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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F30D9 it is the complementary color #F0CF26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F30D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F30D9 shade: #1430D4, #2542E7, #3654FA, #4766FF and #5878FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F30D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F30D9 shade: #0F30D9, #001EC6, #000CB3, #0000A0 and #00008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F30D9 shade: #0F30D7, #240FD7, #5A0FD7, #900FD7 and #C60FD7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F30D9 shade: #0F30D7 and #0F0FD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F30D9 shade matches the following richer shades: #0F30D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F30D9 shade: #0F30D7, #213CC4, #3449B1, #47559F and #59628C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F30D9 shade: #0F9BD7, #0F65D7, #0F30D7, #230FD7 and #580FD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F30D9 shade: #0A1E89, #0C27B0, #0F30D7, #1F41EF and #4662F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F30D9 shade: #0F30D9, #D70FD0 and #80D70F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F30D9 shade: #0F30D9, #D70F30 and #30D70F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F30D9 shade: #0F30D9, #D70FD0, #D7B50F and #0FD716

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F30D9 shade: #0F30D9, #D70F94, #D7B50F and #0FD751

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 78 / 0 / 15

HEX #0F30D9

RGB 15 48 217

HSL 230.2, 0.87%, 0.45%

LAB 32.31, 54.41, -86.23

 

Complementary color

CMYK 0 / 14 / 84 / 6

HEX #F0CF26

RGB 240 207 38

HSL 50.2, 0.87%, 0.55%

LAB 83.6, -3.74, 78.68

 

CMYK 91 / 77 / 0 / 17

HEX #1430D4

RGB 20 48 212

HSL 231.25, 0.83%, 0.45%

LAB 31.84, 52.9, -84.12

 

CMYK 84 / 71 / 0 / 9

HEX #2542E7

RGB 37 66 231

HSL 231.03, 0.8%, 0.53%

LAB 37.95, 49.92, -84.89

 

CMYK 78 / 66 / 0 / 2

HEX #3654FA

RGB 54 84 250

HSL 230.82, 0.95%, 0.6%

LAB 44.27, 46.96, -85.16

 

CMYK 72 / 60 / 0 / 0

HEX #4766FF

RGB 71 102 255

HSL 229.89, 1%, 0.64%

LAB 49.57, 39.42, -79.23

 

CMYK 65 / 53 / 0 / 0

HEX #5878FF

RGB 88 120 255

HSL 228.5, 1%, 0.67%

LAB 54.79, 30.66, -70.7

 

CMYK 93 / 78 / 0 / 15

HEX #0F30D9

RGB 15 48 217

HSL 230.2, 0.87%, 0.45%

LAB 32.31, 54.41, -86.23

 

CMYK 100 / 85 / 0 / 22

HEX #001EC6

RGB 0 30 198

HSL 230.91, 1%, 0.39%

LAB 26.75, 56.83, -84.44

 

CMYK 100 / 93 / 0 / 30

HEX #000CB3

RGB 0 12 179

HSL 235.98, 1%, 0.35%

LAB 22.01, 57.72, -81.08

 

CMYK 100 / 100 / 0 / 37

HEX #0000A0

RGB 0 0 160

HSL 240, 1%, 0.31%

LAB 18.09, 55.89, -76.13

 

CMYK 100 / 100 / 0 / 45

HEX #00008D

RGB 0 0 141

HSL 240, 1%, 0.28%

LAB 15.08, 50.96, -69.4

 

CMYK 93 / 78 / 0 / 16

HEX #0F30D7

RGB 15 48 215

HSL 230.1, 0.87%, 0.45%

LAB 32.08, 53.75, -85.46

 

CMYK 83 / 93 / 0 / 16

HEX #240FD7

RGB 36 15 215

HSL 246.3, 0.87%, 0.45%

LAB 28.44, 67.14, -91.5

 

CMYK 58 / 93 / 0 / 16

HEX #5A0FD7

RGB 90 15 215

HSL 262.5, 0.87%, 0.45%

LAB 32.75, 69.66, -84.22

 

CMYK 33 / 93 / 0 / 16

HEX #900FD7

RGB 144 15 215

HSL 278.7, 0.87%, 0.45%

LAB 39.88, 74.91, -72.22

 

CMYK 8 / 93 / 0 / 16

HEX #C60FD7

RGB 198 15 215

HSL 294.9, 0.87%, 0.45%

LAB 48.58, 82.49, -57.69

 

CMYK 93 / 78 / 0 / 16

HEX #0F30D7

RGB 15 48 215

HSL 230.1, 0.87%, 0.45%

LAB 32.08, 53.75, -85.46

 

CMYK 93 / 93 / 0 / 16

HEX #0F0FD7

RGB 15 15 215

HSL 240, 0.87%, 0.45%

LAB 27.71, 66.77, -92.75

 

CMYK 93 / 78 / 0 / 16

HEX #0F30D7

RGB 15 48 215

HSL 230.1, 0.87%, 0.45%

LAB 32.08, 53.75, -85.46

 

CMYK 93 / 78 / 0 / 16

HEX #0F30D7

RGB 15 48 215

HSL 230.1, 0.87%, 0.45%

LAB 32.08, 53.75, -85.46

 

CMYK 83 / 69 / 0 / 23

HEX #213CC4

RGB 33 60 196

HSL 230.06, 0.71%, 0.45%

LAB 33.01, 41.03, -72.87

 

CMYK 71 / 59 / 0 / 31

HEX #3449B1

RGB 52 73 177

HSL 229.92, 0.55%, 0.45%

LAB 35.34, 27.68, -57.82

 

CMYK 55 / 47 / 0 / 38

HEX #47559F

RGB 71 85 159

HSL 230.45, 0.38%, 0.45%

LAB 38.45, 16.88, -42.03

 

CMYK 36 / 30 / 0 / 45

HEX #59628C

RGB 89 98 140

HSL 229.41, 0.22%, 0.45%

LAB 42.39, 7.39, -24.32

 

CMYK 93 / 28 / 0 / 16

HEX #0F9BD7

RGB 15 155 215

HSL 198, 0.87%, 0.45%

LAB 60.29, -12.02, -39.84

 

CMYK 93 / 53 / 0 / 16

HEX #0F65D7

RGB 15 101 215

HSL 214.2, 0.87%, 0.45%

LAB 44.68, 20.8, -64.77

 

CMYK 93 / 78 / 0 / 16

HEX #0F30D7

RGB 15 48 215

HSL 230.1, 0.87%, 0.45%

LAB 32.08, 53.75, -85.46

 

CMYK 84 / 93 / 0 / 16

HEX #230FD7

RGB 35 15 215

HSL 246, 0.87%, 0.45%

LAB 28.39, 67.12, -91.58

 

CMYK 59 / 93 / 0 / 16

HEX #580FD7

RGB 88 15 215

HSL 261.9, 0.87%, 0.45%

LAB 32.53, 69.52, -84.59

 

CMYK 93 / 78 / 0 / 46

HEX #0A1E89

RGB 10 30 137

HSL 230.55, 0.86%, 0.29%

LAB 19.22, 36.83, -59.98

 

CMYK 93 / 78 / 0 / 31

HEX #0C27B0

RGB 12 39 176

HSL 230.12, 0.87%, 0.37%

LAB 25.75, 45.48, -73.04

 

CMYK 93 / 78 / 0 / 16

HEX #0F30D7

RGB 15 48 215

HSL 230.1, 0.87%, 0.45%

LAB 32.08, 53.75, -85.46

 

CMYK 87 / 73 / 0 / 6

HEX #1F41EF

RGB 31 65 239

HSL 230.19, 0.87%, 0.53%

LAB 38.38, 52.91, -88.72

 

CMYK 71 / 60 / 0 / 5

HEX #4662F2

RGB 70 98 242

HSL 230.23, 0.87%, 0.61%

LAB 47.56, 37.26, -75.27

 

CMYK 93 / 78 / 0 / 15

HEX #0F30D9

RGB 15 48 217

HSL 230.2, 0.87%, 0.45%

LAB 32.31, 54.41, -86.23

 

CMYK 0 / 93 / 3 / 16

HEX #D70FD0

RGB 215 15 208

HSL 302.1, 0.87%, 0.45%

LAB 51.09, 84.22, -49.5

 

CMYK 40 / 0 / 93 / 16

HEX #80D70F

RGB 128 215 15

HSL 86.1, 0.87%, 0.45%

LAB 78.01, -52.76, 75.05

 

CMYK 93 / 78 / 0 / 15

HEX #0F30D9

RGB 15 48 217

HSL 230.2, 0.87%, 0.45%

LAB 32.31, 54.41, -86.23

 

CMYK 0 / 93 / 78 / 16

HEX #D70F30

RGB 215 15 48

HSL 350.1, 0.87%, 0.45%

LAB 45.64, 69.88, 38.81

 

CMYK 78 / 0 / 93 / 16

HEX #30D70F

RGB 48 215 15

HSL 110.1, 0.87%, 0.45%

LAB 75.62, -71.97, 72.11

 

CMYK 93 / 78 / 0 / 15

HEX #0F30D9

RGB 15 48 217

HSL 230.2, 0.87%, 0.45%

LAB 32.31, 54.41, -86.23

 

CMYK 0 / 93 / 3 / 16

HEX #D70FD0

RGB 215 15 208

HSL 302.1, 0.87%, 0.45%

LAB 51.09, 84.22, -49.5

 

CMYK 0 / 16 / 93 / 16

HEX #D7B50F

RGB 215 181 15

HSL 49.8, 0.87%, 0.45%

LAB 74.53, -1.56, 74.93

 

CMYK 93 / 0 / 90 / 16

HEX #0FD716

RGB 15 215 22

HSL 122.1, 0.87%, 0.45%

LAB 75.3, -74.72, 70.71

 

CMYK 93 / 78 / 0 / 15

HEX #0F30D9

RGB 15 48 217

HSL 230.2, 0.87%, 0.45%

LAB 32.31, 54.41, -86.23

 

CMYK 0 / 93 / 31 / 16

HEX #D70F94

RGB 215 15 148

HSL 320.1, 0.87%, 0.45%

LAB 48.17, 76.74, -18.8

 

CMYK 0 / 16 / 93 / 16

HEX #D7B50F

RGB 215 181 15

HSL 49.8, 0.87%, 0.45%

LAB 74.53, -1.56, 74.93

 

CMYK 93 / 0 / 62 / 16

HEX #0FD751

RGB 15 215 81

HSL 139.8, 0.87%, 0.45%

LAB 75.64, -70.48, 52.61

 

Description

Color code: HEX #0F30D9 | qconv.com Color code: HEX #0F30D9 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 48 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 48 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 78 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 78% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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