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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F0062CE it is the complementary color #F0FF9DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F0062CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F0062CE shade: #14005DCE, #251270CE, #362483CE, #473696CE and #5848A9CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F0062CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F0062CE shade: #0F0062CE, #00004FCE, #00003CCE, #000029CE and #000016CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F0062CE shade: #0F0061, #290061, #430061, #5D0061 and #61004A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F0062CE shade: #0F0061 and #000061

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F0062CE shade matches the following richer shades: #0F0061

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F0062CE shade: #0F0061, #140859, #1A1051, #1F1849 and #251F42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F0062CE shade: #002561, #000B61, #0F0061, #280061 and #420061

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F0062CE shade: #02000E, #090038, #0F0061, #15008A and #1B00B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F0062CE shade: #0F0062, #61003F and #186100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F0062CE shade: #0F0062, #610F00 and #00610F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F0062CE shade: #0F0062, #61003F, #526100 and #006122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F0062CE shade: #0F0062, #610022, #526100 and #00613F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 81 / 0 / 50

HEX #0F0062CE

RGBA 15 0 98 0.81

HSLA 249.18, 1%, 0.19%, 0.81

LABA 8.85, 39.6, -52.01, 0.81

 

Complementary color

CMYK 5 / 0 / 31 / 0

HEX #F0FF9DCE

RGBA 240 255 157 0.81

HSLA 69.18, 1%, 0.81%, 0.81

LABA 97.02, -19.46, 45.17, 0.81

 

CMYK 64 / 81 / 0 / 51

HEX #14005DCE

RGBA 20 0 93 0.81

HSLA 252.9, 1%, 0.18%, 0.81

LABA 8.47, 38.38, -49.28, 0.81

 

CMYK 54 / 68 / 0 / 45

HEX #251270CE

RGBA 37 18 112 0.81

HSLA 252.13, 0.72%, 0.25%, 0.81

LABA 15.47, 36.89, -50.2, 0.81

 

CMYK 48 / 59 / 0 / 39

HEX #362483CE

RGBA 54 36 131 0.81

HSLA 251.37, 0.57%, 0.33%, 0.81

LABA 22.6, 35.42, -50.55, 0.81

 

CMYK 43 / 52 / 0 / 33

HEX #473696CE

RGBA 71 54 150 0.81

HSLA 250.63, 0.47%, 0.4%, 0.81

LABA 29.86, 33.73, -50.42, 0.81

 

CMYK 39 / 46 / 0 / 27

HEX #5848A9CE

RGBA 88 72 169 0.81

HSLA 249.9, 0.4%, 0.47%, 0.81

LABA 37.07, 32.16, -50.14, 0.81

 

CMYK 69 / 81 / 0 / 50

HEX #0F0062CE

RGBA 15 0 98 0.81

HSLA 249.18, 1%, 0.19%, 0.81

LABA 8.85, 39.6, -52.01, 0.81

 

CMYK 81 / 81 / 0 / 56

HEX #00004FCE

RGBA 0 0 79 0.81

HSLA 240, 1%, 0.15%, 0.81

LABA 5.1, 31.95, -45.36, 0.81

 

CMYK 81 / 81 / 0 / 62

HEX #00003CCE

RGBA 0 0 60 0.81

HSLA 240, 1%, 0.12%, 0.81

LABA 2.95, 20.71, -35.41, 0.81

 

CMYK 81 / 81 / 0 / 68

HEX #000029CE

RGBA 0 0 41 0.81

HSLA 240, 1%, 0.08%, 0.81

LABA 1.45, 10.16, -23.62, 0.81

 

CMYK 81 / 81 / 0 / 74

HEX #000016CE

RGBA 0 0 22 0.81

HSLA 240, 1%, 0.04%, 0.81

LABA 0.52, 3.68, -10.01, 0.81

 

CMYK 85 / 100 / 0 / 62

HEX #0F0061

RGB 15 0 97

HSL 249.28, 1%, 0.19%

LAB 8.69, 39.32, -51.61

 

CMYK 58 / 100 / 0 / 62

HEX #290061

RGB 41 0 97

HSL 265.36, 1%, 0.19%

LAB 11.51, 40.67, -46.84

 

CMYK 31 / 100 / 0 / 62

HEX #430061

RGB 67 0 97

HSL 281.44, 1%, 0.19%

LAB 15.78, 43.53, -39.66

 

CMYK 4 / 100 / 0 / 62

HEX #5D0061

RGB 93 0 97

HSL 297.53, 1%, 0.19%

LAB 20.79, 47.68, -31.31

 

CMYK 0 / 100 / 24 / 62

HEX #61004A

RGB 97 0 74

HSL 314.23, 1%, 0.19%

LAB 20.19, 44.93, -16.72

 

CMYK 85 / 100 / 0 / 62

HEX #0F0061

RGB 15 0 97

HSL 249.28, 1%, 0.19%

LAB 8.69, 39.32, -51.61

 

CMYK 100 / 100 / 0 / 62

HEX #000061

RGB 0 0 97

HSL 240, 1%, 0.19%

LAB 7.8, 39.01, -53.13

 

CMYK 85 / 100 / 0 / 62

HEX #0F0061

RGB 15 0 97

HSL 249.28, 1%, 0.19%

LAB 8.69, 39.32, -51.61

 

CMYK 85 / 100 / 0 / 62

HEX #0F0061

RGB 15 0 97

HSL 249.28, 1%, 0.19%

LAB 8.69, 39.32, -51.61

 

CMYK 78 / 91 / 0 / 65

HEX #140859

RGB 20 8 89

HSL 248.89, 0.84%, 0.19%

LAB 9.35, 32.76, -45.12

 

CMYK 68 / 80 / 0 / 68

HEX #1A1051

RGB 26 16 81

HSL 249.23, 0.67%, 0.19%

LAB 10.44, 26.25, -37.84

 

CMYK 58 / 67 / 0 / 71

HEX #1F1849

RGB 31 24 73

HSL 248.57, 0.51%, 0.19%

LAB 12.13, 18.94, -29.54

 

CMYK 44 / 53 / 0 / 74

HEX #251F42

RGB 37 31 66

HSL 250.29, 0.36%, 0.19%

LAB 14.21, 13.05, -21.29

 

CMYK 100 / 62 / 0 / 62

HEX #002561

RGB 0 37 97

HSL 217.11, 1%, 0.19%

LAB 16.44, 14.97, -38.84

 

CMYK 100 / 89 / 0 / 62

HEX #000B61

RGB 0 11 97

HSL 233.2, 1%, 0.19%

LAB 9.82, 32.86, -49.76

 

CMYK 85 / 100 / 0 / 62

HEX #0F0061

RGB 15 0 97

HSL 249.28, 1%, 0.19%

LAB 8.69, 39.32, -51.61

 

CMYK 59 / 100 / 0 / 62

HEX #280061

RGB 40 0 97

HSL 264.74, 1%, 0.19%

LAB 11.37, 40.59, -47.08

 

CMYK 32 / 100 / 0 / 62

HEX #420061

RGB 66 0 97

HSL 280.82, 1%, 0.19%

LAB 15.6, 43.39, -39.97

 

CMYK 86 / 100 / 0 / 95

HEX #02000E

RGB 2 0 14

HSL 248.57, 1%, 0.03%

LAB 0.4, 2.54, -5.29

 

CMYK 84 / 100 / 0 / 78

HEX #090038

RGB 9 0 56

HSL 249.64, 1%, 0.11%

LAB 3.1, 20.48, -32.22

 

CMYK 85 / 100 / 0 / 62

HEX #0F0061

RGB 15 0 97

HSL 249.28, 1%, 0.19%

LAB 8.69, 39.32, -51.61

 

CMYK 85 / 100 / 0 / 46

HEX #15008A

RGB 21 0 138

HSL 249.13, 1%, 0.27%

LAB 15.46, 50.45, -66.86

 

CMYK 85 / 100 / 0 / 30

HEX #1B00B3

RGB 27 0 179

HSL 249.05, 1%, 0.35%

LAB 21.9, 61.01, -81.24

 

CMYK 85 / 100 / 0 / 62

HEX #0F0062

RGB 15 0 98

HSL 249.18, 1%, 0.19%

LAB 8.85, 39.6, -52.01

 

CMYK 0 / 100 / 35 / 62

HEX #61003F

RGB 97 0 63

HSL 321.03, 1%, 0.19%

LAB 19.64, 43.53, -9.96

 

CMYK 75 / 0 / 100 / 62

HEX #186100

RGB 24 97 0

HSL 105.15, 1%, 0.19%

LAB 35.49, -39.03, 41.44

 

CMYK 85 / 100 / 0 / 62

HEX #0F0062

RGB 15 0 98

HSL 249.18, 1%, 0.19%

LAB 8.85, 39.6, -52.01

 

CMYK 0 / 85 / 100 / 62

HEX #610F00

RGB 97 15 0

HSL 9.28, 1%, 0.19%

LAB 19.57, 35.28, 29.63

 

CMYK 100 / 0 / 85 / 62

HEX #00610F

RGB 0 97 15

HSL 129.28, 1%, 0.19%

LAB 35.17, -41.56, 36.54

 

CMYK 85 / 100 / 0 / 62

HEX #0F0062

RGB 15 0 98

HSL 249.18, 1%, 0.19%

LAB 8.85, 39.6, -52.01

 

CMYK 0 / 100 / 35 / 62

HEX #61003F

RGB 97 0 63

HSL 321.03, 1%, 0.19%

LAB 19.64, 43.53, -9.96

 

CMYK 15 / 0 / 100 / 62

HEX #526100

RGB 82 97 0

HSL 69.28, 1%, 0.19%

LAB 38.45, -17.85, 45.02

 

CMYK 100 / 0 / 65 / 62

HEX #006122

RGB 0 97 34

HSL 141.03, 1%, 0.19%

LAB 35.33, -39.53, 28.46

 

CMYK 85 / 100 / 0 / 62

HEX #0F0062

RGB 15 0 98

HSL 249.18, 1%, 0.19%

LAB 8.85, 39.6, -52.01

 

CMYK 0 / 100 / 65 / 62

HEX #610022

RGB 97 0 34

HSL 338.97, 1%, 0.19%

LAB 18.61, 40.84, 9.2

 

CMYK 15 / 0 / 100 / 62

HEX #526100

RGB 82 97 0

HSL 69.28, 1%, 0.19%

LAB 38.45, -17.85, 45.02

 

CMYK 100 / 0 / 35 / 62

HEX #00613F

RGB 0 97 63

HSL 158.97, 1%, 0.19%

LAB 35.81, -33.84, 12.59

 

Description

Color code: HEX #0F0062CE | qconv.com Color code: HEX #0F0062CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, none green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 0 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 81 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 81% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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