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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F37BA it is the complementary color #F0C845. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F37BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F37BA shade: #1437B5, #2549C8, #365BDB, #476DEE and #587FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F37BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F37BA shade: #0F37BA, #0025A7, #001394, #000181 and #00006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F37BA shade: #0F36B8, #150FB8, #430FB8, #700FB8 and #9E0FB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F37BA shade: #0F36B8 and #0F0FB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F37BA shade matches the following richer shades: #0F36B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F37BA shade: #0F36B8, #1F3FA8, #2F4898, #3F5088 and #4F5978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F37BA shade: #0F93B8, #0F66B8, #0F39B8, #120FB8 and #3F0FB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F37BA shade: #09206C, #0C2B92, #0F36B8, #1242DE and #2C59EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F37BA shade: #0F37BA, #B00FB8 and #7DB80F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F37BA shade: #0F37BA, #B80F39 and #39B80F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F37BA shade: #0F37BA, #B00FB8, #B88E0F and #17B80F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F37BA shade: #0F37BA, #B80F8E, #B88E0F and #0FB839

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 70 / 0 / 27

HEX #0F37BA

RGB 15 55 186

HSL 225.96, 0.85%, 0.39%

LAB 30.35, 39.57, -71.38

 

Complementary color

CMYK 0 / 17 / 71 / 6

HEX #F0C845

RGB 240 200 69

HSL 45.96, 0.85%, 0.61%

LAB 81.98, 0.94, 67.45

 

CMYK 89 / 70 / 0 / 29

HEX #1437B5

RGB 20 55 181

HSL 226.96, 0.8%, 0.39%

LAB 29.95, 37.93, -69.07

 

CMYK 82 / 64 / 0 / 22

HEX #2549C8

RGB 37 73 200

HSL 226.75, 0.69%, 0.46%

LAB 36.61, 34.57, -69.28

 

CMYK 75 / 58 / 0 / 14

HEX #365BDB

RGB 54 91 219

HSL 226.55, 0.7%, 0.54%

LAB 43.33, 31.65, -69.2

 

CMYK 70 / 54 / 0 / 7

HEX #476DEE

RGB 71 109 238

HSL 226.35, 0.83%, 0.61%

LAB 50.04, 29.17, -69

 

CMYK 65 / 50 / 0 / 0

HEX #587FFF

RGB 88 127 255

HSL 225.99, 1%, 0.67%

LAB 56.56, 26.4, -67.85

 

CMYK 92 / 70 / 0 / 27

HEX #0F37BA

RGB 15 55 186

HSL 225.96, 0.85%, 0.39%

LAB 30.35, 39.57, -71.38

 

CMYK 100 / 78 / 0 / 35

HEX #0025A7

RGB 0 37 167

HSL 226.71, 1%, 0.33%

LAB 24.04, 43.16, -70.47

 

CMYK 100 / 87 / 0 / 42

HEX #001394

RGB 0 19 148

HSL 232.3, 1%, 0.29%

LAB 18.38, 46.11, -68.24

 

CMYK 100 / 99 / 0 / 49

HEX #000181

RGB 0 1 129

HSL 239.53, 1%, 0.25%

LAB 13.27, 47.36, -64.85

 

CMYK 100 / 100 / 0 / 57

HEX #00006E

RGB 0 0 110

HSL 240, 1%, 0.22%

LAB 10, 42.63, -58.06

 

CMYK 92 / 71 / 0 / 28

HEX #0F36B8

RGB 15 54 184

HSL 226.15, 0.85%, 0.39%

LAB 29.91, 39.46, -70.92

 

CMYK 89 / 92 / 0 / 28

HEX #150FB8

RGB 21 15 184

HSL 242.13, 0.85%, 0.39%

LAB 23.54, 58.55, -81.49

 

CMYK 64 / 92 / 0 / 28

HEX #430FB8

RGB 67 15 184

HSL 258.46, 0.85%, 0.39%

LAB 26.72, 60.52, -76.11

 

CMYK 39 / 92 / 0 / 28

HEX #700FB8

RGB 112 15 184

HSL 274.44, 0.85%, 0.39%

LAB 32.36, 64.74, -66.61

 

CMYK 14 / 92 / 0 / 28

HEX #9E0FB8

RGB 158 15 184

HSL 290.77, 0.85%, 0.39%

LAB 39.7, 71.14, -54.34

 

CMYK 92 / 71 / 0 / 28

HEX #0F36B8

RGB 15 54 184

HSL 226.15, 0.85%, 0.39%

LAB 29.91, 39.46, -70.92

 

CMYK 92 / 92 / 0 / 28

HEX #0F0FB8

RGB 15 15 184

HSL 240, 0.85%, 0.39%

LAB 23.35, 58.44, -81.82

 

CMYK 92 / 71 / 0 / 28

HEX #0F36B8

RGB 15 54 184

HSL 226.15, 0.85%, 0.39%

LAB 29.91, 39.46, -70.92

 

CMYK 92 / 71 / 0 / 28

HEX #0F36B8

RGB 15 54 184

HSL 226.15, 0.85%, 0.39%

LAB 29.91, 39.46, -70.92

 

CMYK 82 / 63 / 0 / 34

HEX #1F3FA8

RGB 31 63 168

HSL 225.99, 0.69%, 0.39%

LAB 31.05, 28.5, -59.49

 

CMYK 69 / 53 / 0 / 40

HEX #2F4898

RGB 47 72 152

HSL 225.71, 0.53%, 0.39%

LAB 32.93, 18.3, -46.74

 

CMYK 54 / 41 / 0 / 47

HEX #3F5088

RGB 63 80 136

HSL 226.03, 0.37%, 0.39%

LAB 35.15, 10.46, -33.39

 

CMYK 34 / 26 / 0 / 53

HEX #4F5978

RGB 79 89 120

HSL 225.37, 0.21%, 0.39%

LAB 38.13, 4.17, -18.81

 

CMYK 92 / 20 / 0 / 28

HEX #0F93B8

RGB 15 147 184

HSL 193.14, 0.85%, 0.39%

LAB 56.52, -18.77, -28.29

 

CMYK 92 / 45 / 0 / 28

HEX #0F66B8

RGB 15 102 184

HSL 209.11, 0.85%, 0.39%

LAB 42.86, 7.81, -49.83

 

CMYK 92 / 69 / 0 / 28

HEX #0F39B8

RGB 15 57 184

HSL 225.09, 0.85%, 0.39%

LAB 30.61, 37.55, -69.76

 

CMYK 90 / 92 / 0 / 28

HEX #120FB8

RGB 18 15 184

HSL 241.07, 0.85%, 0.39%

LAB 23.44, 58.5, -81.66

 

CMYK 66 / 92 / 0 / 28

HEX #3F0FB8

RGB 63 15 184

HSL 257.04, 0.85%, 0.39%

LAB 26.33, 60.26, -76.78

 

CMYK 92 / 70 / 0 / 58

HEX #09206C

RGB 9 32 108

HSL 226.06, 0.85%, 0.23%

LAB 16.37, 24.16, -46.15

 

CMYK 92 / 71 / 0 / 43

HEX #0C2B92

RGB 12 43 146

HSL 226.12, 0.85%, 0.31%

LAB 23.27, 32.03, -58.88

 

CMYK 92 / 71 / 0 / 28

HEX #0F36B8

RGB 15 54 184

HSL 226.15, 0.85%, 0.39%

LAB 29.91, 39.46, -70.92

 

CMYK 92 / 70 / 0 / 13

HEX #1242DE

RGB 18 66 222

HSL 225.88, 0.85%, 0.47%

LAB 36.55, 45.95, -82.08

 

CMYK 82 / 63 / 0 / 7

HEX #2C59EE

RGB 44 89 238

HSL 226.08, 0.85%, 0.55%

LAB 44.02, 38.9, -78.85

 

CMYK 92 / 70 / 0 / 27

HEX #0F37BA

RGB 15 55 186

HSL 225.96, 0.85%, 0.39%

LAB 30.35, 39.57, -71.38

 

CMYK 4 / 92 / 0 / 28

HEX #B00FB8

RGB 176 15 184

HSL 297.16, 0.85%, 0.39%

LAB 42.81, 74.07, -49.16

 

CMYK 32 / 0 / 92 / 28

HEX #7DB80F

RGB 125 184 15

HSL 80.95, 0.85%, 0.39%

LAB 68.52, -41.04, 67.3

 

CMYK 92 / 70 / 0 / 27

HEX #0F37BA

RGB 15 55 186

HSL 225.96, 0.85%, 0.39%

LAB 30.35, 39.57, -71.38

 

CMYK 0 / 92 / 69 / 28

HEX #B80F39

RGB 184 15 57

HSL 345.09, 0.85%, 0.39%

LAB 39.29, 62.4, 24.33

 

CMYK 69 / 0 / 92 / 28

HEX #39B80F

RGB 57 184 15

HSL 105.09, 0.85%, 0.39%

LAB 65.89, -61.07, 64.06

 

CMYK 92 / 70 / 0 / 27

HEX #0F37BA

RGB 15 55 186

HSL 225.96, 0.85%, 0.39%

LAB 30.35, 39.57, -71.38

 

CMYK 4 / 92 / 0 / 28

HEX #B00FB8

RGB 176 15 184

HSL 297.16, 0.85%, 0.39%

LAB 42.81, 74.07, -49.16

 

CMYK 0 / 23 / 92 / 28

HEX #B88E0F

RGB 184 142 15

HSL 45.09, 0.85%, 0.39%

LAB 61.28, 5.52, 63.57

 

CMYK 88 / 0 / 92 / 28

HEX #17B80F

RGB 23 184 15

HSL 117.16, 0.85%, 0.39%

LAB 65.36, -65.79, 63.39

 

CMYK 92 / 70 / 0 / 27

HEX #0F37BA

RGB 15 55 186

HSL 225.96, 0.85%, 0.39%

LAB 30.35, 39.57, -71.38

 

CMYK 0 / 92 / 23 / 28

HEX #B80F8E

RGB 184 15 142

HSL 314.91, 0.85%, 0.39%

LAB 41.98, 69.69, -25.21

 

CMYK 0 / 23 / 92 / 28

HEX #B88E0F

RGB 184 142 15

HSL 45.09, 0.85%, 0.39%

LAB 61.28, 5.52, 63.57

 

CMYK 92 / 0 / 69 / 28

HEX #0FB839

RGB 15 184 57

HSL 134.91, 0.85%, 0.39%

LAB 65.5, -63.75, 51.46

 

Description

Color code: HEX #0F37BA | qconv.com Color code: HEX #0F37BA | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 55 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 55 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 70 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 70% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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