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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F2327 it is the complementary color #F0DCD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F2327. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F2327 shade: #142322, #253535, #364748, #47595B and #586B6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F2327. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F2327 shade: #0F2327, #001114, #000001 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F2327 shade: #102428, #101E28, #101728, #101028 and #161028

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F2327 shade: #102428, #101E28, #101728 and #101028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F2327 shade matches the following richer shades: #102428, #0B272D, #072A31 and #022D36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F2327 shade: #102428, #142124, #191E1F, #1D1B1B and #221816

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F2327 shade: #10281F, #102826, #102428, #101E28 and #101728

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F2327 shade: #000000, #040A0B, #102428, #1B3F46 and #275A64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F2327 shade: #0F2327, #191028 and #282310

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F2327 shade: #0F2327, #281024 and #242810

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F2327 shade: #0F2327, #191028, #281410 and #1F2810

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F2327 shade: #0F2327, #201028, #281410 and #182810

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 10 / 0 / 85

HEX #0F2327

RGB 15 35 39

HSL 190, 0.44%, 0.11%

LAB 12.29, -6.67, -5.19

 

Complementary color

CMYK 0 / 8 / 10 / 6

HEX #F0DCD8

RGB 240 220 216

HSL 10, 0.44%, 0.89%

LAB 89.24, 6.2, 4.44

 

CMYK 43 / 0 / 3 / 86

HEX #142322

RGB 20 35 34

HSL 176, 0.27%, 0.11%

LAB 12.39, -6.66, -1.37

 

CMYK 30 / 0 / 0 / 79

HEX #253535

RGB 37 53 53

HSL 180, 0.18%, 0.18%

LAB 20.81, -6.52, -2.14

 

CMYK 25 / 1 / 0 / 72

HEX #364748

RGB 54 71 72

HSL 183.33, 0.14%, 0.25%

LAB 28.8, -6.43, -2.82

 

CMYK 22 / 2 / 0 / 64

HEX #47595B

RGB 71 89 91

HSL 186, 0.12%, 0.32%

LAB 36.44, -6.38, -3.45

 

CMYK 20 / 3 / 0 / 57

HEX #586B6E

RGB 88 107 110

HSL 188.18, 0.11%, 0.39%

LAB 43.82, -6.35, -4.05

 

CMYK 62 / 10 / 0 / 85

HEX #0F2327

RGB 15 35 39

HSL 190, 0.44%, 0.11%

LAB 12.29, -6.67, -5.19

 

CMYK 100 / 15 / 0 / 92

HEX #001114

RGB 0 17 20

HSL 189, 1%, 0.04%

LAB 4.08, -4.19, -3.44

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 60 / 10 / 0 / 84

HEX #102428

RGB 16 36 40

HSL 190, 0.43%, 0.11%

LAB 12.77, -6.68, -5.18

 

CMYK 60 / 25 / 0 / 84

HEX #101E28

RGB 16 30 40

HSL 205, 0.43%, 0.11%

LAB 10.5, -2.47, -8.64

 

CMYK 60 / 43 / 0 / 84

HEX #101728

RGB 16 23 40

HSL 222.5, 0.43%, 0.11%

LAB 7.91, 2.82, -12.65

 

CMYK 60 / 60 / 0 / 84

HEX #101028

RGB 16 16 40

HSL 240, 0.43%, 0.11%

LAB 5.73, 7.35, -16.08

 

CMYK 45 / 60 / 0 / 84

HEX #161028

RGB 22 16 40

HSL 255, 0.43%, 0.11%

LAB 6.27, 9.75, -15.18

 

CMYK 60 / 10 / 0 / 84

HEX #102428

RGB 16 36 40

HSL 190, 0.43%, 0.11%

LAB 12.77, -6.68, -5.18

 

CMYK 60 / 25 / 0 / 84

HEX #101E28

RGB 16 30 40

HSL 205, 0.43%, 0.11%

LAB 10.5, -2.47, -8.64

 

CMYK 60 / 43 / 0 / 84

HEX #101728

RGB 16 23 40

HSL 222.5, 0.43%, 0.11%

LAB 7.91, 2.82, -12.65

 

CMYK 60 / 60 / 0 / 84

HEX #101028

RGB 16 16 40

HSL 240, 0.43%, 0.11%

LAB 5.73, 7.35, -16.08

 

CMYK 60 / 10 / 0 / 84

HEX #102428

RGB 16 36 40

HSL 190, 0.43%, 0.11%

LAB 12.77, -6.68, -5.18

 

CMYK 76 / 13 / 0 / 82

HEX #0B272D

RGB 11 39 45

HSL 190.59, 0.61%, 0.11%

LAB 13.89, -8.15, -7.08

 

CMYK 86 / 14 / 0 / 81

HEX #072A31

RGB 7 42 49

HSL 190, 0.75%, 0.11%

LAB 15.08, -9.38, -8.14

 

CMYK 96 / 17 / 0 / 79

HEX #022D36

RGB 2 45 54

HSL 190.38, 0.93%, 0.11%

LAB 16.29, -10.24, -9.81

 

CMYK 60 / 10 / 0 / 84

HEX #102428

RGB 16 36 40

HSL 190, 0.43%, 0.11%

LAB 12.77, -6.68, -5.18

 

CMYK 44 / 8 / 0 / 86

HEX #142124

RGB 20 33 36

HSL 191.25, 0.29%, 0.11%

LAB 11.71, -4.65, -3.83

 

CMYK 19 / 3 / 0 / 88

HEX #191E1F

RGB 25 30 31

HSL 190, 0.11%, 0.11%

LAB 10.81, -2.02, -1.47

 

CMYK 0 / 7 / 7 / 89

HEX #1D1B1B

RGB 29 27 27

HSL 0, 0.04%, 0.11%

LAB 9.99, 0.97, 0.34

 

CMYK 0 / 29 / 35 / 87

HEX #221816

RGB 34 24 22

HSL 10, 0.21%, 0.11%

LAB 9.41, 4.62, 3.32

 

CMYK 60 / 0 / 23 / 84

HEX #10281F

RGB 16 40 31

HSL 157.5, 0.43%, 0.11%

LAB 13.98, -12.17, 3.06

 

CMYK 60 / 0 / 5 / 84

HEX #102826

RGB 16 40 38

HSL 175, 0.43%, 0.11%

LAB 14.22, -9.99, -1.58

 

CMYK 60 / 10 / 0 / 84

HEX #102428

RGB 16 36 40

HSL 190, 0.43%, 0.11%

LAB 12.77, -6.68, -5.18

 

CMYK 60 / 25 / 0 / 84

HEX #101E28

RGB 16 30 40

HSL 205, 0.43%, 0.11%

LAB 10.5, -2.47, -8.64

 

CMYK 60 / 43 / 0 / 84

HEX #101728

RGB 16 23 40

HSL 222.5, 0.43%, 0.11%

LAB 7.91, 2.82, -12.65

 

CMYK 64 / 9 / 0 / 96

HEX #040A0B

RGB 4 10 11

HSL 188.57, 0.47%, 0.03%

LAB 2.41, -1.43, -0.94

 

CMYK 60 / 10 / 0 / 84

HEX #102428

RGB 16 36 40

HSL 190, 0.43%, 0.11%

LAB 12.77, -6.68, -5.18

 

CMYK 61 / 10 / 0 / 73

HEX #1B3F46

RGB 27 63 70

HSL 189.77, 0.44%, 0.19%

LAB 24.42, -10.53, -8.22

 

CMYK 61 / 10 / 0 / 61

HEX #275A64

RGB 39 90 100

HSL 189.84, 0.44%, 0.27%

LAB 35.33, -13.75, -10.91

 

CMYK 62 / 10 / 0 / 85

HEX #0F2327

RGB 15 35 39

HSL 190, 0.44%, 0.11%

LAB 12.29, -6.67, -5.19

 

CMYK 38 / 60 / 0 / 84

HEX #191028

RGB 25 16 40

HSL 262.5, 0.43%, 0.11%

LAB 6.6, 11.02, -14.65

 

CMYK 0 / 13 / 60 / 84

HEX #282310

RGB 40 35 16

HSL 47.5, 0.43%, 0.11%

LAB 13.77, -1, 13.25

 

CMYK 62 / 10 / 0 / 85

HEX #0F2327

RGB 15 35 39

HSL 190, 0.44%, 0.11%

LAB 12.29, -6.67, -5.19

 

CMYK 0 / 60 / 10 / 84

HEX #281024

RGB 40 16 36

HSL 310, 0.43%, 0.11%

LAB 8.56, 16.08, -8.41

 

CMYK 10 / 0 / 60 / 84

HEX #242810

RGB 36 40 16

HSL 70, 0.43%, 0.11%

LAB 15.12, -6.52, 14.91

 

CMYK 62 / 10 / 0 / 85

HEX #0F2327

RGB 15 35 39

HSL 190, 0.44%, 0.11%

LAB 12.29, -6.67, -5.19

 

CMYK 38 / 60 / 0 / 84

HEX #191028

RGB 25 16 40

HSL 262.5, 0.43%, 0.11%

LAB 6.6, 11.02, -14.65

 

CMYK 0 / 50 / 60 / 84

HEX #281410

RGB 40 20 16

HSL 10, 0.43%, 0.11%

LAB 8.9, 9.71, 6.52

 

CMYK 23 / 0 / 60 / 84

HEX #1F2810

RGB 31 40 16

HSL 82.5, 0.43%, 0.11%

LAB 14.66, -9.08, 14.23

 

CMYK 62 / 10 / 0 / 85

HEX #0F2327

RGB 15 35 39

HSL 190, 0.44%, 0.11%

LAB 12.29, -6.67, -5.19

 

CMYK 20 / 60 / 0 / 84

HEX #201028

RGB 32 16 40

HSL 280, 0.43%, 0.11%

LAB 7.51, 13.93, -13.16

 

CMYK 0 / 50 / 60 / 84

HEX #281410

RGB 40 20 16

HSL 10, 0.43%, 0.11%

LAB 8.9, 9.71, 6.52

 

CMYK 40 / 0 / 60 / 84

HEX #182810

RGB 24 40 16

HSL 100, 0.43%, 0.11%

LAB 14.11, -12.44, 13.42

 

Description

Color code: HEX #0F2327 | qconv.com Color code: HEX #0F2327 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 35 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 35 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 10 magenta, none yellow and 85 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 10% 0% 85% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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