 

CMYK 69 / 12 / 0 / 71

HEX #17414A

RGB 23 65 74

HSL 190.59, 0.53%, 0.19%

LAB 25.13, -11.25, -9.8

 

CMYK 53 / 9 / 0 / 74

HEX #1F3C42

RGB 31 60 66

HSL 190.29, 0.36%, 0.19%

LAB 23.39, -8.95, -7.09

 

CMYK 33 / 5 / 0 / 77

HEX #27373A

RGB 39 55 58

HSL 189.47, 0.2%, 0.19%

LAB 21.83, -5.65, -4

 

CMYK 10 / 2 / 0 / 80

HEX #2E3233

RGB 46 50 51

HSL 192, 0.05%, 0.19%

LAB 20.44, -1.48, -1.23

 

CMYK 82 / 0 / 30 / 68

HEX #0F5239

RGB 15 82 57

HSL 157.61, 0.69%, 0.19%

LAB 30.48, -27.1, 8.97

 

CMYK 82 / 0 / 9 / 68

HEX #0F524B

RGB 15 82 75

HSL 173.73, 0.69%, 0.19%

LAB 30.98, -21.84, -1.71

 

CMYK 82 / 13 / 0 / 68

HEX #0F4752

RGB 15 71 82

HSL 189.85, 0.69%, 0.19%

LAB 27.34, -13.3, -11.67

 

CMYK 82 / 35 / 0 / 68

HEX #0F3552

RGB 15 53 82

HSL 205.97, 0.69%, 0.19%

LAB 21.04, -1.78, -21.45

 

CMYK 82 / 57 / 0 / 68

HEX #0F2352

RGB 15 35 82

HSL 222.09, 0.69%, 0.19%

LAB 15.02, 11.34, -31.07

 

CMYK 83 / 17 / 0 / 95

HEX #020A0C

RGB 2 10 12

HSL 192, 0.71%, 0.03%

LAB 2.32, -1.8, -1.54

 

CMYK 81 / 15 / 0 / 82

HEX #09282F

RGB 9 40 47

HSL 191.05, 0.68%, 0.11%

LAB 14.29, -8.46, -7.91

 

CMYK 82 / 15 / 0 / 68

HEX #0F4652

RGB 15 70 82

HSL 190.75, 0.69%, 0.19%

LAB 26.99, -12.71, -12.21

 

CMYK 82 / 15 / 0 / 54

HEX #156475

RGB 21 100 117

HSL 190.63, 0.7%, 0.27%

LAB 38.83, -16.49, -16.13

 

CMYK 82 / 15 / 0 / 40

HEX #1C8198

RGB 28 129 152

HSL 191.13, 0.69%, 0.35%

LAB 49.76, -19.39, -20.27

 

CMYK 82 / 15 / 0 / 68

HEX #0F4652

RGB 15 70 82

HSL 190.75, 0.69%, 0.19%

LAB 26.99, -12.71, -12.21

 

CMYK 51 / 82 / 0 / 68

HEX #280F52

RGB 40 15 82

HSL 262.39, 0.69%, 0.19%

LAB 11.97, 29.49, -35.95

 

CMYK 0 / 20 / 82 / 68

HEX #52420F

RGB 82 66 15

HSL 45.67, 0.69%, 0.19%

LAB 28.71, 0.86, 31.77

 

CMYK 82 / 15 / 0 / 68

HEX #0F4652

RGB 15 70 82

HSL 190.75, 0.69%, 0.19%

LAB 26.99, -12.71, -12.21

 

CMYK 0 / 82 / 13 / 68

HEX #520F47

RGB 82 15 71

HSL 309.85, 0.69%, 0.19%

LAB 18.32, 36.72, -17.8

 

CMYK 13 / 0 / 82 / 68

HEX #47520F

RGB 71 82 15

HSL 69.85, 0.69%, 0.19%

LAB 32.72, -14.26, 35.2

 

CMYK 82 / 15 / 0 / 68

HEX #0F4652

RGB 15 70 82

HSL 190.75, 0.69%, 0.19%

LAB 26.99, -12.71, -12.21

 

CMYK 51 / 82 / 0 / 68

HEX #280F52

RGB 40 15 82

HSL 262.39, 0.69%, 0.19%

LAB 11.97, 29.49, -35.95

 

CMYK 0 / 68 / 82 / 68

HEX #521A0F

RGB 82 26 15

HSL 9.85, 0.69%, 0.19%

LAB 18.22, 25.48, 20.83

 

CMYK 30 / 0 / 82 / 68

HEX #39520F

RGB 57 82 15

HSL 82.39, 0.69%, 0.19%

LAB 31.67, -20.77, 33.83

 

CMYK 82 / 15 / 0 / 68

HEX #0F4652

RGB 15 70 82

HSL 190.75, 0.69%, 0.19%

LAB 26.99, -12.71, -12.21

 

CMYK 27 / 82 / 0 / 68

HEX #3C0F52

RGB 60 15 82

HSL 280.3, 0.69%, 0.19%

LAB 15.02, 33.56, -30.86

 

CMYK 0 / 68 / 82 / 68

HEX #521A0F

RGB 82 26 15

HSL 9.85, 0.69%, 0.19%

LAB 18.22, 25.48, 20.83

 

CMYK 55 / 0 / 82 / 68

HEX #25520F

RGB 37 82 15

HSL 100.3, 0.69%, 0.19%

LAB 30.55, -28.69, 32.36

 

Description

Color code: HEX #0F4652 | qconv.com Color code: HEX #0F4652 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 70 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 70 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 15 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 15% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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