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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F3124 it is the complementary color #F0CEDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F3124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F3124 shade: #14311F, #254332, #365545, #476758 and #58796B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F3124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F3124 shade: #0F3124, #001F11, #000D00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F3124 shade: #103325, #10331C, #103312, #163310 and #203310

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F3124 shade: #103325, #10332F, #102D33, #102433 and #101A33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F3124 shade matches the following richer shades: #103325, #0A3827 and #053D28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F3124 shade: #103325, #152D24, #1A2823, #202321 and #251D20

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F3124 shade: #103313, #10331C, #103325, #10332F and #102D33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F3124 shade: #000000, #06130E, #103325, #19523C and #237254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F3124 shade: #0F3124, #101633 and #331710

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F3124 shade: #0F3124, #251033 and #332510

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F3124 shade: #0F3124, #101633, #33101D and #332C10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F3124 shade: #0F3124, #141033, #33101D and #2F3310

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 27 / 81

HEX #0F3124

RGB 15 49 36

HSL 157.06, 0.53%, 0.13%

LAB 17.58, -16.23, 4.67

 

Complementary color

CMYK 0 / 14 / 9 / 6

HEX #F0CEDB

RGB 240 206 219

HSL 337.06, 0.53%, 0.87%

LAB 85.9, 14.02, -2.01

 

CMYK 59 / 0 / 37 / 81

HEX #14311F

RGB 20 49 31

HSL 142.76, 0.42%, 0.14%

LAB 17.66, -16.06, 8.23

 

CMYK 45 / 0 / 25 / 74

HEX #254332

RGB 37 67 50

HSL 146, 0.29%, 0.2%

LAB 25.68, -15.78, 6.86

 

CMYK 36 / 0 / 19 / 67

HEX #365545

RGB 54 85 69

HSL 149.03, 0.22%, 0.27%

LAB 33.37, -15.47, 5.74

 

CMYK 31 / 0 / 15 / 60

HEX #476758

RGB 71 103 88

HSL 151.88, 0.18%, 0.34%

LAB 40.81, -15.2, 4.76

 

CMYK 27 / 0 / 12 / 53

HEX #58796B

RGB 88 121 107

HSL 154.55, 0.16%, 0.41%

LAB 48.02, -14.97, 3.88

 

CMYK 69 / 0 / 27 / 81

HEX #0F3124

RGB 15 49 36

HSL 157.06, 0.53%, 0.13%

LAB 17.58, -16.23, 4.67

 

CMYK 100 / 0 / 45 / 88

HEX #001F11

RGB 0 31 17

HSL 152.9, 1%, 0.06%

LAB 9.16, -15.27, 5.84

 

CMYK 100 / 0 / 100 / 95

HEX #000D00

RGB 0 13 0

HSL 120, 1%, 0.03%

LAB 2.6, -5.31, 3.8

 

CMYK 69 / 0 / 27 / 80

HEX #103325

RGB 16 51 37

HSL 156, 0.52%, 0.13%

LAB 18.42, -16.78, 5.17

 

CMYK 69 / 0 / 45 / 80

HEX #10331C

RGB 16 51 28

HSL 140.57, 0.52%, 0.13%

LAB 18.2, -19.06, 10.92

 

CMYK 69 / 0 / 65 / 80

HEX #103312

RGB 16 51 18

HSL 123.43, 0.52%, 0.13%

LAB 18.02, -21.02, 17.05

 

CMYK 57 / 0 / 69 / 80

HEX #163310

RGB 22 51 16

HSL 109.71, 0.52%, 0.13%

LAB 18.26, -19.3, 18.57

 

CMYK 37 / 0 / 69 / 80

HEX #203310

RGB 32 51 16

HSL 92.57, 0.52%, 0.13%

LAB 18.85, -15.17, 19.42

 

CMYK 69 / 0 / 27 / 80

HEX #103325

RGB 16 51 37

HSL 156, 0.52%, 0.13%

LAB 18.42, -16.78, 5.17

 

CMYK 69 / 0 / 8 / 80

HEX #10332F

RGB 16 51 47

HSL 173.14, 0.52%, 0.13%

LAB 18.73, -13.73, -1.24

 

CMYK 69 / 12 / 0 / 80

HEX #102D33

RGB 16 45 51

HSL 190.29, 0.52%, 0.13%

LAB 16.63, -8.63, -7.15

 

CMYK 69 / 29 / 0 / 80

HEX #102433

RGB 16 36 51

HSL 205.71, 0.52%, 0.13%

LAB 13.3, -2.5, -12.26

 

CMYK 69 / 49 / 0 / 80

HEX #101A33

RGB 16 26 51

HSL 222.86, 0.52%, 0.13%

LAB 9.7, 5, -17.91

 

CMYK 69 / 0 / 27 / 80

HEX #103325

RGB 16 51 37

HSL 156, 0.52%, 0.13%

LAB 18.42, -16.78, 5.17

 

CMYK 82 / 0 / 30 / 78

HEX #0A3827

RGB 10 56 39

HSL 157.83, 0.7%, 0.13%

LAB 20.2, -20.21, 6.29

 

CMYK 92 / 0 / 34 / 76

HEX #053D28

RGB 5 61 40

HSL 157.5, 0.85%, 0.13%

LAB 22.03, -23.29, 8.15

 

CMYK 69 / 0 / 27 / 80

HEX #103325

RGB 16 51 37

HSL 156, 0.52%, 0.13%

LAB 18.42, -16.78, 5.17

 

CMYK 53 / 0 / 20 / 82

HEX #152D24

RGB 21 45 36

HSL 157.5, 0.36%, 0.13%

LAB 16.32, -12.09, 2.92

 

CMYK 35 / 0 / 13 / 84

HEX #1A2823

RGB 26 40 35

HSL 158.57, 0.21%, 0.13%

LAB 14.73, -7.36, 1.37

 

CMYK 9 / 0 / 6 / 86

HEX #202321

RGB 32 35 33

HSL 140, 0.04%, 0.13%

LAB 13.35, -1.88, 0.87

 

CMYK 0 / 22 / 14 / 85

HEX #251D20

RGB 37 29 32

HSL 337.5, 0.12%, 0.13%

LAB 11.8, 4.55, -0.59

 

CMYK 69 / 0 / 63 / 80

HEX #103313

RGB 16 51 19

HSL 125.14, 0.52%, 0.13%

LAB 18.03, -20.85, 16.46

 

CMYK 69 / 0 / 45 / 80

HEX #10331C

RGB 16 51 28

HSL 140.57, 0.52%, 0.13%

LAB 18.2, -19.06, 10.92

 

CMYK 69 / 0 / 27 / 80

HEX #103325

RGB 16 51 37

HSL 156, 0.52%, 0.13%

LAB 18.42, -16.78, 5.17

 

CMYK 69 / 0 / 8 / 80

HEX #10332F

RGB 16 51 47

HSL 173.14, 0.52%, 0.13%

LAB 18.73, -13.73, -1.24

 

CMYK 69 / 12 / 0 / 80

HEX #102D33

RGB 16 45 51

HSL 190.29, 0.52%, 0.13%

LAB 16.63, -8.63, -7.15

 

CMYK 68 / 0 / 26 / 93

HEX #06130E

RGB 6 19 14

HSL 156.92, 0.52%, 0.05%

LAB 4.84, -5.01, 1.22

 

CMYK 69 / 0 / 27 / 80

HEX #103325

RGB 16 51 37

HSL 156, 0.52%, 0.13%

LAB 18.42, -16.78, 5.17

 

CMYK 70 / 0 / 27 / 68

HEX #19523C

RGB 25 82 60

HSL 156.84, 0.53%, 0.21%

LAB 30.8, -24.49, 7.58

 

CMYK 69 / 0 / 26 / 55

HEX #237254

RGB 35 114 84

HSL 157.22, 0.53%, 0.29%

LAB 42.81, -31.57, 9.79

 

CMYK 69 / 0 / 27 / 81

HEX #0F3124

RGB 15 49 36

HSL 157.06, 0.53%, 0.13%

LAB 17.58, -16.23, 4.67

 

CMYK 69 / 57 / 0 / 80

HEX #101633

RGB 16 22 51

HSL 229.71, 0.52%, 0.13%

LAB 8.33, 8.15, -20.1

 

CMYK 0 / 55 / 69 / 80

HEX #331710

RGB 51 23 16

HSL 12, 0.52%, 0.13%

LAB 11.65, 13.24, 10.66

 

CMYK 69 / 0 / 27 / 81

HEX #0F3124

RGB 15 49 36

HSL 157.06, 0.53%, 0.13%

LAB 17.58, -16.23, 4.67

 

CMYK 27 / 69 / 0 / 80

HEX #251033

RGB 37 16 51

HSL 276, 0.52%, 0.13%

LAB 9.02, 18.85, -18.87

 

CMYK 0 / 27 / 69 / 80

HEX #332510

RGB 51 37 16

HSL 36, 0.52%, 0.13%

LAB 15.82, 3.59, 16.17

 

CMYK 69 / 0 / 27 / 81

HEX #0F3124

RGB 15 49 36

HSL 157.06, 0.53%, 0.13%

LAB 17.58, -16.23, 4.67

 

CMYK 69 / 57 / 0 / 80

HEX #101633

RGB 16 22 51

HSL 229.71, 0.52%, 0.13%

LAB 8.33, 8.15, -20.1

 

CMYK 0 / 69 / 43 / 80

HEX #33101D

RGB 51 16 29

HSL 337.71, 0.52%, 0.13%

LAB 10.28, 19.3, -0.32

 

CMYK 0 / 14 / 69 / 80

HEX #332C10

RGB 51 44 16

HSL 48, 0.52%, 0.13%

LAB 18.11, -1.17, 18.97

 

CMYK 69 / 0 / 27 / 81

HEX #0F3124

RGB 15 49 36

HSL 157.06, 0.53%, 0.13%

LAB 17.58, -16.23, 4.67

 

CMYK 61 / 69 / 0 / 80

HEX #141033

RGB 20 16 51

HSL 246.86, 0.52%, 0.13%

LAB 6.85, 13.62, -22.46

 

CMYK 0 / 69 / 43 / 80

HEX #33101D

RGB 51 16 29

HSL 337.71, 0.52%, 0.13%

LAB 10.28, 19.3, -0.32

 

CMYK 8 / 0 / 69 / 80

HEX #2F3310

RGB 47 51 16

HSL 66.86, 0.52%, 0.13%

LAB 20.08, -7.83, 21.15

 

Description

Color code: HEX #0F3124 | qconv.com Color code: HEX #0F3124 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 49 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 49 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 27 yellow and 81 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 27% 81% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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