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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F1036BF it is the complementary color #F0EFC9BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F1036BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F1036BF shade: #141031BF, #252244BF, #363457BF, #47466ABF and #58587DBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F1036BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F1036BF shade: #0F1036BF, #000023BF, #000010BF and #000000BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F1036BF shade: #0F1038, #190F38, #240F38, #2F0F38 and #380F36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F1036BF shade: #0F1038 and #0F0F38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F1036BF shade matches the following richer shades: #0F1038, #0A0B3E and #040544

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F1036BF shade: #0F1038, #151632, #1B1B2C, #212127 and #262621

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F1036BF shade: #0F2638, #0F1C38, #0F1138, #190F38 and #240F38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F1036BF shade: #000000, #060718, #0F1038, #181A58 and #212379

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F1036BF shade: #0F1036, #380F31 and #21380F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F1036BF shade: #0F1036, #380F11 and #11380F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F1036BF shade: #0F1036, #380F31, #38370F and #0F3816

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F1036BF shade: #0F1036, #380F25, #38370F and #0F3822

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 53 / 0 / 59

HEX #0F1036BF

RGBA 15 16 54 0.75

HSLA 238.46, 0.57%, 0.14%, 0.75

LABA 6.67, 13.57, -24.97, 0.75

 

Complementary color

CMYK 0 / 0 / 12 / 4

HEX #F0EFC9BF

RGBA 240 239 201 0.75

HSLA 58.46, 0.57%, 0.86%, 0.75

LABA 93.66, -5.85, 18.54, 0.75

 

CMYK 44 / 51 / 0 / 61

HEX #141031BF

RGBA 20 16 49 0.75

HSLA 247.27, 0.51%, 0.13%, 0.75

LABA 6.69, 12.76, -21.24, 0.75

 

CMYK 34 / 38 / 0 / 55

HEX #252244BF

RGBA 37 34 68 0.75

HSLA 245.29, 0.33%, 0.2%, 0.75

LABA 15.25, 11.56, -21.03, 0.75

 

CMYK 28 / 30 / 0 / 49

HEX #363457BF

RGBA 54 52 87 0.75

HSLA 243.43, 0.25%, 0.27%, 0.75

LABA 23.43, 10.5, -20.84, 0.75

 

CMYK 25 / 25 / 0 / 44

HEX #47466ABF

RGBA 71 70 106 0.75

HSLA 241.67, 0.2%, 0.35%, 0.75

LABA 31.26, 9.72, -20.78, 0.75

 

CMYK 22 / 22 / 0 / 38

HEX #58587DBF

RGBA 88 88 125 0.75

HSLA 240, 0.17%, 0.42%, 0.75

LABA 38.79, 9.1, -20.81, 0.75

 

CMYK 54 / 53 / 0 / 59

HEX #0F1036BF

RGBA 15 16 54 0.75

HSLA 238.46, 0.57%, 0.14%, 0.75

LABA 6.67, 13.57, -24.97, 0.75

 

CMYK 75 / 75 / 0 / 65

HEX #000023BF

RGBA 0 0 35 0.75

HSLA 240, 1%, 0.07%, 0.75

LABA 1.1, 7.7, -19.49, 0.75

 

CMYK 75 / 75 / 0 / 70

HEX #000010BF

RGBA 0 0 16 0.75

HSLA 240, 1%, 0.03%, 0.75

LABA 0.34, 2.37, -6.46, 0.75

 

CMYK 0 / 0 / 0 / 100

HEX #000000BF

RGBA 0 0 0 0.75

HSLA 0, 0%, 0%, 0.75

LABA 0, 0, 0, 0.75

 

CMYK 73 / 71 / 0 / 78

HEX #0F1038

RGB 15 16 56

HSL 238.54, 0.58%, 0.14%

LAB 6.84, 14.5, -26.14

 

CMYK 55 / 73 / 0 / 78

HEX #190F38

RGB 25 15 56

HSL 254.63, 0.58%, 0.14%

LAB 7.53, 17.7, -24.98

 

CMYK 36 / 73 / 0 / 78

HEX #240F38

RGB 36 15 56

HSL 270.73, 0.58%, 0.14%

LAB 9.01, 20.67, -22.52

 

CMYK 16 / 73 / 0 / 78

HEX #2F0F38

RGB 47 15 56

HSL 286.83, 0.58%, 0.14%

LAB 10.79, 23.87, -19.58

 

CMYK 0 / 73 / 4 / 78

HEX #380F36

RGB 56 15 54

HSL 302.93, 0.58%, 0.14%

LAB 12.28, 26.16, -15.67

 

CMYK 73 / 71 / 0 / 78

HEX #0F1038

RGB 15 16 56

HSL 238.54, 0.58%, 0.14%

LAB 6.84, 14.5, -26.14

 

CMYK 73 / 73 / 0 / 78

HEX #0F0F38

RGB 15 15 56

HSL 240, 0.58%, 0.14%

LAB 6.58, 15.13, -26.57

 

CMYK 73 / 71 / 0 / 78

HEX #0F1038

RGB 15 16 56

HSL 238.54, 0.58%, 0.14%

LAB 6.84, 14.5, -26.14

 

CMYK 84 / 82 / 0 / 76

HEX #0A0B3E

RGB 10 11 62

HSL 238.85, 0.72%, 0.14%

LAB 5.89, 19.25, -32.04

 

CMYK 94 / 93 / 0 / 73

HEX #040544

RGB 4 5 68

HSL 239.06, 0.89%, 0.14%

LAB 4.98, 24.26, -37.82

 

CMYK 73 / 71 / 0 / 78

HEX #0F1038

RGB 15 16 56

HSL 238.54, 0.58%, 0.14%

LAB 6.84, 14.5, -26.14

 

CMYK 58 / 56 / 0 / 80

HEX #151632

RGB 21 22 50

HSL 237.93, 0.41%, 0.14%

LAB 8.68, 9.11, -18.79

 

CMYK 39 / 39 / 0 / 83

HEX #1B1B2C

RGB 27 27 44

HSL 240, 0.24%, 0.14%

LAB 10.55, 5.1, -11.42

 

CMYK 15 / 15 / 0 / 85

HEX #212127

RGB 33 33 39

HSL 240, 0.08%, 0.14%

LAB 12.97, 1.58, -4.02

 

CMYK 0 / 0 / 13 / 85

HEX #262621

RGB 38 38 33

HSL 60, 0.07%, 0.14%

LAB 15, -1.16, 3.32

 

CMYK 73 / 32 / 0 / 78

HEX #0F2638

RGB 15 38 56

HSL 206.34, 0.58%, 0.14%

LAB 14.25, -2.14, -14.33

 

CMYK 73 / 50 / 0 / 78

HEX #0F1C38

RGB 15 28 56

HSL 220.98, 0.58%, 0.14%

LAB 10.69, 5.34, -19.95

 

CMYK 73 / 70 / 0 / 78

HEX #0F1138

RGB 15 17 56

HSL 237.07, 0.58%, 0.14%

LAB 7.12, 13.84, -25.7

 

CMYK 55 / 73 / 0 / 78

HEX #190F38

RGB 25 15 56

HSL 254.63, 0.58%, 0.14%

LAB 7.53, 17.7, -24.98

 

CMYK 36 / 73 / 0 / 78

HEX #240F38

RGB 36 15 56

HSL 270.73, 0.58%, 0.14%

LAB 9.01, 20.67, -22.52

 

CMYK 75 / 71 / 0 / 91

HEX #060718

RGB 6 7 24

HSL 236.67, 0.6%, 0.06%

LAB 2.32, 2.95, -8.83

 

CMYK 73 / 71 / 0 / 78

HEX #0F1038

RGB 15 16 56

HSL 238.54, 0.58%, 0.14%

LAB 6.84, 14.5, -26.14

 

CMYK 73 / 70 / 0 / 65

HEX #181A58

RGB 24 26 88

HSL 238.13, 0.57%, 0.22%

LAB 13.46, 21.88, -37.66

 

CMYK 73 / 71 / 0 / 53

HEX #212379

RGB 33 35 121

HSL 238.64, 0.57%, 0.3%

LAB 19.66, 29.54, -49.09

 

CMYK 72 / 70 / 0 / 79

HEX #0F1036

RGB 15 16 54

HSL 238.46, 0.57%, 0.14%

LAB 6.67, 13.57, -24.97

 

CMYK 0 / 73 / 13 / 78

HEX #380F31

RGB 56 15 49

HSL 310.24, 0.58%, 0.14%

LAB 11.99, 25.16, -12.51

 

CMYK 41 / 0 / 73 / 78

HEX #21380F

RGB 33 56 15

HSL 93.66, 0.58%, 0.14%

LAB 20.77, -17.6, 22.16

 

CMYK 72 / 70 / 0 / 79

HEX #0F1036

RGB 15 16 54

HSL 238.46, 0.57%, 0.14%

LAB 6.67, 13.57, -24.97

 

CMYK 0 / 73 / 70 / 78

HEX #380F11

RGB 56 15 17

HSL 357.07, 0.58%, 0.14%

LAB 10.73, 20.57, 8.96

 

CMYK 70 / 0 / 73 / 78

HEX #11380F

RGB 17 56 15

HSL 117.07, 0.58%, 0.14%

LAB 19.97, -23.49, 21.04

 

CMYK 72 / 70 / 0 / 79

HEX #0F1036

RGB 15 16 54

HSL 238.46, 0.57%, 0.14%

LAB 6.67, 13.57, -24.97

 

CMYK 0 / 73 / 13 / 78

HEX #380F31

RGB 56 15 49

HSL 310.24, 0.58%, 0.14%

LAB 11.99, 25.16, -12.51

 

CMYK 0 / 2 / 73 / 78

HEX #38370F

RGB 56 55 15

HSL 58.54, 0.58%, 0.14%

LAB 22.33, -5.75, 24.4

 

CMYK 73 / 0 / 61 / 78

HEX #0F3816

RGB 15 56 22

HSL 130.24, 0.58%, 0.14%

LAB 20, -22.97, 17.02

 

CMYK 72 / 70 / 0 / 79

HEX #0F1036

RGB 15 16 54

HSL 238.46, 0.57%, 0.14%

LAB 6.67, 13.57, -24.97

 

CMYK 0 / 73 / 34 / 78

HEX #380F25

RGB 56 15 37

HSL 327.8, 0.58%, 0.14%

LAB 11.39, 23.04, -4.58

 

CMYK 0 / 2 / 73 / 78

HEX #38370F

RGB 56 55 15

HSL 58.54, 0.58%, 0.14%

LAB 22.33, -5.75, 24.4

 

CMYK 73 / 0 / 39 / 78

HEX #0F3822

RGB 15 56 34

HSL 147.8, 0.58%, 0.14%

LAB 20.22, -20.45, 9.68

 

Description

Color code: HEX #0F1036BF | qconv.com Color code: HEX #0F1036BF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 16 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 16 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 53 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 53% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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