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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F3EFD it is the complementary color #F0C102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F3EFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F3EFD shade: #143EF8, #2550FF, #3662FF, #4774FF and #5886FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F3EFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F3EFD shade: #0F3EFD, #002CEA, #001AD7, #0008C4 and #0000B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F3EFD shade: #1240FD, #2312FD, #6212FD, #A112FD and #E112FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F3EFD shade: #1240FD and #1212FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F3EFD shade matches the following richer shades: #1240FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F3EFD shade: #1240FD, #254CE9, #3858D6, #4C63C2 and #5F6FAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F3EFD shade: #12BEFD, #127FFD, #1241FD, #2112FD and #6012FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F3EFD shade: #0226BA, #022FE3, #1240FD, #3B61FD and #6382FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F3EFD shade: #0F3EFD, #FD12FD and #9FFD12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F3EFD shade: #0F3EFD, #FD1241 and #41FD12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F3EFD shade: #0F3EFD, #FD12FD, #FDCE12 and #12FD12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F3EFD shade: #0F3EFD, #FD12B6, #FDCE12 and #12FD58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 75 / 0 / 1

HEX #0F3EFD

RGB 15 62 253

HSL 228.15, 0.98%, 0.53%

LAB 38.97, 58.73, -95.63

 

Complementary color

CMYK 0 / 20 / 99 / 6

HEX #F0C102

RGB 240 193 2

HSL 48.15, 0.98%, 0.47%

LAB 79.99, 2.93, 81.4

 

CMYK 92 / 75 / 0 / 3

HEX #143EF8

RGB 20 62 248

HSL 228.95, 0.94%, 0.53%

LAB 38.5, 57.2, -93.6

 

CMYK 85 / 69 / 0 / 0

HEX #2550FF

RGB 37 80 255

HSL 228.17, 1%, 0.57%

LAB 43.29, 49.96, -89.59

 

CMYK 79 / 62 / 0 / 0

HEX #3662FF

RGB 54 98 255

HSL 226.87, 1%, 0.61%

LAB 47.93, 40.2, -81.94

 

CMYK 72 / 55 / 0 / 0

HEX #4774FF

RGB 71 116 255

HSL 225.33, 1%, 0.64%

LAB 53, 30.82, -73.64

 

CMYK 65 / 47 / 0 / 0

HEX #5886FF

RGB 88 134 255

HSL 223.47, 1%, 0.67%

LAB 58.36, 22.16, -64.94

 

CMYK 94 / 75 / 0 / 1

HEX #0F3EFD

RGB 15 62 253

HSL 228.15, 0.98%, 0.53%

LAB 38.97, 58.73, -95.63

 

CMYK 100 / 81 / 0 / 8

HEX #002CEA

RGB 0 44 234

HSL 228.72, 1%, 0.46%

LAB 33.44, 61.54, -94.1

 

CMYK 100 / 88 / 0 / 16

HEX #001AD7

RGB 0 26 215

HSL 232.74, 1%, 0.42%

LAB 28.5, 63.38, -91.43

 

CMYK 100 / 96 / 0 / 23

HEX #0008C4

RGB 0 8 196

HSL 237.55, 1%, 0.38%

LAB 24.19, 63.2, -87.53

 

CMYK 100 / 100 / 0 / 31

HEX #0000B1

RGB 0 0 177

HSL 240, 1%, 0.35%

LAB 20.73, 60.22, -82.02

 

CMYK 93 / 75 / 0 / 1

HEX #1240FD

RGB 18 64 253

HSL 228.26, 0.98%, 0.53%

LAB 39.39, 57.71, -94.93

 

CMYK 86 / 93 / 0 / 1

HEX #2312FD

RGB 35 18 253

HSL 244.34, 0.98%, 0.53%

LAB 33.74, 76.11, -104.33

 

CMYK 61 / 93 / 0 / 1

HEX #6212FD

RGB 98 18 253

HSL 260.43, 0.98%, 0.53%

LAB 38.06, 78.49, -97.01

 

CMYK 36 / 93 / 0 / 1

HEX #A112FD

RGB 161 18 253

HSL 276.51, 0.98%, 0.53%

LAB 45.77, 83.89, -84.02

 

CMYK 11 / 93 / 0 / 1

HEX #E112FD

RGB 225 18 253

HSL 292.85, 0.98%, 0.53%

LAB 55.62, 92.22, -67.56

 

CMYK 93 / 75 / 0 / 1

HEX #1240FD

RGB 18 64 253

HSL 228.26, 0.98%, 0.53%

LAB 39.39, 57.71, -94.93

 

CMYK 93 / 93 / 0 / 1

HEX #1212FD

RGB 18 18 253

HSL 240, 0.98%, 0.53%

LAB 33.25, 75.88, -105.15

 

CMYK 93 / 75 / 0 / 1

HEX #1240FD

RGB 18 64 253

HSL 228.26, 0.98%, 0.53%

LAB 39.39, 57.71, -94.93

 

CMYK 93 / 75 / 0 / 1

HEX #1240FD

RGB 18 64 253

HSL 228.26, 0.98%, 0.53%

LAB 39.39, 57.71, -94.93

 

CMYK 84 / 67 / 0 / 9

HEX #254CE9

RGB 37 76 233

HSL 228.06, 0.82%, 0.53%

LAB 40.32, 44.66, -82.12

 

CMYK 74 / 59 / 0 / 16

HEX #3858D6

RGB 56 88 214

HSL 227.85, 0.66%, 0.53%

LAB 42.27, 31.97, -68.07

 

CMYK 61 / 49 / 0 / 24

HEX #4C63C2

RGB 76 99 194

HSL 228.31, 0.49%, 0.53%

LAB 44.74, 20.9, -52.51

 

CMYK 46 / 37 / 0 / 31

HEX #5F6FAF

RGB 95 111 175

HSL 228, 0.33%, 0.53%

LAB 48.13, 11.46, -36.01

 

CMYK 93 / 25 / 0 / 1

HEX #12BEFD

RGB 18 190 253

HSL 196.09, 0.98%, 0.53%

LAB 72.26, -17.36, -41.92

 

CMYK 93 / 50 / 0 / 1

HEX #127FFD

RGB 18 127 253

HSL 212.17, 0.98%, 0.53%

LAB 54.45, 19.11, -70.25

 

CMYK 93 / 74 / 0 / 1

HEX #1241FD

RGB 18 65 253

HSL 228, 0.98%, 0.53%

LAB 39.58, 57.17, -94.61

 

CMYK 87 / 93 / 0 / 1

HEX #2112FD

RGB 33 18 253

HSL 243.83, 0.98%, 0.53%

LAB 33.66, 76.08, -104.45

 

CMYK 62 / 93 / 0 / 1

HEX #6012FD

RGB 96 18 253

HSL 259.91, 0.98%, 0.53%

LAB 37.86, 78.37, -97.34

 

CMYK 99 / 80 / 0 / 27

HEX #0226BA

RGB 2 38 186

HSL 228.26, 0.98%, 0.37%

LAB 26.58, 49.18, -77.64

 

CMYK 99 / 79 / 0 / 11

HEX #022FE3

RGB 2 47 227

HSL 228, 0.98%, 0.45%

LAB 33.12, 57.92, -90.64

 

CMYK 93 / 75 / 0 / 1

HEX #1240FD

RGB 18 64 253

HSL 228.26, 0.98%, 0.53%

LAB 39.39, 57.71, -94.93

 

CMYK 77 / 62 / 0 / 1

HEX #3B61FD

RGB 59 97 253

HSL 228.25, 0.98%, 0.61%

LAB 47.71, 40.55, -81.17

 

CMYK 61 / 49 / 0 / 1

HEX #6382FD

RGB 99 130 253

HSL 227.92, 0.97%, 0.69%

LAB 57.76, 25.71, -64.78

 

CMYK 94 / 75 / 0 / 1

HEX #0F3EFD

RGB 15 62 253

HSL 228.15, 0.98%, 0.53%

LAB 38.97, 58.73, -95.63

 

CMYK 0 / 93 / 0 / 1

HEX #FD12FD

RGB 253 18 253

HSL 300, 0.98%, 0.53%

LAB 60.25, 96.52, -59.86

 

CMYK 37 / 0 / 93 / 1

HEX #9FFD12

RGB 159 253 18

HSL 84, 0.98%, 0.53%

LAB 90.63, -57.23, 85.48

 

CMYK 94 / 75 / 0 / 1

HEX #0F3EFD

RGB 15 62 253

HSL 228.15, 0.98%, 0.53%

LAB 38.97, 58.73, -95.63

 

CMYK 0 / 93 / 74 / 1

HEX #FD1241

RGB 253 18 65

HSL 348, 0.98%, 0.53%

LAB 53.7, 79.42, 40.09

 

CMYK 74 / 0 / 93 / 1

HEX #41FD12

RGB 65 253 18

HSL 108, 0.98%, 0.53%

LAB 87.69, -80.49, 81.87

 

CMYK 94 / 75 / 0 / 1

HEX #0F3EFD

RGB 15 62 253

HSL 228.15, 0.98%, 0.53%

LAB 38.97, 58.73, -95.63

 

CMYK 0 / 93 / 0 / 1

HEX #FD12FD

RGB 253 18 253

HSL 300, 0.98%, 0.53%

LAB 60.25, 96.52, -59.86

 

CMYK 0 / 19 / 93 / 1

HEX #FDCE12

RGB 253 206 18

HSL 48, 0.98%, 0.53%

LAB 84.52, 1.96, 83.59

 

CMYK 93 / 0 / 93 / 1

HEX #12FD12

RGB 18 253 18

HSL 120, 0.98%, 0.53%

LAB 87.2, -84.82, 81.27

 

CMYK 94 / 75 / 0 / 1

HEX #0F3EFD

RGB 15 62 253

HSL 228.15, 0.98%, 0.53%

LAB 38.97, 58.73, -95.63

 

CMYK 0 / 93 / 28 / 1

HEX #FD12B6

RGB 253 18 182

HSL 318.13, 0.98%, 0.53%

LAB 56.77, 87.69, -25.06

 

CMYK 0 / 19 / 93 / 1

HEX #FDCE12

RGB 253 206 18

HSL 48, 0.98%, 0.53%

LAB 84.52, 1.96, 83.59

 

CMYK 93 / 0 / 65 / 1

HEX #12FD58

RGB 18 253 88

HSL 137.87, 0.98%, 0.53%

LAB 87.53, -80.7, 62.95

 

Description

Color code: HEX #0F3EFD | qconv.com Color code: HEX #0F3EFD | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 62 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 62 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 75 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 75% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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