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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EF915 it is the complementary color #F106EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EF915. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EF915 shade: #13F910, #24FF23, #35FF36, #46FF49 and #57FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EF915. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EF915 shade: #0EF915, #00E702, #00D500, #00C300 and #00B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EF915 shade: #10F917, #48F910, #87F910, #C6F910 and #F9EE10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EF915 shade: #10F917, #10F956, #10F995, #10F9D3 and #10E0F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EF915 shade matches the following richer shades: #10F917

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EF915 shade: #10F917, #24E52A, #38D13D, #4CBD4F and #60AA62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EF915 shade: #88F910, #4AF910, #10F914, #10F952 and #10F990

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EF915 shade: #05B20A, #06DA0C, #10F917, #39FA3E and #61FB65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EF915 shade: #0EF915, #10C6F9 and #F91069

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EF915 shade: #0EF915, #1410F9 and #F91410

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EF915 shade: #0EF915, #10C6F9, #F910F5 and #F94310

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EF915 shade: #0EF915, #1081F9, #F910F5 and #F98810

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 92 / 2

HEX #0EF915

RGB 14 249 21

HSL 121.79, 0.95%, 0.52%

LAB 85.96, -83.86, 79.86

 

Complementary color

CMYK 0 / 98 / 3 / 5

HEX #F106EA

RGB 241 6 234

HSL 301.79, 0.95%, 0.48%

LAB 56.85, 92.79, -54.81

 

CMYK 92 / 0 / 94 / 2

HEX #13F910

RGB 19 249 16

HSL 119.23, 0.95%, 0.52%

LAB 85.97, -83.76, 80.46

 

CMYK 86 / 0 / 86 / 0

HEX #24FF23

RGB 36 255 35

HSL 119.73, 1%, 0.57%

LAB 87.98, -83.78, 79.41

 

CMYK 79 / 0 / 79 / 0

HEX #35FF36

RGB 53 255 54

HSL 120.3, 1%, 0.6%

LAB 88.23, -81.26, 75.29

 

CMYK 73 / 0 / 71 / 0

HEX #46FF49

RGB 70 255 73

HSL 120.97, 1%, 0.64%

LAB 88.59, -77.74, 69.82

 

CMYK 66 / 0 / 64 / 0

HEX #57FF5C

RGB 87 255 92

HSL 121.79, 1%, 0.67%

LAB 89.07, -73.21, 63.31

 

CMYK 94 / 0 / 92 / 2

HEX #0EF915

RGB 14 249 21

HSL 121.79, 0.95%, 0.52%

LAB 85.96, -83.86, 79.86

 

CMYK 100 / 0 / 99 / 9

HEX #00E702

RGB 0 231 2

HSL 120.52, 1%, 0.45%

LAB 80.27, -79.94, 77.02

 

CMYK 100 / 0 / 100 / 16

HEX #00D500

RGB 0 213 0

HSL 120, 1%, 0.42%

LAB 74.56, -75.24, 72.62

 

CMYK 100 / 0 / 100 / 24

HEX #00C300

RGB 0 195 0

HSL 120, 1%, 0.38%

LAB 68.77, -70.43, 67.98

 

CMYK 100 / 0 / 100 / 31

HEX #00B100

RGB 0 177 0

HSL 120, 1%, 0.35%

LAB 62.88, -65.53, 63.25

 

CMYK 94 / 0 / 91 / 2

HEX #10F917

RGB 16 249 23

HSL 121.8, 0.95%, 0.52%

LAB 85.97, -83.73, 79.61

 

CMYK 71 / 0 / 94 / 2

HEX #48F910

RGB 72 249 16

HSL 105.58, 0.95%, 0.52%

LAB 86.59, -78.28, 81.23

 

CMYK 46 / 0 / 94 / 2

HEX #87F910

RGB 135 249 16

HSL 89.36, 0.95%, 0.52%

LAB 88.42, -63.41, 83.48

 

CMYK 20 / 0 / 94 / 2

HEX #C6F910

RGB 198 249 16

HSL 73.13, 0.95%, 0.52%

LAB 91.59, -41.48, 87.34

 

CMYK 0 / 4 / 94 / 2

HEX #F9EE10

RGB 249 238 16

HSL 57.17, 0.95%, 0.52%

LAB 92.28, -15.75, 89.45

 

CMYK 94 / 0 / 91 / 2

HEX #10F917

RGB 16 249 23

HSL 121.8, 0.95%, 0.52%

LAB 85.97, -83.73, 79.61

 

CMYK 94 / 0 / 65 / 2

HEX #10F956

RGB 16 249 86

HSL 138.03, 0.95%, 0.52%

LAB 86.27, -79.84, 62.36

 

CMYK 94 / 0 / 40 / 2

HEX #10F995

RGB 16 249 149

HSL 154.25, 0.95%, 0.52%

LAB 87.01, -70.85, 34.52

 

CMYK 94 / 0 / 15 / 2

HEX #10F9D3

RGB 16 249 211

HSL 170.21, 0.95%, 0.52%

LAB 88.24, -57.18, 4.5

 

CMYK 94 / 10 / 0 / 2

HEX #10E0F9

RGB 16 224 249

HSL 186.44, 0.95%, 0.52%

LAB 81.98, -35.63, -24.78

 

CMYK 94 / 0 / 91 / 2

HEX #10F917

RGB 16 249 23

HSL 121.8, 0.95%, 0.52%

LAB 85.97, -83.73, 79.61

 

CMYK 94 / 0 / 91 / 2

HEX #10F917

RGB 16 249 23

HSL 121.8, 0.95%, 0.52%

LAB 85.97, -83.73, 79.61

 

CMYK 84 / 0 / 82 / 10

HEX #24E52A

RGB 36 229 42

HSL 121.87, 0.79%, 0.52%

LAB 79.94, -76.31, 70.68

 

CMYK 73 / 0 / 71 / 18

HEX #38D13D

RGB 56 209 61

HSL 121.96, 0.62%, 0.52%

LAB 74.05, -66.61, 59.07

 

CMYK 60 / 0 / 58 / 26

HEX #4CBD4F

RGB 76 189 79

HSL 121.59, 0.46%, 0.52%

LAB 68.38, -54.01, 45.43

 

CMYK 44 / 0 / 42 / 33

HEX #60AA62

RGB 96 170 98

HSL 121.62, 0.3%, 0.52%

LAB 63.44, -38.22, 30.07

 

CMYK 45 / 0 / 94 / 2

HEX #88F910

RGB 136 249 16

HSL 89.1, 0.95%, 0.52%

LAB 88.46, -63.1, 83.53

 

CMYK 70 / 0 / 94 / 2

HEX #4AF910

RGB 74 249 16

HSL 105.06, 0.95%, 0.52%

LAB 86.63, -77.95, 81.27

 

CMYK 94 / 0 / 92 / 2

HEX #10F914

RGB 16 249 20

HSL 121.03, 0.95%, 0.52%

LAB 85.96, -83.81, 80

 

CMYK 94 / 0 / 67 / 2

HEX #10F952

RGB 16 249 82

HSL 137, 0.95%, 0.52%

LAB 86.24, -80.23, 63.89

 

CMYK 94 / 0 / 42 / 2

HEX #10F990

RGB 16 249 144

HSL 152.96, 0.95%, 0.52%

LAB 86.94, -71.75, 36.9

 

CMYK 97 / 0 / 94 / 30

HEX #05B20A

RGB 5 178 10

HSL 121.73, 0.95%, 0.36%

LAB 63.26, -65.33, 62.28

 

CMYK 97 / 0 / 94 / 15

HEX #06DA0C

RGB 6 218 12

HSL 121.7, 0.95%, 0.44%

LAB 76.2, -76.13, 72.78

 

CMYK 94 / 0 / 91 / 2

HEX #10F917

RGB 16 249 23

HSL 121.8, 0.95%, 0.52%

LAB 85.97, -83.73, 79.61

 

CMYK 77 / 0 / 75 / 2

HEX #39FA3E

RGB 57 250 62

HSL 121.55, 0.95%, 0.6%

LAB 86.79, -78.85, 71.58

 

CMYK 61 / 0 / 60 / 2

HEX #61FB65

RGB 97 251 101

HSL 121.56, 0.95%, 0.68%

LAB 88.2, -68.97, 58.67

 

CMYK 94 / 0 / 92 / 2

HEX #0EF915

RGB 14 249 21

HSL 121.79, 0.95%, 0.52%

LAB 85.96, -83.86, 79.86

 

CMYK 94 / 20 / 0 / 2

HEX #10C6F9

RGB 16 198 249

HSL 193.13, 0.95%, 0.52%

LAB 74.41, -22.94, -36.43

 

CMYK 0 / 94 / 58 / 2

HEX #F91069

RGB 249 16 105

HSL 337.08, 0.95%, 0.52%

LAB 53.52, 80.56, 15.85

 

CMYK 94 / 0 / 92 / 2

HEX #0EF915

RGB 14 249 21

HSL 121.79, 0.95%, 0.52%

LAB 85.96, -83.86, 79.86

 

CMYK 92 / 94 / 0 / 2

HEX #1410F9

RGB 20 16 249

HSL 241.03, 0.95%, 0.52%

LAB 32.61, 75.31, -103.97

 

CMYK 0 / 92 / 94 / 2

HEX #F91410

RGB 249 20 16

HSL 1.03, 0.95%, 0.52%

LAB 52.59, 77.18, 62.16

 

CMYK 94 / 0 / 92 / 2

HEX #0EF915

RGB 14 249 21

HSL 121.79, 0.95%, 0.52%

LAB 85.96, -83.86, 79.86

 

CMYK 94 / 20 / 0 / 2

HEX #10C6F9

RGB 16 198 249

HSL 193.13, 0.95%, 0.52%

LAB 74.41, -22.94, -36.43

 

CMYK 0 / 94 / 2 / 2

HEX #F910F5

RGB 249 16 245

HSL 301.03, 0.95%, 0.52%

LAB 59.07, 94.93, -57.34

 

CMYK 0 / 73 / 94 / 2

HEX #F94310

RGB 249 67 16

HSL 13.13, 0.95%, 0.52%

LAB 56.28, 66.76, 64.28

 

CMYK 94 / 0 / 92 / 2

HEX #0EF915

RGB 14 249 21

HSL 121.79, 0.95%, 0.52%

LAB 85.96, -83.86, 79.86

 

CMYK 94 / 48 / 0 / 2

HEX #1081F9

RGB 16 129 249

HSL 210.9, 0.95%, 0.52%

LAB 54.71, 16.27, -67.62

 

CMYK 0 / 94 / 2 / 2

HEX #F910F5

RGB 249 16 245

HSL 301.03, 0.95%, 0.52%

LAB 59.07, 94.93, -57.34

 

CMYK 0 / 45 / 94 / 2

HEX #F98810

RGB 249 136 16

HSL 30.9, 0.95%, 0.52%

LAB 67.86, 36.6, 71.77

 

Description

Color code: HEX #0EF915 | qconv.com Color code: HEX #0EF915 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 249 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 249 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 92 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 92% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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