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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F4530 it is the complementary color #F0BACF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F4530. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F4530 shade: #14452B, #25573E, #366951, #477B64 and #588D77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F4530. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F4530 shade: #0F4530, #00331D, #00210A, #000F00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F4530 shade: #0F432F, #0F4321, #0F4312, #19430F and #27430F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F4530 shade: #0F432F, #0F433D, #0F3B43, #0F2D43 and #0F1F43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F4530 shade matches the following richer shades: #0F432F, #084A30 and #015032

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F4530 shade: #0F432F, #153C2D, #1C362C, #222F2A and #292929

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F4530 shade: #0F4312, #0F4320, #0F432E, #0F433C and #0F3C43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F4530 shade: #000000, #072117, #0F432F, #166546 and #1E875E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F4530 shade: #0F4530, #0F1943 and #43190F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F4530 shade: #0F4530, #2E0F43 and #432E0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F4530 shade: #0F4530, #0F1943, #430F24 and #43380F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F4530 shade: #0F4530, #140F43, #430F24 and #3E430F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 30 / 73

HEX #0F4530

RGB 15 69 48

HSL 156.67, 0.64%, 0.16%

LAB 25.48, -23.29, 7.75

 

Complementary color

CMYK 0 / 23 / 14 / 6

HEX #F0BACF

RGB 240 186 207

HSL 336.67, 0.64%, 0.84%

LAB 80.82, 22.63, -3.05

 

CMYK 71 / 0 / 38 / 73

HEX #14452B

RGB 20 69 43

HSL 148.16, 0.55%, 0.17%

LAB 25.5, -23.5, 11.02

 

CMYK 57 / 0 / 29 / 66

HEX #25573E

RGB 37 87 62

HSL 150, 0.4%, 0.24%

LAB 33.04, -23.54, 9.52

 

CMYK 49 / 0 / 23 / 59

HEX #366951

RGB 54 105 81

HSL 151.76, 0.32%, 0.31%

LAB 40.38, -23.36, 8.27

 

CMYK 42 / 0 / 19 / 52

HEX #477B64

RGB 71 123 100

HSL 153.46, 0.27%, 0.38%

LAB 47.53, -23.12, 7.17

 

CMYK 38 / 0 / 16 / 45

HEX #588D77

RGB 88 141 119

HSL 155.09, 0.23%, 0.45%

LAB 54.51, -22.87, 6.2

 

CMYK 78 / 0 / 30 / 73

HEX #0F4530

RGB 15 69 48

HSL 156.67, 0.64%, 0.16%

LAB 25.48, -23.29, 7.75

 

CMYK 100 / 0 / 43 / 80

HEX #00331D

RGB 0 51 29

HSL 154.12, 1%, 0.1%

LAB 17.72, -22.62, 9.54

 

CMYK 100 / 0 / 70 / 87

HEX #00210A

RGB 0 33 10

HSL 138.18, 1%, 0.06%

LAB 9.87, -18.03, 10.3

 

CMYK 100 / 0 / 100 / 94

HEX #000F00

RGB 0 15 0

HSL 120, 1%, 0.03%

LAB 3.09, -6.3, 4.51

 

CMYK 78 / 0 / 30 / 74

HEX #0F432F

RGB 15 67 47

HSL 156.92, 0.63%, 0.16%

LAB 24.71, -22.57, 7.33

 

CMYK 78 / 0 / 51 / 74

HEX #0F4321

RGB 15 67 33

HSL 140.77, 0.63%, 0.16%

LAB 24.4, -25.88, 15.82

 

CMYK 78 / 0 / 73 / 74

HEX #0F4312

RGB 15 67 18

HSL 123.46, 0.63%, 0.16%

LAB 24.19, -28.34, 24.14

 

CMYK 63 / 0 / 78 / 74

HEX #19430F

RGB 25 67 15

HSL 108.46, 0.63%, 0.16%

LAB 24.5, -25.98, 26.05

 

CMYK 42 / 0 / 78 / 74

HEX #27430F

RGB 39 67 15

HSL 92.31, 0.63%, 0.16%

LAB 25.2, -20.81, 27

 

CMYK 78 / 0 / 30 / 74

HEX #0F432F

RGB 15 67 47

HSL 156.92, 0.63%, 0.16%

LAB 24.71, -22.57, 7.33

 

CMYK 78 / 0 / 9 / 74

HEX #0F433D

RGB 15 67 61

HSL 173.08, 0.63%, 0.16%

LAB 25.12, -18.39, -1.27

 

CMYK 78 / 12 / 0 / 74

HEX #0F3B43

RGB 15 59 67

HSL 189.23, 0.63%, 0.16%

LAB 22.43, -11.68, -9.28

 

CMYK 78 / 33 / 0 / 74

HEX #0F2D43

RGB 15 45 67

HSL 205.38, 0.63%, 0.16%

LAB 17.38, -2.52, -17.07

 

CMYK 78 / 54 / 0 / 74

HEX #0F1F43

RGB 15 31 67

HSL 221.54, 0.63%, 0.16%

LAB 12.52, 7.82, -24.79

 

CMYK 78 / 0 / 30 / 74

HEX #0F432F

RGB 15 67 47

HSL 156.92, 0.63%, 0.16%

LAB 24.71, -22.57, 7.33

 

CMYK 89 / 0 / 35 / 71

HEX #084A30

RGB 8 74 48

HSL 156.36, 0.8%, 0.16%

LAB 27.19, -26.73, 10.1

 

CMYK 99 / 0 / 38 / 69

HEX #015032

RGB 1 80 50

HSL 157.22, 0.98%, 0.16%

LAB 29.35, -29.8, 11.76

 

CMYK 78 / 0 / 30 / 74

HEX #0F432F

RGB 15 67 47

HSL 156.92, 0.63%, 0.16%

LAB 24.71, -22.57, 7.33

 

CMYK 65 / 0 / 25 / 76

HEX #153C2D

RGB 21 60 45

HSL 156.92, 0.48%, 0.16%

LAB 22.23, -18.14, 5.2

 

CMYK 48 / 0 / 19 / 79

HEX #1C362C

RGB 28 54 44

HSL 156.92, 0.32%, 0.16%

LAB 20.31, -12.89, 3.18

 

CMYK 28 / 0 / 11 / 82

HEX #222F2A

RGB 34 47 42

HSL 156.92, 0.16%, 0.16%

LAB 18.1, -6.81, 1.42

 

CMYK 0 / 0 / 0 / 84

HEX #292929

RGB 41 41 41

HSL 0, 0%, 0.16%

LAB 16.59, 0, -0

 

CMYK 78 / 0 / 73 / 74

HEX #0F4312

RGB 15 67 18

HSL 123.46, 0.63%, 0.16%

LAB 24.19, -28.34, 24.14

 

CMYK 78 / 0 / 52 / 74

HEX #0F4320

RGB 15 67 32

HSL 139.62, 0.63%, 0.16%

LAB 24.39, -26.08, 16.42

 

CMYK 78 / 0 / 31 / 74

HEX #0F432E

RGB 15 67 46

HSL 155.77, 0.63%, 0.16%

LAB 24.68, -22.84, 7.94

 

CMYK 78 / 0 / 10 / 74

HEX #0F433C

RGB 15 67 60

HSL 171.92, 0.63%, 0.16%

LAB 25.08, -18.72, -0.66

 

CMYK 78 / 10 / 0 / 74

HEX #0F3C43

RGB 15 60 67

HSL 188.08, 0.63%, 0.16%

LAB 22.79, -12.29, -8.73

 

CMYK 79 / 0 / 30 / 87

HEX #072117

RGB 7 33 23

HSL 156.92, 0.65%, 0.08%

LAB 10.52, -13.14, 3.84

 

CMYK 78 / 0 / 30 / 74

HEX #0F432F

RGB 15 67 47

HSL 156.92, 0.63%, 0.16%

LAB 24.71, -22.57, 7.33

 

CMYK 78 / 0 / 31 / 60

HEX #166546

RGB 22 101 70

HSL 156.46, 0.64%, 0.24%

LAB 37.7, -31.38, 11.01

 

CMYK 78 / 0 / 30 / 47

HEX #1E875E

RGB 30 135 94

HSL 156.57, 0.64%, 0.32%

LAB 49.99, -39.17, 13.92

 

CMYK 78 / 0 / 30 / 73

HEX #0F4530

RGB 15 69 48

HSL 156.67, 0.64%, 0.16%

LAB 25.48, -23.29, 7.75

 

CMYK 78 / 63 / 0 / 74

HEX #0F1943

RGB 15 25 67

HSL 228.46, 0.63%, 0.16%

LAB 10.57, 12.47, -27.94

 

CMYK 0 / 63 / 78 / 74

HEX #43190F

RGB 67 25 15

HSL 11.54, 0.63%, 0.16%

LAB 15.08, 19.51, 16.3

 

CMYK 78 / 0 / 30 / 73

HEX #0F4530

RGB 15 69 48

HSL 156.67, 0.64%, 0.16%

LAB 25.48, -23.29, 7.75

 

CMYK 31 / 78 / 0 / 74

HEX #2E0F43

RGB 46 15 67

HSL 275.77, 0.63%, 0.16%

LAB 11.47, 26.45, -26.32

 

CMYK 0 / 31 / 78 / 74

HEX #432E0F

RGB 67 46 15

HSL 35.77, 0.63%, 0.16%

LAB 20.76, 5.95, 23.09

 

CMYK 78 / 0 / 30 / 73

HEX #0F4530

RGB 15 69 48

HSL 156.67, 0.64%, 0.16%

LAB 25.48, -23.29, 7.75

 

CMYK 78 / 63 / 0 / 74

HEX #0F1943

RGB 15 25 67

HSL 228.46, 0.63%, 0.16%

LAB 10.57, 12.47, -27.94

 

CMYK 0 / 78 / 46 / 74

HEX #430F24

RGB 67 15 36

HSL 335.77, 0.63%, 0.16%

LAB 13.6, 26.89, -0.3

 

CMYK 0 / 16 / 78 / 74

HEX #43380F

RGB 67 56 15

HSL 47.31, 0.63%, 0.16%

LAB 23.86, -0.6, 26.37

 

CMYK 78 / 0 / 30 / 73

HEX #0F4530

RGB 15 69 48

HSL 156.67, 0.64%, 0.16%

LAB 25.48, -23.29, 7.75

 

CMYK 70 / 78 / 0 / 74

HEX #140F43

RGB 20 15 67

HSL 245.77, 0.63%, 0.16%

LAB 8.09, 20.81, -31.97

 

CMYK 0 / 78 / 46 / 74

HEX #430F24

RGB 67 15 36

HSL 335.77, 0.63%, 0.16%

LAB 13.6, 26.89, -0.3

 

CMYK 7 / 0 / 78 / 74

HEX #3E430F

RGB 62 67 15

HSL 65.77, 0.63%, 0.16%

LAB 26.94, -10.02, 29.33

 

Description

Color code: HEX #0F4530 | qconv.com Color code: HEX #0F4530 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 69 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 69 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 30 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 30% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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